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Tag: latin music

Sonido Costeño Kick Out the Salsa Jams This Weekend

Sonido Costeño play an especially edgy, individualistic blend of oldschool salsa and other styles from south of the border and the Spanish Caribbean. Their most distinguishing feature is bandleader Juan Ma Morales’electric cuatro, which he wields to create a jangly, clanging, bristling intensity. The horns punch in and the group’s percussion section build an undulating groove, but it’s the cuatro that sets this group apart from their brassy brethren. They play a lot of outdoor shows, and they’re doing one on Oct 23 at two in the afternoon on the big plaza in front of the Brooklyn Public Library at Grand Army Plaza.

Check out the clip of La Murga at their Vimeo channel, from a show at a park on the Hudson this past Fourth of July. Morales flings bits and pieces of chords through a chilly pool of reverb, sings with a gritty intensity, and the horns add smoke and flame when they kick in. He plays guitar on Falling Rain, an English-language cha-cha recorded at a Brooklyn Museum show, and the sound is just as careening and fearless: the guy always sounds like he’s about to go over the cliff, but never does. And it’s contagious: the piano player’s solo is just as unhinged.

Sin Tu Carino, another song from the July 4 set, is more lighthearted, riffy and horn-driven. Scroll down for a scruffy take of Indestructible at the old Gonzalez y Gonzalez in the West Village, where Morales leaves his guitar on its stand and sticks to vocals for a more oldschool, traditional Spanish Harlem sound.

The group also have a few cuts from studio recordings up at their music page, which are predictably more lush and digital-clean. No doubt they will give that stuff more edge and bite at the library gig.

Live Music Calendar for New York City and Brooklyn for October 2021

As expected, outdoor concerts and those which are officially open to all New Yorkers have tapered off this month, but there are still performances popping up all over the place. If you go out a lot, you might want to bookmark this page and check back regularly.

A lot of venues aren’t enforcing the Mayor’s evil and sadistic apartheid policy: if you’re thinking of trying to catch an indoor show, use your intuition. Williamsburg venues are completely fascist these days, but other parts of town are quietly working back toward normalcy.

If you’re leaving your hood, don’t get stuck waiting for a train that never comes, make sure you check the MTA delays and out-of-service page for cancellations and malfunctions, considering how unreliable the subway has become.

If you don’t recognize a venue where a particular act is playing, check with the artist, or check the list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture. The list hasn’t been updated since this past summer, but it has directions and links.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you discovered here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

10/1, 6 PM the Italian Expressiveness and Expressionists Quartet “performs a program that spans four centuries, from Isabella Leonarda, a 17th century Ursuline Nun, to the 20th century expressionist and avant-garde composer, Niccolò Castiglioni” at Pier 3 Greenway Terrace toward the south end of Brooklyn Bridge Park

10/2, 7 PM Ray Santiago’s Afro-Cuban Jazz Band in the community garden at 640 E 12th St (B/C)

10/3, starting noon ish the annual Atlantic Antic street fair extending from northern Atlantic Ave all the way to the Atlantic Ave. subway station, there are always lots of street performers and usually a Middle Eastern band up the hill a couple of doors from Sahadi’s

10/3, 5 PM mighty Brazilian drumline street band BatalaNYC leads a parade starting in the community garden at Ave C and E 9th St

10/3, 6 PM the Chupacabras play psychedelic cumbia surf jazz at the community garden at 84 Ave B at E 6th St

10/3, 5 PM, repeating 10/6 at 6:30 colorful, charismatic pianist/salonniere Yelena Grinberg joins forces with violinist Emilie-Anne Gendron of the Momenta Quartet for a program of works by CPE Bach, Brahms, Mozart and Beethoven at Grinberg’s popular monthly upper westside salon, email for deets here., a 3  minute walk from 1/2/3 train at 96th St.

10/3, 3 PM violinist Clara Kim leads a quartet playing Samuel Coleridge-Taylor’s exhilarating 5 Fantasiestücke, Op.5 plus works by Angel Lam: and Schubert’s String Quartet no. 14, ‘Death and the Maiden at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, sugg don

10/2, 8 PM intense saxophonist Jeff Lederer’s Leap Day Trio w/ Mimi Jones and Matt Wilson at Bar Bayeux

10/4, 4 PM nimble tsimblist Pete Rushefsky‘s Boardwalk Serenade play rippling klezmer tunes up on the Brighton Beach Boardwalk near the Volna Restaurant (corner of Brighton 4th St.).

10/5, half past noon pianist Ayako Shirasaki at Bryant Park

10/6, 8 PM jazz drummer Savannah Harris’ Group at Bar Bayeux

10/8, 7 PM the irrepressible, colorful, alternately atmospheric and picturesque Erica Seguine/Shannon Baker Jazz Orchestra  outdoors at Culture Lab in Long Island City

10/9, 2 PM mesmerizing soprano saxophonist Sam Newsome plays solo at the Urban Meadow (President St & Van Brunt St, in Red Hook)

10/9, 2:30 PM drummer Aaron Edgcomb with guitarist Will Greene, bassist Simon Hanes, possibly playing John Zorn material on Vanderbilt Ave btw Bergen and Dean, 2 to Bergen St and walk uphill

10/9, 4 PM violinist Sarah Bernstein‘s mesmerizing, microtonal Veer Quartet with Sana Nagano, Leonor Falcon and Nick Jozwiak on bass at Oliver Coffee on Oliver south of East Broadway, take any train to Canal and go down Mott

10/13, 8 PM bassist David Ambrosio‘s allstar Civil Disobedience project w/ Duane Eubanks, Donnie McCaslin, Bruce Barth and Victor Lewis at Bar Bayeux

10/14, 3 PM Venezuelan jazz pianist Gabriel Chakarji at Haswell Green Park, 60th/York Ave

10/16, 5 PM  energetic delta blues/Romany swing guitarist Felix Slim at Culture Lab outdoors in LIC, down the block from his old haunt LIC Bar

10/17, 2 PM epic, Americana-inspired multi-reedman Mike McGinnis leads his group to accompany a couple of dance performances at at Parkside Plaza, corner of Parkside and Ocean Aves in Prospect Lefferts Gardens, Q to Parkside Ave

10/21, 5:30 PM jazz bassist John Benitez leads his latin jazz group at Wright Park, Haven Ave/170th St., Washington Heights

10/22, 6:30 PM  the cinematic, eruditely comedic Broken Reed Saxophone Quartet with special guest singer Tammy Scheffer outdoors at Open Source Gallery, 306 17th St south of 6th Ave, South Park Slope, R to Prospect Ave

10/23, 11 AM the Hudson Horns play brassy funk and soul sounds on Bridge Park Dr and Pier 6 in Brooklyn Bridge Park

10/23, 2 PM jazz bassoonist Sara Schoenbeck solo & duo w/drummer Andrew Drury at the Urban Meadow (President St & Van Brunt St, in Red Hook)

10/23, 2 PM Sonido Costeño play oldschool salsa on the steps of the Brooklyn Public Library at Grand Army Plaza

10/25, 2 PM high-voltage psychedelic cumbia/Afrobeat jamband MAKU Soundsystem   at Wingate Park in Crown Heights, 2/5 to Sterling St.

