It was late 2006 at a long-gone Curry Hill honkytonk “I’ve got this Peruvian surf band playing on Sundays that you should really check out,” the club’s talent buyer suggested to an e-zine publisher who would eventually become the proprietor of a daily New York music blog. The future blog owner never made it to Rodeo Bar to see an embryonic Chicha Libre, but the group did go on to become the funnest band in New York, toured internationally and also pretty much singlehandedly introduced psychedelic cumbia to the world north of the Texas border.
They played a brief, maybe 45-minute set at their longtime home base, Barbes last night. It was their first New York show since early 2015, but it was like they’d never left. It was amazing to watch the faces of pretty much everybody in the band. The expressions spoke for themselves: “I can’t believe we’irre doing this, and that it’s still this fun.”
Vincent Douglas is still the most economically slashing surf cumbia guitarist on the planet – this time he hit his distortion pedal again and again, for simmer and burn and sunbaked ambience. Frontman/cuatro player Olivier Conan is more serioso in front of the band than ten years ago, notwithstanding the fact that this multinational act is just as much a copycat as the Peruvian cult favorites they imitate were, forty and fifty years ago.
Conguero Neil Ochoa had the songs’ machinegunning turnarounds down cold; timbalera Karina Colis not only added extra layers of devious flurries, but also perfectly replicated Alyssa Lamb’s vocal harmonies from the band’s first two records. Bassist Nick Cudahy held the center while Josh Camp used two small keyboards and a labyrinth of effects pedals for a decent recreation of the tremoloing, oscillating, keening dubwise effects he used to get out of an old Hohner Electrovox synth. Maybe it’s a lot easier to switch between a couple of keyboards than to strap on the heavy accordion body that houses the Electrovox. “Electronics have always been an issue for this band,” Conan confided.
The songs were sublime: jangly, and trebly, and swooshy, just like the classic Peruvian bands the group modeled themselves after. Pretty much everybody in the crowd was dancing or at least bouncing. Surprisingly, the one song that gave the band trouble was the broodingly otherworldly Sonido Amazonico, the national anthem of chicha and title track of their classic 2007 album. But no matter – they jammed it out, a little faster and more dubwise than they used to do it
The uneasily waltzing Depresion Tropical, a snide commentary on IMF bloodsucking in the Caribbean, had special resonance. Camp sang a cumbia version of Love’s Alone Again Or. Conan’s account of the little drunk guy in El Borrachito, who tells a girl in the bar that she should stop picking on him and be his girlfriend – in Spanish, obviously – was as cruelly funny as it was when the band played it ten years ago here. Same with the tightly shuffling Hungry Song, told from the point of view of a couple of guys who are so high they can’t tell weed from chicha. Speaking of which, Barbes now has that sour, beerlike corn mash liquor on draft. As a thirst-quencher on hot days, it’s better than beer.
They closed with their outrageously silly cover of the
schlocky cheesy pioneering 1972 proto-synthpop hit, Popcorn, They’re back at Barbes tomorrow night, June 26 at 10, and if stoner music, or dance music, or cumbia is your thing, this may be your only chance to see this band, ever. They’re doing a couple of South American dates next, but after that, who knows.