New York Music Daily

Global Music With a New York Edge

Tag: soul music

Rev. Sekou Brings His High-Voltage Protest Soul and Gospel Anthems to the East Village

Rev. Sekou is akin to a Pops Staples for the post 2016 election era…or a St. Louis counterpart to New York’s Rev. Vince Anderson. Rev. Sekou’s ferocious debut album In Times Like These, written in the wake of that disastrous event, is streaming at youtube. Throughout his oldtime gospel-flavored anthems, there’s a fervent call-and-response seemingly made for the stage. The result is a nondenominational church of empowerment and searing insight that starts with the chorus of “We want freedom and we want it now!” in the album’s opening track. He’s playing Drom on March 6 at 10 PM; advance tix are $10.

He begins that first number, Resist – a homage to the Standing Rock protests – with a fragment of a speech he gave in Ferguson, Missouri during the protests subsequent to the murder of Michael Brown. “Future generations will say of you and me, ‘That’s been a generation that will not bow down,’” he reminds the crowd. Then he and the band launch into a fiery, insistent oldtime gospel anthem:

When they try and tell you who is and ain’t your neighbor
Resist!
One day won’t pay you and exploit your labor

The band are killer: behind Rev. Sekou, there’s Cody and Luther Dickinson a.k.a. the North Mississippi All-Stars, along with longtime Al Green organist Rev.  Charles Hodges, pedal steel player AJ Ghent, saxophonist Art Edmaiston and trumpeter Marc Franklin.

The title track is an insistent, deep gospel-fueled exhortation to get out into the streets because

In times like these we need a miracle
Ain’t nobody gonna save us
We’re the ones we’re waiting for

Then the group reinvent the Bob Marley classic Burning and Looting as a simmering, swaying blues ballad: the similarity between Kingston, 1975 and Ferguson, 2014 is unmistakable. “We who believe in freedom cannot rest now,” Rev. Sekou insists over a stark chain gang beat throughout the next track, We Who Believe.

Lord I Am Running (99 1/2 Won’t Do) is a red-neon ba-BUMP roadhouse blues, Ghent’s shivery steel trading off with Hodges’ defiantly jubilant organ riffs. Likewise, Ghent finally caps off the slow, insistent Muddy and Rough with a whirling, breathtaking crescendo.

Rev. Sekou’s fire-and-brimstone imagery in The Devil Finds Work offers similarly forceful reasons not to sell out, with a blistering guitar duel at the end. The take of Old Time Religion here is a long, imploring, rubato jam with a message of hope, leaving no doubt as to the escape subtext from the era when slaves sang it. Then the band pick up the pace with When the Spirit Says Move

“If love is a story, you don’t have one to tell,” Rev. Sekou drawls in the bitter but gorgeously arranged oldschool soul ballad Loving You Is Killing Me. He follows that with Will to Win, a bizarre attempt to bring in elements of free jazz and psychedelia. The album’s final cut is Problems (an epic original, not the Sex Pistols song). “The race is not given to the swift or the string but to the one who endures to the end,”  Rev. Sekou reminds over a spare, elegant piano backdrop. If you need a shot of adrenaline to get you through the interminable final months of the Trump era, this could be it.

Live Music Calendar for New York City and Brooklyn for March and April 2019

Daily updates – if you go out a lot, you might want to bookmark this page and check back regularly. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music. Many different styles to choose from.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised. If you see a show listed without the start time, that’s because either the artist, their publicist or the venue in question sent incomplete info – those acts are usually listed last on a particular date.  Always best to check with the venue for the latest information on set times and door charges, since that information is often published here weeks in advance. Weekly events first followed by the daily calendar.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you found out about here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

On select Wednesdays and Sundays, an intimate, growing piano music salon on the Upper West Side featuring iconoclastically insightful, lyrical pianist Nancy Garniez – a cult favorite with an extraordinarily fluid, singing, legato style – exploring the delicious minutiae of works from across the centuries, beverages and lively conversation included!  email for details/address

Mondays at 7 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud at Barbes followed at 9:30 PM by a variety of south-of-the-border-style bands playing cumbias, boogaloo, salsa, maybe all of the above.

Mondays at the Jazz Standard it’s all Mingus, whether with the Mingus Orchestra, Big Band or Mingus Dynasty: as jazz goes, it’s arguably the most exhilarating show of the week, every week. The first-rate players always rise to the level of the material. Sets 7:30/9:30 PM, $25 and worth it.

Also Monday and Tuesday nights Vince Giordano’s Nighthawks, a boisterous horn-driven 11-piece 1920s/early 30’s band play Iguana, 240 W. 54th St ( Broadway/8th Ave) , 3 sets from 8 to 11, surprisingly cheap $15 cover plus $15 minimum considering what you’re getting. Even before the Flying Neutrinos or the Moonlighters, multi-instrumentalist Giordano was pioneering the oldtimey sound in New York; his long-running residency at the old Cajun on lower 8th Ave. is legendary. He also gets a ton of film work (Giordano wrote the satirical number that Willie Nelson famously sang in Wag the Dog).

Mondays at the Vanguard the Vanguard Jazz Orchestra – composer Jim McNeely’s reliably good big band vehicle – plays 9/11 PM, $30 per set plus drink minimum.

Mondays in March, 10 PM noir guitar legend Jim Campilongo leads his trio at the big room at the Rockwood, $10

Mondays in March Rev. Vince Anderson and his band play Union Pool in Williamsburg, two sets starting at 10:30 PM. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically astute, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the lead soloist on baritone sax, with frequent special guests.

Tuesdays in Marchclever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at 9 PM at Barbes (check the club calendar). Get there as soon as you can as they’re very popular. $10 cover.

Wednesdays in March, 9ish the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Threes Brewing Outpost, 113 Franklin St (Greenpoint/Kent Aves) in Greenpoint, free

Three Wednesdays in March: 3/13, 3/20 and 3/27, 9 PM atmospherically anthemic Indian-influenced spacerock band Humeysha at C’Mon Everybody, $10

Thursdays at 8:30 in March, the Brooklyn Raga Massive – a rotating cast of A-list Indian, jazz and rock musicians who love to jam out classic Indian themes from over the centuries to the present day – play the Jalopy, $15 adv tix at the bar at the main space. Tons of special guests followed by a wild raga jam!

Fridays and Saturdays at 5 PM adventurous indie classical string quartet Ethel plus frequent special guests playing a mix of classical and more contemporary material at the balcony bar at the Metropolitan Museum of Art, free w/museum adm

Fridays in March, charmingly inscrutable Parisienne jazz chanteuse Chloe & the French Heart Jazz Band at Club Bonafide, $20.  Schedule is 3/1 at 6, 3/8 at 9:30, 3/15 at 8, 3/22 at 5:30 and 3/29 at 6. She’ll also be there on 3/17 at 8, 3/24 and also 3/31 at 6 . Somebody give this woman a regular time slot, huh?

Fridays at 7:30 PM tenor saxophonist Ken Fowser leads his band at the Django. Jukebox jazz in a JD Allen vein but not as dark and more straight-ahead/groove-oriented: as postbop party music goes, nobody’s writing better than this guy right now.

Free classical concerts on Saturdays at 4 PM on March 23 and 30, returning to weekly Saturdays in April at Bargemusic;  usually solo piano or small chamber ensembles. If you get lucky, you’ll catch pyrotechnic violinist/music director Mark Peskanov and/or the many members of his circle. Early arrival advised.

Saturdays in March, 6 PM Shelley Thomas – best known as a spectacular, haunting singer specializing in music from across the Middle East and the Balkans, but who is also an accomplished oudist – with a series of ensembles at Barbes

Most Sundays at 5:15 PM, a free recital on the amazing, powerful, dynamic new organ at St. Thomas Church at 5th Ave and 53rd St. featuring some of the world’s greatest organists. The space is magnificent and the music usually is too. Right now the church fathers are programming pretty much everybody who used to work here and play the mighty old Aeolian-Skinner organ that finally had to be replaced. Check the concert calendar for details. 

Sundays at 9:30 PM paradigm-shifteing Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel leads his band at Barbes

3/1 Ty Segall at Warsaw is sold out – but in that space unless he really turns down you’re not going to hear anything anyway…

3/1, 7 PM sax quartet Nois make their New York debut with three world premieres by New York based composers Nathan Hudson, Howie Kenty and Ed Rosenberg III, plus Gemma Peacocke’s ‘Dwalm’, ‘Thirteen Changes’ from Pauline Oliveros and Georg Friedrich Haas’ ‘Saxophonquartett’ at Arete Gallery, $15

3/1, 7:30/9:30 PM epically brilliant, Shostakovich-inspired jazz pianist/composer Fabian Almazan leads his ensemble at the Jazz Gallery, $25

3/1, 8 PM purposefully atmospheric guitarist Gyan Riley followed at 10 by amazingly fun, noirish, psychedelic surf/cinematic  trio Hearing Things at Barbes

3/1-2 at 8 pianist Jean-Yves Thibaudet and the NY Philharmonic  perform Grieg’s Piano concerto No. 1 plus the Peer Gynt Suite and Dvořák’s Eighth Symphony at Avery Fisher Hall, $34

3/1, 8 PM hypnotically invigorating, shamanistic Korean percussion ensemble Noreum Machi at Flushing Town Hall, $16/$10 srs/under 18 free w/ID

3/1-2, 8 PM improvisations from a vast cast from the John Zorn circle with the man himself (sax) Michael Nicolas (cello) Ikue Mori (electronics) Mary Halvorson (guitar) Cyro Baptista )percussion) Brian Marsella (keyboards) Sylvie Courvoisier (piano) Ned Rothenberg (sax) Ches Smith (drums) Tomas Fujiwara (drums) Jim Staley (trombone) Jon Irabagon (sax) Chris Tordini (bass) Brandon Lopez (bass) Miles Okazaki (guitar) and special guests at Happy Lucky No. 1 Gallery, $20

3/1, 9 PM creepy, psychedelic circus rock/Russian folk-punk band Mad Meg at the Bitter End

3/1, 9 PM oldschool soul ballads with singer Camille Atkisson’s Empire Beats at Hill Country

3/1, 11 PM energetic fifth-wave garage rockers the Lord Calverts at Otto’s

3/2, 4 PM cinematic, psychedelic quirk-pop keyboardist Michael Hearst presents “Curious, Unusual and Extraordinary” songs from his many bands followed at 6 by haunting, magical Middle Eastern classical singer Shelley Thomas, at 8 by similarly haunting, charismatic oldtimey-style banjo player and corrosively political songwriter Curtis Eller’s American Circus and at 10 by epic ranchera/bolero brass crew Banda de los Muertos at Barbes at Barbes

3/2, 6 PM hauntingly torchy songwriter Daphne Lee Martin at the small room at the Rockwood. Next door at the big room jaunty female-fronted original retro rocksteady band the Big Takeover plays at 9 for $10

3/2, 6 PM atmospheric, cinematic drummer/composer Tim Kuhl and his group at Pete’s

3/2, 6 PM purist swing singer Catherine Russell and her amazing band at Bethany Baptist Church – 275 W Market St, Newark, free

3/2, 7 PM crystalline-voiced, noir-tinged third-stream jazz chanteuse Tessa Souter at Joe’s Pub, $18. She’s also at 55 Bar on 3/8 an hour earlier for the tip jar

3/2, 7:30 PM firebrand Malian rock chanteuse/bandleader Awa Sangho at the Lincoln Center Atrium, free, early arrival advised

3/2, 7:30 PM  Innov Gnawa play a traditional Moroccan Lila trance/healing ceremony – a real rarity in this country on a public stage – at National Sawdust, $25 adv tix req

3/2, 8 PM a rare solo set by bass goddess/soul singer Felice Rosser’s of Faith followed at 9 by irrepressible storyteller/psychedelic guitarist/new wave cult hero Wreckless Eric at El Cortez, $15

3/2, 8 PM experimental sacred music duo ARIADNE followed by a very rare US performane by French musique concrète pioneer and IRCAM vet Christine Groult at Issue Project Room, $15/$12 studrs

3/2, 8 PM, repeating 3/3 at 3 PM the NJ Symphony Orchestra with pianist Jeffrey Kahane play Beethoven’s Piano Concerto No. 4 plus Shostakovich’s Symphony No. 1 at NJPAC in Newark, $20 tix avail

3/2, 8 PM darkly colorful, perennially interesting bassist Linda May Han Ohleads her Quintet at the Miller Theatre, $20 tix avail

3/2. 9 PM ten-piece country/carnivalesque/acoustic rock powerhouse M Shanghai String Band at the Jalopy, $!0

3/2, 9 PM terse, acerbic trumpet improviser Steph Richards at the Owl

3/2, 9 PM edgy, uneasy female-fronted retro new wavers the New Tarot at the Knitting Factory, $10

3/3, 4 PM a live score and film screening of the silent classic East and West (1923), featuring klezmer jazz piano legend Pete Sokolow – composer of the original score for the 1991 remastered film – with the great Michael Winograd on clarinet to celebrate the 121st birthday of the film’s star, Molly Picon, at the Center for Jewish History, 15 W 16th St., $15 adv tix rec

3/3, 6 PM tuba duo Avant Garde Working Class with Joe Daley and Jesse Dulman followed at 7 by Karen Ng and Henry Fraser doing a clarinet/bass duo at Downtown Music Galley

3/3, 6 PM guitarslingers Jason Loughlin and John Shannon play Chet Atkins classics and obscurities at Pete’s

3/3, 7 PM elegant French/Afghani-inspired duets: jazz harpist Isabelle Olivier jams it out with guitarist Rez Abbasi followed at 9:30 by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

3/3, 7:30 PM lyrical jazz piano icon Fred Hersch solo at Mezzrow, $20, you might want to get there early

3/3, 7:30 PM pianist Edith Monaco plays works by Prokofiev, Granados and Moussorgsky’s Pictures at an Exhibition at Zankel Hall at Carnegie Hall, $20

3/3, 8 PM perennially tuneful, pensively lyrical Americana janglerocker Mike Ferrio of Tandy and Good Luck Mountain at 11th St. Bar

3/3, 9 PM intense, charismatic oldschool soul belter Sami Stevens at the big room at the Rockwood

3/3, 11 PM ferociously tuneful ska-punks Uncle Djuzeppe folllowed by haunting Balkan psychedelic rockers Alec K Redfearn & the Eyesores at Muchmore’s, $tba 

3/3, 9:30 PM bouncy, incisive Romany jazz group Gaucho at Joe’s Pub, $20

3/3, 10 PM chanteuse/uke player Dahlia Dumont’s Blue Dahlia play edgy, smartly lyrically-fueled, jazz-infused tunes in English and French with classic chanson and Caribbean influences at Barbes. The following night, 3/4, 6 PM they’re at the small room at the Rockwood

3/4, 7:30 PM early music chorale Calmus and adventurous early music ensemble the Sebastians play works by Handel, Bach, Tavener, Schutz, Palestrina and Rheinberger at Music Mondays, Advent Church, northwest corner of 93rd and Broadway, free

3/4, 8 PM popular newgrass road warriors Chathan County Line at City Winery, $20

3/4, 9:30ish Los Mochuelos plays classic Colombian vallenato music at Barbes. 3/19 at 9 they’re at Bar Chord

3/5, 7 PM Venezuelan group El Tuyero Ilustrado – cuatro player Edward Ramírez and singer and percussionist, Rafa Pino – play their new take on traditional  joropo tuyero sounds at the Americas Society, $20

3/5, 7:30 PM pianist Han Chen plays music by Liszt, Ravel and Ades at CUNY Elebash Hall, 365 5th Ave north of 34th St., free

3/5, 8 PM brilliant acoustic guitarist and sardonic alt-country songwriting pioneer Robbie Fulks – of Fuck This Town infamy -at City Vineyard, $15

3/5, 7 PM rising star trumpeter Adam O’Farrill “with his new nine-piece ensemble Bird Blown Out of Latitude, performing new music born from the disorientation of personal displacement.” trumpeter Aaron Burnett and the Big Machine follow with special guest, the pyrotechnic Peter Evans at National Sawdust, $25 adv tix rec

3/5, 8 PM masterful improvisational camaraderie with Shipp/Lowe/Cleaver/Ray – Matthew Shipp, Allen Lowe, Gerald Cleaver, Kevin Ray – at  at Roulette, $18 adv tix rec

 3/5-9, 8:30 PM postbop/improv jazz drum maven Ches Smith leads a series of ensembles at the Stone at the New School, $20. Many killer lineups: the best could be 3/8 with Kris Davis (piano), Marc Ribot (guitar), Leon Boykins, Devin Hoff (bass)

3/5-9, 8:30/11 PM iconic fire-and-ice jazz singer Karrin Allyson and band at Birdland, $30 at the bar

3/6, 1 PM pianist Changyong Shin plays a program TBA at the Greene Space, free, rsvp req 

3/6, 7 PM the New School Studio Orchestra directed by Darcy James Argue play his epic, paradigm-shifting material at the New School’s ground-floor auditorium, 63 5th Ave, free

3/6, 7 PM Mantra Percussion play a program TBA at Pregones Theater, 571-575 Walton Ave(at 149th St) in the Bronx, free

3/6, 7:30 PM avant-rock band Boio, the genre-obliterating Warp Trio, and Forward Music Project – Amanda Gookin’s multimedia project of solo cello works developed to empower women and girls –  followed by Contemporaneous playing works by violet Barnum and Henry Threadgill – a homage to Butch Morris – at Roulette, $18 adv tix rec 

3/6, 7:30 PM iconic art-rockers the Bang on a Can All-Stars play world premieres of indie classical/art-rock dance music by Nicole Lizée, Josué Collado Fregoso, Henry Threadgill, and Trevor Weston, plus “three classics from Bang on a Can history by Annie Gosfield, Arnold Dreyblatt and Glenn Branca, with a rare performance of Branca’s massive “three dimensional” Movement Within, written specifically for the Bang on a Can All-Stars, in his unique tuning system and on his own original instruments” at Merkin Concert Hall, $25

3/6, 8 PM a night of first-class female improvisers: cinematic multi-instrumentalist/violinist Laura Ortman, multi-keyboardist Liz Kosack, haunting jazz pedal steel virtuoso Susan Alcorn and cellist Okkyung Lee at Union Pool, $12

3/6, 8ish wickedly torchy noir songwriter Julia Haltigan at Coney Island Baby, $10

3/6, 8 PM Gene Yellin’s new, long-awaited bluegrass band at Barbes

 3/6, 9 PM heavy riff/stoner boogie band Frankie & the Witch Fingers followed by Aussie heavy psych band the Psychedelic Porn Crumpets at the Knitting Factory, $12 

3/6, 9 PM sharply lyrical southwestern gothic/Americana songwriter Tom Shaner  at LIC Bar

3/6, 9 PM sharply lyrical janglerock/Americana/soul songwriter Matt Keating and guitarist Steve Mayone’s catchy project the Bastards of Fine Arts at 11th St. Bar

3/6, 10 PM powerhouse New Orleans soul/blues shouter Rev. Sekou at Drom, $10 adv tix rec

3/7, 7 PM Zikrayat play slinky, cinematic classics from the golden age of Arabic song at Drom, $15

3/7, 7:30 PM a killer twinbill with two of the best, most unselfconsciously poignant solo string composer-performers out there: violinist/percussionist Christopher Tignor and Julia Kent playing the album release show for her new one at National Sawdust, $22 adv tix rec

 3/7, 7:30 PM cellist Geirþrúður Anna Guðmundsdóttir with pianist Tomomi Sato play works by Boccherini, Beethoven, and Rachmaninoff at Scandinavia House, $20

3/7, 7:30 PM Bella’s Bartok – akin to a more mellow Gogol Bordello – at Symphony Space, $20 for 30 and under

3/7, 7:30 PM intense, microtonal string ensemble the Sirius Quartet play works by composers: Brian Field, Ian Erickson, Jennifer Castellano, Marga Richter, Mari Tamaki, and Sam Post along with their own stuff at the DiMenna Center, $25

3/7, 7:30 PM the Tesla Quartet play works by Beethoven and Respighi at the Lincoln Center Atrium, free, early arrival advised

3/7-9, 7:30 PM Dušan Týnek Dance Theatre’s  Le Jardin Qui Rit – a surrealistic dance homage to Hieronymus Bosch’s Garden of Earthly Delights with live score by Aleksandra Vrebalov at the Baruch College auditorium, $30/$15 stud/srs

3/7, 8 PM New York’s most charismatic, darkly compelling lyrical songwriter/storyteller/keyboard genius Rachelle Garniez at Barbes

3/7, 8 PM ferocious, female-fronted Afrobeat band Underground System followed by wild Palestinian hip-hop/dancehall reggae/habibi pop band 47soulat Bric Arts, $15 adv tix rec. Underground System are also at C’Mon Everybody on 3/22 at 11 for five bucks less.

3/7-8, 8 PM, repeating 3/10 at 4 PM Jiva Dance Company’s elegantly apocalyptic performance The Four Horsement with music by Rajkumar Bharathi and lyrics by Shiv Subramanian at Dixon Place, $28

3/7, 8 PM the US debut of edgy, dynamic, uneasily ethereal improvisational extended-technique pianist Irene Aranda in the Black Box Theatre at 244 Rehearsal Studios,  244 W 54th St., $20. 3/8 at 8:30 PM she’s solo at 8:30 at I-Beam, followed by feral bassist Brandon Lopez at 9:30, $15

3/7, 8 PM percussive, trance-inducing, bitingly tuneful, Middle Eastern-tinged female-fronted jamband SisterMonk at the Parkside

3/7, 8 PM intrepid bassist Shayna Dulberger leads a quartet with singer Fay Victor, guitarist Ava Mendoza, and drummer Juan Pablo Carletti at Roulette, $18 av tix rec

3/7, 8 PM psychedelic soul-rockers Madam West  at the small room at the Rockwood

3/7, 8 PM a composer portrait of John Zorn by an allstar cast: the Jack Quartet, pianist Steven Gosling and many more at the Miller Theatre, $25 tix avail

3/7, 8:30 PM followed by the world’s creepiest crime jazz/film noir band, Big Lazy at Bar Lunatico

3/7, 8:30 PM klezmer violinist Jake Shulman-Ment’s accurately named “MIDWOOD” w/Yoshie Fruchter, Richie Barshay, Eleonore Weill, and special guest, Francesca Ter Bergat Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

3/7, 9 PM Certain General guitarslinger Phil Gammage plays his dark Americana and blues at 11th St Bar

3/7, 10 PM explosive, creepy, colorful psychedelic rembetiko metal band Greek Judas at Hank’s, $10

3/7, time tba (guessing 9ish) the L Train Brass Band (who won’t be able to get home after the show, presumably), Dingonek Street Band playing second line, Afrobeat, Ethio-jazz, and Brooklyn’s original punk Balkan horn group Hungry March Band at Pine Box Rock Shop

3/8, 6 PM mini-sets by poignantly lyrical, eclectic pianist Marta Sanchez’s provocative jazz poetry quintet with singers Sara Serpa and Charlotte Greve reinventing writing by Bukowski, Sylvia Plath and others; solo vibraphone from the magical Patricia Brennan and piano/flute duos by Lyubov Mirzoyev and Frances Brodeur at Brooklyn Conservatory of Music, $15.

