Since Svetlana & the Delancey Five have made their home at the Lower East Side backyard-tenement hideaway the Back Room on Norfolk Street for the the past four years, you might expect their leader to play the role of mob moll in front of a band playing gangster favorites from the Lucky Luciano era. Instead, watching her is more akin to being at the Deux Magots in Paris ten years down the line, when Sartre and Beauvoir were hanging out til closing time. Svetlana has devastating wit, cosmopolitan sophistication and an amazing band behind her who are every bit as important to the music as she is. This isn’t just a bunch of guys chilling behind a charismatic singer: Svetlana will jump on a trumpet or sax or piano phrase, or a drum riff and go sailing through the stars, rising from misty bittersweetness to uninhibited exhilaration, just as the band will do when she throws a phrase their way. Yet as wild as these cats can get, they’re more subtle than most of the other oldtimey swing acts out there. They’re bringing that act to the Blue Note this Sunday, Nov 27 for brunch, with sets at 11:30 AM and also 2 PM for all you normal, i.e. night people. New Orleans powerhouse trumpeter/crooner James Williams is Svetlana’s special guest, meaning that they’ll probably be minding the Satchmo-and-Ella songbook that the band explores on their most recent album.
It takes awhile to get a handle on what she does. The first time this blog caught her act, the band was cooking and so was she. The second time out, a rainy night at the Back Room, was much more melancholy and misterioso: she didn’t allow a hint of vibrato into her vocals until the closing cadenza of the last song of the set. Most recently, she charmed an all-Manhattanite audience, fronting the Seth Weaver Big Band at Zinc Bar earlier this week. Svetlana polled the crowd to see where everybody was from, and was reassured that there are still diehard jazz people on this island. And as vividly as she channeled the deadpan vindictiveness of Ellington’s Do Nothing Til You Hear From Me, and balanced that with an exuberant take of It Had to Be You, it was her original, It’s All Good, that made for the best song of the night. It’s an update on classic 30s swing for the here and now. As she hit the chorus, she suddenly rose from a warmly enveloping calm to an eye-opening leap: “When you hear the BIG NOISE, it’s not thunder or storm.” Then she took the audience groundward again: “It’s just the sound of my heart breaking.” The song ended on a characteristically enigmatic note, a little defeated, a little defiant.
Fun fact: Svetlana is a frequent Wycliffe Gordon collaborator, and makes extensive use of his playful, wit-infused charts for jazz standards. She’ll be his special guest this Friday night, Nov 25 at Dizzy’s Club at Jazz at Lincoln Center for his 7:30 PM set with his energetic quintet.
Fun fact #2: Svetlana & the Delancey Five often open with the Gerry Mulligan classic Bernie’s Tune. To be fair, they were doing this long before the 2016 Democratic primaries. But it’s still cool.