One high point of putting together the annual, monthlong Halloween celebration here every October is that there always seems to be a new edition in the Brown Acid compilation series that’s just out. There are now eleven different playlists, all of them available on vinyl. The series started as a sort of Nuggets for obscure proto-metal singles but quickly branched out to include latin soul and other sounds from across the psychedelic universe, from epic art-rock to novelty songs. The latest in the series is Brown Acid, Volume 11, streaming at Bandcamp.
This is a rare one where you’re going to want to skip the third-rate Hendrix ripoff that opens it. Instead, freak out with I’ll Give You Love, a hard funk tune by the irresistibly named Boston band Grump. It’s a lot closer to James Brown than Rare Earth – and it’s so rare that the compilers can only estimate that it came out around 1969.
Bagshot Row, from the heavy rock mecca of Stevens Point, Wisconsin, contribute Turtle Wax Blues, a tightly sizzling blast of acid rock riffage from 1973. Fifty years after he released the fuzztone riff-rock single Diamond Lady, Milwaukee’s Larry Lynn is still active – or was, anyway, before the lockdown.
Renaissance Fair hailed from Sault Ste. Marie, Michigan, where in 1968 they recorded the bludgeoning avant garde garage song In Wyrd. Wyrd is an understatement – it sounds like a heavier version of the Fugs.
One of the best of the rediscovered bands in the Brown Acid series is fiery, politically-inspired Chicago band Zendik. The witheringly sarcastic Mom’s Apple Pie Boy, with echoes of the MC5, is the high point of this particular playlist. Just Can’t Stay, released in 1977 by San Mateo, California’s Daybreak is a AC/DC homage, while Fort Dodge, Iowa’s West Minist’r are represented by the Blue Oyster Cult-influenced 1975 boogie I Want You.
Debb Johnson, from Saint Louis Park, Minnesota is not a singer-songwriter but a seven-piece band with a horn section. Their 1969 single Dancing in the Ruin is a politically-fueled, Rare Earth-inspired heavy funk tune. The album comes full circle with the woozy, coyly amusing faux-Hendrix of New York guitarist Jerry Ciccone f.k.a. Crazy Jerry’s Every Girl Gets One.