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Tag: folk music

Sarah McQuaid’s Starkly Lyrical New Live Album Captures a Dark Zeitgeist

Songwriter Sarah McQuaid was into the early part of a marathon 2020 tour when live music was criminalized throughout most of the world. Since she’d planned on making a live album while on the road, she made one closer to home, solo acoustic in the charming, medieval Cornwall church where she sings in a choir. The result is the vinyl record The St Buryan Sessions, streaming at Bandcamp. McQuaid has made a lot of good, darkly pensive albums over the years and this might be the best of them all, a quasi greatest hits collection that promises to have lasting historical resonance, capturing the zeitgeist of a moment that the world would rather never revisit.

Even the guarded, seductive optimism of What Are We Going to Do, in the stark solo electric version here, is far more muted than the original. The record is notable right off the bat for having the only recording of McQuaid singing Sweetness and Pain – a troubled but ultimately hopeful, plainchant-inspired mini-suite – as a contiguous whole. She does that a-cappella, taking advantage of the church’s rich natural reverb and what could be more than a two-second decay.

That reverb also enhances both McQuaid’s guitar and piano work. There’s a similarly resolute sense of hope through dark times in the second song, The Sun Goes On Rising. McQuaid’s voice is strong anyway, and here she reaches back for power to match the anxiousness and uncertainty.

If We Dig Any Deeper It Could Get Dangerous – what a song title for the fall of 2021, right? – brings to mind Richard Thompson‘s solo acoustic work, McQuaid starkly fingerpicking an enigmatic blues behind her loaded imagery. For the record, the vocal harmonies are live loops.

She switches to piano for The Silence Above Us, a brooding, slow, nocturnal waltz which seems practically prophetic, considering the events of 2020. One Sparrow Down is an understatedly grim little swing tune about a cat-and-bird game, McQuaid backing herself with just a kickdrum.

The sparkling open-tuned guitar melody of Charlie’s Gone Home, one of McQuaid’s earliest songs, contrasts with the elegaic narrative. The rainy-day jazz guitar backdrop dovetails more closely with the volcanic portents of Yellowstone, McQuaid capping it off with a slashing flourish.

Time to Love is the sparest, most hypnotic number here and makes a good segue with her similarly sparse cover of Autumn Leaves where she really airs out her upper register. Live vocal loops enhance the somber reflections on mass mortality that pervade In Derby Cathedral: yesterday the church crypt, tomorrow the world.

McQuaid loves open tunings, best exemplified by her eerily echoing, chiming, increasingly macabre phrasing over an ominously swooping bassline in the instrumental The Day of Wrath, That Day. She keeps the subdued atmosphere going in, the pall lifting a little in The Tug of the Moon.

She returns to piano, adding gravitas to Michael Chapman’s Rabbit Hills, pulling it closer toward pastoral Pink Floyd territory. The closing number, Last Song is a requiem for McQuaid’s mom – a musician herself – and a reflection on the enduring strength of intergenerational traditions.

Francesc Sans Takes Gorgeous, Blissfully Energetic Spanish Bagpipe Music to New Places

Spanish bagpiper Francesc Sans’s debut album as a bandleader, L’Infinit – streaming at Spotify – is wildly dynamic, often suspenseful, blissful music. As Dr. Pam Popper likes to remind us, we need to bolster our sense of joy and fun more than ever in times like these. This album is an especially exhilarating way to reconnect and recharge.

Sans plays with a breathtaking clarity, an unwavering wind-tunnel tone and a spun-silk legato. What’s just as delicious is that there are sometimes as many as three accordions at once on many of the songs here. They’re rooted in traditional styles – a lot of circle dances, a lot of waltzes – but the musicianship is way outside the box.

Sanz rises out of a murky pool of sound to a suspenseful march, then leads the group in a cheery waltz in the opening number, Tres Tocs Un Cant. After another portentous lull, they take it out triumphantly. There’s a small army of musicians on this record: Rafalito Salazar on guitar; Guillem Anguera, Josep Aparicio and Carles Belda on accordion; Pep Mateu on keys; Artemi Agràs on bass; Albert Carbonell on violin; Alexis Lanza on cello; Josep Maria Ribelles on harp; Pep Toni Rubio on flute; Iris Gayete and Pere Joan Martorell on percussion; and Ester G. Llop, Heura Gaya and Mariona Escoda on vocals,

The second track, Jnavarro is another waltz, rising to a delirious minor-key intensity. And it’s over too soon: the group could have gone on for another ten minutes and it wouldn’t be been boring. Then Sans totally flips the script with the piano ballad Les Quintes, first tenderly, then rising to symphonic proportions on the wings of the bagpipe against Mateu’s angst-fueled, neoromantic piano.

The band bring the party back with Amoretes, a rousing circle dance: Sans’ sirening glissando before the pouncing rhythm returns will give you goosebumps. After that, Tres Niuetes has rippling piano and a briskly bouncing beat that’s almost funk.

Sans stays with that number’s allusive chromatics on the airy introduction to Lo Meu Sud before the group launch into a Gipsy Kings-style romp. A La Nit De Nadal has a resonant bagpipe melody that’s just a wary hair off from a big Scottish air…plus somber Renaissance vocal harmonies.

L’Horizon begins as a cheerfully ambling theme, then shifts to a bracingly chromatic Andalucian trajectory before a wildly careening outro. Sans’ piercing clarity is stunning in A Les Fosques Pel Call, an irresistibly edgy acoustic cumbia tune.

Dolors Gegants is aptly titled, Lanza’s cello starkly aloft over Mateu’s spare, glittering piano, but then the group return to a boisterous circle dance: there’s no stopping this crew. They close the album with L’Aloseta. a rapturously unsettled cumbia lowlit with Gaya’s expressive, poignantly bittersweet vocals. What a disarmingly beautiful record for a time when we really need music like this.

Live Music Calendar for New York City and Brooklyn for October 2021

As expected, outdoor concerts and those which are officially open to all New Yorkers have tapered off this month, but there are still performances popping up all over the place. If you go out a lot, you might want to bookmark this page and check back regularly.

A lot of venues aren’t enforcing the Mayor’s evil and sadistic apartheid policy: if you’re thinking of trying to catch an indoor show, use your intuition. Williamsburg venues are completely fascist these days, but other parts of town are quietly working back toward normalcy.