3/8, 7 PM magically haunting flamenco jazz pianist Chano Dominguez at Joe’s Pub, $30

3/8, 7 PM composer-performer Gemma Peacocke’s Waves & Lines song cycle, incorporating poems by Afghan women exploring distance, anonymity, and “strange new forms of intimacy” at National Sawdust, $20 adv tix rec

3/8, 7:30/9:30 PM drummer Tomas Fujiwara’s thundering, tidally shifting two-guitar/two-drum Triple Double at the Jazz Gallery, $25

3/8, 7:30/9:30 PM ambitious, tuneful trumpeter Jonathan Finlayson and band at the Jazz Gallery, $25

3/8, 7:30 PM violinist Stanichka Dimitrova and the PhiloSonia ensemble explore the concept of sturm und drang in works by Schubert, Wolf and Brahms, woo hoo, at the Old Stone House in Park Slope, $25/$10 stud/srs

3/8, 7:30 PM Arion Chamber Music play works by Barber, Beethoven and Brahms:  Sonata No. 1 for Violin at Christ & St. Stephen’s Church, 120 W 69th St, $30/$15 stud/srs

3/8, 8 PM pianist Lucian Ban and violist Mat Maneri play their creepy Transylvanian jazz followed at 10 by hard-hitting, brass-fueled newschool latin soul/boogaloo dance band Spanglish Fly at Barbes

3/8-9, 8 PM the reliably entertaining, adventurous Chelsea Symphony play wartime works including Fascist Baby, a world premiere by Tim Kiah; Ravel’s Tombeau de Couperin, French composer Fernande Breilh-Decruck’s 1944 suite Cinq poèmes chrétiens, the Haydn Trumpet Concerto Friday night and on Saturday, the Haydn Cello Concerto instead at St. Paul’s Church, 315 W 22nd St., $20 sugg don

3/8, 8 PM the NJ Symphony Orchestra with pianist Ingrid Fliter play works by Debussy, Mendelssohn, and Britten at NJPAC in Newark, $20 tix avail

3/8, 8 PM sardonically relevant guitar-fueled female-fronted Americana punks Spanking Charlene and the similarly hilarious, smartly political faux-French retro 60s psych-pop band les Sans Culottes at Hank’s, $10

3/8. 8:30 PM unpredictable singer Cristina Morrison leads a quartet playing the album releaes show for her new one – a mix of reimagined South American classics – at the Cell Theatre, $20

3/8, 9 PM Smock – skittish Joy Division and MBV-influenced guitar band – open for mighty, labyrinthine doom/art-rockers the Hazytones at Lucky 13 Saloon, $tba 

3/8, 11 PM guitar mastermind Mike Rosado’s volcanic, pounding Dick Dale-influenced surf band 9th Wave at Berlin

3/9, 4 PM the CMS Improvisers Orchestra featuring an all-star lineup with Peter Apfebaum, Sana Nagano and many others play epic AACM-style jazz soundscapes at Brooklyn Conservatory of Music, $15

3/9, 6 PM haunting, magical Middle Eastern classical singer Shelley Thomas and her band followed at 8 by art-song luminary Karen Mantler and at 10 by Rana Santacruz – the Mexican Shane MacGowan, but without the booze if you can imagine that – at Barbes 

3/9, 7:30 PM brilliant tabla player/composer and Brooklyn Raga Massive anchor Sameer Gupta does double duty, first in a trio set with sarangi player Rohan Misra and then with sitarist Rishab Sharma at the Chhandayan Center For Indian Music, $20

3/9, 8 PM one of the year’s best twinbills: brilliant, soaring south Indian chanteuse Falu and her orchestra and hypnotic, pulsing, sousaphone-driven Guadalupian/New Orleans band Delgres a at Flushing Town Hall, $16

3/9, 8 PM singer Charmaine Lee makes her Issue Project Room debut solo and in an improvised trio performance featuring id m theft able (voice, objects) and Andrea Pensado (voice, electronics), free

3/9, 9 PM atmospheric, hypnotic guitar soundscaper Scott Helland solo followed at 10 by allusively haunting, minimalist folk noir singer Belle-Skinner at Pete’s 

3/9. 9  PM drummer, composer and bandleader Mareike Wiening leads a killer quintet with Rich Perry on sax and Glenn Zaleski on piano at the Cell Theatre, $15

3/9, 9:30 PM hilarious, savagely cynical, fearlessly political C&W parody band the Great American Country Drifters at Pine Box Rock Shop

3/9, 10 PM sizzling electric bluegrass and C&W with Demolition String Band at Skinny Dennis

3/9, 11 PM Brandi & the Alexanders play oldschool-style soul ballads at the Way Station

3/10, 1 PM low-key deep-Brooklyn sounds with Naomi Shelton & the Gospel Queens playing a gospel brunch show at Bar Lunatico. They’re also here on  3/24

3/10, 2 PM Eleonor Bindman and Susan Sobolewski of Duo Vivace play a family-friendly concert including Bernstein’s Overture from Candide and Saint-Saens’ Carnival of the Animals at the Old Stone House in Park Slope, $20 adults/$10 kids

3/10, 3 PM violist Elise Frawley leads an ensemble playing a program tba at the 92nd St.Y, free

3/10, 3 PM the Neave Trio play a program of works by women composers: Rebecca Clarke’s Piano Trio; Amy Beach’s Piano Trio in A minor, Op. 150; Cécile Chaminade’s Piano Trio No. 1, Op. 11; and Jennifer Higdon’s Piano Trio at  Madison Presbyterian Church (921 Madison Ave), $25

3/10, 4 PM the Sometime Boys’ riveting, powerful, theatrical frontwoman Sarah Mucho with pianist Elliott Roth at Freddy’s

3/10, 4 PM the Publiquartet play a program TBA at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

3/10, 7 PM spine-tingling, darkly mystical art-rock/avant-garde/chamber pop songwriter Carol Lipnik – pretty much everybody’s choice for best singer in all of NYC – with similarly haunting pianist Matt Kanelos at Pangea, $20

3/10, 10:30 PM tuneful oldschool soul/jazz trombonist Dave Gibson leads his quintet at Smalls

3/11, 7 PM tuneful postbop pianist Jim Ridl leads his group from behind the Rhodes at 55 Bar

3/11, 7:30 PM Tamás Varga, principal cellist of the Vienna Philharmonic Orchestra joins forces with Aaron Jay Kernis to pay tribute to Zoltán Kodály at Merkin Concert Hall, free, rsvp req 

3/11, 7:30/9:30 PM intense, darkly lyrical Israeli jazz pianist Shai Maestro leads his trio at the Jazz Gallery, $25. He’s back there on 3/20 with brilliant vibraphonist Joel Ross

3/11, 8 PM the NYU01 Orchestra play Mozart: Symphony No. 35 in D major, K. 35, “Haffner”Ravel: Daphnis et Chloé Suite No. 2 at the NYU Loewe Theatre, 25 W 4th St., free

3/11, 8:30 PM lavish oldschool style New Orleans funk/soul orchestra bandleader Brother Joscephus at City Winery, $20 standing room avail

3/11, 8:30 PM glimmering, noir-inspired vibraphonist Tom Beckham ’s Slice with Nate Radley on guitar at Bar Lunatico

3/11, 9 PM darkly torchy southwestern gothic/Europolitan songwriter/guitarist Miwa Gemini followed by energetic delta blues/Romany swing guitarist Felix Slim at LIC Bar

3/11, 10 PM acerbic, enigmatic parlor pop/new wave/avant garde band Dollshot at Coney Island Baby, $8

3/11, 10ish the NYC Gaita Club – a Bulla en el Barrio spinoff – play rustically pounding Afro-Colombian trance-dance music at Barbes

3/11, 10:30 PM  fiery alto saxophonist Lucas Pino’s eclectic, dynamic No No Nonet at Smalls

3/12, half past noon Gottfried Trepte plays the organ at Central Synagogue, 54th/Lex, free

3/12, drinks at 5:30, show at 6 Marilyn Nonken plays piano music of Tristan Murail at the Miller Theatre, free

3/12, 7:30 PM pianist Dominic Cheli plays works by Vine, Scriabin, Brahms, Liszt and others at Wiell Hall at Carnegie Hall, $25

3/12-16, 8:30/11 PM purist saxophonist Vincent Herring’s History of Jazz – an epic suite spanning classics from the early swing era to the present day – at Birdland, $30 at the bar

3/12, 7 PM bassist Matt Pavolka’s kinetic, tersely tuneful horns band quartet followed at 9 by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Barbes

3/12, 7:30 PM violinist and composer Megumi Saruhashi with her Middle Eastern ensemble at Sisters Brooklyn, 900 Fulton at Washington St., Ft Greene,

3/12, 7:30/9:30 PM the haunting, smokily atmospheric Michael Leonhart Orchestra at the Jazz Standard, $30

3/12-17, 8/10:30 PM soaring, politically relevant, brilliantly purposeful alto saxophonist Miguel Zenon leads his quartet at the Vanguard

3/12-13, 8/10:30 PM perennially vital latin jazz piano sage Eddie Palmieri at the Blue Note, $30 standing room avail

3/12-16, 8:30 PM indie classical chamber group Talea Ensemble play with a series of guests at the Stone at the New School, $20. Choice pick: opening night with Gato Loco guitar shredder Lily Maase

3/12, 10:30 PM charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy‘s Tromboniverse at Smalls

3/12, 11 PM explosive, creepy, colorful psychedelic rembetiko metal band Greek Judas at Niagara upstairs, Ave. A/7th St.,

3/13 and 3/19 at 7:30 PM, also 3/15-16 at 8 PM the NY Philharmonic play the Mozart Requiem at Avery Fisher Hall, $34 tix avail

3/13, 7:30 PM the Spectrum Symphony with cello prodigy Jiaxun Caroline Yao play the Elgar Cello Sonata, a world premiere by the brilliant Balint Karosi with Hungarian clarinet soloist Gábor Varga, and the Serenade for Orchestra by Leó Weiner,at Saint Peters Church, 619 Lexington Ave at 54th St., $25/$15 stud/srs

3/13, 7:30 PM the Claring Chamber Players perform string trios and quintets by Schubert and Mozart at Christ & St. Stephen’s Church, 120 W 69th St, free

3/13, 8 PM accordion genius Shoko Nagai ’s haunting Tokala Silk Road/klezmer mashup project at Barbes

3/13, 9 PM late 80s powerpop heroes Teenage Fanclub at Bowery Ballroom, $25 gen adm

3/13, 10 PM the Last Nites play the Pulp Fiction soundtrack; also on the bill: NY horror surf legends the Coffin Daggers at the Mercury, $10 adv tix rec.

3/14, 6 PM  bass trombonist Jennifer Wharton leads her group at Silvana

3/14, 7 PM haunting Mexican jazz and pan-latin singer Magos Herrera teams up with perennially adventurous string quartet Brooklyn Rider at National Sawdust, $30 adv tix rec

3/14, 7 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar

3/14, 7 PM the St. Patrick’s Cathedral Choir and Mick Moloney & Friends with organ accompaniment play the arguably loudest concert of Irish music you’ll ever hear at St. Patrick’s Cathedral, free

3/14, 7:30 PM fiery Portuguese twelve-string guitar sorceress Marta Pereira da Costa at the Lincoln Center Atrium, free, early arrival advised. She’s also at Drom a half-hour earlier the next day for $15.

3/14, 7:30/9:30 PM veena virtuoso Saraswathi Ranganathan witih her brother, Ganapathi, on mridangam at the Jazz Gallery, $20

3/14, 7:30 PM rapturous Indian carnatic composer/violinist Arun Ramamurthy with his trio at Symphony Space, $20 for 30 and under

3/14, 8 PM amazing, psychedelic instrumentalists Sandcatchers – who blend cinematic, pastoral Americana and Middle Eastern themes – followed at 10 by wryly psychedelic cinematic Italophile instrumentalists/parodists Tredici Bacci at Barbes

3/14, 8 PM iconic avant garde singer/composer Joan La Barbara‘s Scenes from Dreams of Water Beyond One’s Depth; also, FLUX Quartet violinist Tom Chiu leads his Ensemble Metrix at Roulette, $20 adv tix rec

3/14, 8 PM the DaCapo Chamber Players perform works by Valerie Coleman, Yotam Haber, Eric Moe and Ralph Shapey at Merkin Concert Hall, $20

3/14, 8 PM conversational pianist Jeffrey Siegel plays Beethoven Sonatas at Scandinavia House, $25

3/14, 8 PM irrepressible, historically informed, crystalline-voiced folk noir/art-rock/loopmusic songwriter Elisa Flynn at Troost

3/14, 8;30  PM Brooklyn Conservatory of Music Klezmer Ensemble, led by colorful violinist Zoe Aqua at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

3/14, 9:30 PM the haunting, stark, ancient sounds of the Yale Slavic Chorus at the Owl

3/15, 6:30 PM cellist Bryan Hayslett presents a rare portrait concert of obscure/influential avant garde composer Lee Hyla’s chamber works: the piano trio Mother Popcorn Revisited based on a James Brown song; an iconic trio for cello, piano, and percussion titled Dream of Innocent III. Other performers include Tristan McKay and Robert Fleitz (piano), Jess Tsang (percussion), Michiko Theurer and Paul Hauer (violins), and Hannah Levinson (viola) at the Stone at the New School, $20

3/15, 7 PM indie classical ensemble Longleash and mezzo-soprano Lucy Dhegrae play Shawn Jaeger’s Places We Know – a collection for digital piano trio inspired by the soundscapes of urban and rural streams, rivers, and harbors including field recordings from Muscota Marsh (Inwood) Red Hook Channel (Brooklyn), Beargrass Creek (Louisville, KY), Coleman Run (Nerinx, KY), and Chenoweth Run (Louisville, KY), at Arete Gallery, $15

3/15, 7:30 PM the Mannes Orchestra play Dimitri Shostakovich’s Symphony No. 9 and Sergi Prokofiev’s Symphony No. 5 at the New School’s ground-floor auditorium, 63 5th Ave, free

3/15, 7:30 PM Venezuelan percussionists Roberto and Luisito Quintero’s oldschool Salsa Project at the Lincoln Center Atrium, free, early arrival advised

3/15, 8 PM intense Balkan chanteuse Jenny Luna‘s haunting, traditional Turkish band Dolunay followed at 10 by psychedelic salsa bandleader Zemog El Gallo Bueno at Barbes

3/15, 8 PM the unpredictably fun, funny  art-rock/psychedelic soul band the Academy Blues Project at Silvana

3/15, 8 PM reggae-rockers Zion80 and wild, hilarious klezmer punks Golem at Drom, $15 adv tix rec 

 3/15, 8 PM the Philadelphia Orchestra play Mendelssohn’s Piano Concerto No. 1 plus Schubert’s Symphony No. 9 at NJPAC in Newark, $30 tix avail

3/15, 8 PM violinist Maya Bennardo and pianist Karl Larson play music of Charles Ives at the Owl

3/15, 8 PM perennially brilliant low-register reedman Josh Sinton performs his lushly looming, enveloping Krasa contrabass clarinet project at Issue Project Room, $15/$12 stud/srs

3/15, 8 PM purposefully atmospheric guitarist Gyan Riley with drummer David Cossin and bassist Jared Engel at Happy Lucky No. 1 Gallery, $20. Riley’s here the following night, 3/16 with the amazing, even more atmospheric Arooj Aftab

3/15, 8 PM a very rare solo show by ubiquitous bassist Larry Grenadier performing music from his debut solo bass recording The Gleaners at Zürcher Gallery, 33 Bleecker St, $20

3/15, 8:30 PM haunting Bulgarian singer Biliana Voutchkova with similarly haunting jazz pedal steel virtuoso Susan Alcorn at I-Beam, $15

3/15, 8:30 PM haunting French-Tunisian saxophonist Yacine Boulares’ Ajoyo project with singer Sarah E. Charles at Bar Lunatico

3/15, 9 PM hypnotically emveloping, atmospheric guitarist/soundscaper Rafiq Bhatia, Ian Chang (electronic and acoustic drums) and Jackson Hill (bass and synthesizers) at the  Kitchen, $25

3/16, 2 PM two of the world’s most lyrical, captivating Indian carnatic violinists, Trina Basu and Anjna Swaminathan “engage together in an improvisational dialogue with an art piece of their choice during a special museum “Art & Music” tour” at the Rubin Museum of Art

3/16, 4 PM Afro-Cuban singer Melvis Santa, dancer Hadar Ahuvia and terse, enigmatic avant garde singer/percussionist Anais Mavie with Sam Yulsmanat Luisa Muhr’s monthly Women Between Arts show – NYC’s only multidisciplinary series focusing exclusively on woman performers at the Glass Box Theatre at the New School, 55 W 13th St, $20, “no one turned away for lack of funds”

3/16, 5:30 PM Alice Jones, flute | Anneke Schaul-Yoder, cello | Derin Öge, piano play works by Beethoven contemporary Louise Farrenc and Michael Fiday at Brooklyn Conservatory of Music, $15

3/16, 6 PM haunting, magical Middle Eastern classical singer Shelley Thomas followed eventually at 10 by Super Yamba playing their psychedelic Afrobeat jams at Barbes

3/16, 6 PM, Júlia Hámos (piano), Abigél Králik (violin), Dávid Nagy (bassoon) and Noémi Sallai (clarinet) play a rare all-Hungarian program of works by Kodály, Kurtág, Bartók and Leó Weiner at Hungarian House, 213 E 82nd St (1/2 Aves), free

3/16, 8 PM hypnotically percussive Afro-Honduran sounds with the Garifuna Jazz Ensemble: at Flushing Town hall, $16

3/16, 9 PM amazing, mostly-female, kinetic klezmer/cumbia/cinematic jamband Isle of Klezbos at City Winery, $20 gen adm

3/16, 9 PM hypnotically explosive live bhangra dance band Red Baraat at Bowery Ballroom, $25

3/16, 10 PM ferocious, twin guitar-fueled, Radio Birdman-esque psychedelic punks the Electric Mess  at Hank’s, $10

3/17, 2 PM the Ariel String Quartet play works by Mozart, Mendelssohn and Harbison at the New School auditorium at 66 W 12th St., $18

3/17, 3 PM lyrical latin jazz pianist Manuel Valera plays a rare solo show at the Pregones Theatre, 571 Walton Ave. in the Bronx, free, res req, 2/4/5/ to Grand Concourse 

3/17, 3 PM Benjamin Larsen, cello and Hyungjin Choi, piano​ play works by Grieg, Schumann and Robert Sirota at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, sugg don

3/17, 3 PM the North/South Chamber Orchestra celebrate St Patrick’s Day with the premiere of a clarinet concerto by Irish composer Frank Corcoran. Also on the program :works by David Froom, John David Little and Heather Savage. Clarinetist Sammy Lesnick and flutist Lisa Hansen are the soloists at Christ & St. Stephen’s Church, 120 W 69th St,  free

3/17, 4 PM sensational, whirlwind nuevo tango bandoneonist and composer JP Jofre at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

3/17, 7 PM veteran Irish crooner Pierce Turner – at one time he was doing a mashup of the Pogues and the Moody Blues – at Joe’s Pub, 25

3/17, 7:30/9 PM oldschool stride sounds: Jon-Erik Kellso (trumpet), Ehud Asherie (piano) at Mezzrow, $20

3/17, 8:30 PM baritone Nashville gothic/honkytonk crooner Sean Kershaw and band at the Treehouse at 2A

3/17, 9 PM high-voltage psychobilly band the Goddamn Gallows at the Kingsland, $tba

3/18, 9:30 PM jazz group the Atom String Quartet at Drom, $15 adv tix rec

3/18, 9:30 PM ex-Chicha Libre keyboard sorcerer Josh Camp’s wryly psychedelic cumbia/tropicalia/dub band Locobeach at Barbes

3/19, 7 PM Kristin Lee, violin & Jeremy Jordan, piano play 20th-century American music from ragtime to today, with a special emphasis on improvisation, with works by George Gershwin (arr. Jasha Heifetz), J.J. Johnson (arr. Jeremy Ajani Jordan), Scott Joplin (arr. Jeremy Ajani Jordan), John Novacek, Kevin Puts, and Jonathan Ragonese at 1 Rivington St. upstairs, $15/$10 stud/srs

3/19, 7:30 PM percussionist Alessandra Belloni‘s rustically witchy tarantella band plays the release show for her joint book/cd project Healing Journeys of the Black Madonna at the Cathedral of St. John the Divine, 1047 Amsterdam Ave, $25

3/19, 7:30 PM Norwegian indie classical group Ensemble Neon perform video and sound pieces by Jan Martin Smørdal, Ane Marthe Holen and Lars Skoglund, plus My Red Red Blood, “an excursion into the sound world of Marina Rosenfeld” at Scandinavia House, free

3/19, 8 PM pianist Alex Peh collaborates with percussionists Susie Ibarra, Kyaw Kyaw Naing and flautist Claire Chase to perform new Asian-tinged works at Roulette, $18 adv tix rec

3/20, 7 PM pianist Emanuele Arciuli plays works by Corigliano, Rzewski, Nino Rota, Chick Corea,Curtis Cacioppo and Missy Mazzoli’s hauntingly torrential Isabelle Eberhardt Dreams of Pianos at the Italian Academy, Columbia University, 1161 Amsterdam Ave(just south of 118th St, free

3/20, 7 PM Patrick Higgins’ two-movement piano trio Tocsin performed by pianist Vicky Chow, cellists Jay Campbell and Mariel Roberts, employing “subtle mechanical preparations for piano and a unique instrumentation to create a music where the line between piano, cello, and otherworldly source constantly traversed, undermined, and transformed’ at 1 Rivington St. upstairs, $15/$10 stud/srs

3/20, 7 PM cellist Amanda Gookin plays six new works from five female composers — Alex Temple, Shelley Washington, Kamala Sankaram, Niloufar Nourbakhsh, and National Sawdust honcho Paola Prestini  at National Sawdust, $20 adv tix rec

3/20-21, 7:30 PM hard-charging postbop tenor saxophonist Immanuel Wilkins leads his group at Smalls

3/20, 9 PM brilliant noir swing/Romany jazz/latin soul composer and guitarist Jack Martin (ex-Knoxville Girls and Dimestore Dance Band) at Troost

3/20, 9:30 PM subtly psychedelic, dynamic, eclectic Niger desert rock guitarist Bombino and band at the Poisson Rouge, $25 adv rtix rec

3/20, midnight boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band at the Ear Inn

3/21, 7 PM the harrowing, immigration-themed multimedia performance Ask Hafiz – the story of Sahar Muradi’s tumultuous journey from a Soviet-ruled Afghanistan to Queens. “Along the way, Sahar, following an age-old practice, asks questions to the book of poetry by Hafiz. The answers are revealed through songs composed and sung by Haleh Liza, dance choreographed and performed by Malini Srinivasan, with music by Adam Maalouf, Trina Basu, Bala Skandan and Rich Stein, at Joe’s Pub

3/21, 7:30 PM the deservedly acclaimed Brooklyn Youth Chorus sing new work by Owen Pallett, joined by Alev Lenz for a set of her songs followed by by similarly lush, enigmatic art-rock/parlor pop band Wye Oak at Merkin Concert Hall, $25

3/21, 7:30 PM early music lutenist Paul O’Dette channels “John Dowland’s Midnight” at the Kosciuszko Foundation, 15 E 65th St., $10 tix avail

3/21, 8 PM a string-driven thing at Drom:  apocalyptic string quartet Sevensuns, eclectic, funky parlor jazz violinist Mazz Swift’s MazzMuse, Joe Deninzon’s wickedly fun string metal band Stratospheerius and strings-and-percussion crew 2Birds Band, $15 adv tix rec 

3/21, 8 PM singer Dida Pelled salutes obscure and cult favorite women songwriters including Connie Converse, Elizabeth Cotten, Molly Drake, Vashti Bunyan and Norma Tanega at Barbes

 3/21, 8 PM  saxophonist María Grand’s “Music As a User’s Manual” which “Invites the audience to use it as a manual – the manual will offer several things that can be done: scream; meditate; and others” at Roulette, $18 adv tix rec

3/21, 8 PM veteran electric Chicago blues guitarist Joe Louis Walker at City Vineyard, $20

3/21, 8 PM ex-Dylan lead guitarist Larry Campbell with singer Teresa Williams with Little Feat keyboardist Bill Payne at City Winery $25 standing rom avail

3/21, 8:30 PM Dervisi feat. guitar god Steve Antonakos play “exotic Greek gangsta blues” and hash-smoking anthems at Espresso 77, 35-57 77th Street (just off of 37th Ave), Jackson Heights

3/21, 9 PM the kings of macabre British noir doom music, All Them Witches at Bowery Ballroom, $20

3/21, 9 PM wryly retro, period-perfect classic 60s style female-fronted honkytonk band the Bourbon Express at Hank’s, $10

3/22-23, 7:30/9 PM  reliably tuneful postbop piano vet George Cables s solo at Mezzrow, $25

3/22, 8 PM art-rocker Pierre de Gaillande’s Bad Reputation playing witty chamber pop English translations of Georges Brassens classics followed at 10 by the world’s creepiest crime jazz/film noir band, Big Lazy at Barbes

3/22-23, 8 PM brilliantly eclectic vibraphonist Joel Ross with Sergio Tabanico – tenor saxophone; Kanoa Mendenhall – bass; Jeremy Dutton – drums at Happy Lucky No. 1 Gallery, $20

3/22, 8:30 PM majestic, darkly cinematic surf band the TarantinosNYC. at Freddy’s

3/22, 8:30 PM otherworldly French-Algerian singer Ourida with her combo at Bar Lunatico

3/22, 9 PM Jane Lecroy’s edgy, intensely lyrical electro-punk band Ohmslice with special guests guitarist Martin Philadelphy plus Daniel Carter & Nikki D’Agostino on horns at Flowers for All Occasions, 1114 Dekalb (J to Kosciuszko) Then on 3/24 at 7 they’re at Downtown Music Gallery 

3/22, 9:30 PM explosive Boston original Balkan crew Cocek Brass Band at Radegast Hall

3/23, 2 PM the Orchestra of St Luke’s play a composer portrait of Gabriela Lena Frank at Flushing Town Halll, free w/rsvp. The program repeats on 3/24 at 2 PM at Restoration Plaza, 1368 Fulton St. in Bed-Stuy; 3/28 at 7 at the Hostos Center, 450 Grand Concourse in the Bronx, and 4/4 at 6 at the Harlem School for the Arts, 645 St Nicholas Ave

3/23, 3 PM the Washington Heights Chamber Orchestra play works by Korngold, Britten, Anna Clyne and Michael Torke at Fort Washington Collegiate Church, 729 W 181st St, free  

3/23, 6 PM haunting, magical Middle Eastern classical singer Shelley Thomas followed at 8 by poignant, eclectic, lyrical jazz bassist/composer Pedro Giraudo’s Tango Quartet and at 10 by Cumbiagra – who’ve been going in a much more psychedelic direction lately – at Barbes

3/23, 7:30 PM terse, purposeful classical Indian raga ambience: Rohan Misra on sarangi with Dibyarka Chatterjee on tabla at the Chhandayan Center For Indian Music, $20 

3/23, 8 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud  and wild female-fronted Russian turbo-folk jammers Romashka  at Flushing Town Hall, $16

3/23. 8 PM the NJ Symphony Orchestra play Schubert’s Unfinished Symphony No. 8, the Dvorak Cello Concerto at NJPAC in Newark, $20 tix avail

3/23, 8:30 PM Antibalas spinoff Armo play Afrobeat at Bar Lunatico.