10/26, 5 PM irrepressible composer/performer and improviser Ljova solo on fadolin outdoors at Anita’s Way, 137 W 42nd St

10/29, 3 PM chanteuse/uke player Dahlia Dumont’s Blue Dahlia playing edgy, smartly lyrically-fueled, jazz-infused tunes in English and French with classic chanson and Caribbean influences  at Ruppert Park. Second Ave. bet. E. 90 St. and E. 91 St.

10/31, 4 PM a creepy classical program TBA plus candy for the kids outside the Brooklyn Conservatory of Music

10/31, 7 PM haunting Mexican singer Magos Herrera – who does classic film score music as well as nuevo cancion and classical music – leading a quintet at Terrazza 7, free

A Lavish Upcoming Album From Salsa Jazz Pianist Dayramir González

Pianist Dayramir González is an incendiary, hard-hitting jazz pianist who could be characterized as the missing link between McCoy Tyner and Eddie Palmieri. He slayed at one of the very last latin jazz concerts at Lincoln Center, at the end of 2019. Gonzalez’s lavishly orchestral new album Tribute to Juan Formell & Los Van Van, which hasn’t hit the web yet. A diverse cast of salsa singers from across the decades take turns in front of the band; the record also comes with a full-length concert video. This album is more testament to Gonzalez’s outside-the-box ambitions than his sizzling chops.

The songs are a turbocharged mix of foundational Cuban salsa hits, awash in strings and sweeping brass. Brenda Navarre intones a brief homage to Formell, their guiding force, over Gonzalez’s bright neoromantic chords, then all of a sudden she shifts to an incantation to the spirits.

Gonzalez completely flips the script with Tu Decision, reinvented as latin P-Funk with a woozy synth organ patch, flute and orchestral strings. He switches back to piano as the orchestra backs away for bright flute and sax solos.

Alain Perez sings Mis Dudas with a gritty intensity over an undulating, symphonic sweep: it’s a mini salsa symphony. Luna Manzanres takes over the mic for Este Amor Que Se Muere, Gonzalez and the strings adding a towering angst before the brass and the groove kick in.

David Blanco provides the vocals on the catchy anthem Anda Ven y Muevete, which Gonzalez and the band reinvent as quasi-rocksteady. Then Teresa Yanet delivers a strikingly raw, plaintive take of Todo Se Acabo over a slinky, plush backdrop.

With Mandy Cantero out in front of the band, Deja la Boberia is both more rustically rhythmic and symphonically cosmopolitan than the original. Later on Hayla Mompie joins Cantero for El Guararey de Pastora, which also has a more rugged groove and a wickedly spiraling Gonzalez solo.

No Te Quieres Tu, a duet between Mayito Rivera and Arlenys Rodriguez, is the most epic, lavish rearrangement here: the surprise ending is killer. Next, Rivera and Telmary Diaz team up for a slyly funky reggaeton remake of Marilu.

Abdel Rasalps, Diaz, Rivera and Rumba Pelladito all join in a serpentine version of Chan Chan to close the record.

A Wild Cuban Salsa Dance Party at Drom

Friday night at Drom, percussionist Pedrito Martinez and his band put on a feral, thunderous dance party. This wasn’t tame, watered-down covers of famous salsa jams from the 70s: Martinez plays originals, set to a constantly shifting, slinky groove. If the club wasn’t sold out, it was close to capacity, and from the second the smoke machine kicked in and the band hit the stage, people were dancing in their seats.

That didn’t last. By the end, everybody was on their feet. There was one particular couple who spent the entirety of the show twirling in between the tables, and they were just as interesting to watch as the band were, completely locked into the kaleidoscope of rhythms. When the pretty brunette saw Martinez move from behind his massive kit to show off his own dance moves at the front of the stage, she leapt up onstage and joined him. By the end of the show, the duo looked as if they’d changed shirts. You would have too if you’d given yourself that kind of workout.

In this band, everybody is part of the percussion section, even the horns. Martinez had six congas, a snare, hi-hat, two cymbals slung overhead, and would occasionally drive home a turnaround with a mighty thump on the cajon he was sitting on. He introduced his timbalero as “the greatest percussionist of his generation,” and nobody in the crowd argued with that, especially when the two dueled and built supersonic volleys of beats, to a tropical hailstorm.

The group’s roughly ninety-minute set was like one long song, but with sometimes subtle, sometimes spectacular rhythmic shifts. Even more impressive than the sheer physicality and grace of the performance was how fresh it sounded. Martinez has been doing this for a long time, but the chemistry in this band is such that everybody knows how to push everybody else’s buttons and drive the jousting to new levels of intensity.

Martinez’s forthcoming album is titled Autentico, and his pianist is in charge of the arrangements, so it was no surprise to see what a polyrhythmic approach he took to his cascades and stabbing chords. Likewise, the group’s bassist would hammer on the strings with the edge of his fist rather than merely fingerpicking. The man in the sunburst shirt who started out on guiro doubled on both trombone and trumpet, often playing all three instruments in the same song. And it was fun to watch Martinez take a turn on bass late in the set: he knows what he’s doing! Likewise, the timbalero took over on congas when Martinez would get up to dance with a pretty girl.

Incendiary Guitar in Brooklyn and Queens

Tuesday was a good day for hotshot guitarists in New York. The first played acoustic, the second fronted a sizzling electric band. Each put an individualistic, high-voltage spin on an old tradition.

At one of the ongoing outdoor lunchtime concerts at the little plaza where Willoughby meets Pearl Street in downtown Brooklyn, Noe Socha proved he’d been polishing his chops during the lockdown, both on guitar and blues harp. His second set of the afternoon was a mix of expertly fingerpicked traditional blues from across many styles, many of them instrumentals, along with a handful of more outside-the-box, jamband-oriented material.