If you’re leaving your hood, don’t get stuck waiting for a train that never comes, make sure you check the MTA delays and out-of-service page for cancellations and malfunctions, considering how unreliable the subway has become.

If you don’t recognize a venue where a particular act is playing, check with the artist, or check the list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture. The list hasn’t been updated since this past summer, but it has directions and links.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you discovered here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

10/1, 6 PM the Italian Expressiveness and Expressionists Quartet “performs a program that spans four centuries, from Isabella Leonarda, a 17th century Ursuline Nun, to the 20th century expressionist and avant-garde composer, Niccolò Castiglioni” at Pier 3 Greenway Terrace toward the south end of Brooklyn Bridge Park

10/2, 7 PM Ray Santiago’s Afro-Cuban Jazz Band in the community garden at 640 E 12th St (B/C)

10/3, starting noon ish the annual Atlantic Antic street fair extending from northern Atlantic Ave all the way to the Atlantic Ave. subway station, there are always lots of street performers and usually a Middle Eastern band up the hill a couple of doors from Sahadi’s

10/3, 5 PM mighty Brazilian drumline street band BatalaNYC leads a parade starting in the community garden at Ave C and E 9th St

10/3, 6 PM the Chupacabras play psychedelic cumbia surf jazz at the community garden at 84 Ave B at E 6th St

10/3, 5 PM, repeating 10/6 at 6:30 colorful, charismatic pianist/salonniere Yelena Grinberg joins forces with violinist Emilie-Anne Gendron of the Momenta Quartet for a program of works by CPE Bach, Brahms, Mozart and Beethoven at Grinberg’s popular monthly upper westside salon, email for deets here., a 3  minute walk from 1/2/3 train at 96th St.

10/3, 3 PM violinist Clara Kim leads a quartet playing Samuel Coleridge-Taylor’s exhilarating 5 Fantasiestücke, Op.5 plus works by Angel Lam: and Schubert’s String Quartet no. 14, ‘Death and the Maiden at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, sugg don

10/2, 8 PM intense saxophonist Jeff Lederer’s Leap Day Trio w/ Mimi Jones and Matt Wilson at Bar Bayeux

10/4, 4 PM nimble tsimblist Pete Rushefsky‘s Boardwalk Serenade play rippling klezmer tunes up on the Brighton Beach Boardwalk near the Volna Restaurant (corner of Brighton 4th St.).

10/5, half past noon pianist Ayako Shirasaki at Bryant Park

10/6, 8 PM jazz drummer Savannah Harris’ Group at Bar Bayeux

10/8, 7 PM the irrepressible, colorful, alternately atmospheric and picturesque Erica Seguine/Shannon Baker Jazz Orchestra  outdoors at Culture Lab in Long Island City

10/9, 2 PM mesmerizing soprano saxophonist Sam Newsome plays solo at the Urban Meadow (President St & Van Brunt St, in Red Hook)

10/9, 2:30 PM drummer Aaron Edgcomb with guitarist Will Greene, bassist Simon Hanes, possibly playing John Zorn material on Vanderbilt Ave btw Bergen and Dean, 2 to Bergen St and walk uphill

10/9, 4 PM violinist Sarah Bernstein‘s mesmerizing, microtonal Veer Quartet with Sana Nagano, Leonor Falcon and Nick Jozwiak on bass at Oliver Coffee on Oliver south of East Broadway, take any train to Canal and go down Mott

10/13, 8 PM bassist David Ambrosio‘s allstar Civil Disobedience project w/ Duane Eubanks, Donnie McCaslin, Bruce Barth and Victor Lewis at Bar Bayeux

10/14, 3 PM Venezuelan jazz pianist Gabriel Chakarji at Haswell Green Park, 60th/York Ave

10/16, 5 PM  energetic delta blues/Romany swing guitarist Felix Slim at Culture Lab outdoors in LIC, down the block from his old haunt LIC Bar

10/17, 2 PM epic, Americana-inspired multi-reedman Mike McGinnis leads his group to accompany a couple of dance performances at at Parkside Plaza, corner of Parkside and Ocean Aves in Prospect Lefferts Gardens, Q to Parkside Ave

10/21, 5:30 PM jazz bassist John Benitez leads his latin jazz group at Wright Park, Haven Ave/170th St., Washington Heights

10/22, 6:30 PM  the cinematic, eruditely comedic Broken Reed Saxophone Quartet with special guest singer Tammy Scheffer outdoors at Open Source Gallery, 306 17th St south of 6th Ave, South Park Slope, R to Prospect Ave

10/23, 11 AM the Hudson Horns play brassy funk and soul sounds on Bridge Park Dr and Pier 6 in Brooklyn Bridge Park

10/23, 2 PM jazz bassoonist Sara Schoenbeck solo & duo w/drummer Andrew Drury at the Urban Meadow (President St & Van Brunt St, in Red Hook)

10/23, 2 PM Sonido Costeño play oldschool salsa on the steps of the Brooklyn Public Library at Grand Army Plaza

10/25, 2 PM high-voltage psychedelic cumbia/Afrobeat jamband MAKU Soundsystem   at Wingate Park in Crown Heights, 2/5 to Sterling St.

10/26, 5 PM irrepressible composer/performer and improviser Ljova solo on fadolin outdoors at Anita’s Way, 137 W 42nd St

10/29, 3 PM chanteuse/uke player Dahlia Dumont’s Blue Dahlia playing edgy, smartly lyrically-fueled, jazz-infused tunes in English and French with classic chanson and Caribbean influences  at Ruppert Park. Second Ave. bet. E. 90 St. and E. 91 St.

10/31, 4 PM a creepy classical program TBA plus candy for the kids outside the Brooklyn Conservatory of Music

10/31, 7 PM haunting Mexican singer Magos Herrera – who does classic film score music as well as nuevo cancion and classical music – leading a quintet at Terrazza 7, free

A Colorfully Lyrical, Fast-Fingered Songwriter on the High Plains

Billy Lurken is the rare Americana songwriter who’s also a hell of a lead guitarist. His axe is acoustic. He gets a much bigger sound out of his guitar than most guys who usually play solo, and does the same on the banjo. He’s just as strong at bluegrass-style flatpicking as he is with the big jazzy chords of western swing and his own high-voltage take on the blues. He’s also a vivid chronicler of the anomie and quiet desperation everyday people face in Flyover America. Born in Minnesota and raised in South Dakota, he’s a fixture on the high plains circuit. His next gig is a free outdoor show on Sept 19 at 2 PM at Wilde Prairie Winery, 48052 259th St. in Brandon, South Dakota.