 3/23, 9 PM psychedelic Pakistani crooner Ali Sethi and His Lahore Band at National Sawdust, $25 adv tix rec

3/23, 9 PM dark intense lyrical southwestern gothic/paisley underground rockers Shanghai Love Motel at Connolly’s, 121 W 45th St., $10

3/23 snarky cabaret/funk/punk band Kid Congo & the Pink Monkey Birds– who are more new wave and less Crampsy than you would think – at Brooklyn Bazaar

3/24, 2 PM the LA Guitar Quartet play works by Handel, Liszt, Pat Metheny and others at the Town Hall, $17 tix avail

3/24, 4 PM adventurous indie classical string quartet Ethel play a program TBA at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

3/24, 5 PM the Manhattan Chamber Players perform works by Mozart, Schumann, and Bruch at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

3/24, 7 PM pyrotechnic clarinetist and Dave Tarras protege Michael Winograd leads his big band followed at 9:30ish by paradigm-shifteing Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel and his band at Barbes

3/24, 8:30 PM catchy, politically fearless soulstress Alice Lee – Nina Simone meets Fiona Apple – at Pete’s

3/24, 9 PM baritone honkytonk crooner Jack Grace resurrects his legendary 90s jamband Steak at the Treehouse at 2A

3/25, 7:30 PM darkly glimmering jazz pianist/composer Guy Mintus plays a solo set followed by one with clarinetist Mark Dover at 1 Rivington St. upstairs, $15/$10 stud/srs

3/25, 7:30 PM majestic, slinky cumbia orchestra the Gregorio Uribe Big Band at St. Peter’s Church, 54th/Lex, $20

3/25, 8:30 PM intense Indian-influenced psych-folk songwriter Larkin Grimm followed by quirky, smartly lyrical avant cello-rock with the Icebergs at Pete’s

3/25, 9:30 PM feral singer Carolina Oliveros’ mighty 13-piece Afro-Colombian trance/dance choir Bulla en el Barrio at Barbes

3/26, 7 PM Brenda Castles, Liz Hanley and Johnny Cuomo play Irish guitar/fiddle/concertina music followed at 9 by wickedly torchy noir songwriter Julia Haltigan and her killer band at 11th St. Bar

3/26, 7:30 PM violinist Bella Hristova leads an ensemble playing works by Messiaen, Bach, Zwilich and Brahms at Merkin Concert Hall, $10 tix avail

3/26, 7:30 PM the Canadian Guitar Quartet reinvent works  by Beethoven, Saint-Saens, Pouilenc, Ravel and Brahns at the Baruch College auditorium, free, rsvp req 

3/26-27. 8/10:30 PM  iconic bassist Ron Carter leads an ensemble TBA at the Blue Note, $30 standing room avail

3/26-30, 8:30 PM epically lyrical alto saxophonist Peter Apfelbaum plays with a series of ensembles at the Stone at the New School, $20. Coice pick: 3/30 with his NY Heiroglyphics

3/27, quarter past noon spellbinding Bulgarian vocal harmony trio Black Sea Hotel at Queens College, 65-30 Kissena Blvd., Flushing, free

3/27, 6 PM a good tunesmith twinbill: cleverly lyrical, edgily funny, soaring-voiced powerpop/acoustic rock singer Tamara Hey  followed by the much darker, more eclectic darkly eclectic, enigmatic Lorraine Leckie  at the small room at the Rockwood

3/27, 7 PM fiercely brilliant guitar twinbill: solos and duels between Ava Mendoza with Wilco’s Nels Cline at National Sawdust, $25 adv tix rec

3/27, 7 PM Eric Moe, piano, and Robert Frankenberry, actor perform David Del Tredici’s cult favorite, gleefully macabre Monsters at the Italian Academy, Columbia University, 1161 Amsterdam Ave(just south of 118th St, free

3/27, 9 PM wickedly jangly surf/twang/country instrumentalists the Bakersfield Breakers at 11th St. Bar

3/27, 9 PM slashing guitarist Steve Antonakos plays slide guitar blues with his band at Bar Chord

3/28, 7:30 PM pianist Per Tengstrand with Leland Ko (cello), Hana Mundiya (violin), Noah Pacis (viola), and Soyeong Park (violin) play Beethoven’s Piano Concerto No. 5 and Dvorak’s Piano Quintet No. 2 in A Major at Scandinavia House, $25

3/28. 7:30 PM rare solo shows by 75 Dollar Bill’s microtonal guitarist Che Chen and Debo Band’s 5 string electro-acoustic violin player Kaethe Hostetter at the Old American Can Factory, 232 3rd St., Gowanus, $15 cash only at the door, space limited, RSVP to reserve your ticket

3/28, 7:30 PM singer Min Jin and others perform classical Korean gajok art-songs backed by a chamber ensemble at Merkin Concert Hall, free, res req, limit 2 tix per person

3/28, 8 PM dynamic avant-garde harp luminary Zeena Parkins plays her new improvisational suite Captiva at Roulette, $18 adv tix rec

3/28, 8 PM bass goddess/soul singer Felice Rosser’s ageless reggae-rock-groove band Faith at Silvana

3/28, 8:30 PM a raucous klezmer dance party with music by Ken Maltz, Lauren Brody, Aaron Alexander at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

3/28, 7:30 PM Iraqi maqam music icon Hamid Al-Saadi with trumpeter Amir ElSaffar’s hypnotic, incisive classical Iraqi music ensemble Safaafir at the Lincoln Center Atrium, free, early arrival advised

3/28, 10 PM drummer Arthur Vint & Associates reinvent classic Morricone spaghetti western soundtracks at Barbes

3/29, 7 PM genre-smashing avant-jazz saxophonist/singer Stephanie Chou and her band play her harrowing jazz suite Comfort Girl, about women forced into sexual slavery under the Japanese in WWII at Joe’s Pub, $15

3/29, 7 PM allstar Indian music collective the Women’s Raga Massive with an especially potent lineup:  Deepal Sanghvi Chodhari (santoor), Roopa Mahadevan (vocals), Roshni Samlal (tabla), and Rajna Swaminathan (mridangam) at the Rubin Museum of Art, $30

 3/29. 7 PM the Latin American Chamber Players perform works by Ravel, Boulanger, Francaix, Roussel and Poulenc at Scholes St. Studios, $20 

 3/29, 7 PM pianist Conor Hanick and Parallax Ensemble play works by Kati Agócs, Balázs Futó, Nicolas Namoradze; Robert Beaser and Ninfea Cruttwell-Reade; and the U.S. premiere of Petrichor, a violin-piano duet based on J.S. Bach by Jocelyn Morlock at 1 Rivington St. upstairs, $15/$10 stud/srs

3/29,  7 PM not a music event but of interest: “The Last Days of Judas Iscariot is a hilarious, poignant, thought-provoking work by Pulitzer-prize winning playwright Stephen Adly Guirgis. Boasting a large, zany cast of characters, the play asks one of the most plaguing questions in the Christian ideology: What happened to Judas Iscariot? The story is that Judas was the disciple of Jesus who betrayed his friend and teacher to the authorities. He is seen as the man responsible for Jesus’s death; afterwards, Judas fell into despair and hung himself from an olive tree; since then, he has been suffering for his deeds deep in Hell, and will continue to do so for all eternity. Is that really fair? Was Judas the duplicitous master of his own fate, a much-suffering pawn used for Jesus’s ends, or just a man who made a mistake? Set in a courtroom in Purgatory, The Last Days puts Judas’ case to a hilarious, riotous, piercing trial, the results of which are sure to make the inhabitants of Heaven, Hell, and Purgatory -mand the audience — reconsider.” At St. George’s Episcopal Church, 7 Rutherford Pl, free, RSVP required

3/29, 8 PM violin loopmusic artist Joe Kye with percussionist William Catanzaro and pianist Josh Ehrlich at Flushing Town Hall, $16

3/29, 9:30 PM NY horror surf legends the Coffin Daggers at the Gutter

3/29, 10 PM Dakha Band mix up north and South African sounds at Club Bonafide, $15

3/30, 7 PM ambient electroacoustic composer Jonathan Zorn, followed eventually around 9 by a very rare solo show by the enigmatic Paula Matthusen, and the alternately squonky and hushed Philip White & Chris Pitsiokos at Holo, $10

3/30, 7:30 PM a Cuban music dynasty: Malena Burke – daughter of legendary songstress Elena Burke,  joined by her own daughter, pianist / vocalist / composer Lena Burke at the Hostos Center theater, 450 Grand Concourse in the Bronx $20

3/30, 7:30 PM the Argus Quartet play works by Debussy, Theofanidis, Mendelssohn and Josquin des Prez at Irving Auditorium, Irving Pl/17th St., $16

3/30, 8 PM an intriguing triplebill at the Parkside: darkly lyrical psychedelic pop songwriter Jennifer Hall, Fatsy Cline (whoever she/they is/are) and a very rare performance by wickedly lyrical, Graham Parker-esque retro new wave band Lazy Lions

3/30, 8 PM Anda Union play ancient, windswept Mongolian themes at Merkin Concert Hall, $25 tix avail

3/30, 8 PM Appalachian music maven Bruce Molsky’s Mountain Drifters play the album release show for their new one at the Jalopy, $20

3/30, 8 PM murder ballad specialists and Slim Cessna’s Auto Club spinoff DBUK at El Cortez, $15

3/30, 8 PM otherworldly Moroccan mountain jams with downtown NYC types: Bachir & Mustapha Attar of the Master Musicians of Jajouka with Ned Rothenberg, Arrington De Dionysio & Ben Bennett at Roulette, $30/$26 stud/srs

3/30, 8 PM composers and instrumentalists Daniel Fishkin, Cleek Schrey, and Ron Shalom — the U.S.’s only extant daxophone consort – at Issue Project Room, $15/$12 stud/srs “The daxophone is a thin wooden strip played with a bow, created by the German improviser/inventor Hans Reichel in 1987. The instrument’s sound, somewhere between a cello and badger, ranges from furtive gurgles and delicate whistles to wild screams.”

3/30, 8:30 PM noir guitar legend Jim Campilongo leads his trio at Bar Lunatico

3/30, 10 PM Pangari & the Socialites play classic ska and rocksteady – most of it from the 60s Skatalites catalog – at Barbes 

3/30 catchy female-fronted powerpop band Big Eyes – who absolutely nail a late 70s/early 80s CBGB sensibility – play the album release show for their new one at Union Pool 

3/31, noon the annual Queens Overground Jazz Festival, acts TBA at Flushing Town Hall, free, res req

3/31, 2:30 PM the Apple Hill String Quartet play works by Shostakovich, Faure and Michael Kropf at St. Bartholomew’s Cathedral, $25/$15 stud/srs

3/31, 4 PM avant garde crooner Theo Bleckmann with Ike Sturm and Jesse Lewis at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

3/31, 5 PM Mirror Visions Ensemble – Abigail Levis, mezzo-soprano; Scott Murphree, tenor; Mischa Bouvier, baritone; and Grant Wenaus, piano – play  music by immigrants (Kurt Weill, Paul Hindemith, Hanns Eisler, and Erich Korngold), women (Ruth Crawford Seeger, Francine Trester), and African Americans (Adolphus Hailstork, Brittney Boykin, Florence Price, and Leslie Adams), as well as by classic American composers (Charles Ives, Leonard Bernstein, Samuel Barber, and Pete Seeger) as well as world premieres from Mohammed Fairouz, Braxton Blake, and Harold Meltzer at the Sheen Center, $20

3/31, 7 PM Mississippi hill country bluesman Robert Kimbrough (son of Junior) at Barbes, $10. Followed at 9:30 by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel

3/31, 8 PM haunting Turkish art-rock guitarist/crooner Ahmet Aslan at Drom, $30 adv tix re

3/31, 7:30 PM new updates on haunting old Middle Eastern sounds: Takht al-Nagham featuring Arab Idol superstar Farrah Yousef, the Tarab Ensemble, and Nano Raies at Roulette, $25 adv tix rec

3/31, 10:30 PM noir-inspired alto saxophonist/composer Nick Hempton  leads his ensemble at Smalls

 4/1-2, 7:3/9:30 PM this era’s most intensely powerful tenor saxophonist/composer, JD Allen leads a quartet with Liberty Ellman on guitar at the Jazz Standard, $30

4/2, 7 PM RighteousGIRLS (Gina Izzo, flute & Erika Dohi, piano) play the world premiere of Legion (for 8 flutes and 8 pianos) by Alex Burtzos plus less epic works Andy Akiho, Ambrose Akinmusire, Paula Matthusen, and Mike Perdue at  1 Rivington St. upstairs, $15/$10 stud/srs

4/3, 4:30 PM the irrepressible, cinematic, comedic Broken Reed Saxophone Quartet with special guest  drummer Todd Isler, pianist Wade Ridenhour and singer/narrator Daphné Mia Essiet at St. Ann’s School in Brooklyn Heights 129 Pierrepont Street, Brooklyn Heights, (performance space is on Clinton Street across from the school.), free

4/4, 7:30 PM, repeating 4/5 at 8 PM and 4/6 at 2 and 8 PM the NY Philharmonic play works by Beethoven, Bernstein, Stucky ,Wagner and very young composers at Avery Fisher Hall, $5 tix available to NYPD, NYFD, EMT, and NYC city service professionals. 

4/6, 6 PM velvety noir jazz singer (and Tickled Pinks member) Stephanie Layton’s impressively eclectic torch/swing jazz band Eden Lane at the Onderdonk House, 1820 Flushing Ave in Ridgewood, $5 sug don

4/6-7, 8 PM haunting, charismatic oldtimey-style banjo player and corrosively political songwriter Curtis Eller and band play a live score to the Bipeds Dance Company’s phantasmagorical performance “54 Strange Words” at Triskelion Arts,106 Calyer St in Greenpoint, $18 adv tix rec

4/6. 8 PM brilliantly lyrical dark oldtimey songwriter/multi-instrumentalist Pete Lanctot at 68 Jay St Bar

4/7, 5 PM the Kandinsky Trio perform a lyrical early Beethoven piano trio and then will be joined by clarinetist Jose Garcia Taborda and narrator Patricia Raun for Messiaen’s Quartet for the End of Time at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

4/9, 7 PM a first-class indie classical ensemble fronted by singer Eliza Bagg with Daniel Schlosberg, Maya Bennardo, Hannah Levinson, Hannah Collins, and Mike Compitello perform the album release show for Alex Weiser’s new album All the Days Were Purple – putting a new spin on ancient Jewish musical traditions – at the Yivo Institute, 15 W 16th St., free, reception to follow

4/10, 7 PM pianist Julia Den Boer plays a world premiere by Claudia Jane Scroccaro plus works by Giacinto Scelsi. Giulia Lorusso and Luigi Nono at the Italian Academy, Columbia University, 1161 Amsterdam Ave(just south of 118th St, free

4/12, 6:30 PM creepy noir chamber pop/murder ballad duo Charming Disaster at the American Folk Art Museum

4/16, 8 PM timeless, haunting, playful octogenarian Armenian jazz sage and multi-reedman Souren Baronian in a rare trio show at Sisters Brooklyn, 900 Fulton St. at Washington, $10

4/19, 9 PM creepy noir chamber pop/murder ballad duo Charming Disaster followed by similarly sinister psychedelic art-rock/circus rock band Cookie Tongue at Coney Island USA, 1280 Surf Ave, Coney Island, $20 includes dessert, 

4/24, 8 PM, Stefan Tcherepnin and Taketo Shimada’s dirgey duo project Afuma followed by  sepulchral, otherworldly Cairo singer/multi-instrumentalist Nadah El Shazly – who puts an eerie shoegaze spin on classical Arabic song – at Brooklyn Music School Theater, 126 St Felix St, up the block from BAM, $20 

4/30, 8 PM spectacular yet nuanced Palestinian opera singer Nour Darwish and ensemble at Sisters Brooklyn, 900 Fulton St. at Washington, $10

5/4, 10 AM – 2:30 PM a free block party with music, dance and more to celebrate 60 years of Lincoln Center on the plaza there, lineup tba

5/26, 5 PM pianist Andrea Lam performs Bach, Schumann and Stravinsky at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

6/16, 5 PM cellist Angela Lee, with pianist Evelyne Luest play works by Beethoven, Prokofiev and Janáček at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

Noir Songwriter Karla Rose Returns with a Vengeance

Nobody strings together chord changes with more of an unexpected wallop than Karla Rose. Considering how much film noir ambience she works, that’s no surprise. As a lyricist, she has a merciless wit to rival Elvis Costello or Hannah Fairchild. And she’s one of the three or four best singers in New York, a rare rock vocalist with a jazz background who uses her vast range for nuance rather than cluttering the songs.

A couple of years ago, Rose was on the front page here constantly, riding a wave of popularity in the wake of her brilliantly shadowy debut album Gone to Town (which she released under her given name, Karla Moheno: Rose is her middle name). Then she cut back on the shows to make a new record and regroup her well-loved oldtimey swing harmony group the Tickled Pinks. so it’s great to see her back playing out again, doing her own songs. She’s playing the Bedford at 110 Bedford Ave. in Williamsburg on Feb 27 at 8 PM.

The last time this blog was in the house at one of her shows, it was the spring of last year with the Pinks on a twinbill in Williamsburg with spectacular acoustic guitar instrumentalist Lyle Brewer. If memory serves right, her most recent 11th St. Bar show was about a year before that, and it was killer. At that point she was focusing on writing songs that a single guitar could handle since her lead player was busy with his own projects. So there was plenty of new material, a lot of it with a dreamy early 70s soul vibe, some with a grittier post-Velvets pulse and a gorgeous, bittersweetly catchy new one, Sicilian Pride. dedicated to one of her homegirls.

In the time between the first album and that point, there were a few other 11th St. Bar shows as well. One in particular that stands out (because there’s an archival tape to reference, ha) was on December 30 of 2015 with Frank LoCrasto sitting in on piano. It was a casual, intimate set, on the subdued side, an atmosphere where the faux-tenderness at the end of the phrase “Carry me up the stairs, I’ll make believe someone cares” could be delivered in a whisper and give you cynical goosebumps.

That’s a line from Mexico, a surreal and more than slightly desperate scenario set in a seedy seaside resort. The rest of the set was just as good. The duo took their time with Silver Bucket, a casually apocalyptic number with a hypnotic Smokestack Lightning sway. Time Well Spent, her shatteringly dark parable of trying to hang on in a town less and less hospitable to artistic pursuits, had a relentless calm-before-the-storm edge.

The Return – a savagely jaunty, ragtime-flavored kiss-off anthem – and the first album’s lush title track, part oldschool soul and part smutty hokum blues, were as funny as usual. The high point was an early version of the rampaging, allusive serial killer parable Battery Park, which would go on to earn Best Song of 2016 here. The two also did a Randy Newman cover and a gorgeous, understatedly plaintive, almost epic ballad contemplating distance and angst and possible defeat. In a year where the clown in office masks a more sinister agenda where far less buffoonish people really believe that it’s a national emergency if there’s no wall between here and Mexico, there’s never been more of a time for songs like that.

Live Music Calendar for New York City and Brooklyn for February and March 2019

Daily updates – if you go out a lot, you might want to bookmark this page and check back regularly. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music. Many different styles to choose from.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised. If you see a show listed without the start time, that’s because either the artist, their publicist or the venue in question sent incomplete info – those acts are usually listed last on a particular date.  Always best to check with the venue for the latest information on set times and door charges, since that information is often published here weeks in advance. Weekly events first followed by the daily calendar.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you found out about here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

On select Wednesdays and Sundays, an intimate, growing piano music salon on the Upper West Side featuring iconoclastically insightful, lyrical pianist Nancy Garniez – a cult favorite with an extraordinarily fluid, singing, legato style – exploring the delicious minutiae of works from across the centuries, beverages and lively conversation included!  email for details/address

Mondays at 7 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud at Barbes followed at 9:30 PM by a variety of south-of-the-border-style bands playing cumbias, boogaloo, salsa, maybe all of the above.

Mondays in February, 8 PM the unpredictably fun, funny  art-rock/psychedelic soul band the Academy Blues Project at Shrine

Mondays in February at 10 PM Melissa Gordon of Melissa & the Mannequins at LIC Bar. One of the best purist janglerock songwriters in NYC works up new material – should be a clinic in good tunesmithing

Mondays at the Jazz Standard it’s all Mingus, whether with the Mingus Orchestra, Big Band or Mingus Dynasty: as jazz goes, it’s arguably the most exhilarating show of the week, every week. The first-rate players always rise to the level of the material. Sets 7:30/9:30 PM, $25 and worth it.

Also Monday and Tuesday nights Vince Giordano’s Nighthawks, a boisterous horn-driven 11-piece 1920s/early 30’s band play Iguana, 240 W. 54th St ( Broadway/8th Ave) , 3 sets from 8 to 11, surprisingly cheap $15 cover plus $15 minimum considering what you’re getting. Even before the Flying Neutrinos or the Moonlighters, multi-instrumentalist Giordano was pioneering the oldtimey sound in New York; his long-running residency at the old Cajun on lower 8th Ave. is legendary. He also gets a ton of film work (Giordano wrote the satirical number that Willie Nelson famously sang in Wag the Dog).