Playing a duo set with a bassist who provided a slinky backdrop when he wasn’t doubling the melody line, Socha shifted effortlessly from one open tuning to another. The most rustic tunes began in the Mississippi delta, Socha sometimes playing with a slide. His brisk fingerpicking on some of the other songs seemed rooted in both Piedmont and Texas styles. Occasionally, the two musicians would play over a backing track of simple chords. The most adventurous number was a leaping, bounding mashup of Thelonious Monk phantasmagoria and what could have been a darkly simmering Albert King ballad, in a past life. What’s coolest about Socha is that pretty much everything in the set could have been an original: he doesn’t just play the same old standards everybody else does. The sun isn’t just gonna shine on his back door someday. It’s there right now.

Later in the evening, the fireworks were at Gantry Plaza State Park on the water in Long Island City, where Santo Domingo-born Yasser Tejeda & Pelotre roared and slithered through a head-bobbing set of mostly original material centered around several beats from his Dominican home turf. Joined by a bassist who played fat, puffy downtuned lines, Tejeda’s drummer and percussionist – the latter on a big kit with congas and bongos – further energized the big crowd of dancers gathered down front. It’s impossible to remember seeing so many people – at least three hundred, probably twice that including everybody passing through – at this space for a concert. Tejeda may be a popular guy anyway, but New Yorkers are clearly starved for live music right now!

Tejeda brings a fiery psychedelic rock intensity to merengue. If you love the ramshackle improvisation of oldschool merengue tipica but wish it was louder, Tejeda is your man. He loves reverb, an effect that really resonated across the boomy stone plaza. Other times he played through a chorus pedal, using various levels of iciness.

He started the set with a catchy minor-modal bounce that was almost a cumbia. The second number was where he first brought in an achingly majestic David Gilmour-style wail that ultimately looked back to Jimi Hendrix, but without being imitative. Meanwhile, the rhythm section churned out a galloping triplet groove that reminded of qawwali in places: these guys obviously have their ears wide open.

The quietest numbers of the set were a quasi-cumbia take of the Beatles’ Do You Want to Know a Secret, which Tejeda sang in Spanish, and later a spare minor-key original where Tejeda brought to mind the Police’s Andy Summers at his most mutedly somber. The best song of the night was an original instrumental that sounded like Juju-era Siouxsie & the Banshees doing a creepy merengue, Tejeda setting his chorus box to deep freeze. With the rest of the merengues, Tejeda sped up, slowed down, then finally played a cheery old carnival tune from the 1950s that turned out to be the biggest hit with the dancers. In the careening final number, Tejeda quoted liberally from Bob Marley’s I Shot the Sherriff on the the turnarounds when he wasn’t firing off icepick volleys of tremolo-picking. What a party!

Tejeda’s next gig is at the downtown plaza at Willoughby and Pearl on Aug 24 at noon for two sets. Socha’s next non-apartheid gig is Aug 22 at around 8 outdoors at the Flying Lobster, 144 Union St off Hicks, just over the BQE. Take the F to Smith/9th. 

Trans-Global Entertainment With Accordion and Guitar in Downtown Brooklyn

Erica Mancini is an eclectically talented accordionist with a background equally informed by jazz, tango, cumbia and Americana, to name a few styles. She sings in a high, crystalline jazz voice and is a master of passing tones on the keys. Smokey Hormel was Johnny Cash’s last lead guitarist, but also has a thing for Brazilian music and jazz. The two make a good team. Playing a duo set at the little pedestrian mall where Willoughby meets Pearl Street in downtown Brooklyn on Tuesday afternoon, they treated a sunstruck lunchtime crowd to a major portion of the innumerable (some would say unlimited) styles suited to their two instruments.

Mancini sang the opening number, a torchy Brazilian tune, in Portuguese. Later on, she spun counterintuitive cascades through a couple of rustic Colombian coastal cumbia instrumentals.

Hormel was especially at home, both voicewise and fingerpicking his vintage National Steel model, on a couple of Hank Williams songs and a jaunty, bittersweet duet with Mancini on the old Lefty Frizzell country hit Cigarettes and Coffee Blues. But he also had fun with an English translation of what he called a Brazilian cowboy tune.

Mancini invited up a friend to sing fetching Carter Family-style harmonies on I’ll Fly Away and then an extended, playful version of Bei Mir Bist Du Schoen. Mancini’s version of another klezmer favorite, Comes Love, was just as wryly cheery. The two didn’t do any Romany swing, or tango, or Mexican banda music, but this was just the first set. It’s anybody’s guess how many other cultures they dipped their voices into in the next hour.

The next lunchtime show on the little plaza is Aug 17 at noon with acoustic fingerstyle delta blues guitarist Noe Socha. Mancini’s next gig is tomorrow night, Aug 13 at 8 PM at Sunny’s in Red Hook, her usual home base these days. Hormel is also at Sunny’s on Aug 18 at 8 with his western swing band.

Ariana Hellerman, the onetime publisher of Ariana’s List, a fantastic guide to live music and summer festivals, runs the series here. In addition to advocating for live music, she also has a passion for dance and is especially proud of the dance series she’s booking further down the Fulton Mall at Albee Square, a series of performances featuring styles from around the world that continues into the fall.

Gorgeous, Provocative, Timely New Tango Sounds From Los Tangueros del Oeste

2021 is the Astor Piazzolla centenary. The notoriously combative godfather of nuevo tango would probably be asking us right now, “Why aren’t you fighting harder?” Whatever the case in your part of the world, the fight for reason and normalcy is growing toward critical mass right now, and to inspire us, we have a vast number of recordings which were assembled over the web during the lockdown. One of the most gripping is Los Tangueros del Oeste‘s new album Alma Vieja (Old Soul), streaming at Spotify. It’s a transcontinental collaboration by a colorful, expert cast of tango musicians helmed by bassist Sascha Jacobsen and crooner Manuel Berterreix. This is a gorgeous and cutting-edge record.

The opening instrumental, Reflexión coalceses out of a dissociative, polyrhythmic introduction to a stern, unhurried theme, Charles Gorczynski’s bandoneón wafting over Pablo Estigarribia’s glittering piano lines as Carlos Caminos’ guitar fingerpicking mingles into the mix. Violinist Ishtar Hernandez signals a dip toward longing, then the ensemble pick up the energy again. It’s all the more impressive considering that all the individual tracks were recorded remotely in very different sonic environments.

Berterreix makes his entrance on the album’s defiant title track, an anguished sendoff to loved ones (and loved places) lost during the lockdown. The music slowly sways along over an echoey drum machine pattern; here, it’s Adrian Jost’s pulsing bandoneon that’s subtly echoed by Estigarribia.