Lurken’s songs pick up on the little details but also capture the big picture. “It’s a Monday-through-Friday sort of dying” is one of the key lines in the Studs Terkel-influenced number he opened with on a segment of the No Cover, No Minimum show on South Dakota Public tv which you can stream here.

Movin’ On is a showcase for Lurken’s fast fingers on the frets: it’s a brisk early 50s style western swing-infused boogie about how the years can take their toll on a couple.

One of his most memorable story-songs is Home, a fast-picked chronicle of something less than bliss on the blue-collar domestic front. For all the detail – the dust-streaked Cadillac, the stoned girl on the back porch with her “Audrey Hepburn shades” – it’s what Lurken doesn’t say that packs the biggest punch.

And he has upbeat, optimistic songs to balance out the gloomy ones. There’s Girl in the Flowered Dress, a showcase for his chops. Tumbleweed, a studio recording, has a luscious, bluegrass-infused mix of guitar and banjo. And Rider, a cowboy tune, is a stark, nimbly fingerpicked Jimmie Rodgers-style blues.

If it might seem odd that a blog which has advocated for live music throughout the five boroughs of New York might be paying so much attention to South Dakota, that’s because South Dakota is a free state. There’s no apartheid there, no spyware required to go indoors at venues, restaurants and bars. That’s the way it is throughout the rest of the free states: Florida, Texas and across the plains. America’s Frontline Doctors have filed a civil rights lawsuit to overturn Mayor Bill DiBozo’s evil, unconstitutional edict, and at the moment a lot of businesses aren’t enforcing it. Until we succeed in liberating ourselves, you may see more of what’s happening in the land of “Great Faces, Great Places” here.

Sparely Powerful, Lyrical Catalan Songcraft From Singer Lia Sampai

One of the most stunningly direct, potently lyrical albums of the year is Lia Sampai’s latest release Amagatalls de Llum (rough unpoetic translation from Catalan: Hidden in Plain Sight), streaming at youtube. Sampai sings with a disarmingly intimate, nuanced delivery and writes striking, imagistic lyrics, with a fearless political sensibility. Her images can be charming and quirky one second and venomous the next. While there’s a definite flamenco influence in her music, there are also elements of Portuguese fado, pan-Mediterranean balladry, art-rock and tinges of jazz, nimbly negotiated by acoustic guitarist Adrià Pagès. Some of the songs are simply guitar and vocals, others feature terse strings in places.

She opens with La Caixeta (The Box), a stately, romantic waltz that’s part fado, part flamenco and part vintage Parisian chanson. The doll imagery in the sparse, angst-fueled second track, La Nina comes across as more of a reflection on reconnecting with an inner conscience than with an inner child, Lia Manchón’s violin and Ester Trilla’s cello adding pensive ambience.

La Nit del Foc (Night of Fire) is a coy mashup of a dramatic Spanish waltz and a Dylanesque talking blues. Sampai follows a suspenseful trail of eerie, allusive images, up to a duende-fueled peak in Pinyols de Gel (Hailstorm), Pagès’ attack growing more unhinged along with her.

The shapeshifting political broadside Una Llum (A Light) is a real stunner, a slap upside the head of a petty tyrant whose insatiable desire for control backfires and ignites a revolution. Sampai wrote this in 2019, but it has infinite more resonance in the year where the World Economic Forum terrorists are throwing everything they have at us to try to keep their global takeover attempt from going off the rails.

Iris is a delicately waltzing, enigmatic, metaphorically loaded narrative about a dancer (or maybe a stripper). Weeping willow metaphors take centerstage in the stark, grim Salze Vell:

Que dins de tant de vent lo plor és silenci,
Com una paraula que interdiu algú.
I les fulles se revolten encriptades
D’una música que sols entenem junts
Plorem per amunt!
Plorem per amunt!
Alcem un crit de pena i llibertat

[rough translation]

A scream drowned by the wind
Like a forbidden word
And the leaves spin, encrypted
With a music that only we understand
Let’s scream it!
Let’s scream it!
Scream from sadness, for freedom

The catchy, lilting Joc de Miralls (Game of Mirrors) seems to an examination of how recognizing your shadow in someone else can be liberating, if a little scary.

Pagès’ starry electric guitar rings out over Emili Bosch’s synth in Astronautes, a playful outer-space love song. Sampai winds up the album with the understatedly haunting L’Endemà (The Day After), the strings lush and moody as Gerard Morató’s piano mingles with Lluís Pérez-Villegas’ glockenspiel. Sampai’s Christmas party narrative is joyous and not a little defiant, but there’s a sinister undercurrent. What a perfect song for a year when dictators are trying to tell us how many people we can invite to our private holiday celebrations.

Victory Boyd Redeems the National Anthem

It’s likely that most Americans think of The Star Spangled Banner as a showoff piece that ambitious singers use to air out their pipes and signal the start of a ballgame. Then there’s the savage Jimi Hendrix remake, a protest against the exploitation of a disproportionate number of black Americans being drafted and sent into battle during the Vietnam War.

Victory Boyd‘s brand-new solo acoustic version also speaks to how black Americans are being targeted once again, this time for a lethal injection campaign. Boyd was fired from playing the national anthem to open the NFL season since she’s one of the approximately 75% of black Americans who won’t take the deadly Pfizer shot (more than twelve thousand murdered and half a million crippled, according to the government’s own statistics),

In a completely different way than Hendrix, she redeems the song. Check out those neat guitar reharmonizations – and the ending is priceless.

Thanks to the similarly fearless Mark Crispin Miller and also to Celia Farber for passing this along.

A Long Overdue Sonic Healing Ritual in Brooklyn

The sun goes down Wednesday evening behind Grand Army Plaza, welcome relief from the day’s crushing swelter. Heat is still rising from the stairs and courtyard extending to the gold-embellished facade of the Brooklyn Public Library. Feet stumble, brains fog and people collapse in conditions like this.

All the tables on the north side of the plaza are taken. There are a couple rows of chairs, carefully spaced apart. The area could accommodate many more, but paranoia in this part of town runs as deep as Loch Ness. A woman wears a surgical mask over her hijab. Hopefully she’s remembered to bring along a big water jug.