Mondays at the Vanguard the Vanguard Jazz Orchestra – composer Jim McNeely’s reliably good big band vehicle – plays 9/11 PM, $30 per set plus drink minimum.

Mondays in February, 10 PM noir guitar legend Jim Campilongo leads his trio at the big room at the Rockwood, $10

Mondays in February, Rev. Vince Anderson and his band play Union Pool in Williamsburg, two sets starting at 10:30 PM. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically astute, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the lead soloist on baritone sax, with frequent special guests.

Tuesdays in February, clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at 9 PM at Barbes (check the club calendar). Get there as soon as you can as they’re very popular. $10 cover.

Wednesdays in February, 8 PM the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Threes Brewing Outpost, 113 Franklin St (Greenpoint/Kent Aves) in Greenpoint, free

Wednesdays in February, 9 PM Trio Quimbombo play salsa, son, trova, bossa nova, changui, and more!! Featuring vocals and tres by Cuban virtuoso Yuniel “El Guajiro” Jimenez at the 18th Room, 134 9th Ave @ 19th St 

Three Wednesdays in March: 3/13, 3/20 and 3/27, 9 PM atmospherically anthemic Indian-influenced spacerock band Humeysha at C’Mon Everybody, $10

Thursdays at 8:30 in February, the Brooklyn Raga Massive – a rotating cast of A-list Indian, jazz and rock musicians who love to jam out classic Indian themes from over the centuries to the present day – play the Jalopy, $15 adv tix at the bar at the main space. Tons of special guests followed by a wild raga jam!

Fridays and Saturdays at 5 PM adventurous indie classical string quartet Ethel plus frequent special guests playing a mix of classical and more contemporary material at the balcony bar at the Metropolitan Museum of Art, free w/museum adm

Fridays in February and March, 6 PM charmingly inscrutable Parisienne jazz chanteuse Chloe & the French Heart Jazz Band at Club Bonafide, $20. They’re also there on 2/24 at 5:30 PM

Fridays at 7:30 PM tenor saxophonist Ken Fowser leads his band at the Django. Jukebox jazz in a JD Allen vein but not as dark and more straight-ahead/groove-oriented: as postbop party music goes, nobody’s writing better than this guy right now.

Free classical concerts on Saturdays at 4 PM in February as well as

March 23 and 30, returning to weekly Saturdays in April at Bargemusic;  usually solo piano or small chamber ensembles. If you get lucky, you’ll catch pyrotechnic violinist/music director Mark Peskanov and/or the many members of his circle. Early arrival advised.

Saturdays in February, 6 PM low register reedman Josh Sinton’s Phantasos play Morphine at Barbes. Hard to think of anyone more capable of tackling that ominously kinetic songbook.

Most Sundays at 5:15 PM, a free recital on the amazing, powerful, dynamic new organ at St. Thomas Church at 5th Ave and 53rd St. featuring some of the world’s greatest organists. The space is magnificent and the music usually is too. Right now the church fathers are programming pretty much everybody who used to work here and play the mighty old Aeolian-Skinner organ that finally had to be replaced. Check the concert calendar for details. 

2/1, 5:30 PM soul/gospel belter (and Lenny Molotov collaborator) Queen Esther at the American Folk Art Museum 

2/1, 7 PM indie classical ensemble SoundArt NYC play a rare program of Costa Rican composers including Valeria Brenes, Carlos Jose Castro Mora and Susan Campos-Fonseca at the Americas Society, free

2/1-2, 7:30 PM eclectic, paradigm-shifting, irrepressibly fun B3 jazz organist Brian Charette leads his trio at Smalls

2/1, 7:30 PM Alloy Orchestra play their live score to Josef von Sternberg’s silent gangster film Underworld at the World Financial Center, free

2/1, 7:30 PM the Juilliard Orchestra play works by Ligeti, Betty Olivero and Michael Tippett at Alice Tully Hall, free

2/1, 8 PM a rare Queens appearance by Vince Giordano & the Nighthawks – the Boardwalk Empire house band – at Flushing Town Hall, $25/$20 stud

2/1, 8 PM pianist Jeremy Denk plays works by John Adams, Mendelssohn and Beethoven at Stern Auditorium at Carnegie Hall, $25 tix avail

2/1-2, 8 PM the NY Philharmonic play Mozart’s first and 41st (Jupiter) Symphonies plus works by Haydn and Stravinsky at Avery Fisher Hall, $34

2/1, 8 PM Fresh Squeezed Opera presents world premieres of works by Whitney George, Gabi Herbst, & Gemma Peacocke for voice & electronics at Roulette, $18

2/1-3, 8/10:30 PM bouncy live hip-hop groove band the Hypnotic Brass Ensemble at the Blue Note, $20 standing room avail

2/1, 9:30 PM chamber tango night with poignant, eclectic, lyrical jazz bassist/composer Pedro Giraudo’s Tango Quartet and similarly adventurous pan-latin singer Sofia Tosello at joe’s Pub, $20

2/1, 9:30 PM Cumbiagra – who’ve been going in a much more psychedelic direction lately – at Barbes. They’re also here on 2/11 at 9:30ish

2/1, 10 PM Atlas & the All World Band play fiery, socially aware roots reggae at Shrine 

2/2, 3 PM the Brooklyn Conservatory Chorale plus 14-piece chamber orchestra, sopranos Tami Petty & Kate Maroney perform works by Lauridsen, Yardley, and Gjeilo, plus Vivaldi’s Gloria, at Lafayette Avenue Presbyterian Church, 85 S. Oxford St., Ft. Greene, $20/$15 stud/srs

2/2, 4 PM cinematic, psychedelic quirk-pop keyboardist Michael Hearst presents “Curious, Unusual and Extraordinary” songs from his many bands followed eventually at 6 by low register reedman Josh Sinton’s Phantasos playing Morphine covers,  followed at 8 by pianist Lucian Ban and violist Mat Maneri playimg their creepy Transylvanian jazz at Barbes

2/2, 5 PM pensive, Middle Eastern-tinged guitarist Jonathan Goldberger and band followed at 6 by atmospheric, cinematic drummer/composer Tim Kuhl and his group at Pete’s

2/2, 6 PM postbop sax legend Oliver Lake and ensemble at Bethany Baptist Church, 275 W Market St, Newark, free

2/2, 7:30 PM the NJ Symphony Orchestra play a Chinese New Year celebration at NJPAC in Newark with Beethoven’s Festival Overture, works by Tan Dun and Li Huanzhi and others, $20 tix avail 

2/2, 8 PM left coast postbop pianist Richard Sears with his trio followed by torchy singer Jennifer Charles’ and guitar mastermind Oren Bloedow’s haunting, fearlessly political art-rock/noir band Elysian Fields on their home turf at the Owl, $10

2/2, 8 PM Wet Ink Ensemble play pianist Eric Wubbels’ new microtonal trio at the DiMenna Center, $10

2/2, 8 PM spirited Irish/Scottish folk singer Pamela Jean Agaloos followed by sea chantey duo Twa Corbies at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away”

2/2, Unsteady Freddie‘s monthly surf rock extravaganza at Otto’s begins at 9 PM with Brooklyn cover trio the Band of Others, Link Wray cover band the Wraycyclers at 10, the Superbness (let’s hope they have it) at 11 and at midnight wickedly jangly surf/twang/country instrumentalists the Bakersfield Breakers 

2/2, 9 PM ubiquitous, moodily lyrical, politically savvy Irish folk-rocker Niall Connolly at the small room at the Rockwood

2/2, 10 PM the Last Internationale – sort of the Patti Smith Group of latin rock – play the album release show for their new one at Rough Trade, $10 adv tix rec

2/2, 10 PM bass sax monster Stefen Zeniuk’s punk mambo crew the NY Fowl Harmonic at Hank’s, $10

2/2, 10 PM Epic Order play roots reggae at Silvana 

2/3, 3 PM Orpheus Chamber Orchestra concertmaster Eriko Sato leads a piano quartet playing works by Saint-Saens, Dvorak, Charles Villiers Stanford and Ellen Taaffe Zwilich at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, sugg don

2/3, 6 PM irrepressible tuba player Jesse Dulman leads his punk dixieland quartet with Ras Moshe, Dave Sewelson and Leionid Laganov followed by the acerbically atmospheric Beyond Group at Downtown Music Gallery

2/3, 7 PM tuneful, state-of-the-art postbop jazz guitarist Will Bernard and band play Strayhorn followed at 9:30  by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

2/3, 9:30 PM tunefully adventurous tenor saxophonist Seamus Blake leads a rare chordless trio at 55 Bar

2/3, 9:30 PM guitarist Ilusha Tsinadze does his pensive, rustic Georgian folk thing at Joe’s Pub, $15 adv tix rec

2/4, 7:30 PM the Mannes Orchestra play Verdi’s Overture to The Force of Destiny, Rachmaninoff’s Symphonic Dances and Tschaikovsky’s overture to Romeo & Juliette at the ground-floor U100 auditorium at the New School, 63 5th Ave., free

2/4, 9:30ish Los Mochuelos plays classic Colombian vallenato music at Barbes

2/5, 7 PM purist pop tunesmithing: powerpop titan George Usher and the hilarious, politically fearless Amy Rigby at the Mercury, $12 adv tix rec

2/5, 7 PM Free Range Rat with Slavic Soul Party‘s John Carlson – trumpet, pocket trumpet & flugelhorn; Eric Hipp – tenor saxophone – Shawn McGloin – bass and George Schuller – drums, followed at 9 by SSP doing their amazing Balkan brass/hip-hop mashups at Barbes

2/5, 8/9:30 PM the glimmering, noir-inspired Tom Beckham on vibes with guitarist Rale Micic & bassist Peter Slavov at Mezzrrow, $20

2/5, 8 PM terse, enigmatic avant garde singer/percussionist Anais Maviel  presents a diptych: vocal-and-drums and then vox and piano: “Who is this ritual for and from? at Roulette, $18

2/5, 8:30 PM haunting flamenco/Sicilian folk chanteuse Julia Patinella.at the downstairs room at the Rockwood, $12

2/5-10, 8:30/10:30 PM reliably tuneful postbop piano vet George Cables leads a trio at the Vanguard, $35

2/6, 1 PM avant jazz singer Jay Clayton with intense Armenian-influenced pianist Armen Donelian at St. Peter’s Church, 54th/Lex

 2/6-9, 7/10 PM luminous, soulful pan-Latin jazz chanteuse Claudia Acuña plays the album release stand for her new one at Birdland, $20 at the bar

2/6, 8 PM pyrotechnic clarinetist Ismail Lumanovski’s ferociously kinetic NY Gypsy All-Stars  at Drom, $10 adv tix rec

2/6,8:30 PM Dervisi feat. guitar god Steve Antonakos play “exotic Greek gangsta blues” and hash-smoking anthems from the 1930s at Troost. 

2/6, 9:30 PM high lonesome Orbisonesque acoustic Americana with Bobby Blue the Balladeer at the Jalopy. 2/16 at 11 they’re at Better Days, 302 Broome St; 2/22 at 10 they’re at Diviera Drive, 131 Berry St in Wiliamsburg

2/6, 9 PM sweeping, swinging vibraphonist Behn Gillece and group at the Fat Cat 

 2/6, 10 PM guitarslinger Mallory Feuer’s fiery power trio the Grasping Straws – sort of a mashup of Patti Smith and Hole’s first album – at the Mercury, $10

2/7, 7 PM solo sets from women composer/performers Lea Bertucci, Carla CanalesMargaret DavisLiz FaureSarah GoldfeatherAnna Meadors,  Emily Wells, and Molly Joyce at 1 Rivington St. (at Bowery), upstairs, $15/$10 stud 

2/7, 7 PM poignant, nuanced jazz singer Amy Cervini leads her septet at 55 Bar

2/7-8, 7 PM “Spanish guitarist and composer Oscar Peñas and his Jazz Quartet combine with the Mivos Quartet to create a classical-jazz suite inspired by the 3,000-year-old Andalusian fishing tradition known as the almadraba” at Aaron Davis Hall, $20/$10 stud/srs

2/7, 7 PM Conduit: Zach Manzi (bass clarinet) and Evan Saddler (percussion) at Arete Gallery, $15

 2/7, 7:30 PM the Navarra String Quartet play Pēteris Vasks: String Quartet No. 4;  Ravel: String Quartet in F major at the Lincoln Center Atrium, free, early arrival advised

 2/7, 7:30 PM pianist Mackenzie Melemed plays a program tba at Greenwich House Music School, free

2/7, 8 PM boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band at Hank’s, $10. They’re at Bar Chord on 2/23 at 9 for free.

2/7-9 and 2/13-16, 8 PM Robert Ashley’s opera Improvement (Don Leaves Linda): “follows the adventures of its protagonist Linda, whose travels and romances can be read as attempts at assimilation and cultural cross-pollination, with varying degrees of success and rejection. The metaphor stretches in time from 1492—the beginning of a European consciousness of America and the expulsion of the Sephardic Jews from Spain—to the late 1940s on the West Coast (representing the future of the USA). Densely layered streams of text, lush live vocals, and a minutely structured electronic orchestra combine to present a portrait of the American psyche” at the Kitchen, $25

2/7, 8 PM New York’s most charismatic, darkly compelling lyrical songwriter/storyteller/keyboard genius Rachelle Garniez followed at 10 by Balkan chanteuse Jenny Luna‘s haunting, traditional Turkish band Dolunay at Barbes

2/7, 8 PM Wormburner – who were once Hoboken’s answer to the Jam – at 11th St Bar at 11th St. Bar

2/7. 8:30 PM brilliantly lyrical trumpeter Ben Holmes’ Naked Lore with Kyle Sanna and Shane Shahanan at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

 2/7, 10 PM the great unsung NYC hero of darkly purposeful, noir-tinged jazz guitar, Saul Rubin leads his Zebtet at the Fat Cat. He’s also here on 2/12 at 7

 2/8, 7 PM left coast improv sax luminary Jessica Jones leads her quartet followed by Tony Jones’ Pitch, Rhythm and Consciousness string jazz Quartet at Shapeshifter Lab, $15

 2/8, 8 PM a composer portrait of enigmatic, trippy electroacoustic vocal composer Erin Gee at Roulette, $18 

2/8, 6 PM the opening for visual artist Rosaire Appel’s musically-themed exhibit Untitled Scores with solo piano by klezmer-jazz piano icon Anthony Coleman at 7:30

2/8, 6:30 PM folk noir crooner Greg Connors at the American Folk Art Museum 

 2/8, 7:30 PM the Parhelion Trio followed by guitarist Liz Faure’s pensive SugarCave trio with piano and vocals at Arete Gallery $15 

 2/8, 8 PM epically trippy Laotian psychedelia with an electric phin as the lead instrument with the Drunken Foreigner Band at Secret Project Robot

2/8, 8 PM the New Amsterdam Symphony Orchestra play William Levi Dawson’s 1934  Negro Folk Symphony; soloist Haerim Elizabeth Lee performs the Sibelius Violin Concerto at Symphony Space, $25/$18 stud/srs

2/8, 8 PM cinematic noir soul instrumentalists the Ghost Funk Orchestrafollowed by fourth-gen post-Velvets stompers Ghost King at Trans-Pecos, $10 

2/8, 8 PM busker legends the Xylopholks in their furry suits followed by horn band Quatre Vingt Neuf (French for 89, a revolutionary date in case you missed it) playing Little Rascals theme music at Barbes

2/8, 8 PM the Dead Jetsetters – who do a decent late 60s MC5 impersonation – at Arlene’s, $10 

2/8, 9 PM NYC’s answer to Stevie Ray Vaughan, Hugh Pool l at Bar Chord

2/8, 10 PM popular Americana highway rockers Mandolin Orange at the Music Hall of Williamsburg, $25 adv tix avail

2/8-9, 10:30 PM vibraphonist Felipe Fournier‘s wild Tito Puente and Dave Brubeck cover band, Supermambo at Terraza 7, $15

2/8, 10:30 PM popular,purist postbop guitarist Mark Whitfield at the Fat Cat

2/8, 10:30 PM semi-legendary underground Brooklyn jazz multi-instrumentalist D. Treut at Pine Box Rock Shop

2/9, noon and 2 PM Chinese musicians Wu Na and Chang Jing elicit the sounds of nature—mountains, water, wind, and moon—from traditional Chinese zithers. in Galleries 963–965 on the court level at the Metropolitan Museum of Art, free w/museum adm

2/9, 2 PM soul/funk trumpeter Lee Hogans and his Quintet at Harlem School for the Arts, 645 St. Nicholas Ave at 141st St., free

2/9, 4 PM the Erik Satie Quartet – Ron Hay (trombone), Max Seigel (bass trombone), Ben Holmes (trumpet), and Andrew Hadro (bari sax) –reinvent classic and obscure Satie chamber pieces as well as rare compositions by his obscure contemporaries, followed at 6 by low register reedman Josh Sinton’s Phantasos playing Morphine covers, at 8 by intense, lyrical jazz bassist/composer Pedro Giraudo leading his Tango Quartet and at at 10 by Rana Santacruz – the Mexican Shane MacGowan, but without the booze if you can imagine that – at Barbes 

 2/9, 7:30 PM sitarist Kinnar Seen with tabla player Samir Chatterjee at the Chhandayan Center For Indian Music, $20

 2/9, 8 PM populist Irish songwriter Joe Jencks and the perennially entertaining, funny, politically spot-on Rod MacDonald at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away”  

2/9, 8 PM pyrotechnic bhangra-jazz alto saxophonist Rudresh Mahanthappa‘s wickedly tuneful Indo-Pak Coalition at the Miller Theatre, $30 tix avail

2/9, 8 PM the Delorean Sisters – who do funny oldtimey acoustic covers of cheesy 80s pop songs – at the Way Station

2/9, 8 PM wild rock and classical arrangements plus improvisation: Tom Swafford, violin; Zachary Swanson, bass; Leonor Falcon; Sana Nagano, violin, viola, at I-Beam, $15

2/9, 8 PM the NY Repertory Orchestra with Gretchen Windt, mezzo-soprano play Vaughan Williams: English Folk Song Suite; Elgar: Sea Pictures; Moeran: Symphony in G minor at the Church of St. Mary the Virgin, 145 W 46th St., $15 sug don

2/9, 8:30ish lustrous singer and badass cello-rock bandleader Serena Jost and wildly diverse pastoral jazz/Americana violinist Skye Steele at First Unitarian Congregational Church, 119-121 Pierrepont St, Brooklyn Heights, any train to Borough Hall, $15 

2/9, 8:30 PM Serena Jost’s old band, the original creepy cello rockers, Rasputina at the Mercury, $18 adv tix rec

2/9, 8:30 PM Nashville gothic/desert rock duo the Whiskey Charmers at the downstairs room at the Rockwood, $10

 2/9, 10 PM Hollywood’s Dan Finnerty leads his savagely hilarious top 40 parody group the Dan Band at Joe’s Pub,, $25

2/9, 10 PM sizzling electric bluegrass and C&W with Demolition String Band  at Skinny Dennis

2/9, 11 PM Brooklyn’s hilarious counterpart to Spinal Tap, stoner metal parodists Mighty High at Hank’s, $10

2/10, 2 PM Alexander Zhurbin and Irena Ginzburg – Soviet musical theatre subversives from the 70s with their kid, viola virtuoso/film composer Ljova at Joe’s Pub, $20

2/10, 4 PM fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel & the Two Cent Band  at Skinny Dennis. He’s also here on 2/26 at 8

 2/10, 4 PM vocal ensemble Blue Heron perform “the Lost Music of Canterbury” at Corpus Christi Church, 529 W 121St St, $10 tix avail  

2/10, 5 PM torchy oldtimey swing crew the Buck and a Quarter Quartet at the small room at the Rockwood 

2/10, 6 PM Xander Naylor and Ryan Dugre duel on guitars followed at 7 by the abrasive Outside World with bassist Hazel Rigby, Ben Scott and Taylor Adams at Downtown Music Gallery

2/10, 7 PM wildly theatrical, creepy circus rock band Orphan Jane at LIC Bar

2/10, 7 PM singer Bethany Yarrow and cellist Rufus Cappodocia shift between Middle Eastern, jazz and Gregorian chant inspired material followed at 9:30  by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

2/10, 7 PM surfed-up tv themes from Commercial Interruption at Otto’s

 2/10, 8 PM noisy, hazily jangly, psychedelic slowcore/free jazz/avant instrumentalists Sunwatchers at Pioneer Works, free

2/10, 7:30  PM pianist and composer Nicolas Namoradze plays his own works plus Scriabin’s Black Mass and works by Bach at Zankel Hall at Carnegie Hall, $15 tix avail

2/10, 7:30 PM the St. Cecelia Chamber Ensemble play Mozart’s Oboe and Clarinet Concertos plus a Beethoven piano trio at Christ & St. Stephen’s Church, 122 W. 69th St , $10

2/10, 9:30 PM Arpalice – the new ghoul-spaghetti western band from Twin Guns’ Andrea Sicco – at Coney Island Baby, $10 

2/11, 7 PM southwestern gothic icon and Giant Sand mastermind Howe Gelb at Bowery Electric, $15

2/11, 7 PM tuneful postbop pianist Jim Ridl leads his group from behind the Rhodes at 55 Bar

 2/11-16, 9/11 PM purist swing singer Catherine Russell  leads her septet at Birdland, $30 at the bar

2/11, 10 PM energetic delta blues/Romany swing guitarist Felix Slim at LIC Bar

2/12, drinks at 5:30 PM, show at 6 the Mivos Quartet & guitarist Nadav Lev play new music by Murail, Abbasi and Klartag at the Miller Theatre, free

 2/12, 7 PM a major moment in New York music historiography: Roulette is unveiling its historic archive of nearly 4,000 concerts dating back to its first concert in 1978. Today this includes hundreds of audio and video recordings, photos, notes, programs, posters, and ephemera collected, restored, and preserved, with thousands more items to come.” Literally everyone who was anybody in the downtown scene back in the day played Roulette – and a lot still do. Free.