Jacobsen’s stately, ominously strutting bass propels the instrumental Bordoneo y 2020, referencing the classic tango Bordoneo y 900. María Volonté’s heartfelt spoken word introduces El Rumbo de mi Corazón, a surreal mashup of nuevo tango and reggaeton. The instrumental La Máscara portrays the most loaded image in the world since March of 2020 with a sinister, phantasmagorical strut, aching violin and dramatic piano: clearly, Jacobsen gets the big picture.

The brooding Milonga de los Muertos is basically a trip-hop tune, a requiem for Jacobsen’s grandmother, whom he lost on the Day of the Dead in 2019. La Historia de Zola Lapiz (an anagram of a certain famous composer’s last name) is spiced with the occasional Piazzolla reference. That drummer Ari Refusta and percussionist Marlon Aldana were able to overdub themselves seamlessly into the mix – bolstered by Lewis Patzner’s cello – is impressive, to say the least. The conflagration at the end is one of the high points of the album.

The bouncy, carefree Carreta Antigua (Old Carriage) borrows from indigenous Argentine music – it’s practically a cumbia beat. A Pampa Cortés – a salute to the famous tango dancer – has an aptly lithe but also wary sway and a clever interweave of counterpoint. Un Bajo de Magia (Bass Magic) is a playful vehicle for Jacobsen’s multitracks on a small orchestra’s worth of basses, Gorczynski winding around before pianist Seth Asarnow adds a carnivalesque touch.

Everything heats up at the end of the album. El Bombero (The Fire Truck) is the closest thing to psychedelic cumbia here, complete with Berterreix’s rap. True to its title, the cheery, Italian-flavored El Torbellino (The Whirlpool) has an increasingly complex web of rhythms, vocally and otherwise.

The final number is Zamba Zefardim, continuing the venerable Piazzolla tradition of blending tango with Jewish melodies. His early years living next to synagogue would serve him well as a composer; Jacobsen draws on his own Sephardic background in the album’s most lushly dynamic, orchestral instrumental.

A Blissful Return For Arturo O’Farrill’s Paradigm-Shifting Afro-:Latin Jazz at Birdland

The live music meme in New York this summer is bliss. At his relentlessly entertaining show Sunday night at Birdland with his Afro-Latin Jazz Octet, pianist Arturo O’Farrill spoke to the “infinite loop” between musicians and audience, and how crucial that dynamic is for a performer The club wasn’t quite sold out, probably due to the impending storm outside, but you should have heard the thunderous standing ovation at the end of the show. That infinite loop resonated just as powerfully on both ends.

It helps that O’Farrill is a personable guy and loves to engage the crowd, but in a subtly erudite way. Since the 90s, he’s pushed the envelope about as far as anyone can go with what could loosely be called latin jazz, and he dares the listener to think along with him. And the band seemed as amped as he was to interact with everybody who’d come out.

Much as O’Farrill’s music is colorful and picturesque, there’s always a balance between unbridled passion and a zen-like discipline: nobody in this group overplays. At just about any concert, it’s almost inevitable that somebody gets carried away. Not this crew.

They opened with a broodingly Ellingtonian cha-cha and closed with a more exuberant salsa-jazz tune. Right off the bat, O’Farrill was busting loose: he gets all kinds of props as a composer, but we forget what a brilliant pianist he is. Lickety-split spiral staircase elegance, meticulously articulated yet spine-tingling cascades, moonlight sonatas that flashed by in seconds flat, DAMN. He didn’t confine all that to his opening solo, either.

Trumpeter Jim Seeley and trombonist Mariel Bildstein chose their spots, throughout a lot of deceptively sophisticated counterpoint. Whether everybody in the band is consciously aware of it or not, they’re all ultimately part of the rhythm section.

Bassist Bam Bam Rodriguez ranged from undulating grooves, to hazy uneasy, to a ridiculously comedic exchange with the bandleader late in the set. Drummer Vince Cherico is the secret timbalero in this project, particularly with his hypnotic rimshots, woodblock and bell. Conguero Keisel Jimenez had fun taking a turn on the mic for a singalong, clapalong take of the old salsa classic Manteca. His fellow percussionist Carlos Maldonado fueled several upward trajectories with his boomy cajon while tenor saxophonist Ivan Renta ranged from incisive to balmy to taking a carefree turn on flute.

And the compositions were as wide-ranging as anyone could hope for. There was the shapeshifting, chuffing La Llorona, from one of many of O’Farrill’s ballet suites, scheduled for release on album this winter (if there isn’t lockdowner interference). He drew some laughs when he introduced a restless, lustrous jazz waltz arrangement of the old Scottish air She Moves Through the Fair as a shout-out to his heritage (check the last name for validation).

He explained the matter-of-factly crescendoing Compa’Doug as a portrait of two guys out at night raising hell, although the group took their time with the song’s careful, saturnine development before a rather sober evening rolled into the wee hours. El Sur, a Gabriel Alegria tune, wound out expansively from a Peruvian festejo beat to a hypnotically circular, almost qawwali-ish 6/8 groove with punchy incisions from the horns. And O’Farrill warned that his tune Tanguanco – a mashup of tango and a slinky Cuban rhythm – was dangerously sexy, the percussion section anchoring it with a turbulent undercurrent.

O’Farrill and the octet continue their renewed weekly residency at Birdland every Sunday night at 7 PM; cover s $20.

Revisiting a Legendary New York Band From the 90s at Drom’s Summer Jazz Festival

It’s Saturday night in the East Village. Drom isn’t packed wall to wall like it was Thursday night for the Mingus Big Band, but there’s a healthy crowd, and it’s growing. Co-owner Serdar Ilhan takes a moment to reflect underneath the gorgeous sepia profile of the Galata Tower in Istanbul just to the right of the stage that greets customers as they walk in.

It’s the most metaphorically loaded, timely visual in any New York club these days: a fifteenth-century edifice, with a synagogue, a mosque and a church visible faintly in the background. Next year, Drom will be celebrating fifteen years of more US debuts of artists and bands from around the world than any other New York club can boast over that time. When did the club open? April of 2007? “I can’t remember,” Ilhan laughs. Then he goes over to the stage and gooses the smoke machine.

That seems a play to signal the band that it’s showtime. On one hand, it’s weird to see Groove Collective onstage, and a room full of people sitting at tables. But this isn’t the Groove Collective that used to pack the Mercury Lounge back in the mid-90s. Frontman and irrepressible freestylist Gordon, a.k.a. Nappy G flew the coop long ago. Not all of the core of the original band remain, and they aren’t the ubiquitous presence they were on the New York club circuit twenty-five years ago. But they’re just as original, and uncategorizable, and over the years have grown closer to being a straight-up jazz band. Which makes sense, considering that this show is part of Drom’s ongoing summer jazz festival.

