If Jon Spencer never made another record, his place in New York rock history would be secure. The genius of the Jon Spencer Blues Explosion was that they were able to carve out a distinctive niche in the gutter blues scene here by adding a more colorful, focused soul and garage rock-influenced sound. Where, say, the Chrome Cranks pursued an unhinged, doomed junkie fixation, JSBX played party music. And (along with their more lyrically inclined colleagues White Hassle) they beat the White Stripes to the bassless shtick by several years.
Fast forward to 2022: Spencer has a new band, the HITmakers, and a new album Spencer Gets It Lit streaming at Bandcamp. This isn’t the first time Spencer has worked without a guitar sparring partner: his foil on the record is keyboardist Sam Coomes. M. Sord plays drums; former Sonic Youth Bob Bert is credited with “trash.” His bangable metallic objects punch through the surface from time to time, but the effect is more organic than industrial. All of this you can dance to.
They open the record with Junk Man, a fuzztone Stooges take on roller-rink soul. Then they pull back on the fuzz and ramp up the catchy 60s psych-pop riffs in Get It Right Now.
There are a grand total of fifteen tracks on this album: Spencer does not cheat his fans. Among them, there’s a skeletal, hypnotic one-chord stomp punctuated by a couple of creepy surf interludes. Spencer cleverly pokes the TV Eye riff out over clouds of buzzy synth. He mashes up Roky Erikson clang with a 90s loopiness, then does the same a little later on with late 70s Rockpile twang and woozy new wave.
Sometimes he harmonizes his riffs with the keys, sometimes he lets the synth weave around: he’s never played more minimalistically than he does here. He often throws in some surreal, sometimes sinister spoken word that draws a straight line back to Iggy through the Eels’ Mark E. Beyond sheer craftsmanship, this isn’t particularly serious music, but there are lots of good jokes if you listen closely.