The PA is cranked up loud as Innov Gnawa launch into an undulating, clattering Moroccan gnawa groove. Six guys in regal robes and caps play heavy cast-metal qraqab castanets, flanking their leader and mentor, Maalem Hassan Ben Jaafer, who opens the show from behind a heavy drum slung over his shoulders. In his robe, sandals and blue-green reflector shades, he looks like Omar Souleymane.

One by one, the group members take a turn out front, showing off their fancy footwork as they crouch and strike expectant poses, their bandmates shifting between time signatures with split-second precision. Ben Jaafer has coached them well: they seem to know what’s coming, even though a lot of it is being made up on the spot.

The vocals are vigorous and incantatory: Ben Jaafer calls, the rest of the guys respond. He sings in Arabic, with a rugged, slightly raspy voice, saluting the spirits and engaging them to help us in our time of need. We’ve never needed them more than we do now.

Science tells us that low frequencies have healing properties: they calm our stress, lower our heart rate and our blood pressure. When Ben Jaafer pulls off his drum and picks up his sintir – the three-stringed Moroccan bass lute – the effect of his riffage, as he continues to move matter-of-factly from one rhythm to another, is visceral.

Although Morocco is home to a massive annual gnawa festival, the music is typically played at lila rituals. A lila is a lot of things: an all-night barbecue-and-hash party, a big communal jam, but also, perhaps more than anything else, a healing ceremony. This evening there’s exuberance, even triumph in Ben Jaafer’s voice and a hypnotic earth-heart pulse from his anthemic, blues-tinged sintir phrases. Maybe he’s channeling unseen sources, telling us that everything’s going to be all right even though all the earthly signs are pointing in the opposite direction.

Or maybe that’s a purely personal hope, finding solace amid the barrage of low tonalities punctuating the shamanic clank of the qraqabs. Ben Jaafer winds up the group’s first set much faster than he would have in Fes, where he learned his craft from some of the giants of the gnawa world. And then brought that repertoire here. At the moment, Innov Gnawa are the only traditional gnawa ensemble in North America.

The break between sets also affords an opportunity to crack a 24-ounce Modelo, but off the plaza, out of sight of the police cruisers circling the area. The slow walk toward Vanderbilt Avenue, in the shade, offers another kind of welcome comfort. The subway beckons, and at this point, it’s time to answer that call. Calm withstands the descent into renewed hellfire. Thank you for a restorative evening, Innov Gnawa.

The next show on the steps to the main branch of the Brooklyn Public Library is Aug 18 at 7  PM with feminist Guinean folk songwriter Natu Camara.

Trans-Global Entertainment With Accordion and Guitar in Downtown Brooklyn

Erica Mancini is an eclectically talented accordionist with a background equally informed by jazz, tango, cumbia and Americana, to name a few styles. She sings in a high, crystalline jazz voice and is a master of passing tones on the keys. Smokey Hormel was Johnny Cash’s last lead guitarist, but also has a thing for Brazilian music and jazz. The two make a good team. Playing a duo set at the little pedestrian mall where Willoughby meets Pearl Street in downtown Brooklyn on Tuesday afternoon, they treated a sunstruck lunchtime crowd to a major portion of the innumerable (some would say unlimited) styles suited to their two instruments.

Mancini sang the opening number, a torchy Brazilian tune, in Portuguese. Later on, she spun counterintuitive cascades through a couple of rustic Colombian coastal cumbia instrumentals.

Hormel was especially at home, both voicewise and fingerpicking his vintage National Steel model, on a couple of Hank Williams songs and a jaunty, bittersweet duet with Mancini on the old Lefty Frizzell country hit Cigarettes and Coffee Blues. But he also had fun with an English translation of what he called a Brazilian cowboy tune.

Mancini invited up a friend to sing fetching Carter Family-style harmonies on I’ll Fly Away and then an extended, playful version of Bei Mir Bist Du Schoen. Mancini’s version of another klezmer favorite, Comes Love, was just as wryly cheery. The two didn’t do any Romany swing, or tango, or Mexican banda music, but this was just the first set. It’s anybody’s guess how many other cultures they dipped their voices into in the next hour.

The next lunchtime show on the little plaza is Aug 17 at noon with acoustic fingerstyle delta blues guitarist Noe Socha. Mancini’s next gig is tomorrow night, Aug 13 at 8 PM at Sunny’s in Red Hook, her usual home base these days. Hormel is also at Sunny’s on Aug 18 at 8 with his western swing band.

Ariana Hellerman, the onetime publisher of Ariana’s List, a fantastic guide to live music and summer festivals, runs the series here. In addition to advocating for live music, she also has a passion for dance and is especially proud of the dance series she’s booking further down the Fulton Mall at Albee Square, a series of performances featuring styles from around the world that continues into the fall.

Live Music Calendar for New York City and Brooklyn for August and September 2021

***IMPORTANT*** – this calendar was compiled before Bill DiBozo’s’ vile and unconstitutional medical “passport” spyware requirement for admission to indoor concerts, bars and dining was announced. A random sample around town indicates that some businesses are allowing themselves to be weaponized against us, and that some aren’t. America’s Frontline Doctors have brought a civil rights lawsuit against the Mayor’s office, so between that and general noncompliance, the restrictions may not last long. In the meantime, if you’re thinking about going to something that’s happening on August 16 or later, don’t waste a trip, check with the venue to make sure they’re not using it. For the moment, only shows where there are definitely no restrictions are being listed here.

If you go out a lot, you might want to bookmark this page and check back regularly.

If you’re leaving your hood, don’t get stuck waiting for a train that never comes, make sure you check the MTA delays and out-of-service page for cancellations and malfunctions, considering how unreliable the subway has become.

If you don’t recognize a venue where a particular act is playing, check with the artist, or check the rigorously updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you discovered here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

8/1, 5 PM Los Cumpleanos – with Nestor Gomez – vox/percussion; Lautaro Burgos – drums; Eric Lane – keyboards; Alex Asher – trombone and others playing trippy, dubwise tropical psychedelia at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/1, 7 PM wild, sizzling guitar-and-brass-fueled Ethiopian jazz jamband Anbessa Orchestra at Pier 1 on the Hudson

8/1, 7 PM the Harlem Gospel Travelers and irrepressible 60s-style blue-eyed soul singer Eli “Paperboy” Reed at Our Wicked Lady, $15

8/1, 9 PM singer Richard Julian and pianist John Chin play Mose Allison songs at Bar Lunatico. Perfect pairing: Julian’s wry sense of humor and Chin’s erudite chops.