And it’s date night, and maybe 90s nostalgia night too. There are a group of dancers gathered by the bar as well. The band find new ways to make two-chord vamps interesting, usually involving rhythm. The turbulent river thrown off by a sometimes four-person percussion section: drummer Genji Siraisi, conguero Chris Ifatoye Theberge, multi-percussionist Nina Creese and guest Peter Apfelbaum – contrasts with the often hypnotic insistence from Marcio Garcia’s piano and organ, and the looming ambience of trombonist Josh Roseman and saxophonist Jay Rodriguez.

What becomes clearest is how much the latin influence has come to the forefront in the band’s music. The clave goes doublespeed or halfspeed, Creese often serving as mistress of suspense. Apfelbaum teases the audience with a keyboard solo, running through a bunch of electric piano and organ patches, then switches to melodica for a deep dub breakdown before the groove is relaunched.

Rodriguez shifts between alto, tenor and flute while Roseman serves as co-anchor along with a new bassist, who has the circling riffs in his fingers. Meanwhile, the beat morphs from salsa to funk to trip-hop, a current-day dancefloor thud, and then a shuffling oldschool disco beat at the end of the night. Rodriguez ends up opting to cut loose with his most interesting, energetic riffage of the night early; Roseman, and eventually Apfelbaum on his usual tenor sax, do the opposite.

The next concert in Drom’s ongoing summer jazz festival is August 19 at 7 PM with a killer twinbill of double-threat Camille Thurman – who’s equally dazzling on the mic and the tenor sax – with the Darrell Green Trio, and also trombonist Conrad Herwig with his Quintet. Cover is $30; there’s also an absurdly cheap five-day festival pass for $100 available.

Live Music Calendar for New York City and Brooklyn for August and September 2021

***IMPORTANT*** – this calendar was compiled before Bill DiBozo’s’ vile and unconstitutional medical “passport” spyware requirement for admission to indoor concerts, bars and dining was announced. A random sample around town indicates that some businesses are allowing themselves to be weaponized against us, and that some aren’t. America’s Frontline Doctors have brought a civil rights lawsuit against the Mayor’s office, so between that and general noncompliance, the restrictions may not last long. In the meantime, if you’re thinking about going to something that’s happening on August 16 or later, don’t waste a trip, check with the venue to make sure they’re not using it. For the moment, only shows where there are definitely no restrictions are being listed here.

If you go out a lot, you might want to bookmark this page and check back regularly.

If you’re leaving your hood, don’t get stuck waiting for a train that never comes, make sure you check the MTA delays and out-of-service page for cancellations and malfunctions, considering how unreliable the subway has become.

If you don’t recognize a venue where a particular act is playing, check with the artist, or check the rigorously updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you discovered here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

8/1, 5 PM Los Cumpleanos – with Nestor Gomez – vox/percussion; Lautaro Burgos – drums; Eric Lane – keyboards; Alex Asher – trombone and others playing trippy, dubwise tropical psychedelia at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/1, 7 PM wild, sizzling guitar-and-brass-fueled Ethiopian jazz jamband Anbessa Orchestra at Pier 1 on the Hudson

8/1, 7 PM the Harlem Gospel Travelers and irrepressible 60s-style blue-eyed soul singer Eli “Paperboy” Reed at Our Wicked Lady, $15

8/1, 9 PM singer Richard Julian and pianist John Chin play Mose Allison songs at Bar Lunatico. Perfect pairing: Julian’s wry sense of humor and Chin’s erudite chops.

8/2-6, half past noon lyrical, dynamic original jazz pianist Victor Lin solo at Bryant Park

8/3, 7 PM fiery electric bluegrass and C&W with Demolition String Band at Shipyard Park, 13th St and McFeeley Drive in Hoboken,

8/3, 7:30 PM the East Coast Chamber Orchestra play works by Mozart, Golijov and others at the Naumburg Bandshell in Central Park

8/3, 8/10 PM postbop jazz supergroup the Cookers – Billy Harper, Cecil McBee, George Cables, Eddie Henderson, and Billy Hart – at the Blue Note, $30 bar seats avail

8/3, 9 PM  otherworldly French-Algerian singer Ourida with her combo at Bar Lunatico

8/4, 6:30, PM guitarist Oren Fader and and pianist/salonniere Yelena Grinberg reprise their sold-out performance of rare duo works by Vivaldi, Beethoven, Hummel, Moscheles, Weber, Boccherini, Munier, Castelnuovo and Piazzolla at Grinberg’s popular monthly upper westside salon, email for deets here., a 3  minute walk from 1/2/3 train at 96th St.

8/4, 7:30/9 PM cult favorite gonzo pianist Dred Scott plays Chick Corea at Mezzrow, $25

8/4, 8ish cinematic noir soul instrumentalists the Ghost Funk Orchestra at Our Wicked Lady, $12

8/4, 9 PM the Jimi Hendrix of the cuatro, Jorge Glem with pianist Cesar Orozco at Bar Lunatico

8/5. 7 PM cutting-edge Indian music collective Brooklyn Raga Massive outdoors at Culture Lab in Long Island City

8/5, 7 PM Veronica Davila’s twangy, Bakersfield-flavored hard honkytonk band Low Roller at Mama Tried, 147 27th St, Bay Ridge, R to 25th St

8/5, 7 PM what’s left of the hi-de-ho Cab Calloway Orchestra at Astoria Park, on the water, take the N to Astoria Blvd.

