Can you name a better NYC band than Spanglish Fly? There are a bunch of others who are just as fun: Chicha Libre, Rev. Vince Anderson and his funk band, the Roulette Sisters, LJ Murphy in his many incarnations, but is there anybody better? Check out their latest summery single and see for yourself. Spanglish Fly play bugalu, a wicked mix of Puerto Rican grooves and oldschool soul music that originated in the 60s when the Puerto Rican kids in Spanish Harlem started listening to soul music. Meanwhile, the black kids uptown were listening to Puerto Rican music – it was one of those gorgeous melting-pot moments that could have only happened here. They’re playing the release show for their new single on Feb 16 at Zebulon starting at around 9. The A-side, Me Gusta Mi Bicliceta has frontwoman Erica Ramos wailing like never before. The B-side, The Po-Po is absolutely killer, a sarcastic plena soul groove that explores a universal NYC phenomenon: kids getting busted for open containers by cops desperate to make their “quality of life” arrest quotas. Check out that cool baritone sax! Both songs are streaming here; the vinyl – this stuff is pure analog! – will be out on Electric Cowbell Records.
Wave Sleep Wave – the latest project from the Blam’s Jerry Adler – has a new free download, Hey What – hypnotic, jangly reverby Britrock that wouldn’t be out of place on Wire’s 154 record. A full album is scheduled for next month.
Another free download worth checking out is the Feeling Anxious PR Valentine compilation. Not everything here is worth uploading, but the good stuff is choice: Tatiana Kochkareva’s bouncy retro psychedelic pop, Hannah vs. the Many’s assaultive, hyper-literate noir cabaret and Bryan Dunn’s super-sly country drinking song, Flowers, an anti-Valentine song if there ever was one.
And in case you missed Either/Orchestra’s transcendent three-hour marathon show of mostly brand-new Ethiopian-flavored jazz at the New School last November, it’ll be airing on WGBO’s Jazz Set program on Feb 19 at 6 PM and then on Feb 22 at 6:30. Listening back to a recording of the show, it’s amazing: an eclectic new suite by bandleader Russ Gershon plus several Ethiopian pieces never played outside Ethiopia, performed for probably the first time since the 60s or early 70s.