2/12, 7 PM eclectic, hard-hitting, lyrical composer/tenor saxophonist Stan Killian at 55 Bar

2/12, 7 PM indie classical ensemble Tenth Intervention play new music by a fantastic lineup of composers; Zosha DiCastri, Kamala Sankaram, Dorian Wallace, Bethany Younger, Gelsey Bell and others at the Americas Society, free

2/12, 7:30 PM two fearless, politically relevant ensembles: the PubliQuartet and Imani Winds play works by Poulenc, Martinů, Russell Platt, Jeff Scott, Lalo Schifrin, and Valerie Coleman at Weill Hall at Carnegie Hall $25 / $15 student

2/12,  7:30 PM new music for voice and organ by Kevin McCarter; Jinhee Han; David Picton; Eugene Marlow; Frank Retzel; Roger Blanc; Richard Brooks and Raoul Pleskow featuring Bill Gross, baritone, with Claudia Dumschat in the console at the Church of the Transfiguration, 1 E 29th St. $20

2/12, 8 PM psychedelic funky tropical sounds with El Imperio at Freddy’s 

2/12-16, 8 PM one of the avant garde world’s go-to pianists, Vicky Chow at the Stone with a variety of ensembles, $20. Choice pick: 2/14-15 playing Philip Glass etudes

 2/12, 8 PM kinetic, eclectic, funky parlor jazz violinist Mazz Swift solo at Happy Lucky No. 1 Gallery

 2/12-17, 8:30/10:30 PM the Vanguard Jazz Orchestra play a week on their home turf, $35

 2/12, 8:30 PM soaring, epic all-female mariachi/tropicalia orchestra Mariachi Flor de Toloache at the big room at the Rockwood, $10

2/13, 7 PM Jenny Luna and Adam Good of hauntingly slinky Turkish band Dolunay in a rare duo show followed by Balkan chanteuse Vlada Tomova’s Yasna Voices choir at Drom, $15 adv tix rec

2/13, 7 PM the legendary klezmer duo of Andy Statman (clarinet/mandolin) and Walter Zev Feldman (tsimbl/hammered dulcimer) for the first time in 35 years at the Center for Jewish History, 15 W 16th St, $15/$10 stud

 2/13, 7:30 PM brilliant, Lynchian, darkly lyrical latin and Satie-inspired guitarist Jack Martin’s Bob Dylan Deathwatch at Bowery Electric, $10

2/13, 8 PM blowtorch singer Hannah Fairchild’s explosive, lyrically brilliant noir punk power trio Hannah vs. the Many at Arlene’s, $10

2/13, 8 PM quirky, smartly lyrical female-fronted avant cello-rock with the Icebergs at Sidewalk

2/13, 8 PM eclectic Romany and Indian-inspired jazz accordionist Will Holshouser at Barbes

2/13, 7:30 PM Stoogoid stoner sludge with the Greasy Hearts at Coney Island Baby, $10

2/13-16, 8 PM a dance and acoustic guitar spectacular with Flamenco Vivo Carlota Santana at the Poisson Rouge, $20 adv tix avail

2/13, 9 PM sharply lyrical southwestern gothic/Americana songwriter Tom Shaner followed by rustic, acerbic front-porch folk singer Jo Williamson at LIC Bar

2/13, 10:30 PM lyrical, incisive alto saxophonist Dave Pietro leads his quintet at Smalls

2/14, 7 PM, repeating 2/16 at 8 pianist Stephen Hough returns to the NY Philharmonic for Beethoven’s Piano Concerto No. 3; plus Nielsen’s Helios Overture and Schumann’s Symphony No. 2 at Avery Fisher Hall, $31

 2/14, 7:30 PM energetic Cape Verdean acoustic guitarist/balladeer Tcheka at the Lincoln Center Atrium, free, early arrival advised

2/14, 7:30 PM the Du-Rites play slinky oldschool soul and funk grooves at Symphony Space, $20 tix avail for under 30

 2/14, 8 PM plush, balmy, oldtimey uke swing band Daria Grace & the Pre-War Ponies followed at 10 by raucous all-female Colombian bullerengue trance-chanta band La Perla Bogota 

2/14, 8:30 PM Eleonore Biezunski plays Yiddish love songs from the Ruth Rubin collection at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

2/14, 10 PM deviously theatrical oldschool C&W/rockabilly parodists Susquehanna Industrial Tool & Die Co at Los Feliz, 109 Ludlow St (between Rivington and Delancey), free, free Jack Daniels too. 2/28 at 8 they’re at Otto’s, no free Jack Daniels but they will have salty snacks

2/14, 10 PM nebulous chanteuse Adrienne Lenker of Big Thief at the Music Hall of Williamsburg, $20 gen adm

2/14, 11 PM wryly psychedelic cinematic Italophile instrumentalists/parodists Tredici Bacci play the album release show for their new one at the Mercury, $12 grn adm

2/14. midnight rustic Colombian sounds with the Cumbia River Band at the small room at the Rockwood

2/15, 7 PM irrepressible bassist Moppa Elliott does triple duty: with Advancing on a Wild Pitch, then with the large improvisational ensemble Acceleration Due to Gravity and finally his Unspeakable Garbage, apparent heirs to the Mostly Other People Do the Killing satire-jazz throne at Shapeshifter Lab, $10

2/15, 7:30 PM Nuyorican legends the New Swing Sextet play oldschool salsa dura at the Lincoln Center Atrium, free, early arrival advised

2/15,  8 PM darkly trippy acid jazz/poetry soundscapers Late Sea followed at 9 by the world’s creepiest crime jazz/film noir band, Big Lazy at the big room at the Rockwood. Downstairs at 8:30 it’s wryly tuneful, purist Americana/C&W band Grain Thief for an additional $15 

2/15, 8 PM the Red Room Orchestra play Twin Peaks soundtracks at Symphony Space,$30 tix avail

2/15, 8 PM day one of the Jalopy’s annual jug band festival with banjo player Little Nora Brown, the all-female, oldtimey Queens of Everything, crazed Steel City Jug Slammers and much more delicate Crisco Dreams, $12

2/15, 8 PM dark cabaret legend Sanda Weigl and her Romany-flavored band followed at 10 by psychedelic salsa bandleader Zemog El Gallo Bueno at Barbes

2/15, 8 PM pianist Haesun Paik plays Beethoven piano concertos – the stirring First and dazzlingly powerful Third Piano Concertos, plus Samuel Adler’s Concertino at Flushing Town Hall, free w/rsvp. She’s also at Bwy Presbyterian Church, 114th/Bwy at 5 PM on 2/17  

2/15, 8 PM the NYU01 Orchestra play Barber: Essay No. 1; Shostakovich: Symphony No. 10 at the NYU Loewe Theatre, 25 W 4th St., free

 2/15, 9 PM eclectic, electric, guitarishly excellent C&W/blues band the Jug Addicts at Bar Chord

2/15, 9 PM newgrass crew the Lost Dog Street Band and punkgrass road warriors the Devil Makes Three at the Music Hall of Williamsburg, $27.50 adv tix avail

2/15, 9 PM the Horszowski Trio play works by Wuorinen, Schumann and Shostakovich’s Piano Trio No. 2  at the 92nd St. &, $25

 2/15, 10:30 PM Greg Lewis’ brilliant, fearlessly political Organ Monk Trio  at the Fat Cat

2/16, 6 PM low register reedman Josh Sinton’s Phantasos play Morphine covers followed at 8 by  poignant, eclectic, lyrical jazz bassist/composer Pedro Giraudo’s tango quartet and at 10 by Super Yamba playing their psychedelic Afrobeat jams at Barbes

2/16, 7 PM psychedelically ripping hammered dulcimer power trio House of Waters play the album release show for their new one at Joe’s Pub, $15

2/16, 7/9 PM powerful jazz belter – and Gil Scott-Heron reinventor –  Charenee Wade leads her group at Ginny’s Supper Club, $20

2/16, 7:30 PM indie classical ensemble Tigue Percussion followed by opaque indie darlings Deerhoof playing their 2007 album, Friend Opportunity at Merkin Concert Hall, $25

2/16, 8 PM charismatic, politically fearless, historically-inspired oldtime country blues duo Piedmont Bluz and bluegrass band Cole Quest & the City Pickers at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away” 

 2/16, 8:30 PM skittish new wave guitar band Dryclean, ferociously dynamic, tuneful, female-fronted power trio Castle Black and Giftshop – the missing link between Blondie and the Distillers – at Coney Island Baby, $10 

 2/16, 8 PM day rwo of the Jalopy’s annual jug band festival with the Dirdy Birdies, Staten Island’s Wahoo Skiffle Crazies, the New Found Country Homebodies and the Brotherhood of the Jug Band Blues – who do an awesome, slyly funny evocation of the Memphis Jug Band – $12

2/16, 8 PM ambient duo Metasplice and Colombian sound sculptor Lucrecia Dalt at Issue Project Room, $15/$12 stud/srs

2/16, 9 PM ageless CB’s era funk-punk/postrockers the Bush Tetras at Elsewhere, $17

2/16, 9  PM Ensemble Parallax premieres Gabriele Vanoni’s multimedia electroacoustic chamber opera Island of Peoples, incorporating first-person, heart-wrenching stories of immigrants passing through Ellis Island at the turn of the 20th century  at the  Metropolitan Pavilion, 125 W 18th St, $10 

2/16, 10 PM allusively haunting, minimalist folk noir singer Belle-Skinner and original swing/torchsong bandleader Gracie Terzian at City Winery, note $10 standing room tix rec – they’re selling advance tix here now

2/16, 10ish intriguingly opaque parlor postrockers Green & Glass at the Owl

2/16, 10:30 PM fiery, psychedelically bluesy oldschool soul/roadhouse jamband Lizzie & the Makers at at the big room at the Rockwood

2/17, 2 PM the Calidore String Quartet play works by Beethoven, Haydn, Hannah Lash and Caroline Shaw at the Town Hall, $17

2/17, 3 PM the Sometime Boys’ riveting, powerful, theatrical frontwoman Sarah Mucho with pianist Elliott Roth at Freddy’s

2/17, 3 PM the North/South Chamber Orchestra plays works by Peter Aviss, Edna Longoria, Mikhail Johnson and Hilary Tann; violist Rita Porfiris appears as soloist, free, at Christ & St. Stephen’s Church, 122 W. 69th St

2/17, 5 PM pensive folk noir/parlor pop band Little Embers at LIC Bar

2/17, 7 PM one of the great oudists in NYC, Adam Good and band followed at 9:30 by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

 2/17, 8 PM Chris Ferris & Dancers premiere UNQUANTIFIABLE with composer/cello monster Loren Dempster. “Experience survival and enjoyment of crowds verses solitude,” at Roulette, $18

217, 8 PM hilarious, smartly political faux-French retro 60s psych-pop band les Sans Culottes at Our Wicked Lady, 153 Morgan Ave, just off the Morgan Ave L stop, $10

2/17, 9:30 PM a rare small club show by haunting noir soul bandleader Karine Denike at Pete’s

2/18, 8 PM Paracosm – the new duo project by saxophonist María Grand and  brilliant Indian percussionist Rajna Swaminathan at Arete Gallery, $15

2/18, 9 PM darkly torchy southwestern gothic/Europolitan songwriter/guitarist Miwa Gemini followed by Melissa Gordon of Melissa & the Mannequins – one of the best purist janglerock songwriters in NYC – at LIC Bar

2/18, 9:30 PM ex-Chicha Libre keyboard sorcerer Josh Camp’s wryly psychedelic cumbia/tropicalia/dub band Locobeach at Barbes

 2/19, 7:30 PM celilst Zlatomir Fung and pianist Tengku Irfan play works by Bloch, Berio, Brahms, Dallabacco and Katherine Balch at Merkin Concert Hall, $20 seats avail  

2/19, 8 PM haunting, magical Middle Eastern classical singer Shelley Thomas and her band followed at 9 by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party

2/19, 8 PMthe all-female Resistance Revival Chorus sing epic, inspiring original populist gospel tunes and anti-trumpie broadsides at City Winery, $15

 2/19, 9 PM violinist Joshua Modney and pianist Eric Wubbels perform Anthony Braxton’s Composition No. 222 at Arete Galllery, $15

 2/19-23, 8:30 PM cellist Jeffrey Zeigler plays with a series of ensembles at the Stone, $20. Choice pick: opening night wiht Zachary Watkins (guitar) Laura Ortman (violin)

2/19, 9:30 PM Jane Lecroy’s edgy, intensely lyrical electro-punk band Ohmslice at 2A

 2/19, 10:30 PM charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy‘s Tromboniverse at Smalls

2/20, 1 PM the mighty, Middle Eastern-tinged Eyal Vilner Big Band at St. Peter’s Church, 54th/Lex 

2/20, 8 PM ish brilliant noir swing/Romany jazz/latin soul composer and guitarist Jack Martin (ex-Knoxville Girls and Dimestore Dance Band) at Troost

2/20, 9 PM the Space Merchants – the missing link between the Stooges and X – at Gold Sounds, $8

2/20, 8 PM ex-Dylan lead guitarist Larry Campbell with singer Teresa Williams with Little Feat keyboardist Bill Payne at City Winery, $25 standing room avail

2/20, 8 PM soprano Amy Owens, mezzo-soprano Alexandra Urquiola, baritone Jesse Blumberg, violist Tien-Hsin (Cindi) Wu, and pianists Michael Barrett, Steven Blier and Leann Osterkamp perform art-songs by a global cast of composers: Roberto Sierra, Clarice Assad, Bright Sheng and Daniel Sabzghabei at Merkin Concert Hall, $20 tix avail 

2/20, 8 PM Darmstadt Ensemble play Terry Riley’s In C  at the Poisson Rouge, $20 adv tix rec

2/20, 8 PM acerbic indie classical duo String Noise play “very quiet music written for two violins” by Catherine Lamb,  Jurg Frey and Lou Bunk at Arete Gallery, $20. They’re back here on 2/21 playing the album release show for their new one, $25 includes free prosecco

2/20, 8 PM haunting, purposeful viola improviser Jessica Pavone followed by New York’s most charismatic, darkly compelling lyrical songwriter/storyteller/keyboard genius Rachelle Garniez  with violist Karen Waltuch at Happy Lucky No. 1 Gallery

2/20, 9 PM edgy lefty lead guitarist Damian Quinones and his psychedelic latin soul band  at Bar Chord

2/21, 7 PM lyrically potent oldtimey songwriter Lenny Molotov – the missing link between Elvis Costello, Hoagy Carmichael and Rev. Gary Davis, maybe – at Sidewalk

2/21, 7:30 PM, repeating 2/22-23 at 2 and 8 PM the NY Philharmonic plays Stravinsky’s The Firebird plus works by Ravel at Avery Fisher Hall, $34

2/21, 7:30 PM guitarist Glenn Cryzter and His Savoy Seven play classic 1930s style swing jazz at Symphony Space, $20 tix avail for under 30

 2/21-24, 7:30/9:30 PM sizzling salsa dura band the Spanish Harlem Orchestra at the Jazz Standard, $35

2/21, 8 PM psychedelic janglerock guitar icon Chuck Prophet at Union Pool, $15

2/21, 8 PM  a composer portrait concert with colorful Chinese  pianist Wang Lu playing her own works joined by International Contemporary Ensemble and Yarn/Wire at the Miller Theatre, $20 tix avail

2/21, 8 PM multi-instrumentalist chamber pop stylist Alice Bierhorst and imagistic, compellingly lyrical acoustic songwriter Sandy Bell at the Owl, $10

2/21, 8 PM solo works by composer-performers Gary Philo, Amy Reich and James Bergin  at the DiMenna Center, $15

2/21, 8 PM high-voltage psychedelic cumbia/Afrobeat jamband MAKU Soundsystem at SOB’s, $15

2/21, 9 PM poignant, eclectic, lyrical jazz bassist/composer Pedro Giraudo’s tango orchestra at Terraza 7, $12

2/21, 8:30 PM clarinetist Adrianne Greenbaum leads her klezmer band at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

2/22, 7  PM ferociously lyrical, Macbeth-inspired art-rock/psychedelic songwriter Rose Thomas Bannister, acidically loopy psychedelic soundscapes Rosemary Krust and improvisational lo-fi minimalist one-man band Yes Selma at Sunview Luncheonette , 221 Nassau Ave in Greenpoint, G to Nassau Ave, sug don

2/22-23, 7 PM operatic countertenor Ju-eh + electronic soundscaper Hwarg perform their surreal, creepy electroacoustic Living Dying Opera at the Abrons Arts Center, $20   

2/22, 7:30 PM the MSM Orchestra play Respighi’s The Pines of Rome plus works by Liszt and Arurtuinian at Neidorff-Karpati Hall at Manhattan School of Music, 130 Claremont Ave. (just north of W. 122nd St.), free, tix req 

2/22, 7:30 PM legendary Black 47 leader and Irish punk songwriter Larry Kirwan and his allstar band play his new song cycle Ireland and America – A History in Song at the Schimmel Auditorium at Pace University, $30 tix avail

2/22, 8 PM eclectic, electric C&W/blues band the Jug Addicts followed at 10 by the world’s creepiest crime jazz/film noir band, Big Lazy at Barbes

2/22, 8 PM the Oratorio Society of NY play Berlioz: “La mort d’Ophélie”, Op. 18, No. 2 from Tristia*; Debussy: ”Sirènes” from Nocturnes; Sibelius:  Kullervo, Op. 7 at Stern Auditorium at Carnegie Hall, $20 seats avail

2/22, 9 PM, repeating 2/23 at 10 rambunctious, occasionally ghoulish rockabilly band the Royal Hounds at Skinny Dennis

2/22, 9:30 in reverse order at the Gutter: eclectic, kinetic female-fronted Afrobeat/postrock/funk jammers Kleptokrat, the twistedly cinematic, psychedelic Ben Pagano and the Space Machine, and skittish, math-y early 80s style new wave funk-punk band Impressionist, $8

2/22, 10 PM cinematic, kaleidoscopic jazz composer/singer Annie Chen  leads her quintet at Nublu $10

2/23, 3 PM the string section from the Washington Heights Chamber Orchestra play a potently relevant program: Kenji Bunch’s Supermaximum, Toru Takemitsu’s Requiem, Karen Tanaka’s Dreamscape and  Christopher Theofanidis’ A Thousand Cranes at Fort Washington Collegiate Church, 729 W 181st St, free  

2/23, 4 PM the Three Quarters Piano Trio play works by Martinu and Brahms followed at 8 by klezmer-jazz piano icon Anthony Coleman  leading a trio at Scholes St. Studio, $10 sug don

2/23, 7 PM Rohan Prabhudesai plays solo on harmonium, then joines with Hindustani singer Rahul Thandla with Dibyarka Chatterjee on tabla at the Chhandayan Center For Indian Music, $20

2/23, 8 PM Haeun Joo on piano with Matt Holman on trumpet, Danny Weller on bass, Ronen Itzik on drums at I-Beam, $15

2/23, 8 PM first-rate purist honkytonk crooner/bandleader Cliff Westfall followed by baritone Nashville gothic/honkytonk crooner Sean Kershaw and band at Hank’s, $10

2/23. 8 PM hard-charging oldschool soul/funk/rock singer Bette Smith and band at the big room at the Rockwood

2/23, 8 PM populist, sharply perceptive guitar/vocal duo Terry Kitchen & Mara Levine at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away” Sample lyric: “We passed Shea Stadium at ten miles an hour, nothing lasts forever just like the Mets”  

2/23, 9 PM Erin Regan – who blends haunting, emotionally depleted story-songs with jaunty Americana – followed by the similarly brilliant/obscure, lyrically torrential Dan Penta at Sidewalk

2/23, 9 PM Brandi & the Alexanders play oldschool-style soul ballads at the Way Station

2/23, 9:30 PM awesomely unhinged horror surf/hotrod instrumentalists the Mad Doctors at the Gutter, $8

2/23, 10:30 PM elegant, sharply lyrical parlor pop stylist Heather Eatman followed by sunshine psych-pop songwriter Sam Kogon at Freddy’s

2/24, 3 PM violinist Suliman Tekalli leads  a trio playing works by Ives and Paolo Marchettini at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, Park Slope, any train to Grand Army Plz, sugg don

2/24, 3 PM the Greenwich Village Orchestra with violin soloist Ming-Feng Hsin play Dvoř︎ák: Romance; Glazunov: Concerto for Violin; Rachmaninoff: Symphony No. 3 at All Saints Church, 230 E 60th St (2/3rd Aves), $20

2/24, 7 PM lustrous pianist Simone Dinnerstein plays works by Franz Schubert, Patrick Zimmerli and Philip Glass at National Sawdust, $30 adv tix avail

2/24, 7 PM iconic singer Lucy Shelton reprises repertoire from her 1980 Naumburg debut recital (Villa-Lobos, Schwantner), plus songs written for her by Carter and Knussen, and premieres Ives song arrangements with the Westerlies brass quartet to celebrate her 75th bday. She’ll also sing works by Ravel, Rossini, and Schubert at Merkin Concert Hall, $20 tix avail

2/24, 7 PM wildfire guitarist Brandon Seabrook leads a trio with with Henry Fraser- bass and Erica Dicker -violin followed at 9:30  by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

 2/24, 7:30 PM erudite baritone saxophonist Claire Daly leads her quartet at Smalls

2/24, 8 PM Ned Rothenberg and an ensemble of variable instruments (Contemporaneous) play his new piece Beyond C, a concerto for improvising woodwind soloist Inspired by Terry Riley’s In C  at Roulette, $18

2/24, 8:30 PM dark Nashville soul songwriter Paul Burch at Pete’s

2/24, 9 PM anthemic janglerocker Alejandro Meola – who evokes Oasis back when they were a great powerpop band – at Union Pool, $10 

2/24, 10:30 PM serpentine, cinematic art-rock instrumentalists You Bred Raptors at Bowery Electric, $10

2/25. 7:30 PM the Mannes Orchestra play Strauss’s Metamorphosen and Bruckner’s Symphony No. 4 at the ground-floor U100 auditorium at the New School, 63 5th Ave., free

 2/25, 7:30 PM fiery alto saxophonist Lucas Pino’s eclectic, dynamic No No Nonet at Smalls

2/25, 7:30/9:30 PM perennially lyrical pianist Matthew Shipp plays the album release show for his latest trio release at Dizzy’s club, $30

2/25, 7:30 PM Paul Chihara’s “Amatsu Kaze” for soprano, clarinet, flute, violin, cello, and piano: “Amatsu Kaze” is based on seven Haiku dealing with love, death and separation. The second half of the program features pianist Nadia Shpachenko-Gottesman performing music of Lewis Spratlan, Harold Meltzer, Hannah Lash, and James Matheson, at Symphony Space, $20

2/25, 8 PM Middle Eastern-tinged art-rock singer/pianist Brittany Anjou plays the album release show for her new one Enamiĝo Reciprokataj (Esperanto for “mutual breakdown”) with her trio at the Poisson Rouge, $10 adv tix rec.

2/25, 8 PM avant garde piano titan Kathleen Supové (on Disklavier piano), Dafna Naphtali (electronics, voice, composition), Nick Didkovsky (electronics, guitar, composition) provide “improvisations and surprises” at Arete Gallery, $25

2/25, 9 PM exotic vibraphone-driven surf band the Vibro-jets followed by Melissa Gordon of Melissa & the Mannequins – one of the best purist janglerock songwriters in NYC – at LIC Bar

2/25. 10ish feral singer Carolina Oliveros’ mighty 13-piece Afro-Colombian trance/dance choir Bulla en el Barrio at Barbes

2/26, drinks at 5:30 PM, show at 6, Third Sound play music by Auroco, Castillo plus Schoenberg’s Chamber Symphony No. 1 at the Miller Theatre, free

2/26, 7:30 PM a killer original Indian music twinbill: violinist Arun Ramamurthy with his Trio +  saxophonist Pawan Benjamin’s quartet A Circle Has No Beginning at Jack, $15

 2/26, 7:30 PM cello/piano sibling duo Marilies and Nikolaus Guschlbauer play pieces by Ludwig van Beethoven, Helmut Schmidinger, and Iván Erőd, among others at the Austrian Cultural Center, 11 E 52nd St., free, res req 

2/26, 8 PM NY Polyphony sings a rare program of Alpine early music by Philippe Verdelot, Cipriano de Rore, plus works by Lassus, Clemens and Palestrina at the Church of St. Mary the Virgin, 145 W 46th St,  $30 tix avail

2/26-3/3, 8:30/10:30 PM pyrotechnic postbop trumpeter Terrell Stafford leads a quintet at the Vanguard, $35

2/26, 8:30ish stark southwestern gothic jangle and clang with And the Wiremen at Troost

2/26, 9 PM wickedly torchy noir songwriter Julia Haltigan and her killer band on her old home turf at 11th St Bar

2/26, 9:30 PM dark, carnivalesque oldtimey songwriter Feral Foster  at Pete’s

2/26, 10 PM saxophonist Anant Pradhan leads his ska/rocksteady octet at Freddy’s

2/27, 7 PM wildly virtuosic jazz improv trumpeter Peter Evans plus ensemble tba at National Sawdust $25

2/27, 7:30 PM the Mannes Orchestra play Gounod’s Petite Symphonie and Richard Strauss’ Suite in B Flat at the ground-floor U100 auditorium at the New School, 63 5th Ave., free

2/27, 7:30 PM haunting flamenco/Sicilian folk chanteuse Julia Patinella in a rare duo show plus Brian Cloud’s hotshot lapsteel player Raphael McGregor in a rare solo show at the American Can Co., $15

2/27, 8 PM haunting noir singer Karla Rose & the Thorns play her menacingly playful, brilliantly lyrical songs at the Bedford, 110 Bedford Ave ((N 10th/11th), Williamsburg

2/27, 9 PM  NO ICE at Otto’s – whaaaaat? NYC’s most potent soul rockers squeezed into that little space? Uh huh.