8/6, 7 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar

8/6, 11 PM clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Drom, $20

8/7, 2 PM an amazing improvisational jazz triplebill: baritone sax monster Josh Sinton with Daniel Carter and Sam Newsome, then brilliant, politically fearless visionary/tenor sax improviser Matana Roberts , and also flutist Laura Cocks solo at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

8/7, 7 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues. They’re also here on 7/21

8/7, 9:30 PM latin soul jams with the Brooklyn Boogaloo Blowout at 55 Bar

8/8, 2 PM ish Indian violinist Parthiv Mohan and ensemble play magical carnatic themes in Prospect Park; walk onto Parkside Ave from Machate Circle.”Once you pass Prospect Park Tennis Courts on your right, enter the park to your left. Then walk onto East Drive. From there you will be able to see Prospect Park Lake. Stay really close to the southwest corner of the lake (also its southernmost point). If you walk east along the lake from there, you’ll encounter a big patch of land which juts into the lake. It’s a pretty noticeable clearing” Closest train is the G to Ft Hamilton Pkwy – be aware that there is no F service this weekend

8/8, 7:30/9 PM  intense pianist Gerald Clayton solo at Mezzrow

8/9-13, half past noon lyrical, shapeshifting Brazilian pianist Luiz Simas solo at Bryant Park

8/10-12 Digable Planets at the Blue Note are sold out

8/10, noon torchy cumbia/swing singer and accordionist Erica Mancini  with Americana guitarist and Johnny Cash sideman Smokey Hormel outdoors at the corner of Pearl and Willoughby in downtown Brooklyn

8/11, 7 PM slinky, hypnotic percussive Moroccan trance band Innov Gnawa on the steps at the Grand Army Plaza branch of the Brooklyn Public Library

8/12, 8 anthemic speedmetal band Cold Dice, 9 PM the debut of Certain Death (the house band from Pfizer or Moderna maybe?) 10 PM wild fuzzy stoner metal band Grave Bathers followed by the even more macabre Castle Rat at Our Wicked Lady, $12

8/13, 5 PM ageless, jangly, purist NY surf rock originals the Supertoness at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/13, 8 PM   ferociously dynamic, tuneful,female-fronted power trio Castle Black at Culture Lab outdoors, 5-25 46th Ave in Long Island City, down the block toward the water from LIC Bar; 8/28 they’re outdoors at the Greenpoint Terminal Market at 3, Market St. past Kent Ave on the water, G to Nassau Ave

8/14, 4 PM B’Rhythm blend Indian music and classical dance moves at Garfield Place between Prospect Park West and 8th Ave. in Park Slope, music by Bala Skandan, choreography by Brinda Guha and Sonali Skandan and an A-list slate of dancers

8/14, 5 PM day one of a two-night surf rock festival: surfed-up tv themes from Commercial Interruption, the killer, dark Wiped Out at 6:30 and the majestic, darkly cinematic TarantinosNYC at 8 at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/14, 7/9:30 PM popular lyrical postbop trumpeter Jeremy Pelt leads his quartet at Smalls $25

8/14, 9:30 PM  this era’s most consistently interesting jazz pianist, Vijay Iyer at Prospect Park Bandshell. Listen from outside (try around the back) since the arena may still have restrictions

8/15, 3:30 PM not a musical event but a crucial moment on the way to freedom in NYC: march on Gracie Mansion (88th and East End Ave) to protest Bill DiBozo’s Orwellian medical “passport”

8/15, 5 PM closing night of a two-night surf rock festival: kick-ass original third-wavers Tsunami of Sound at 5, the cinematically-inspired Cameramen at 6:30 and Blue Wave Theory at 8 at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/16, 7:30 PM irrepressible wind ensemble Quintet of the Americas play a counterintuitive program of classic film and tv themes from Sanford and Sons to the Hair soundtrack and Woody Allen’s Radio Days at All Saints Episcopal Church, 85-45 96th Street in Woodhaven, J/Z to 104th St.

8/16, 9 PM boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band at Skinny Dennis

8;17, noon fingerstyle delta blues guitarist Noe Socha at the corner of Pearl and Willoughby in downntown Brooklyn

8/17, 7 PM Dominican jazz guitarist Yasser Tejeda & Pelotre at Gantry Plaza State Park

8/17, 7/8:30 PM  charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy‘ at Smalls, $25

8/17-19, 8/10 PM the Bernie Williams Collective at the Blue Note, $25 bar seats avail. Not a vanity project: the greatest centerfielder of his time is a solid latin jazz/funk guitarist.

8/18, 7 PM feminist Guinean songwriter Natu Camara on the steps at the Brooklyn Public Library at Grand Army Plaza

8/18, 7/8:30 PM eclectic jazz pianist Art Hirahara and his trio at Smalls, $25

8/18, 5 PM the Harlem Quartet at Times Square. Where? Follow the sound, it seems

8/18, 8 PM Stoogoid stoner boogie band Sun Voyager, noisy early 80s style postpunk band Smock and fuzzy acid blues/doom band Grandpa Jack at Our Wicked Lady, $12

8/18-22, 8/10 PM postbop jazz trumpeter and sly crooner Nicholas Payton at the Blue Note, $25 bar seats avail

8/19, 5:30 PM the Bryant Park Accordion Festival kicks off with rustic Colombian cumbia specialist Foncho Castellar, torchy cumbia/swing singer Erica Mancini , hotshot Brazilian forro player Felipe Hostins and more

8/19, 7 PM double threat Camille Thurman – equally dazzling on the mic and the tenor sax – with the Darrell Green Trio, and trombonist Conrad Herwig with his Quintet at Drom, $30

8/19, 7/9:30 PM edgy jazz oudist and bassist Omer Avital and his group where he got his start at Smalls, $25

8/19, 11 PM sardonic and punky Japanese girlband the Hard Nips at Our Wicked Lady, $12

8/20, 7 PM amazingly dynamic drummer  Johnathan Blake and his trio and wildfire Colombian harpist Edmar Castaneda with drummer Ari Hoenig at Drom, $30

8/20, 7 PM Gordon Lockwood (blues guitar monster Jeremiah Lockwood and drummer Ricky Gordon) at Terra Blues

8/20, 7/8:30 PM the Sun Ra Arkestra’s legendary nonagenarian EWI player Marshall Allen and group at Smalls, $25

8/21, 7 PM legendary second-wave Afrobeat band Antibalas at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

8/21, 7 PM edgy, incisive, terse jazz guitarist Russell Malone and his Quartet at Drom, $20

8/21, 9 PM purposeful, incisive Red Molly dobro player/songstress Abbie Gardner and newgrass band Damn Tall Buildings at Nimbus Studios, 329 Warren St btw Morgan & SteubenJersey City Jersey City, $5, PATH to Grove St.

