New York Music Daily

No New Abnormal

Tag: Will Carbery

Eliza and the Organix’s Psychedelic New Album Was Worth the Wait

“You can dance to them, but they also have flashes of psychedelia and a vintage punk fearlessness. They’re funky, but their sound is uncluttered and gritty,” this blog enthused in 2017 about Eliza and the Organix’s debut ep Present Future Dreams. It’s taken them three years, but they’ve come up with a conclusion to that playlist, Present Future Dreams II, streaming at Bandcamp. It’s a lot more psychedelic, less dance-oriented and just as edgy. Frontwoman/guitarist Eliza Waldman’s instrumental chops and vast expanse of guitar textures are even more interesting this time out.

The first track is Road Home, an easygoing, cantering Afrobeat groove fueled by sax player Kristen Tivey and guest trumpeter Evan Lane that picks up with punk fury as the chorus kicks in. Waldman really cuts loose with her axe at the end, drummer John Gergely taking it out with a crash.

Jason Laney plays soulful organ in Sally Gave Me a Dollar, which shifts between loping psychedelia and straight-ahead backbeat rock, Waldman and bassist Will Carbery doubling each others’ riffs. They take a detour into a surreal early 80s-style mashup of reggae and no wave in The Perfect Fit: “I’ve been a wastrel on my knees,” seems to be the key line here.

There are two versions of Broken Sky here. The first clocks in at about seven minutes and is one of the best songs of 2020, a toweringly overcast, Pink Floyd-ish anthem, with Waldman’s most intense vocals, lyrics and a memorable duel between guitar and sax. The short version is a radio edit missing most of the fireworks.

The final number, Present makes a great segue, like the Doors with a woman out front and another tasty, trippy guitar/sax interlude. Good to see this band taking their individualistic sound to the next level.

Catchy, Raw, Soulful, Original Funk and Dance Music From Eliza and the Organix

There’s no band in New York who sound anything like Eliza and the Organix. You can dance to them, but they also have flashes of psychedelia and a vintage punk fearlessness. They’re funky, but their sound is uncluttered and gritty – is it legal to call them organic? In other words, they’re nothing like the slick, cheesy Berklee clones noodling ad nauseum into the wee hours at Rockwood Music Hall. Over the past few years, Eliza and the Organix have been gigging constantly all over town. Their new album Present Future Dreams is streaming at Bandcamp; their next show is Nov 16 at 11 PM at the Way Station in Bed-Stuy.

Frontwoman/guitarist Eliza Waldman gets the funk going on the album’s catchy opening track, My Way (no relation to the Sex Pistols classic), but she also hits some burning Keith Richards riffage. Alto saxophonist Kristen Tivey – an ambitious songwriter and multi-instrumentalist in her own right-  adds vocal harmonies over John Gergely’s subtly crescendoing drums. On the album, Stephen Cleary and Will Carbery share bass duties. The song has a recurrent reference to “doing coke out on the driveway,” which could be sarcastic – or not.

When I Call You is a snide slap upside the head of a “nihilist, masturbator, man-hater,” Waldman’s smoldering distorted chords rising to an unexpectedly swirly break midway through, with more of the band’s signature, tasty guitar/sax harmonies.

Blameless has a slinky latin soul groove under Waldman’s sarcastic vocals and wah guitar: “Aimless, shameless, am I blameless?” she wants to know. Waldman’s organ and Matt Soares’ vibes linger over sharp, staccato guitar in Trouble, an individualist’s anthem and another latin-flavored number: “I’ve been in trouble so long that I hardly remember the other side,” Waldman confides.

The album winds up with the moody nocturne Tapestry in Blue, which is an organ tune until Waldman’s guitar kicks in hard at the end. Everything here sounds like it could go on for twice as long and it would still be interesting – and you could give your lower parts a decent workout. Fans of Sharon Jones,classic soul and funk, and obscure punk-funk cult heroes like the Maul Girls should check them out.