2/27, 9 PM Jessica Lurie (sax/flute, electronics); Katie Down (glass instruments, metal cello); Sarah Schoenbech (bassoon) & Terry Dame (amazing, original invented instruments, percussion and electronics) at Happy Lucky No. 1 Gallery

2/27, 9 PM elegantly angst-fueled, individualistic torchsong/parlor pop piano chanteuse Jeanne Marie Boes at LIC Bar

2/28, 7 PM haunting, rapturous Palestinian singer Mira Awad with Guy Mintus on piano at Joe’s Pub, $25

2/28, 7 PM indie classical string quartet Ethel play the first-ever performance of the Julia Wolfe string quartet cycle – all four of them – at the Jewish Museum, $20/$16 stud/srs

2/28, 7:30 PM a rare duo show by Sephardic dance jamband Yemen Blues at Symphony Space, $20 tix avail for under 30

2/28-3/2, 7:30/9:30 PM lyrical Cuban pianist Alfredo Rodriguez and his countryman percussion ace Pedrito Martinez duel it out at the Jazz Standard, $30

2/28-31, 7:30 PM gothic rock legend JG Thirlwell at National Sawdust is sold out

2/28, 7:30 PM Deviant Septet play Stravinsky’s sardonic, intensely relevant L’Histoire du Soldat at St. Bartholomew’s Church, $25/$10 stud/sr

2/28, 7:30 PM iconic, rapturous AACM pianist/organist Amina Claudine Myers, Nicole Mitchell and Irreversible Entanglements. and poet Camae Ayewa (a.k.a. Moor Mother) collaborate and play separate sets at Merkin Concert Hall, $25

2/28, 7:30 PM, repeating 3/1-2 at 8 pianist Jean-Yves Thibaudet and the NY Philharmonic perform Grieg’s Piano concerto No. 1 plus the Peer Gynt Suite and Dvořák’s Eighth Symphony at Avery Fisher Hall, $34

2/28, 7:30 PM pianist Per Tengstrand, Katie Liu (viola), Leland Ko (cello) Emiri Morita (violin), and Hana Mundiya (violin) play Beethoven’s Piano Concerto No. 4 and Sonata No. 9 for Piano and Violin in A Major, Op. 47, “Kreutzer” at Scandinavia House, $25

2/28, 8 PM plaintive Yorkshire/Appalachian singer Jan Bell – whose gloomy chronicles of Brooklyn gentrification are spot-on – with her all-female band the Maybelles followed at 10 by drummer Arthur Vint & Associates reinventing classic Morricone spaghetti western soundtracks at Barbes

2/28, 8 PM cellist Inbal Segev playas music for solo cello by five topnotch women composers -Anna Clyne, Missy Mazzoli, Reena Esmail, Kaija Saariaho, and Gity Razaz- at Roulette, $18 adv tix req

2/28, 8:30 PM ferociously dynamic, tuneful, female-fronted power trio Castle Black at the Gutter, $8

2/28, 8:30 PM a raucous klezmer dance party with music by Ken Maltz, Lauren Brody, Aaron Alexander at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

2/28, 8:30 PM drummer Jeff Davis’ dynamic Quartet with Jason Rigby – tenor sax and Jonathan Goldberger-  guitar at I-Beam, $15

3/1 Ty Segall at Warsaw is sold out – but in that space unless he really turns down you’re not going to hear anything anyway…

3/1, 7 PM sax quartet Nois make their New York debut with three world premieres by New York based composers Nathan Hudson, Howie Kenty and Ed Rosenberg III, plus Gemma Peacocke’s ‘Dwalm’, ‘Thirteen Changes’ from Pauline Oliveros and Georg Friedrich Haas’ ‘Saxophonquartett’ at Arete Gallery, $15

3/1, 7:30/9:30 PM epically brilliant, Shostakovich-inspired jazz pianist/composer Fabian Almazan leads his ensemble at the Jazz Gallery, $25

3/1-2 at 8 pianist Jean-Yves Thibaudet and the NY Philharmonic  perform Grieg’s Piano concerto No. 1 plus the Peer Gynt Suite and Dvořák’s Eighth Symphony at Avery Fisher Hall, $34

3/1, 8 PM hypnotically invigorating, shamanistic Korean percussion ensemble Noreum Machi at Flushing Town Hall, $16/$10 srs/under 18 free w/ID

3/1-2, 8 PM improvisations from a vast cast from the John Zorn circle with the man himself (sax) Michael Nicolas (cello) Ikue Mori (electronics) Mary Halvorson (guitar) Cyro Baptista )percussion) Brian Marsella (keyboards) Sylvie Courvoisier (piano) Ned Rothenberg (sax) Ches Smith (drums) Tomas Fujiwara (drums) Jim Staley (trombone) Jon Irabagon (sax) Chris Tordini (bass) Brandon Lopez (bass) Miles Okazaki (guitar) and special guests at Happy Lucky No. 1 Gallery, $20

3/1, 9 PM oldschool soul ballads with singer Camille Atkisson’s Empire Beats at Hill Country

3/2, 4 PM cinematic, psychedelic quirk-pop keyboardist Michael Hearst presents “Curious, Unusual and Extraordinary” songs from his many bands followed at 8 by haunting, charismatic oldtimey-style banjo player and corrosively political songwriter Curtis Eller’s American Circus at Barbes

3/2, 6 PM hauntingly torchy songwriter Daphne Lee Martin at the small room at the Rockwood. Next door at the big room jaunty female-fronted original retro rocksteady band the Big Takeover plays at 9 for $10

3/2, 6 PM atmospheric, cinematic drummer/composer Tim Kuhl and his group at Pete’s

3/2, 6 PM purist swing singer Catherine Russell and her amazing band at Bethany Baptist Church – 275 W Market St, Newark, free

3/2, 7 PM crystalline-voiced, noir-tinged third-stream jazz chanteuse Tessa Souter at Joe’s Pub, $18

3/2, 7:30 PM firebrand Malian rock chanteuse/bandleader Awa Sangho at the Lincoln Center Atrium, free, early arrival advised

3/2, 7:30 PM  Innov Gnawa play a traditional Moroccan Lila trance/healing ceremony – a real rarity in this country on a public stage – at National Sawdust, $25 adv tix req

3/2 8 PM experimental sacred music duo ARIADNE followed by a very rare US performane by French musique concrète pioneer and IRCAM vet Christine Groult at Issue Project Room, $15/$12 studrs

3/2, 8 PM, repeating 3/3 at 3 PM the NJ Symphony Orchestra with pianist Jeffrey Kahane play Beethoven’s Piano Concerto No. 4 plus Shostakovich’s Symphony No. 1 at NJPAC in Newark, $20 tix avail

3/2, 8 PM darkly colorful, perennially interesting bassist Linda May Han Oh leads her Quintet at the Miller Theatre, $20 tix avail

3/2, 9 PM terse, acerbic trumpet improviser Steph Richards at the Owl

3/2, 9 PM edgy, uneasy female-fronted retro new wavers the New Tarot at the Knitting Factory, $10

3/3, 6 PM tuba duo Avant Garde Working Class with Joe Daley and Jesse Dulman followed at 7 by Karen Ng and Henry Fraser doing a clarinet/bass duo at Downtown Music Galley

3/3, 6 PM guitarslingers Jason Loughlin and John Shannon play Chet Atkins classics and obscurities at Pete’s

3/3, 7:30 PM lyrical jazz piano icon Fred Hersch solo at Mezzrow, $20, you might want to get there early

3/3, 9 PM intense, charismatic oldschool soul belter Sami Stevens at the big room at the Rockwood

3/3 , 11 PM ferociously tuneful ska-punks Uncle Djuzeppe folllowed by haunting Balkan psychedelic rockers Alec K Redfearn & the Eyesores at Muchmore’s, $tba 

3/3, 9:30 PM bouncy, incisive Romany jazz group Gaucho at Joe’s Pub, $20

3/3, 10 PM chanteuse/uke player Dahlia Dumont’s Blue Dahlia play edgy, smartly lyrically-fueled, jazz-infused tunes in English and French with classic chanson and Caribbean influences at Barbes. The following night, 3/4, 6 PM they’re at the small room at the Rockwood

3/4, 8 PM popular newgrass road warriors Chathan County Line at City Winery, $20 

3/5, 7 PM Venezuelan group El Tuyero Ilustrado – cuatro player Edward Ramírez and singer and percussionist, Rafa Pino – play their new take on traditional  joropo tuyero sounds at the Americas Society, $20

3/5, 8 PM brilliant acoustic guitarist and sardonic alt-country songwriting pioneer Robbie Fulks – of Fuck This Town infamy -at City Vineyard, $15

3/5, 7 PM rising star trumpeter Adam O’Farrill “with his new nine-piece ensemble Bird Blown Out of Latitude, performing new music born from the disorientation of personal displacement.” trumpeter Aaron Burnett and the Big Machine follow with special guest, the pyrotechnic Peter Evans at National Sawdust, $25 adv tix rec

3/5, 8 PM masterful improvisational camaraderie with Shipp/Lowe/Cleaver/Ray – Matthew Shipp, Allen Lowe, Gerald Cleaver, Kevin Ray – at  at Roulette, $18 adv tix rec

 3/5-9, 8:30 PM postbop/improv jazz drum maven Ches Smith leads a series of ensembles at the Stone at the New School, $20. Many killer lineups: the best could be 3/8 with Kris Davis (piano), Marc Ribot (guitar), Leon Boykins, Devin Hoff (bass)

3/5-9, 8:30/11 PM iconic fire-and-ice jazz singer Karrin Allyson and band at Birdland, $30 at the bar

3/6, 1 PM pianist Changyong Shin plays a program TBA at the Greene Space, free, rsvp req 

3/6, 7:30 PM avant-rock band Boio, the genre-obliterating Warp Trio, and Forward Music Project – Amanda Gookin’s multimedia project of solo cello works developed to empower women and girls –  followed by Contemporaneous playing works by violet Barnum and Henry Threadgill – a homage to Butch Morris – at Roulette, $18 adv tix rec 

3/6, 7:30 PM iconic art-rockers the Bang on a Can All-Stars play world premieres of indie classical/art-rock dance music by Nicole Lizée, Josué Collado Fregoso, Henry Threadgill, and Trevor Weston, plus “three classics from Bang on a Can history by Annie Gosfield, Arnold Dreyblatt and Glenn Branca, with a rare performance of Branca’s massive “three dimensional” Movement Within, written specifically for the Bang on a Can All-Stars, in his unique tuning system and on his own original instruments” at Merkin Concert Hall, $25

3/6, 8 PM a night of first-class female improvisers: cinematic multi-instrumentalist/violinist Laura Ortman, multi-keyboardist Liz Kosack, haunting jazz pedal steel virtuoso Susan Alcorn and cellist Okkyung Lee at Union Pool, $12sx

 3/6, 9 PM heavy riff/stoner boogie band Frankie & the Witch Fingers followed by Aussie heavy psych band the Psychedelic Porn Crumpets at the Knitting Factory, $12 

3/6, 9 PM sharply lyrical janglerock/Americana/soul songwriter Matt Keating and guitarist Steve Mayone’s catchy project the Bastards of Fine Arts at 11th St. Bar

3/6, 10 PM powerhouse New Orleans soul/blues shouter Rev. Sekou at Drom, $10 adv tix rec

3/7, 7 PM Zikrayat play slinky, cinematic classics from the golden age of Arabic song at Drom, $15

3/7, 7:30 PM a killer twinbill with two of the best, most unselfconsciously poignant solo string composer-performers out there: violinist/percussionist Christopher Tignor and Julia Kent playing the album release show for her new one at National Sawdust, $22 adv tix rec

 3/7, 7:30 PM cellist Geirþrúður Anna Guðmundsdóttir with pianist Tomomi Sato play works by Boccherini, Beethoven, and Rachmaninoff at Scandinavia House, $20

3/7, 7:30 PM Bella’s Bartok – akin to a more mellow Gogol Bordello – at Symphony Space, $20 for 30 and under

3/7, 7:30 PM intense, microtonal string ensemble the Sirius Quartet play works by composers: Brian Field, Ian Erickson, Jennifer Castellano, Marga Richter, Mari Tamaki, and Sam Post along with their own stuff at the DiMenna Center, $25

3/7, 7:30 PM the Tesla Quartet play works by Beethoven and Respighi at the Lincoln Center Atrium, free, early arrival advised

3/7-9, 7:30 PM Dušan Týnek Dance Theatre’s  Le Jardin Qui Rit – a surrealistic dance homage to Hieronymus Bosch’s Garden of Earthly Delights with live score by Aleksandra Vrebalov at the Baruch College auditorium, $30/$15 stud/srs

3/7, 8 PM ferocious, female-fronted Afrobeat band Underground System  followed by wild Palestinian hip-hop/dancehall reggae/habibi pop band 47soul at Bric Arts, $15 adv tix rec. Underground System are also at C’Mon Everybody on 3/22 at 11 for five bucks less.

3/7-8, 8 PM, repeating 3/10 at 4 PM Jiva Dance Company’s elegantly apocalyptic performance The Four Horsement with music by Rajkumar Bharathi and lyrics by Shiv Subramanian at Dixon Place, $28

3/7, 8 PM the US debut of edgy, dynamic, uneasily ethereal improvisational extended-technique pianist Irene Aranda in the Black Box Theatre at 244 Rehearsal Studios,  244 W 54th St., $20. 3/8 at 8:30 PM she’s solo at 8:30 at I-Beam, followed by feral bassist Brandon Lopez at 9:30, $15

3/7, 8 PM intrepid bassist Shayna Dulberger leads a quartet with singer Fay Victor, guitarist Ava Mendoza, and drummer Juan Pablo Carletti at Roulette, $18 av tix rec

3/7, 8 PM psychedelic soul-rockers Madam West  at the small room at the Rockwood

3/7, 8 PM a composer portrait of John Zorn by an allstar cast: the Jack Quartet, pianist Steven Gosling and many more at the Miller Theatre, $25 tix avail

3/7, 8:30 PM klezmer violinist Jake Shulman-Ment’s accurately named “MIDWOOD” w/Yoshie Fruchter, Richie Barshay, Eleonore Weill, and special guest, Francesca Ter Bergat Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

3/7, 9 PM Certain General guitarslinger Phil Gammage plays his dark Americana and blues at 11th St Bar

3/7, 10 PM explosive, creepy, colorful psychedelic rembetiko metal band Greek Judas at Hank’s, $10

3/8, 6 PM mini-sets by poignantly lyrical, eclectic pianist Marta Sanchez’s provocative jazz poetry quintet with singers Sara Serpa and Charlotte Greve reinventing writing by Bukowski, Sylvia Plath and others; solo vibraphone from the magical Patricia Brennan and piano/flute duos by Lyubov Mirzoyev and Frances Brodeur at Brooklyn Conservatory of Music, $15.

3/8, 7 PM composer-performer Gemma Peacocke’s Waves & Lines song cycle, incorporating poems by Afghan women exploring distance, anonymity, and “strange new forms of intimacy” at National Sawdust, $20 adv tix rec

3/8, 7 PM magically haunting flamenco jazz pianist Chano Dominguez at Joe’s Pub, $30

3/8, 7 PM composer-performer Gemma Peacocke’s Waves & Lines song cycle, incorporating poems by Afghan women exploring distance, anonymity, and “strange new forms of intimacy” at National Sawdust, $20 adv tix rec

3/8, 7:30/9:30 PM drummer Tomas Fujiwara’s thundering, tidally shifting two-guitar/two-drum Triple Double at the Jazz Gallery, $25

3/8, 7:30/9:30 PM ambitious, tuneful trumpeter Jonathan Finlayson and band at the Jazz Gallery, $25

3/8, 7:30 PM violinist Stanichka Dimitrova and the PhiloSonia ensemble explore the concept of sturm und drang in works by Schubert, Wolf and Brahms, woo hoo, at the Old Stone House in Park Slope, $25/$10 stud/srs

3/8-9, 8 PM the reliably entertaining, adventurous Chelsea Symphony play wartime works including Fascist Baby, a world premiere by Tim Kiah; Ravel’s Tombeau de Couperin, French composer Fernande Breilh-Decruck’s 1944 suite Cinq poèmes chrétiens, the Haydn Trumpet Concerto Friday night and on Saturday, the Haydn Cello Concerto instead at St. Paul’s Church, 315 W 22nd St., $20 sugg don

3/8, 8 PM the NJ Symphony Orchestra with pianist Ingrid Fliter play works by Debussy, Mendelssohn, and Britten at NJPAC in Newark, $20 tix avail

3/8, 8 PM sardonically relevant guitar-fueled female-fronted Americana punks Spanking Charlene and the similarly hilarious, smartly political faux-French retro 60s psych-pop band les Sans Culottes at Hank’s, $10

3/8, 9 PM Smock – skittish Joy Division and MBV-influenced guitar band – open for mighty, labyrinthine doom/art-rockers the Hazytones at Lucky 13 Saloon, $tba 

3/8, 11 PM guitar mastermind Mike Rosado’s volcanic, pounding Dick Dale-influenced surf band 9th Wave at Berlin

3/9, 7:30 PM brilliant tabla player/composer and Brooklyn Raga Massive anchor Sameer Gupta does double duty, first in a trio set with sarangi player Rohan Misra and then with sitarist Rishab Sharma at the Chhandayan Center For Indian Music, $20

3/9, 8 PM one of the year’s best twinbills: brilliant, soaring south Indian chanteuse Falu and her orchestra and hypnotic, pulsing, sousaphone-driven Guadalupian/New Orleans band Delgres a at Flushing Town Hall, $16

3/9, 8 PM singer Charmaine Lee makes her Issue Project Room debut solo and in an improvised trio performance featuring id m theft able (voice, objects) and Andrea Pensado (voice, electronics), free

3/9, 9 PM atmospheric, hypnotic guitar soundscaper Scott Helland solo followed at 10 by allusively haunting, minimalist folk noir singer Belle-Skinner at Pete’s 

3/9, 9:30 PM hilarious, savagely cynical, fearlessly political C&W parody band the Great American Country Drifters at Pine Box Rock Shop

3/9, 10 PM sizzling electric bluegrass and C&W with Demolition String Band at Skinny Dennis

3/9, 11 PM Brandi & the Alexanders play oldschool-style soul ballads at the Way Station

3/10, 2 PM Eleonor Bindman and Susan Sobolewski of Duo Vivace play a family-friendly concert including Bernstein’s Overture from Candide and Saint-Saens’ Carnival of the Animals at the Old Stone House in Park Slope, $20 adults/$10 kids

3/10, 3 PM violist Elise Frawley leads an ensemble playing a program tba at the 92nd St.Y, free

3/10, 3 PM the Neave Trio play a program of works by women composers: Rebecca Clarke’s Piano Trio; Amy Beach’s Piano Trio in A minor, Op. 150; Cécile Chaminade’s Piano Trio No. 1, Op. 11; and Jennifer Higdon’s Piano Trio at  Madison Presbyterian Church (921 Madison Ave), $25

3/10, 4 PM the Sometime Boys’ riveting, powerful, theatrical frontwoman Sarah Mucho with pianist Elliott Roth at Freddy’s

3/10, 4 PM the Publiquartet play a program TBA at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

3/10, 7 PM spine-tingling, darkly mystical art-rock/avant-garde/chamber pop songwriter Carol Lipnik – pretty much everybody’s choice for best singer in all of NYC – with similarly haunting pianist Matt Kanelos at Pangea, $20

3/10, 10:30 PM tuneful oldschool soul/jazz trombonist Dave Gibson leads his quintet at Smalls

3/11, 7:30/9:30 PM intense, darkly lyrical Israeli jazz pianist Shai Maestro leads his trio at the Jazz Gallery, $25. He’s back there on 3/20 with brilliant vibraphonist Joel Ross

3/11, 8 PM the NYU01 Orchestra play Mozart: Symphony No. 35 in D major, K. 35, “Haffner”Ravel: Daphnis et Chloé Suite No. 2 at the NYU Loewe Theatre, 25 W 4th St., free

3/11, 8:30 PM lavish oldschool style New Orleans funk/soul orchestra bandleader Brother Joscephus  at City Winery, $20 standing room vail

3/11, 10:30 PM  fiery alto saxophonist Lucas Pino’s eclectic, dynamic No No Nonet at Smalls

3/12, drinks at 5:30, show at 6 Marilyn Nonken plays piano music of Tristan Murail at the Miller Theatre, free

3/12-16, 8:30/11 PM purist saxophonist Vincent Herring’s History of Jazz – an epic suite spanning classics from the early swing era to the present day – at Birdland, $30 at the bar

3/12, 7:30 PM violinist and composer Megumi Saruhashi with her Middle Eastern ensemble at Sisters Brooklyn, 900 Fulton at Washington St., Ft Greene,

3/12, 7:30/9:30 PM the haunting, smokily atmospheric Michael Leonhart Orchestra at the Jazz Standard, $30

3/12-17, 8/10:30 PM soaring, politically relevant, brilliantly purposeful alto saxophonist Miguel Zenon leads his quartet at the Vanguard

3/12-13, 8/10:30 PM perennially vital latin jazz piano sage Eddie Palmieri at the Blue Note, $30 standing room avail

3/12-16, 8:30 PM indie classical chamber group Talea Ensemble play with a series of guests at the Stone at the New School, $20. Choice pick: opening night with Gato Loco guitar shredder Lily Maase

3/12, 10:30 PM charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy‘s Tromboniverse at Smalls

3/13 and 3/19 at 7:30 PM, also 3/15-16 at 8 PM the NY Philharmonic play the Mozart Requiem at Avery Fisher Hall, $34 tix avail

3/13, 9 PM late 80s powerpop heroes Teenage Fanclub at Bowery Ballroom, $25 gen adm

3/13, 10 PM the Last Nites play the Pulp Fiction soundtrack; also on the bill: NY horror surf legends the Coffin Daggers at the Mercury, $10 adv tix rec.

3/14, 6 PM  bass trombonist Jennifer Wharton leads her group at Silvana

3/14, 7 PM haunting Mexican jazz and pan-latin singer Magos Herrera teams up with perennially adventurous string quartet Brooklyn Rider at National Sawdust, $30 adv tix rec

3/14, 7:30 PM fiery Portuguese twelve-string guitar sorceress Marta Pereira da Costa at the Lincoln Center Atrium, free, early arrival advised. She’s also at Drom a half-hour earlier the next day for $15.