8/22, 7 PM paradigm-shifting Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Drom $30

8/23, 7 PM  sharply surrealistic folk noir/outlaw country band Maynard & the Musties at Cowgirl Seahorse

8/23, 7/8:30 PM erudite pianist Orrin Evans‘ richly tuneful, purist, stampeding Captain Black Big Band at Smalls,$25

8/24, noon,  chanteuse/uke player Dahlia Dumont’s Blue Dahlia playing edgy, smartly lyrically-fueled, jazz-infused tunes in English and French with classic chanson and Caribbean influences  at the corner of Pearl and Willoughby in downtown Brooklyn

8/24, 6 PM the Donald Harrison Quartet with the Harlem Orchestra play Charlie Parker’s Bird with Strings at Marcus Garvey Park, be prepared to hang on the fringes because there may be restrictions

8/24, 7/8;30 PM hard-hitting  postbop saxophonist Mike DiRubbo’s quartet at Smalls, $25

8/25, 8 PM punk/rockabilly band the Screaming Rebel Angels, goth-punks the Wh0res, and fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel at Our Wicked Lady, $12

8/25, 4 PM not a music event but an important one for people who miss seeing indoor concerts: there will be a huge protest against mandatory lethal injections outside City Hall. The NYC union presence will be in full effect

8/26, 5:30 PM the Bryant Park Accordion Festival continues with klezmer maven Shoko Nagai, Gogol Bordello’s Yury Lemeshev, Argentine tango bandoneonist Tito Castro, charismatic Romany/Balkan chanteuse Eva Salina with pyrotechnic accordionist Peter Stan and others

8/26, 6 PM smart, lyrical, politically-inspired pianist Zaccai Curtis leads a trio at Times Square, Bwy at 43rd St

8/27, 6 PM an oldschool salsa dance party with 70s style charanga Son Del Monte at Alexander Avenue at Bruckner Boulevard in the Bronx

8/28, 5 PM nimble bassist Dawn Drake & Zapote‘play latin-tinged hard funk at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/28, 6 PM jazz violinist Melanie Dyer w/ poet Bonita Penn and bassist Ken Filiano at the Clifton Pl. Community Garden (1031 Bedford Ave), Ft. Greene, G to Bedford-Nostrand

8/28, 8 PM kinetic Cuban jazz pianist Elio Villafranca outdoors at An Beal Bocht Cafe, 445 W. 238th St. in the Bronx, 1 train to 238th St.

8/29, a parade of dancers with music by guitarist/bagpiper David Watson make their way through the Rockaways starting at 1 PM on the sand at Beach 86 St and end at 7 at Beach 110 St, performers include Toni Carlson, Yve Laris Cohen, Maggie Cloud, Marc Crousillat, Brittany Engel-Adams, Moriah Evans, Daria Fain, Lizzie Feidelson, Melanie Greene, Kennis Hawkins, Iréne Hultman, Shayla-Vie Jenkins, Burr Johnson, Niall Jones, Sarah Beth Percival, Jess Pretty, Antonio Ramos, Alex Rodabaugh, Carlo Villanueva, Anh Vo, Kota Yamazaki

8/29, 4 PM drummer Willie Jones III leads an allstar Charlie Parker centennial celebration band with Sarah Hanahan, Godwin Louis, Justin Robinson, Erena Terakubo with Donald Vega on piano and Endea Owens on bass at Marcus Garvey Park

8/29, 5 PM, repeating 9/1 at 6:30 colorful, charismatic pianist/salonniere Yelena Grinberg, violinist Eric Silberger and cellist Madeline Fayette play Haydn’s “Gypsy” piano trio, Mozart’s warmly lyrical Piano Trio in C and Beethoven’s daunting “Ghost” piano trio at Grinberg’s popular monthly upper westside salon, email for deets here., a 3  minute walk from 1/2/3 train at 96th St.

8/30-9/3 half past noon latin jazz pianist Isaac Bin Ayala solo at Bryant Park

9/1, 7:30ish noiserock legends Yo La Tengo at Rumsey Playfield in Central Park

9/2, 7 PM the irrepressible, cinematic, comedic Broken Reed Saxophone Quartet at Open Source Gallery, 306 17th St at 6th Ave. Park Slope, closest train is the R to Prospect Ave

9/3, 5:30 PM the Bryant Park Accordion Festival concludes with a global cast of A-list players TBA

9/3, 7 PM deviously erudite jazz chanteuse Svetlana & the Delancey Five at Culture Lab in Long Island City,

9/9, 7 PM tunefully scruffy pastoral jazz guitarist Tom Csatari leads his noir-tinged Uncivilized band outdoors at the Flying Lobster, 144 Union St off Hicks, just over the BQE, outdoors, F to Smith/9th. On 9/10, tuba player Ben Stapp and the First Eonic Clock Reading with Sam Newsome (soprano sax), Shanyse Strickland (french horn, flute), Noel Brennan (drums) open the night at 8; at 9 Uncivilized record a live album at Record Shop in Red Hook, 360 Van Brunt St., close to the B61 bus stop or just walk from the F train.

9/8, 7 PM the aptly named Firey String Sistas play their edgy chamber jazz at Pier 84, 44th st. and the Hudson just south of the Intrepid

9/11, 5 PM the NY Ska Orchestra at the corner of Ashland and Lafayette in downtown Brooklyn, downhill from BAM

9/11, 5 PM newschool gospel with Mary Mary singer Erica Campbell, the Walls Group, Lena Byrd Miles and Jason McGee and Choir at Rumsey Playfield in Central Park

9/11, 7 PM astringent avant garde ensemble WeFreeStrings and  fiery singer Amirtha Kidambi on the plaza at Lincoln Center, no ticket required

9/12, 4 PM the Overlook String Quartet play music by black composers Eleanor Alberga, Florence Price, and Chevalier de Saint-Georges at the Morris-Jumel Mansion, 65 Jumel Terrace about a block south of 162nd St., Washington Heights, free, A/C to 163rd St.

9/12, 7 PM southern soul songwriter Valerie June at Rumsey Playfield in Central Park

9/13, 4 PM a massive protest against the DiBozo apartheid and massive city firing plan at Foley Square, Centre St. north of Chambers downtown. A huge union presence will be in the house; the Highwire will be covering the event, and host Del Bigtree is scheduled to address the crowd.

9/14, noon iconic latin percussionist Willie Martinez leads his classic salsa/mambo trio at the corner of Pearl and Willoughby in downtown Brooklyn. 9/19 and 9/26, 2 PM he’s playing on President between Columbia and Van Brunt in Red Hook

9/14, 10:30 PM epically ferocious art-rock jamband Planta on the terrace outdoors at Terraza 7, $10

9/16, 6 PM the American Symphony Orchestra String Quartet play rarely heard works by William Grant Still, Carlos Simon, George Walker, Duke Ellington, Gabriela Lena Frank at at Brooklyn Bridge Park, Pier 3 Greenway Terrace toward the south end of the park

9/17, 7 PM the world premiere of Allison Loggins-Hull’s Diametrically Composed – the great Alicia Hall Moran singing collection of new works for flute, voice and piano exploring the conflicts of motherhood and having an artistic career – at Bryant Park

9/18, 1 PM a major freedom rally to celebrate World Freedom Day at Columbus Circle

9/18-10/3 the LUNGS Festival at various community gardens throughout the LES, a celebration of an oldschool pre-gentrification NYC artistic community spirit, the calendar is a work in progress, lots more to be added

9/18 a bunch of Americana performers at various locations on Pier 6 on the south end of Brooklyn Bridge Park starting at 3 with the guy/girl vocals of Bears of Alaska, at 4 acerbic, intense former Cricket Tell the Weather frontwoman Andrea Asprelli and at 5 anthemic loose cannon Olivia Lloyd. There’s also a “main stage” lineup starting at 3 with the charming oldtimey harmonies of the Queens of Everything, at 4 hotshot violinist Mazz Swift, at 5 protest singer Crys Matthews and Heather Mae, at 6 folk-pop singer Eleanor Buckland and at 6:30 the soaring, all-female Maybelles.