8/2-6, half past noon lyrical, dynamic original jazz pianist Victor Lin solo at Bryant Park

8/3, 7 PM fiery electric bluegrass and C&W with Demolition String Band at Shipyard Park, 13th St and McFeeley Drive in Hoboken,

8/3, 7:30 PM the East Coast Chamber Orchestra play works by Mozart, Golijov and others at the Naumburg Bandshell in Central Park

8/3, 8/10 PM postbop jazz supergroup the Cookers – Billy Harper, Cecil McBee, George Cables, Eddie Henderson, and Billy Hart – at the Blue Note, $30 bar seats avail

8/3, 9 PM  otherworldly French-Algerian singer Ourida with her combo at Bar Lunatico

8/4, 6:30, PM guitarist Oren Fader and and pianist/salonniere Yelena Grinberg reprise their sold-out performance of rare duo works by Vivaldi, Beethoven, Hummel, Moscheles, Weber, Boccherini, Munier, Castelnuovo and Piazzolla at Grinberg’s popular monthly upper westside salon, email for deets here., a 3  minute walk from 1/2/3 train at 96th St.

8/4, 7:30/9 PM cult favorite gonzo pianist Dred Scott plays Chick Corea at Mezzrow, $25

8/4, 8ish cinematic noir soul instrumentalists the Ghost Funk Orchestra at Our Wicked Lady, $12

8/4, 9 PM the Jimi Hendrix of the cuatro, Jorge Glem with pianist Cesar Orozco at Bar Lunatico

8/5. 7 PM cutting-edge Indian music collective Brooklyn Raga Massive outdoors at Culture Lab in Long Island City

8/5, 7 PM Veronica Davila’s twangy, Bakersfield-flavored hard honkytonk band Low Roller at Mama Tried, 147 27th St, Bay Ridge, R to 25th St

8/5, 7 PM what’s left of the hi-de-ho Cab Calloway Orchestra at Astoria Park, on the water, take the N to Astoria Blvd.

8/6, 7 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar

8/6, 11 PM clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Drom, $20

8/7, 2 PM an amazing improvisational jazz triplebill: baritone sax monster Josh Sinton with Daniel Carter and Sam Newsome, then brilliant, politically fearless visionary/tenor sax improviser Matana Roberts , and also flutist Laura Cocks solo at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

8/7, 7 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues. They’re also here on 7/21

8/7, 9:30 PM latin soul jams with the Brooklyn Boogaloo Blowout at 55 Bar

8/8, 2 PM ish Indian violinist Parthiv Mohan and ensemble play magical carnatic themes in Prospect Park; walk onto Parkside Ave from Machate Circle.”Once you pass Prospect Park Tennis Courts on your right, enter the park to your left. Then walk onto East Drive. From there you will be able to see Prospect Park Lake. Stay really close to the southwest corner of the lake (also its southernmost point). If you walk east along the lake from there, you’ll encounter a big patch of land which juts into the lake. It’s a pretty noticeable clearing” Closest train is the G to Ft Hamilton Pkwy – be aware that there is no F service this weekend

8/8, 7:30/9 PM  intense pianist Gerald Clayton solo at Mezzrow

8/9-13, half past noon lyrical, shapeshifting Brazilian pianist Luiz Simas solo at Bryant Park

8/10-12 Digable Planets at the Blue Note are sold out

8/10, noon torchy cumbia/swing singer and accordionist Erica Mancini  with Americana guitarist and Johnny Cash sideman Smokey Hormel outdoors at the corner of Pearl and Willoughby in downtown Brooklyn

8/11, 7 PM slinky, hypnotic percussive Moroccan trance band Innov Gnawa on the steps at the Grand Army Plaza branch of the Brooklyn Public Library

8/12, 8 anthemic speedmetal band Cold Dice, 9 PM the debut of Certain Death (the house band from Pfizer or Moderna maybe?) 10 PM wild fuzzy stoner metal band Grave Bathers followed by the even more macabre Castle Rat at Our Wicked Lady, $12

8/13, 5 PM ageless, jangly, purist NY surf rock originals the Supertoness at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/13, 8 PM   ferociously dynamic, tuneful,female-fronted power trio Castle Black at Culture Lab outdoors, 5-25 46th Ave in Long Island City, down the block toward the water from LIC Bar; 8/28 they’re outdoors at the Greenpoint Terminal Market at 3, Market St. past Kent Ave on the water, G to Nassau Ave

8/14, 4 PM B’Rhythm blend Indian music and classical dance moves at Garfield Place between Prospect Park West and 8th Ave. in Park Slope, music by Bala Skandan, choreography by Brinda Guha and Sonali Skandan and an A-list slate of dancers

8/14, 5 PM day one of a two-night surf rock festival: surfed-up tv themes from Commercial Interruption, the killer, dark Wiped Out at 6:30 and the majestic, darkly cinematic TarantinosNYC at 8 at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/14, 7/9:30 PM popular lyrical postbop trumpeter Jeremy Pelt leads his quartet at Smalls $25

8/14, 9:30 PM  this era’s most consistently interesting jazz pianist, Vijay Iyer at Prospect Park Bandshell. Listen from outside (try around the back) since the arena may still have restrictions

8/15, 3:30 PM not a musical event but a crucial moment on the way to freedom in NYC: march on Gracie Mansion (88th and East End Ave) to protest Bill DiBozo’s Orwellian medical “passport”

8/15, 5 PM closing night of a two-night surf rock festival: kick-ass original third-wavers Tsunami of Sound at 5, the cinematically-inspired Cameramen at 6:30 and Blue Wave Theory at 8 at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/16, 7:30 PM irrepressible wind ensemble Quintet of the Americas play a counterintuitive program of classic film and tv themes from Sanford and Sons to the Hair soundtrack and Woody Allen’s Radio Days at All Saints Episcopal Church, 85-45 96th Street in Woodhaven, J/Z to 104th St.