3/14, 7:30/9:30 PM veena virtuoso Saraswathi Ranganathan witih her brother, Ganapathi, on mridangam at the Jazz Gallery, $20

3/14, 7:30 PM rapturous Indian carnatic composer/violinist Arun Ramamurthy with his trio at Symphony Space, $20 for 30 and under

3/14, 8 PM iconic avant garde singer/composer Joan La Barbara‘s Scenes from Dreams of Water Beyond One’s Depth; also, FLUX Quartet violinist Tom Chiu leads his Ensemble Metrix at Roulette, $20 adv tix rec

3/14, 8 PM the DaCapo Chamber Players perform works by Valerie Coleman, Yotam Haber, Eric Moe and Ralph Shapey at Merkin Concert Hall, $20

3/14, 8 PM conversational pianist Jeffrey Siegel plays Beethoven Sonatas at Scandinavia House, $25

3/14, 8 PM irrepressible, historically informed, crystalline-voiced folk noir/art-rock/loopmusic songwriter Elisa Flynn at Troost

3/14, 8;30  PM Brooklyn Conservatory of Music Klezmer Ensemble, led by colorful violinist Zoe Aqua at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

3/14, 9:30 PM the haunting, stark, ancient sounds of the Yale Slavic Chorus at the Owl

3/15, 6:30 PM cellist Bryan Hayslett presents a rare portrait concert of obscure/influential avant garde composer Lee Hyla’s chamber works: the piano trio Mother Popcorn Revisited based on a James Brown song; an iconic trio for cello, piano, and percussion titled Dream of Innocent III. Other performers include Tristan McKay and Robert Fleitz (piano), Jess Tsang (percussion), Michiko Theurer and Paul Hauer (violins), and Hannah Levinson (viola) at the Stone at the New School, $20

3/15, 7 PM indie classical ensemble Longleash and mezzo-soprano Lucy Dhegrae play Shawn Jaeger’s Places We Know – a collection for digital piano trio inspired by the soundscapes of urban and rural streams, rivers, and harbors including field recordings from Muscota Marsh (Inwood) Red Hook Channel (Brooklyn), Beargrass Creek (Louisville, KY), Coleman Run (Nerinx, KY), and Chenoweth Run (Louisville, KY), at Arete Gallery, $15

3/15, 7:30 PM Venezuelan percussionists Roberto and Luisito Quintero’s oldschool Salsa Project at the Lincoln Center Atrium, free, early arrival advised

3/15, 8 PM the unpredictably fun, funny  art-rock/psychedelic soul band the Academy Blues Project  at Silvana

3/15, 8 PM reggae-rockers Zion80 and wild, hilarious klezmer punks Golem at Drom, $15 adv tix rec 

 3/15, 8 PM the Philadelphia Orchestra play Mendelssohn’s Piano Concerto No. 1 plus Schubert’s Symphony No. 9 at NJPAC in Newark, $30 tix avail

3/15, 8 PM violinist Maya Bennardo and pianist Karl Larson play music of Charles Ives at the Owl

3/15, 8:30 PM haunting Bulgarian singer Biliana Voutchkova with similarly haunting jazz pedal steel virtuoso Susan Alcorn at I-Beam, $15

3/15, 8 PM perennially brilliant low-register reedman Josh Sinton performs his lushly looming, enveloping Krasa contrabass clarinet project at Issue Project Room, $15/$12 stud/srs

3/15, 8 PM purposefully atmospheric guitarist Gyan Riley with drummer David Cossin and bassist Jared Engel at Happy Lucky No. 1 Gallery, $20. Riley’s here the following night, 3/16 with the amazing, even more atmospheric Arooj Aftab

3/15, 9 PM hypnotically emveloping, atmospheric guitarist/soundscaper Rafiq Bhatia, Ian Chang (electronic and acoustic drums) and Jackson Hill (bass and synthesizers) at the  Kitchen, $25

3/16, 2 PM two of the world’s most lyrical, captivating Indian carnatic violinists, Trina Basu and Anjna Swaminathan “engage together in an improvisational dialogue with an art piece of their choice during a special museum “Art & Music” tour” at the Rubin Museum of Art

3/16, 5:30 PM Alice Jones, flute | Anneke Schaul-Yoder, cello | Derin Öge, piano play works by Beethoven contemporary Louise Farrenc and Michael Fiday at Brooklyn Conservatory of Music, $15

3/16, 8 PM hypnotically percussive Afro-Honduran sounds with the Garifuna Jazz Ensemble: at Flushing Town hall, $16

3/16, 9 PM amazing, mostly-female, kinetic klezmer/cumbia/cinematic jamband Isle of Klezbos at City Winery, $20 gen adm

3/16, 9 PM hypnotically explosive live bhangra dance band Red Baraat at Bowery Ballroom, $25

3/16, 10 PM ferocious, twin guitar-fueled, Radio Birdman-esque psychedelic punks the Electric Mess  at Hank’s, $10

3/17, 3 PM Benjamin Larsen, cello and Hyungjin Choi, piano​ play works by Grieg, Schumann and Robert Sirota at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, sugg don

3/17, 4 PM sensational, whirlwind nuevo tango bandoneonist and composer JP Jofre at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

3/17, 7 PM veteran Irish crooner Pierce Turner – at one time he was doing a mashup of the Pogues and the Moody Blues – at Joe’s Pub, 25

3/17, 7:30/9 PM oldschool stride sounds: Jon-Erik Kellso (trumpet), Ehud Asherie (piano) at Mezzrow, $20

3/17, 9 PM high-voltage psychobilly band the Goddamn Gallows at the Kingsland, $tba

3/18, 9:30 PM jazz group the Atom String Quartet at Drom, $15 adv tix rec

3/19, 7:30 PM Norwegian indie classical group Ensemble Neon perform video and sound pieces by Jan Martin Smørdal, Ane Marthe Holen and Lars Skoglund, plus My Red Red Blood, “an excursion into the sound world of Marina Rosenfeld” at Scandinavia House, free

3/19, 7 PM Kristin Lee, violin & Jeremy Jordan, piano play 20th-century American music from ragtime to today, with a special emphasis on improvisation, with works by George Gershwin (arr. Jasha Heifetz), J.J. Johnson (arr. Jeremy Ajani Jordan), Scott Joplin (arr. Jeremy Ajani Jordan), John Novacek, Kevin Puts, and Jonathan Ragonese at 1 Rivington St. upstairs, $15/$10 stud/srs

3/19, 8 PM pianist Alex Peh collaborates with percussionists Susie Ibarra, Kyaw Kyaw Naing and flautist Claire Chase to perform new Asian-tinged works at Roulette, $18 adv tix rec

3/20, 7 PM Patrick Higgins’ two-movement piano trio Tocsin performed by pianist Vicky Chow, cellists Jay Campbell and Mariel Roberts, employing “subtle mechanical preparations for piano and a unique instrumentation to create a music where the line between piano, cello, and otherworldly source constantly traversed, undermined, and transformed’ at 1 Rivington St. upstairs, $15/$10 stud/srs

3/20, 7 PM cellist Amanda Gookin plays six new works from five female composers — Alex Temple, Shelley Washington, Kamala Sankaram, Niloufar Nourbakhsh, and National Sawdust honcho Paola Prestini  at National Sawdust, $20 adv tix rec

3/20-21, 7:30 PM hard-charging postbop tenor saxophonist Immanuel Wilkins leads his group at Smalls

3/20, 9 PM brilliant noir swing/Romany jazz/latin soul composer and guitarist Jack Martin (ex-Knoxville Girls and Dimestore Dance Band) at Troost

3/20, 9:30 PM subtly psychedelic, dynamic, eclectic Niger desert rock guitarist Bombino and band at the Poisson Rouge, $25 adv rtix rec

3/21, 7 PM the harrowing, immigration-themed multimedia performance Ask Hafiz – the story of Sahar Muradi’s tumultuous journey from a Soviet-ruled Afghanistan to Queens. “Along the way, Sahar, following an age-old practice, asks questions to the book of poetry by Hafiz. The answers are revealed through songs composed and sung by Haleh Liza, dance choreographed and performed by Malini Srinivasan, with music by Adam Maalouf, Trina Basu, Bala Skandan and Rich Stein, at Joe’s Pub

3/21, 7:30 PM the deservedly acclaimed Brooklyn Youth Chorus sing new work by Owen Pallett, joined by Alev Lenz for a set of her songs followed by by similarly lush, enigmatic art-rock/parlor pop band Wye Oak at Merkin Concert Hall, $25

3/21, 8 PM a string-driven thing at Drom:  apocalyptic string quartet Sevensuns, eclectic, funky parlor jazz violinist Mazz Swift’s MazzMuse, Joe Deninzon’s wickedly fun string metal band Stratospheerius and strings-and-percussion crew 2Birds Band, $15 adv tix rec 

 3/21, 8 PM  saxophonist María Grand’s “Music As a User’s Manual” which “Invites the audience to use it as a manual – the manual will offer several things that can be done: scream; meditate; and others” at Roulette, $18 adv tix rec

3/21, 8 PM veteran electric Chicago blues guitarist Joe Louis Walker at City Vineyard, $20

3/21, 8 PM ex-Dylan lead guitarist Larry Campbell with singer Teresa Williams with Little Feat keyboardist Bill Payne at City Winery $25 standing rom vail

3/21, 9 PM the kings of macabre British noir doom music, All Them Witches at Bowery Ballroom, $20

3/21, 9 PM wryly retro, period-perfect classic 60s style female-fronted honkytonk band the Bourbon Express at Hank’s, $10

3/22-23, 7:30/9 PM  reliably tuneful postbop piano vet George Cables s solo at Mezzrow, $25

3/22-23, 8 PM brilliantly eclectic vibraphonist Joel Ross with Sergio Tabanico – tenor saxophone; Kanoa Mendenhall – bass; Jeremy Dutton – drums at Happy Lucky No. 1 Gallery, $20

3/22, 8:30 PM majestic, darkly cinematic surf band the TarantinosNYC. at Freddy’s

3/22, 9:30 PM explosive Boston original Balkan crew Cocek Brass Band at Radegast Hall

3/23, 2 PM the Orchestra of St Luke’s play a composer portrait of Gabriela Lena Frank at Flushing Town Halll, free w/rsvp 

3/23, 3 PM the Washington Heights Chamber Orchestra play works by Korngold, Britten, Anna Clyne and Michael Torke at Fort Washington Collegiate Church, 729 W 181st St, free  

3/23, 7:30 PM terse, purposeful classical Indian raga ambience: Rohan Misra on sarangi with Dibyarka Chatterjee on tabla at the Chhandayan Center For Indian Music, $20 

3/23, 8 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud  and wild female-fronted Russian turbo-folk jammers Romashka  at Flushing Town Hall, $16

3/23. 8 PM the NJ Symphony Orchestra play Schubert’s Unfinished Symphony No. 8, the Dvorak Cello Concerto at NJPAC in Newark, $20 tix avail

 3/23, 9 PM psychedelic Pakistani crooner Ali Sethi and His Lahore Band at National Sawdust, $25 adv tix rec

3/24, 2 PM the LA Guitar Quartet play works by Handel, Liszt, Pat Metheny and others at the Town Hall, $17 tix avail

3/24, 4 PM adventurous indie classical string quartet Ethel play a program TBA at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

3/24, 5 PM the Manhattan Chamber Players perform works by Mozart, Schumann, and Bruch at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

3/24, 8:30 PM catchy, politically fearless soulstress Alice Lee – Nina Simone meets Fiona Apple – at Pete’s

3/25, 7:30 PM darkly glimmering jazz pianist/composer Guy Mintus plays a solo set followed by one with clarinetist Mark Dover at 1 Rivington St. upstairs, $15/$10 stud/srs

3/25, 7:30 PM majestic, slinky cumbia orchestra the Gregorio Uribe Big Band at St. Peter’s Church, 54th/Lex, $20

3/25, 9:30 PM quirky, smartly lyrical avant cello-rock with the Icebergs at Pete’s

3/26, 7:30 PM violinist Bella Hristova leads an ensemble playing works by Messiaen, Bach, Zwilich and Brahms at Merkin Concert Hall, $10 tix avail

3/26, 7:30 PM the Canadian Guitar Quartet reinvent works  by Beethoven, Saint-Saens, Pouilenc, Ravel and Brahns at the Baruch College auditorium, free, rsvp req 

3/26-27. 8/10:30 PM  iconic bassist Ron Carter leads an ensemble TBA at the Blue Note, $30 standing room avail

3/26-30, 8:30 PM epically lyrical alto saxophonist Peter Apfelbaum plays with a series of ensembles at the Stone at the New School, $20. Coice pick: 3/30 with his NY Heiroglyphics

3/27, 7 PM fiercely brilliant guitar twinbill: solos and duels between Ava Mendoza with Wilco’s Nels Cline at National Sawdust, $25 adv tix rec

3/28, 7:30 PM pianist Per Tengstrand with Leland Ko (cello), Hana Mundiya (violin), Noah Pacis (viola), and Soyeong Park (violin) play Beethoven’s Piano Concerto No. 5 and Dvorak’s Piano Quintet No. 2 in A Major at Scandinavia House, $25

3/28, 7:30 PM singer Min Jin and others perform classical Korean gajok art-songs backed by a chamber ensemble at Merkin Concert Hall, free, res req, limit 2 tix per person

3/28, 8 PM dynamic avant-garde harp luminary Zeena Parkins plays her new improvisational suite Captiva at Roulette, $18 adv tix rec

3/28, 8:30 PM a raucous klezmer dance party with music by Ken Maltz, Lauren Brody, Aaron Alexander at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

3/28, 7:30 PM Iraqi maqam music icon Hamid Al-Saadi with trumpeter Amir ElSaffar’s hypnotic, incisive classical Iraqi music ensemble Safaafir at the Lincoln Center Atrium, free, early arrival advised

3/29, 7 PM genre-smashing avant-jazz saxophonist/singer Stephanie Chou and her band play her harrowing jazz suite Comfort Girl, about women forced into sexual slavery under the Japanese in WWII at Joe’s Pub, $15

3/29, 7 PM allstar Indian music collective the Women’s Raga Massive with an especially potent lineup:  Deepal Sanghvi Chodhari (santoor), Roopa Mahadevan (vocals), Roshni Samlal (tabla), and Rajna Swaminathan (mridangam) at the Rubin Museum of Art, $30

 3/29. 7 PM the Latin American Chamber Players perform works by Ravel, Boulanger, Francaix, Roussel and Poulenc at Scholes St. Studios, $20 

 3/29, 7 PM pianist Conor Hanick and Parallax Ensemble play works by Kati Agócs, Balázs Futó, Nicolas Namoradze; Robert Beaser and Ninfea Cruttwell-Reade; and the U.S. premiere of Petrichor, a violin-piano duet based on J.S. Bach by Jocelyn Morlock at 1 Rivington St. upstairs, $15/$10 stud/srs

3/29, 8 PM violin loopmusic artist Joe Kye with percussionist William Catanzaro and pianist Josh Ehrlich at Flushing Town Hlal, $16

3/29, 10 PM Dakha Band mix up north and South African sounds at Club Bonafide, $15

3/30, 8 PM Anda Union play ancient, windswept Mongolian themes at Merkin Concert Hall, $25 tix avail

3/30, 8 PM Appalachian music maven Bruce Molsky’s Mountain Drifters play the album release show for their new one at the Jalopy, $20

3/30, 7:30 PM the Argus Quartet play works by Debussy, Theofanidis, Mendelssohn and Josquin des Prez at Irving Auditorium, Irving Pl/17th St., $16

3/30, 8 PM otherworldly Moroccan mountain jams with downtown NYC types: Bachir & Mustapha Attar of the Master Musicians of Jajouka with Ned Rothenberg, Arrington De Dionysio & Ben Bennett at Roulette, $30/$26 stud/srs

3/30. 8 PM composers and instrumentalists Daniel Fishkin, Cleek Schrey, and Ron Shalom — the U.S.’s only extant daxophone consort – at Issue Project Room, $15/$12 stud/srs “The daxophone is a thin wooden strip played with a bow, created by the German improviser/inventor Hans Reichel in 1987. The instrument’s sound, somewhere between a cello and badger, ranges from furtive gurgles and delicate whistles to wild screams.”

3/30 catchy female-fronted powerpop band Big Eyes – who absolutely nail a late 70s/early 80s CBGB sensibility – play the album release show for their new one at Union Pool 

3/31, noon the annual Queens Overground Jazz Festival, acts TBA at Flushing Town Hall, free, res req

3/31, 2:30 PM the Apple Hill String Quartet play works by Shostakovich, Faure and Michael Kropf at St. Bartholomew’s Cathedral, $25/$15 stud/srs

3/31, 4 PM avant garde crooner Theo Bleckmann with Ike Sturm and Jesse Lewis at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

3/31, 8 PM haunting Turkish art-rock guitarist/crooner Ahmet Aslan at Drom, $30 adv tix re

3/31, 7:30 PM new updates on haunting old Middle Eastern sounds: Takht al-Nagham featuring Arab Idol superstar Farrah Yousef, the Tarab Ensemble, and Nano Raies at Roulette, $25 adv tix rec

3/31, 10:30 PM noir-inspired alto saxophonist/composer Nick Hempton  leads his ensemble at Smalls

 4/1-2, 7:3/9:30 PM this era’s most intensely powerful tenor saxophonist/composer, JD Allen leads a quartet with Liberty Ellman on guitar at the Jazz Standard, $30

4/4, 7:30 PM, repeating 4/5 at 8 PM and 4/6 at 2 and 8 PM the NY Philharmonic play works by Beethoven, Bernstein, Stucky ,Wagner and very young composers at Avery Fisher Hall, $5 tix available to NYPD, NYFD, EMT, and NYC city service professionals. 

4/7, 5 PM the Kandinsky Trio perform a lyrical early Beethoven piano trio and then will be joined by clarinetist Jose Garcia Taborda and narrator Patricia Raun for Messiaen’s Quartet for the End of Time at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

5/26, 5 PM pianist Andrea Lam performs Bach, Schumann and Stravinsky at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

6/16, 5 PM cellist Angela Lee, with pianist Evelyne Luest play works by Beethoven, Prokofiev and Janáček at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

Epic, Fearless, Funky Orchestral Jamband Burnt Sugar Celebrate Twenty Years at Lincoln Center

Burnt Sugar hold the record for the most performances at Lincoln Center’s atrium space, impresario Jordana Leigh enthused moments before the mammoth ensemble took the stage there this past evening in celebration of their twentieth anniversary. “I can’t think of a band that more encapsulates New York…and the talent, and the energy, and style!”

“If you’ve seen us before, you know that we alternate between the raw and the cooked,” founder and conductor Greg Tate grinned, referring to the band’s penchant for swinging wildly between reinventions of others’ music and their own serpentine, tectonic, often thunderous mass improvisations. If memory serves right – there were a LOT of people onstage – this version of the collective had four singers, four guitarists, a horn section, rhythm section and keys in addition to plenty of beats and maybe atmospherics stashed away in somebody’s pedal.

From behind his Strat, Tate directed rises, falls, signaled for solos and for specific groups of instrumentation to punch in or out, in the same vein as the inventor of “conduction,” the late, great Butch Morris. The evening’s sprawling opening instrumental rose and fell with all sorts of sudden shifts, punchy and lyrical solos from JS Williams’ trumpet, V. Jeffrey Smith’s alto sax and Paula Henderson’s smoky baritone sax.

With former member Rene Akan’s Wretched of the Earth, Page 88, they made squalling, careening, Rage Against the Machine metalfunk out of a grim account of a city under fire in Frantz Fanon’s classic antiglobalist manifesto. This may be the performance where Burnt Sugar set another record, as the loudest band ever to play this space, a possibility reinforced by another Akan number that sounded in places as if the Bad Brains had cloned themselves.

“Rome burned while freedom lurked, masquerade and misdirection, incantations hide intentions,” singer Lisala Beatty mused over Leon Gruenbaum’s percolating, slinky Fender Rhodes groove a bit later in the set. It was akin to symphonic Gil Scott-Heron: “Young, black and vague, now you gotta ride the future shock wave.”

Smith’s disarmingly beautiful sax swirls spun over a slow, hypnotic beat as a wryly funny duet between Beatty and fellow vocalist Mikell Banks got underway – it could have been a joint homage to Sun Ra and Prince. The vocal version of Chains and Water – the opening track on Burnt Sugar’s 2009 album Making Love to the Dark Ages – had a subdued, hypnotic sway that masked its ferocious look back at the legacy of the Middle Passage, at least until the guitars flared up. They took it down with a rather chilling chain gang-style contrapuntal vocal outro.

Smith and bassist Jared Nickerson dedicated Naomi, a tender yet lively duet, to Nickerson’s aunt. It brought to mind Kenny Garrett back in the 90s in a particularly sunny mood. Then the group completely flipped the script with Ride Ride Ride – complete with sarcastically loopy faux-anthemic organ and a singalong chorus that went “Ride ride ride, everybody gonna get gentrified.” Henderson’s snarky, honking, repetitive solo offered momentary relief from a scenario where everyone’s “Homeless and boneless, your judgment an eternal curse.”

Tate might laugh if he heard this, but at this show he was the best guitarist onstage, plucking out sparse, enigmatic chords that resonated far more than any Eddie Van Halen squeals and divebomb effects could have. The group wound out the night with a nebulous backbeat-driven examination of racism in the early Bush/Cheney war era, an oldschool disco tune, and a gritty, atmospheric, Nina Simone-tinged ballad sung with considerable gravitas by Meah Pace.

Burnt Sugar are at the Brooklyn Museum on Jan 31 at 7 PM; cover is $16 and includes museum admission. The next show at the atrium space at Lincoln Center on Broadway just north of 62nd St. is Jan 17 at 7:30 PM with the amazing and only slightly less epic Black String, who blend stormy art-rock, mesmerizing Korean traditional music, opera and hip-hop. Get there early if you’re going.

A Long Awaited New Album and a Long Harlem Residency From the Unpredictable, Psychedelic Academy Blues Project

The Academy Blues Project are New York’s hardest working psychedelic band. They’ve got a gig somewhere just about every week. As a result, their sprawling epics and slinky soul jams have become incredibly tight: it’s rare to see a group with this kind of chemistry. And they finally have a long-awaited new ep, Let’s Brunch Vol. 1- the first in a series of three – streaming at their music page. The group like residencies: this month and next, beginning on Jan 7, they’re playing Monday nights at 8 PM at a favorite haunt, the comfortably scruffy Shrine in Harlem.

The first of the new tracks is a tasty instrumental, 1001, which sounds like a heavier Chicha Libre covering the Meters. Ben Easton’s carnivalesque organ gives it the Peruvian psych flavor, echoed by frontman/guitarist Mark Levy over a tight, trebly strut from bassist Trevor Brown and drummer Jim Bloom.

The album’s second cut is Boo, a briskly shuffling, 60s Motown-tinged soul tune. Easton’s prickling clavinova adds wry Sly Stone flavor. just when Levy’s chicken-scratch guitar solo really gets cooking, they fade it down.

Pyewacker, another instrumental, is a surreal mix of proto-metal and heavy soul – it could be early Santana fronting Rare Earth, Levy’s spiky guitar contrasting with Easton’s smoky organ. The final cut, Into the Blue, has a gorgeously wistful guitar-and-organ intro straight out of the Nektar playbook, then straightens out into vampy post Blonde on Blonde rock, a broodingly nocturnal New Jersey scenario. It’s a tantalizing moment of clarity, as Levy puts it, amid the group’s innumerable stylistic shifts. You can bet this blog will be in the house for at least one of the Shrine gigs.

Live Music Calendar for New York City and Brooklyn for January and February 2019

Daily updates – if you go out a lot, you might want to bookmark this page and check back regularly. If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music. Many different styles to choose from.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised. If you see a show listed without the start time, that’s because either the artist, their publicist or the venue in question sent incomplete info – those acts are usually listed last on a particular date.  Always best to check with the venue for the latest information on set times and door charges, since that information is often published here weeks in advance. Weekly events first followed by the daily calendar.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you found out about here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

On select Wednesdays and Sundays, an intimate, growing piano music salon on the Upper West Side featuring iconoclastically insightful, lyrical pianist Nancy Garniez – a cult favorite with an extraordinarily fluid, singing, legato style – exploring the delicious minutiae of works from across the centuries, beverages and lively conversation included!  email for details/address

Mondays at 7 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud at Barbes followed at 9:30 PM by a variety of south-of-the-border-style bands playing cumbias, boogaloo, salsa, maybe all of the above.

Mondays in January and February, 8 PM the unpredictably fun, funny  art-rock/psychedelic soul band the Academy Blues Project at Shrine

Mondays at the Jazz Standard it’s all Mingus, whether with the Mingus Orchestra, Big Band or Mingus Dynasty: as jazz goes, it’s arguably the most exhilarating show of the week, every week. The first-rate players always rise to the level of the material. Sets 7:30/9:30 PM, $25 and worth it.