9/18, 4:30 PM bass goddess/soul singer Felice Rosser’s ageless reggae-rock-groove band Faith at El Sol Brilliante Garden, 522 East 12th street btwn B and C. 9/25 at around 4 they’re at Tompkins Square Park and 10/1 at 8 they’re at the LUNGS Festival in the Green Oasis Garden, 368 East 8th street btwn C and D

9/18, 5 PM the NY Ska Orchestra at the corner of Pearl and Willoughby in downtown Brooklyn

9/18, 8 PM legendary second-wave Afrobeat band Antibalas at Rumsey Playfield in Central Park, be prepared to hang on the fringes because of restrictions

9/18, 7:30 PM Trombone Shorty at Prospect Park Bandshell. We might have to listen from outside since the arena may still have restrictions

 9/18, 4 PM an all-afternoon Americana/folk lineup at the Dumbo Archway just west of Water St in Dumbo starting at 4 with colorfully lyrical original front-porch songwriter Melanie Curran, at 5 Britfolk singer Danni Nicholls, at 5:30 PM electric blues songstsress Edan Archer, at 6 nuevo-Orbisonesque crooner Bobby Blue, at 7 the brilliant swing jazz-inclined Samoa Wilson, and Spirit Family Reunion’s fiery Maggie Carson at 9

9/19, free coffee/breakfast snacks at 10:30 AM, show at 11 Sybarite5 cellist Laura Metcalf, guitarist Rupert Boyd, violinists Michelle Ross and Katie Hyun and violist Melissa Reardon play music by Astor Piazzolla, Osvoldo Golijov, Florence Price, Beyoncé and more outdoors in the courtyard at the Cell Theatre, 338 W 23rd St (8th/9th Aves), reservations req. 9/23, 7 PM they’re playing another free outdoor show at the Porch, 147th and St Nicholas Ave

9/19, 3 PM a bunch of Americana performers at various locations on Pier 6 on the south end of Brooklyn Bridge Park starting with energetic New England folk fiddler Emerald Rae, at 4 PM hotshot violinist Mazz Swift, at 5 the spare, atmospheric Treya Lam, the once-ubiquitous and brilliant multi-instrumentalist Joanna Sternberg at 5:30 and then at 6 rising star banjo player Nora Brown

9/19, 5 PM, repeating on 9/22 at 6:30 colorful, charismatic pianist/salonniere Yelena Grinberg, celebrates the Beethoven 250th birthday anniversary with a program of Bagatelles and his Diabelli Variations at her popular monthly upper westside salon, email for deets here., a 3 minute walk from 1/2/3 train at 96th St.

9/19, 7 PM Patti Smith at Rumsey Playfield in Central Park, be prepared to hang on the fringes because of restrictions

9/20-24, half past noon energetic, classically-inspired, colorful jazz pianist Ayako Shirasaki at Bryant Park

9/21, noon trumpeter Wayne Tucker leads his sunny soul-infused jazz quartet on the plaza at the corner of Pearl and Willoughby in downtown Brooklyn

9/23, 6 PM the American Symphony Orchestra String Quartet play an all-Italian baroque program of works by Boccherini, Donizetti and others at Brooklyn Bridge Park, Pier 3 Greenway Terrace toward the south end of the park

9/23, 6 PM fiery alto saxophonist Lakecia Benjamin & Pursuance at Marcus Garvey Park

9/24, 5 PM brilliant Americana and swing jazz chanteuse Samoa Wilson at Pearl Plaza, Pearl St. and Anchorage Pl. in Dumbo

9/24, 6 PM punk Balkan brass and oldtimey swing: the Rude Mechanicals followed by Baby Soda Band at La Plaza Cultural de Armando Perez (Ave C & 9th St)

9/24, 6 PM sizzling, politically fearless latin jazz pianist/composer Arturo O’Farrill’s Afro-Latin Jazz Orchestra on the plaza at 300 Ashland Pl. down the block from BAM

9/25, 3 PM newschool latin soul/boogaloo dance band Spanglish Fly at the block party at 88 S Portland St in Ft Greene, C to Lafayette Ave

9/25, 3 PM first-class improvisation: Steve Wirts and George Garzone on tenor sax, Francisco Mela on drums and others at 11BC Garden 11th St (Aves B & C)

9/25, 4 PM Los Fascinates play oldschool salsa at the 9C Garden (Ave C & 9th St)

9/26, 4 PM downtown jazz guitar icon Elliott Sharp plays a rare outdoor gig at La Plaza Cultural de Armando Perez (Ave C & 9th St)

9/26, 4 PM lyrical saxophonist Avram Fefer leads a trio at First Street Green Cultural Park, 33 East 1st St.

9/26, 5 PM punkabilly rockers the Screaming Rebel Angels at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

9/30, 5 PM deviously entertaining hot 20s swing chanteuse Sweet Megg Farrell and band at Albee Square on the Fulton Mall in downntown Brooklyn

9/30, 6 PM the American Symphony Orchestra String Quartet play a wild jazz-oriented program of works by Piazzolla, Lonnie Johnson, Esperanza Spalding and others at Brooklyn Bridge Park, Pier 3 Greenway Terrace toward the south end of the park

9/30, 6:30 PM pianist Andrew Boudreau leads an improvisational trio in the community garden on E 8th St (Ave C/D)

10/1, 7 PM 90s psychedelic noiserock legends Yo La Tengo at Rumsey Playfield in Central Park, be prepared to hang on the fringes because of restrictions

10/3, 1 PM  hard-hitting, brass-fueled newschool latin soul/boogaloo dance band Spanglish Fly at Playground 52,  Kelly St bet. Av St John and Leggett Ave in the Bronx, 6 to Longwood Ave