8/16, 9 PM boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band at Skinny Dennis

8;17, noon fingerstyle delta blues guitarist Noe Socha at the corner of Pearl and Willoughby in downntown Brooklyn

8/17, 7 PM Dominican jazz guitarist Yasser Tejeda & Pelotre at Gantry Plaza State Park

8/17, 7/8:30 PM  charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy‘ at Smalls, $25

8/17-19, 8/10 PM the Bernie Williams Collective at the Blue Note, $25 bar seats avail. Not a vanity project: the greatest centerfielder of his time is a solid latin jazz/funk guitarist.

8/18, 7 PM feminist Guinean songwriter Natu Camara on the steps at the Brooklyn Public Library at Grand Army Plaza

8/18, 7/8:30 PM eclectic jazz pianist Art Hirahara and his trio at Smalls, $25

8/18, 5 PM the Harlem Quartet at Times Square. Where? Follow the sound, it seems

8/18, 8 PM Stoogoid stoner boogie band Sun Voyager, noisy early 80s style postpunk band Smock and fuzzy acid blues/doom band Grandpa Jack at Our Wicked Lady, $12

8/18-22, 8/10 PM postbop jazz trumpeter and sly crooner Nicholas Payton at the Blue Note, $25 bar seats avail

8/19, 5:30 PM the Bryant Park Accordion Festival kicks off with rustic Colombian cumbia specialist Foncho Castellar, torchy cumbia/swing singer Erica Mancini , hotshot Brazilian forro player Felipe Hostins and more

8/19, 7 PM double threat Camille Thurman – equally dazzling on the mic and the tenor sax – with the Darrell Green Trio, and trombonist Conrad Herwig with his Quintet at Drom, $30

8/19, 7/9:30 PM edgy jazz oudist and bassist Omer Avital and his group where he got his start at Smalls, $25

8/19, 11 PM sardonic and punky Japanese girlband the Hard Nips at Our Wicked Lady, $12

8/20, 7 PM amazingly dynamic drummer  Johnathan Blake and his trio and wildfire Colombian harpist Edmar Castaneda with drummer Ari Hoenig at Drom, $30

8/20, 7 PM Gordon Lockwood (blues guitar monster Jeremiah Lockwood and drummer Ricky Gordon) at Terra Blues

8/20, 7/8:30 PM the Sun Ra Arkestra’s legendary nonagenarian EWI player Marshall Allen and group at Smalls, $25

8/21, 7 PM legendary second-wave Afrobeat band Antibalas at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

8/21, 7 PM edgy, incisive, terse jazz guitarist Russell Malone and his Quartet at Drom, $20

8/21, 9 PM purposeful, incisive Red Molly dobro player/songstress Abbie Gardner and newgrass band Damn Tall Buildings at Nimbus Studios, 329 Warren St btw Morgan & SteubenJersey City Jersey City, $5, PATH to Grove St.

8/22, 7 PM paradigm-shifting Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Drom $30

8/23, 7 PM  sharply surrealistic folk noir/outlaw country band Maynard & the Musties at Cowgirl Seahorse

8/23, 7/8:30 PM erudite pianist Orrin Evans‘ richly tuneful, purist, stampeding Captain Black Big Band at Smalls,$25

8/24, noon,  chanteuse/uke player Dahlia Dumont’s Blue Dahlia playing edgy, smartly lyrically-fueled, jazz-infused tunes in English and French with classic chanson and Caribbean influences  at the corner of Pearl and Willoughby in downtown Brooklyn

8/24, 6 PM the Donald Harrison Quartet with the Harlem Orchestra play Charlie Parker’s Bird with Strings at Marcus Garvey Park, be prepared to hang on the fringes because there may be restrictions

8/24, 7/8;30 PM hard-hitting  postbop saxophonist Mike DiRubbo’s quartet at Smalls, $25

8/25, 8 PM punk/rockabilly band the Screaming Rebel Angels, goth-punks the Wh0res, and fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel at Our Wicked Lady, $12

8/25, 4 PM not a music event but an important one for people who miss seeing indoor concerts: there will be a huge protest against mandatory lethal injections outside City Hall. The NYC union presence will be in full effect

8/26, 5:30 PM the Bryant Park Accordion Festival continues with klezmer maven Shoko Nagai, Gogol Bordello’s Yury Lemeshev, Argentine tango bandoneonist Tito Castro, charismatic Romany/Balkan chanteuse Eva Salina with pyrotechnic accordionist Peter Stan and others

8/26, 6 PM smart, lyrical, politically-inspired pianist Zaccai Curtis leads a trio at Times Square, Bwy at 43rd St

8/27, 6 PM an oldschool salsa dance party with 70s style charanga Son Del Monte at Alexander Avenue at Bruckner Boulevard in the Bronx

8/28, 5 PM nimble bassist Dawn Drake & Zapote‘play latin-tinged hard funk at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/28, 6 PM jazz violinist Melanie Dyer w/ poet Bonita Penn and bassist Ken Filiano at the Clifton Pl. Community Garden (1031 Bedford Ave), Ft. Greene, G to Bedford-Nostrand

8/28, 8 PM kinetic Cuban jazz pianist Elio Villafranca outdoors at An Beal Bocht Cafe, 445 W. 238th St. in the Bronx, 1 train to 238th St.

8/29, a parade of dancers with music by guitarist/bagpiper David Watson make their way through the Rockaways starting at 1 PM on the sand at Beach 86 St and end at 7 at Beach 110 St, performers include Toni Carlson, Yve Laris Cohen, Maggie Cloud, Marc Crousillat, Brittany Engel-Adams, Moriah Evans, Daria Fain, Lizzie Feidelson, Melanie Greene, Kennis Hawkins, Iréne Hultman, Shayla-Vie Jenkins, Burr Johnson, Niall Jones, Sarah Beth Percival, Jess Pretty, Antonio Ramos, Alex Rodabaugh, Carlo Villanueva, Anh Vo, Kota Yamazaki

8/29, 4 PM drummer Willie Jones III leads an allstar Charlie Parker centennial celebration band with Sarah Hanahan, Godwin Louis, Justin Robinson, Erena Terakubo with Donald Vega on piano and Endea Owens on bass at Marcus Garvey Park

8/29, 5 PM, repeating 9/1 at 6:30 colorful, charismatic pianist/salonniere Yelena Grinberg, violinist Eric Silberger and cellist Madeline Fayette play Haydn’s “Gypsy” piano trio, Mozart’s warmly lyrical Piano Trio in C and Beethoven’s daunting “Ghost” piano trio at Grinberg’s popular monthly upper westside salon, email for deets here., a 3  minute walk from 1/2/3 train at 96th St.

