Heavy psychedelic trio River Cult spun off of an excellent, similarly loud and underrated Brooklyn postrock band, Eidetic Seeing. Their debut ep got the thumbs up here; their latest one, Live at WFMU is up as a name-your-price download at Bandcamp. More bands should be making live albums – if you’re paying for studio time, it’s infinitely cheaper, and you can capture what the band really sounds like. Do it right and it’s the best advertising you could have. They’re bringing their cinematic, unhinged, doomy sounds to the Cobra Club in Bushwick on May 27 at 11 PM; cover is $10.
They open the album’s first number, Likelihood of Confusion with a syncopated sway and then straighten it out, drummer Tav Palumbo’s nimble flurries under guitarist/frontman Sean Forlenza’s sunbaked blues riffage in tandem with bassist Anthony Mendolia. “Sobriety! In the breeze,” Forlenza sneers. “I can’t get by…it just gets boring.” But this doesn’t, through a Stoogoid wah solo, a bit of finger, then an echoing pulsar interlude that Palumbo eventually crashes the band out of.
They segue out of that epic into the even longer, practically ten-minute Temps Perdu, stomping their way through what could be the early Dream Syndicate playing Sir Lord Baltimore. Mendolia goes up the scale as Forlenza holds his notes, bends the walls, shivers and then descends toward a mournful abyss as the rhythm slows and then falls away.
The longest, most twistedly picturesque and final cut is Shadow Out of Time. Forlenza plays echoey slide over a dirgy sway, then all of a sudden they pick up steam and they’re into Daydream Nation-era Sonic Youth with offcenter bass/guitar harmonies. And then into galloping post-Sabbath: “It gets hard to breathe when you know you just wanna be dead,” Forlenza snarls. The studio version collapses into its own grave; the slow lights-on-lights-off outro here is even better and just as creepy. On the floor, headphones on, you know the drill. Is that just ash or is there something in there?