8/30-9/3 half past noon latin jazz pianist Isaac Bin Ayala solo at Bryant Park

9/1, 7:30ish noiserock legends Yo La Tengo at Rumsey Playfield in Central Park

9/2, 7 PM the irrepressible, cinematic, comedic Broken Reed Saxophone Quartet at Open Source Gallery, 306 17th St at 6th Ave. Park Slope, closest train is the R to Prospect Ave

9/3, 5:30 PM the Bryant Park Accordion Festival concludes with a global cast of A-list players TBA

9/3, 7 PM deviously erudite jazz chanteuse Svetlana & the Delancey Five at Culture Lab in Long Island City,

9/9, 7 PM tunefully scruffy pastoral jazz guitarist Tom Csatari leads his noir-tinged Uncivilized band outdoors at the Flying Lobster, 144 Union St off Hicks, just over the BQE, outdoors, F to Smith/9th. On 9/10, tuba player Ben Stapp and the First Eonic Clock Reading with Sam Newsome (soprano sax), Shanyse Strickland (french horn, flute), Noel Brennan (drums) open the night at 8; at 9 Uncivilized record a live album at Record Shop in Red Hook, 360 Van Brunt St., close to the B61 bus stop or just walk from the F train.

9/8, 7 PM the aptly named Firey String Sistas play their edgy chamber jazz at Pier 84, 44th st. and the Hudson just south of the Intrepid

9/11, 5 PM the NY Ska Orchestra at the corner of Ashland and Lafayette in downtown Brooklyn, downhill from BAM

9/11, 5 PM newschool gospel with Mary Mary singer Erica Campbell, the Walls Group, Lena Byrd Miles and Jason McGee and Choir at Rumsey Playfield in Central Park

9/11, 7 PM astringent avant garde ensemble WeFreeStrings and  fiery singer Amirtha Kidambi on the plaza at Lincoln Center, no ticket required

9/12, 4 PM the Overlook String Quartet play music by black composers Eleanor Alberga, Florence Price, and Chevalier de Saint-Georges at the Morris-Jumel Mansion, 65 Jumel Terrace about a block south of 162nd St., Washington Heights, free, A/C to 163rd St.

9/12, 7 PM southern soul songwriter Valerie June at Rumsey Playfield in Central Park

9/13, 4 PM a massive protest against the DiBozo apartheid and massive city firing plan at Foley Square, Centre St. north of Chambers downtown. A huge union presence will be in the house; the Highwire will be covering the event, and host Del Bigtree is scheduled to address the crowd.

9/14, noon iconic latin percussionist Willie Martinez leads his classic salsa/mambo trio at the corner of Pearl and Willoughby in downtown Brooklyn. 9/19 and 9/26, 2 PM he’s playing on President between Columbia and Van Brunt in Red Hook

9/14, 10:30 PM epically ferocious art-rock jamband Planta on the terrace outdoors at Terraza 7, $10

9/16, 6 PM the American Symphony Orchestra String Quartet play rarely heard works by William Grant Still, Carlos Simon, George Walker, Duke Ellington, Gabriela Lena Frank at at Brooklyn Bridge Park, Pier 3 Greenway Terrace toward the south end of the park

9/17, 7 PM the world premiere of Allison Loggins-Hull’s Diametrically Composed – the great Alicia Hall Moran singing collection of new works for flute, voice and piano exploring the conflicts of motherhood and having an artistic career – at Bryant Park

9/18, 1 PM a major freedom rally to celebrate World Freedom Day at Columbus Circle

9/18-10/3 the LUNGS Festival at various community gardens throughout the LES, a celebration of an oldschool pre-gentrification NYC artistic community spirit, the calendar is a work in progress, lots more to be added

9/18 a bunch of Americana performers at various locations on Pier 6 on the south end of Brooklyn Bridge Park starting at 3 with the guy/girl vocals of Bears of Alaska, at 4 acerbic, intense former Cricket Tell the Weather frontwoman Andrea Asprelli and at 5 anthemic loose cannon Olivia Lloyd. There’s also a “main stage” lineup starting at 3 with the charming oldtimey harmonies of the Queens of Everything, at 4 hotshot violinist Mazz Swift, at 5 protest singer Crys Matthews and Heather Mae, at 6 folk-pop singer Eleanor Buckland and at 6:30 the soaring, all-female Maybelles.

9/18, 4:30 PM bass goddess/soul singer Felice Rosser’s ageless reggae-rock-groove band Faith at El Sol Brilliante Garden, 522 East 12th street btwn B and C. 9/25 at around 4 they’re at Tompkins Square Park and 10/1 at 8 they’re at the LUNGS Festival in the Green Oasis Garden, 368 East 8th street btwn C and D

9/18, 5 PM the NY Ska Orchestra at the corner of Pearl and Willoughby in downtown Brooklyn

9/18, 8 PM legendary second-wave Afrobeat band Antibalas at Rumsey Playfield in Central Park, be prepared to hang on the fringes because of restrictions

9/18, 7:30 PM Trombone Shorty at Prospect Park Bandshell. We might have to listen from outside since the arena may still have restrictions

 9/18, 4 PM an all-afternoon Americana/folk lineup at the Dumbo Archway just west of Water St in Dumbo starting at 4 with colorfully lyrical original front-porch songwriter Melanie Curran, at 5 Britfolk singer Danni Nicholls, at 5:30 PM electric blues songstsress Edan Archer, at 6 nuevo-Orbisonesque crooner Bobby Blue, at 7 the brilliant swing jazz-inclined Samoa Wilson, and Spirit Family Reunion’s fiery Maggie Carson at 9

9/19, free coffee/breakfast snacks at 10:30 AM, show at 11 Sybarite5 cellist Laura Metcalf, guitarist Rupert Boyd, violinists Michelle Ross and Katie Hyun and violist Melissa Reardon play music by Astor Piazzolla, Osvoldo Golijov, Florence Price, Beyoncé and more outdoors in the courtyard at the Cell Theatre, 338 W 23rd St (8th/9th Aves), reservations req. 9/23, 7 PM they’re playing another free outdoor show at the Porch, 147th and St Nicholas Ave

9/19, 3 PM a bunch of Americana performers at various locations on Pier 6 on the south end of Brooklyn Bridge Park starting with energetic New England folk fiddler Emerald Rae, at 4 PM hotshot violinist Mazz Swift, at 5 the spare, atmospheric Treya Lam, the once-ubiquitous and brilliant multi-instrumentalist Joanna Sternberg at 5:30 and then at 6 rising star banjo player Nora Brown

9/19, 5 PM, repeating on 9/22 at 6:30 colorful, charismatic pianist/salonniere Yelena Grinberg, celebrates the Beethoven 250th birthday anniversary with a program of Bagatelles and his Diabelli Variations at her popular monthly upper westside salon, email for deets here., a 3 minute walk from 1/2/3 train at 96th St.

9/19, 7 PM Patti Smith at Rumsey Playfield in Central Park, be prepared to hang on the fringes because of restrictions

9/20-24, half past noon energetic, classically-inspired, colorful jazz pianist Ayako Shirasaki at Bryant Park

9/21, noon trumpeter Wayne Tucker leads his sunny soul-infused jazz quartet on the plaza at the corner of Pearl and Willoughby in downtown Brooklyn

9/23, 6 PM the American Symphony Orchestra String Quartet play an all-Italian baroque program of works by Boccherini, Donizetti and others at Brooklyn Bridge Park, Pier 3 Greenway Terrace toward the south end of the park

9/23, 6 PM fiery alto saxophonist Lakecia Benjamin & Pursuance at Marcus Garvey Park

9/24, 5 PM brilliant Americana and swing jazz chanteuse Samoa Wilson at Pearl Plaza, Pearl St. and Anchorage Pl. in Dumbo

9/24, 6 PM punk Balkan brass and oldtimey swing: the Rude Mechanicals followed by Baby Soda Band at La Plaza Cultural de Armando Perez (Ave C & 9th St)

9/24, 6 PM sizzling, politically fearless latin jazz pianist/composer Arturo O’Farrill’s Afro-Latin Jazz Orchestra on the plaza at 300 Ashland Pl. down the block from BAM

9/25, 3 PM newschool latin soul/boogaloo dance band Spanglish Fly at the block party at 88 S Portland St in Ft Greene, C to Lafayette Ave

9/25, 3 PM first-class improvisation: Steve Wirts and George Garzone on tenor sax, Francisco Mela on drums and others at 11BC Garden 11th St (Aves B & C)

9/25, 4 PM Los Fascinates play oldschool salsa at the 9C Garden (Ave C & 9th St)

9/26, 4 PM downtown jazz guitar icon Elliott Sharp plays a rare outdoor gig at La Plaza Cultural de Armando Perez (Ave C & 9th St)

9/26, 4 PM lyrical saxophonist Avram Fefer leads a trio at First Street Green Cultural Park, 33 East 1st St.

9/26, 5 PM punkabilly rockers the Screaming Rebel Angels at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

9/30, 5 PM deviously entertaining hot 20s swing chanteuse Sweet Megg Farrell and band at Albee Square on the Fulton Mall in downntown Brooklyn

9/30, 6 PM the American Symphony Orchestra String Quartet play a wild jazz-oriented program of works by Piazzolla, Lonnie Johnson, Esperanza Spalding and others at Brooklyn Bridge Park, Pier 3 Greenway Terrace toward the south end of the park

9/30, 6:30 PM pianist Andrew Boudreau leads an improvisational trio in the community garden on E 8th St (Ave C/D)

10/1, 7 PM 90s psychedelic noiserock legends Yo La Tengo at Rumsey Playfield in Central Park, be prepared to hang on the fringes because of restrictions

10/3, 1 PM  hard-hitting, brass-fueled newschool latin soul/boogaloo dance band Spanglish Fly at Playground 52,  Kelly St bet. Av St John and Leggett Ave in the Bronx, 6 to Longwood Ave

Haunting Klezmer Sounds and Protest Songs Outdoors in Park Slope This Week

One of the most powerful protest songs that’s been resurrected in recent years is Mir Veln Zey Iberlebn (We Will Outlive Them).

This old Jewish melody, reinvented by Brooklyn klezmer band Tsibele, is as indomitable an anthem as any freedom fighter could want. In this seven-minute live clip, the group lead a singalong in the deliciously Middle Eastern-flavored freygische mode. Midway through, they provide the grim backstory.

When the Nazis marched into Lublin, Poland in 1941 and rounded up the Jews there, they were as sadistic as usual. Driving the population out into the fields, they commanded the captives to dance. The response was this song. As we all know, those Jews did not outlive their tormentors, but they raised the bar for defiance in the face of evil about as high as it can go.

As sadistic as the lockdowner regime has been, there’s special resonance in that song for us. Inevitability theories of history are full of holes, there’s no doubt that if the world is going to survive, we will outlive them. You can buy an embroidered patch for your coat which says exactly that, in Yiddish and English, from the band.

Half of the group – violinist Zoe Aqua and accordionist Ira Temple – are teaming up for an outdoor show with trumpeter Dan Blacksberg on July 29 at 4:30 PM at the Brooklyn Conservatory of Music, 58 7th Ave at Lincoln Pl in Park Slope. It’s about equidistant from the Grand Army Plaza and 7th Ave. B/Q stations.

Starting in the mid-teens, Tsibele became a fixture across several scenes here, and made some waves with their album It’s Dark Outside – Indroysn iz Finster, streaming at Bandcamp. Bassist Zoë Guigueno, flutist Eléonore Weill and trumpeter Eva Boodman focus intensely on Aqua’s dark arrangements of some well-known, politically resonant old songs.

Aqua’s slashing, low-register lines pierce the brooding ambience underneath in the first tune, Dem Nayntn Yanuar/Ninth of January, a dirge commemorating the 1905 massacre of freedom fighters in St. Petersburg, The band maintain a somber atmosphere in the blue-collar lament Di Svet Shop, based on a poem by Morris Rosenfeld.

They pick up the pace with a dead-serious take of Nifty’s Eigene, violin and trumpet taking turns with the original lead written by legendary klezmer clarinetist Naftule Brandwein. The album’s big, ominously atmospheric epic is a murder ballad, Tsvelef A Zeyger/Twelve O’clock, with a looming trumpet solo at the center.

Likewise, Boodman’s moody, soulful lines intertwine with the trills of the flute in the slow, darkly methodical Rosemont Terkisher. They close the record with the lilting, wistful title track, a love song.

Fun fact: tsibele is Yiddish for “onion.” Lots of layers to peel back here.