Also Monday and Tuesday nights Vince Giordano’s Nighthawks, a boisterous horn-driven 11-piece 1920s/early 30’s band play Iguana, 240 W. 54th St ( Broadway/8th Ave) , 3 sets from 8 to 11, surprisingly cheap $15 cover plus $15 minimum considering what you’re getting. Even before the Flying Neutrinos or the Moonlighters, multi-instrumentalist Giordano was pioneering the oldtimey sound in New York; his long-running residency at the old Cajun on lower 8th Ave. is legendary. He also gets a ton of film work (Giordano wrote the satirical number that Willie Nelson famously sang in Wag the Dog).

Mondays at the Vanguard the Vanguard Jazz Orchestra – composer Jim McNeely’s reliably good big band vehicle – plays 9/11 PM, $30 per set plus drink minimum.

Mondays in January, 10 PM noir guitar legend Jim Campilongo leads his trio at the big room at the Rockwood, $10

Mondays in January Rev. Vince Anderson and his band play Union Pool in Williamsburg, two sets starting at 10:30 PM. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically astute, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the lead soloist on baritone sax, with frequent special guests.

Tuesdays in January clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at 9 PM at Barbes (check the club calendar). Get there as soon as you can as they’re very popular. $10 cover.

Wednesdays in  January, 8 PM the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Threes Brewing Outpost, 113 Franklin St (Greenpoint/Kent Aves) in Greenpoint, free

Thursdays at 8:30 in January the Brooklyn Raga Massive – a rotating cast of A-list Indian, jazz and rock musicians who love to jam out classic Indian themes from over the centuries to the present day – play the Jalopy, $15 adv tix at the bar at the main space. Tons of special guests followed by a wild raga jam!

Fridays and Saturdays at 5 PM adventurous indie classical string quartet Ethel plus frequent special guests playing a mix of classical and more contemporary material at the balcony bar at the Metropolitan Museum of Art, free w/museum adm

Fridays in February, 6 PM charmingly inscrutable Parisienne jazz chanteuse Chloe & the French Heart Jazz Band at Club Bonafide, $20. They’re also there on 2/24 at 5:30 PM

Fridays at 7:30 PM tenor saxophonist Ken Fowser leads his band at the Django. Jukebox jazz in a JD Allen vein but not as dark and more straight-ahead/groove-oriented: as postbop party music goes, nobody’s writing better than this guy right now.

Free classical concerts on Saturdays at 4 PM in  January at Bargemusic;  usually solo piano or small chamber ensembles. If you get lucky, you’ll catch pyrotechnic violinist/music director Mark Peskanov and/or the many members of his circle. Early arrival advised.

Saturdays in January, 6 PM eclectic, edgy soul/art-rock/funk/chamber-pop cellist/singer Marika Hughes at Barbes

Saturdays in February, 6 PM low register reedman Josh Sinton’s Phantasos play Morphine at Barbes. Hard to think of anyone more capable of tackling that ominously kinetic songbook

1/1-6, 8:30/10:30 PM lyrical jazz piano icon Fred Hersch  at the Vanguard, through 1/3 with his trio and the rest of the stand with a quartet

1/2, 8 PM psychedelic klezmer/bluegrass mandolin and clarinet legend Andy Statman at Barbes, $10

1/2, 8:30 PM Dervisi feat. guitar god Steve Antonakos play “exotic Greek gangsta blues” at Troost. 1/17, same time they’re at at Espresso 77, 35-57 77th Street (just off of 37th Ave), Jackson Heights

1/3, 7 PM improvisational ten-piece reeds/vox/drums ensemble PRNCX at Arete Gallery, $15. Followed at 9 (separate $15 adm) by Iraqi composer Saman Samadi and his Quintet at Arete Gallery, $15

1/3, 7:30 PM, repeating on 1/5 at 8 the NY Philharmonic play Sibelius’ Lemminkainen and Maidens of the Island suites plus Ravel’s Daphnis & Chloe and Dvorak’s Cello Concerto with soloist Gautier Capuçon at Avery Fisher Hall, $34

1/3, 7:30 the booking agents’ convention is in town and there are some phenomenal, cheap lineups around town. Tonight at Drom there’s a free show with intense, rapturous Balkan/Middle Eastern ensemble the Secret Trio –Tamer Pinarbasi, Ismail Lumanovski & Ara Dinkjian – followed at 8:30 by brooding Greek crooner Pericles Kanaris and at 10:00 by chanteuse/uke player Dahlia Dumont’s Blue Dahlia playing edgy, smartly lyrically-fueled, jazz-infused tunes in English and French with classic chanson and Caribbean influences

1/3, 7:30/9:30 PM playfully lyrical postbop pianist Art Hirahara plus a killer rhythm section of bassist Linda Oh, & drummer Rudy Royston at Mezzrow, $20

1/3, 7:30 PM trumpeter Etienne Charles’ creole jazz band at the Lincoln Center Atrium, free, early arrival advised

1/3, 7:45 PM slinky female-fronted psychedelic tropicalia band Delsonido at the big room at the Rockwood

1/3, 8 New York’s most charismatic, darkly compelling lyrical songwriter/storyteller/keyboard genius Rachelle Garniez followed at 10 by Sveta Kundish & Patrick Farrell play original Yiddish songs for voice and accordion at Barbes

1/3, 8 PM bouncy Iranian/Swedish dance-pop sister act Abjeez followed by  charismatic Egyptian revolutionary singer Ramy Essam at the Poisson Rouge, $25 adv tix rec

1/3, 8 PM Alaskan Americana fiddler/poet Ken Waldman opens his annual mega-star show at at the Jalopy followed by short sets featuring but not limited to torchsong duo Max Hatt & Edda Glass, fiddle/cello duo Hen’s Teeth with Jane Rothfield and Nathan Bontrager,  the DuoDuo Quartet with Maeve Gilchrist, Nic Gareiss, Natalie Haas, Yann Falquet–virtuosic harp, dance, cello, guitar; Scottish and Appalachian string music by Jenna Moynihan & Mairi Chaimbeul ,Cathy Fink & Marcy Marxer doing gypsy jazz to classic country to anything else;  Cajun songstress Erica Weiss & Shindig and bluegrass guitar/bass duo Mark Kilianski & Nate Sabat at the Jalopy, $15

1/3, 8 PM legends from the zeros: singer/guitarist Genie Morrow’s super-catchy, erudite powerpop band Sputnik at the Parkside

1/3, 9 PM wild live techno band Bombrasstico  at Bar Chord

1/3, 9 PM wickedly jangly surf/twang/country instrumentalists the Bakersfield Breakers at 11th St. Bar

1/3, 10 PM fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel & the Two Cent Band  at Skinny Dennis. He’s also here on 1/31 at 9

1/3, 10 PM the great unsung NYC hero of darkly purposeful, noir-tinged jazz guitar, Saul Rubin at the Fat Cat.  He’s also here on 1/8 at 7

1/4, 7 PM best free concert of the year? Maybe. Toronto Cuban salsa dura band Okan followed at 7:45 by psychedelic tropicalia-folk bandleader Ramon Chicharron; at 8:30 Mexican border-rock songwriter Quique Escamilla9:15 a lame Replacements ripoff; at 1o high-voltage Neapolitan tarantella string band Newpoli; 10:45 Haitian funk/pop singer Malou Beauvoir; and at 11:30 the amazing, phantasmagorical klezmer band Lemon Bucket Orkestra at Drom

1/4, 7 PM folk noir singer Anna May – the missing link between Aimee Mann and Kath Bloom, maybe – at Shapeshifter Lab, $10 

1/4, 7 PM semi-supergroup Vicki Kristina Barcelona (the incomparable, charismatic Rachelle Garniez, Bollywood-influenced Amanda Homi, and Terry Radigan) reinvent the songs of Tom Waits at Pangea, $20 

1/4, 7:30 PM Tibetan throat-singing ensemble Altai Kai at the Rubin Museum of Art, $30

1/4, 8 PM ex-Chicha Libre keyboard sorcerer Josh Camp’s wryly psychedelic cumbia/tropicalia/dub band Locobeach  followed by sizzling Niger duskcore guitarist/bandleader Mdou Moctar at Baby’s All Right, $15

1/4, 8 PM haunting, magical Middle Eastern classical singer Shelley Thomas and her band followed at 10 by Super Yamba playing their psychedelic Afrobeat jams at Barbes

1/4, 9 PM hauntingly lyrical art-rock songwriter/multi-instrumentalist Joanna Wallfisch at  the small room at the Rockwood

1/4. 10 PM Garifuna bandleader Andy Ordonez and his psychedelic coastal Caribbean combo at Silvana

1/4-6 and 1/10-12, 10 PM (except for 1/6 at 8 PM) singer/dancer Nora Chipaumire “reckons with the production and consumption of pop sound and imagery in the hyper-reality of global capitalism, resurrecting the era of drum magazines, African broadcast stations, color bars, and a people with active connections to rural and township lifestyles playing all-night parties at underground apartheid-era South African speakeasies” at Jack, $25

 1/4, 10:30 PM catchy Booker T-esque soul jazz with the David Gibson/Jared Gold Hammond B3 organ band at the Fat Cat

1/5, 4  PM cinematic, psychedelic quirk-pop keyboardist Michael Hearst presents “Curious, Unusual and Extraordinary” songs from his many bands followed at 8 by intense, lyrical jazz bassist/composer Pedro Giraudo leading his Tango Quartet, and at 10 by epic ranchera/bolero brass crew Banda de los Muertos at Barbes

1/5, 6 PM state-of-the-art jazz bassist Christian McBride and his quartet at Bethany Baptist Church – 275 W Market St, Newark, free

1/5, 7:30 PM an awesomely inexpensive global lineup: theToomai String Quintet with psychedelic tropicalia chanteuse Miss YaYa play all kinds of adventurous, global classical repertoire followed at 8:15 by haunting, psychedelic Turkish band Yeni Nostalji ; at  9 the Bil Afrah Project celebrates one of the Middle East’s legendary albums: Ziad Rahbani’s 1975 Bil Afrah suite. An all-star NYC lineup includes percussionist Michel Merhej, who played on the haunting, dynamic original album, very rarely played live in its entirety; at 9:45 sizzling Niger duskcore guitarist/bandleader Mdou Moctar; at 11:15 haphazardly psychedelic Afrobeat-influenced psych-punk guitarist/bandleader Yonatan Gat at & the Eastern Medicine Singers; at midnight awesomely slinky downtempo/cumbia/psychedelic salsa dura band La Mecanica Popular and at 12:45 AM explosive, creepy, colorful psychedelic rembetiko metal band Greek Judas at Drom, $10

1/5. 7:30/9:30 PM mighty, tectonic latin jazz with the Dafnis Prieto Big Bandat the Jazz Standard, $30

1/5, 8 PM latin jazz drummer Antonio Sanchez & Migration followed by soaring, epic all-female mariachi/tropicalia orchestra Mariachi Flor de Toloache at Highline Ballroom, $20 adv tix rec

1/5, 8 PM legendarily eclectic surf band Tiki Brothers followed at 9 by guitarslinger Phil Gammage playing his dark Americana and blues at the Way Station

1/5. 8 PM guitarist Loren Connors duets with fellow six-string luminary David Grubbs and performance poet Steve Dalachinsky; bookended around an a cappella performance by bluesy vocalist Suzanne Langille and poet Yuko Otomo at Holo, $10

1/5, 8:30 PM darkly lyrical Middle Eastern-tinged jazz pianist Laila Biali at the third stage at the Rockwood, $10

1/5 Unsteady Freddie‘s monthly surf rock extravaganza at Otto’s begins at 9 PM with the percussive Bongo Surf, at 10 metalish Providence band the Infra-Men, at 11 wickedly jangly surf/twang/country instrumentalists the Bakersfield Breakers and at midnight or so majestic, darkly cinematic surf band the TarantinosNYC. 

1/5, 9 PM eclectic, electric C&W/blues band the Jug Addicts at Bar Chord

1/5, 10 PM fiery electric bluegrass and C&W with Demolition String Band at Skinny Dennis

1/6, 11 AM (in the morning) NY original klezmer icons Metropolitan Klezmer & their mostly-female sister band, kinetic klezmer/cumbia/cinematic jamband Isle of Klezbos at City Winery, $10

1/6, 4 PM a launch event for the new Philip Glass Institute at the New School including a performance by the Philip Glass Ensemble, a panel discussion including the composer and a performance of an excerpt from Lisa Bielawa’s in-progress, made-for-TV opera, Vireo, at the New School ground floor auditorium at 63 5th Ave, free

1/7, 6 PM short sets by violinist Rubén Rengel, trumpeter Brandon Ridenour, the Thalea String Quartet, Verona Quartet and brass quartet the Westerlies at Weill Hall at Carnegie Hall, free,

1/6, 7 PM wildly theatrical, creepy circus rock band Orphan Jane at LIC Bar

1/6, 7 PM pastoral gothic accordion art-rock with Sam Reider & the Human Hands followed at 9:30  by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

1/6. 8 PM in reverse order: spot-on Vermont retro honkytonk band Wild Leek River, fiery oldtimey string band the Four O’Clock Flowers.  and eclectic, tuneful accordionist/songwriter Ali Dineen at Starr Bar, 214 Starr St. off Irving, Bushwick, L to DeKalb

1/6, 8 PM perennially tuneful, pensively lyrical Americana janglerocker Mike Ferrio of Tandy and Good Luck Mountain at 11th St. Bar

1/6, 9 PMoldschool-style high plains C&W singer Hope Debates & North 40 at  Skinny Dennis

1/6, 9ish eclectic, globally-inspired violinist Dina Maccabee at the Owl

1/6, 10:30 PM hotshot bluegrass mandolin slinger Jacob Joliff and band at the big room at the Rockwood 

1/7, 4 and 7 PM all-star indie classical choir Roomful of Teeth sing the world premiere of Caroline Shaw’s Partita for 8 Voices at Times Square, free, follow the sound if you can hear it

1/7, 7 PM riveting, purposeful 30s swing singer Catherine Russell, torchy Europolitan swing band the Hot Sardines & South Atlantic Coast Gullah soul band Ranky Tanky at City Winery, $20 standing room avail

1/7, 7:30 PM indie classical chamber orchestra Wild Up, dark Mediterranean psychedelic bandleader Zola Jesus and intrepid NYC indie classical composer William Briittelle at Merkin Concet Hall, $25

1/7, 7:30 PM pyrotechnic klezmer clarinetist David Krakauer, Kathleen Tagg and the Omer Quartet play works by Prokofiev, Debussy, Golijov, John Zorn and Kinan Azmeh at Music Mondays, Advent Church, northwest corner of 93rd and Broadway, free

1/7, 8:30 PM Lebanese art-rock/metal/goth band Gurumiran at Pete’s 

1/7, 9 PM sweeping, swinging vibraphonist Behn Gillece and group at the Fat Cat 

1/7, 9:30ish Los Mochuelos plays classic Colombian vallenato music at Barbes

1/7, 8:30 PM brief half-hour sets by cellist Clarice Jensen, Carolina Eyck (theremin), and indie classical group ACME (American Contemporary Music Ensemble) at Drom, $10

1/7, 9 PM slashing guitarist Steve Antonakos plays slide guitar blues with his band at Bar Chord. He’s also at the Parkside on the 19th at 8 

1/7, 10 PM tuneful, state-of-the-art postbop jazz guitarist Will Bernard and group followed eventually at midnight by awesome, creepy Texas psychedelic band Acid Carousel at the small room at the Rockwood 

1/8, 7 PM eclectic, hard-hitting, lyrical composer/tenor saxophonist Stan Killian at 55 Bar

 1/8, 7:30/9:30 PM a killer, darkly lyrical trio:  crystalline-voiced, noir-tinged third-stream jazz chanteuse Tessa Souter with brilliant latin jazz piaist Luis Perdomo and bassist Dezron Douglas at Mezzrow, $20. She’s also at 55 Bar on 1/11 at 6 for less.

1/8, 8:15 PM edgily lyrical guitarist Matt Forker leads his catchy but acerbic sextet at Shapeshifter Lab, $12 

1/8-13. 8:30/10:30 PM pensively edgy, purposeful latin jazz pianist Edward Simon with his Steel House trio at the Vanguard

1/8, 9 PM wickedly torchy noir songwriter Julia Haltigan and her killer band on her old home turf at 11th St Bar

1/8, 9:30 PM the Bronx Conexion play their mighty salsa big band jazz at the Nuyorican Poets Cafe

1/9, 7:30/9:30 PM pan-Asian chanteuse/composer Jen Shyu with her hauntingly atmospheric Jade Tongue ensemble at the Jazz Gallery, $25

1/9, 7 PM celebrating the centenary of politically fearless sound collage pioneer Ake Hodell, a rare public performance of the original quadraphonic versions of three of Hodell’s most revered text-sound compositions – on the disappearance of Black Panther members, apartheid in Rhodesia and a JG Ballard-esque history of the 20th century through the prism of automobiles – plus Fia Backström reads from her new translations of Hodell’s writing, at the Emily Harvey Foundation, 537 Broadway #2 (Spring/Prince), $10

1/9,  7 PM Nublu honcho and psychedelic postbop tenor saxophonist Ilhan Ersahin wears many hats throughout the night, which starts with  Nublu Orchestra doing a tribute to their late great conductor/leader Butch Morris; at 8:30 longtime Gil Scott-Heron collaborator and electric pianist Brian Jackson; at 10 Silver with Ersahin, Eddie Henderson, Juini Booth, Kenny Wollesen playing the album release show for their new one and at 1 AM Ersahin’s Oceanvs Orientalis at Nublu 151, $tba

1/9, 9 PM darkly psychedelic circus punks Yula & the Extended Family at LIC Bar

1/10. 7 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar

1/10, 7 PM electrifying Balkan/Americana violinist/bandleader Sarah Alden at the third stage at the Rockwood, $10

1/10, 7:30/9:30 PM tenor saxophonist Jure Pukl leads a killer band with Melissa Aldana – saxophone; Harish Raghavan – bass; Kush Abadey – drums at the Jazz Gallery, $20

1/10, 7:30 PM Burnt Sugar celebrate 20 years of lush Braxton-ish largescale improvisation, hard funk, James Brown and Bowie covers and more at the Lincoln Center Atrium, free, early arrival advised

1/10, 7:30 PM, repeating on 1/12 at 8 the NY Philharmonic play Prokofiev’s Piano Concerto No. 3 with soloist Simon Trpčeski, Janacek’s Cunning Little Vixen Suite and Rimsky-Korsakov’s Scheherezade at Avery Fisher Hall, $31

1/10, 7:30 PM Soule Monde – imagine RIck Wakeman playing Booker T  & the MG’s  – at Symphony Space, $30/$20 age 30 and under

1/10, 8 PM hauntingly noisy/ambient solo cello from Leila Bordreuil plus electoacoustic sets by  David Wesley Sutton, singer Charmaine Lee and Kieran Morris at the Fridman Gallery,​ 169 Broadway, $20/$15 stud

1/10, 8 PM dynamic, subtle all-female klezmer band Tsibele at Barbes

1/10, 8:30 PM tarantella percussionist Alessandra Belloni jams out classical Indian carnatic themes with bansuri flutist Steve Gorn at the Jalopy, $15

1/10, 8:30 PM brilliantly improvisational pianist Mara Rosenbloom‘s philosophically-inspired FLYWAYS with bassist Adam Lane and singer/percussionist Anais Maviel at Shapeshifter Lab, $15

1/10, 8:30 PM Greg Hammontree’s Trumpet Marmalade: “four-NYC hailing, old-school dixieland style jazz musicians call upon Louis Armstrong for inspiration,” at Arete Gallery, $15

1/11, 5:30 PM laid-back Americana/country blues songwriter Jon LaDeau at the American Folk Art Museum

1/11, 7:30 PM this era’s most spellbinding oldschool country singer, Laura Cantrell acoustic at the Rubin Museum of Art, $25 adv tix rec

1/11-12. 7:30/9:30 PM this era’s most cutting-edge, politically relevant large jazz ensemble, Darcy James Argue’s Secret Society at the Jazz Gallery, $25

1/11, 8 PM playfully lyrical, fearlessly political superduo Kill Henry Sugar – guitar/banjo mastermind Erik Della Penna and drummer Dean Sharenow – at Bargbes

1/11, 8 PM a screening of the fascinating documentary Milford Graves Full Mantis, exploring the work of the polymath jazz drummer/music historian/cardiac music visionary, plus a drum duel between Susie Ibarra and Brian Chase at the Fridman Gallery,​ 169 Broadway, $20/$15 stud          

 1/11, 8 PM irrepressibly fun blues/swing harmony pals Mamie Minch and Tamar Korn; followed by Hawaiian guitar group King Isto’s Tropical String Band playing the album release show for their new one at the Jalopy, $10

1/11, 8 PM genre-smashing avant-jazz saxophonist/singer Stephanie Chou Stephanie Chou and band play her new suite Comfort Girl, focusing on women forced into sexual slavery in Asia during World War II at the Cell Theatre, $20

1/11, 9 PM Super Yamba play their psychedelic Afrobeat jams at Bar Chord

 1/11, 9:30 PM catchy, fun guy/girl indie soul band Sunshine Nights at Freddy’s

1/12, 3 and 5 PM the new electroacoustic, gospel-inspired opera Stinney: An American Execution, examining the ugly background behind the murder of 14-year-old South Carolina black teenager, framed and executed in 1944 for a crime he didn’t commit, at the French Institute, 55 E 59th St., $30

1/12, 4 PM this year’s first installment of Luisa Muhr’s amazing Women Between Arts multidisciplinary series opens with performance poet Adeenna Karasick with klezmer trumpet legend Frank London, nterdisciplinary artist Alison Kobayashi and Marisa Michelson & Constellation Chorwho do hypnotic Pauline Oliveros style improvisations at the Glass Box Theatre at the New School, 55 W 13th St, $20, “sliding scale available” for low-income/students

1/12, 6 PM eclectic, edgy soul/art-rock/funk/chamber-pop cellist/singer Marika Hughes  followed at 8 by surreal, intense klezmer/oldtime gospel guy/girl duo Book of J and at 10 byPangari & the Socialites playing classic ska and rocksteady – most of it from the 60s Skatalites catalog – at Barbes 

1/12, 7 PM the NJ Symphony Orchestra play Mozart’s Piano Concerto No. 22 with Emmanuel Ax as soloist and Tschaikovsky’s Manfred Symphony at NJPAC in Newark, $20 tix avail

1/12. 7 PM the Orpheus Chamber Orchestra play late works by Mozart and Dvorak at Stern Auditorium at Carnegie Hall, $25 tix avail

1/12, 8 PM the Royal Arctic Institute – who veer between surfy rock instrumentals and darker, quieter, more noir and jazz-tinged themes – at the Parkside

1/12, 8 PM electronic works by Stephen Vitiello and Taylor Deupree, magical thereminist Dorit Chrysler and Nadav Assor screening video and doing “tunneling” – archaeology? Subway building? – ​at the Fridman Gallery,​ 169 Broadway, $20/$15 stud   

 1/12, 8 PM erudite, purist torchy cosmopolitan jazz chanteuse Svetlana & the NY Swing Collective at the Cell Theatre, $15

1/12, 8 PM raucous, politically sharp, anthemic folk noir songwriter Mac McCarty at Sidewalk

1/12, 8 PM subversive avant garde/psych-folk Iranian crooner Mohsen Namjoo at Symphony Space, $30 tix avail

1/12, 8 PM Victor Jara-influenced songwriter Fred Arcoleo followed by south Williamsburg oi punk band the Infiltrators at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away.”  

1/12, 8ish creepy noir chamber pop/murder ballad duo Charming Disasterand high-voltage steampunk duo Frenchy & the Punk at Coney Island Baby 

1/12, 8:30 PM theatrical newgrass/Americana band the  Lobbyists at the big room at the Rockwood, $10 

1/12, 10:30 PM hilarious, smartly political faux-French retro 60s psych-pop band les Sans Culottes followed by a mysterious guy named Davey playing electric sitar at Freddy’s

1/13, 3 PM violinist Juliet Kurtzman and Libertrio play a program TBA at the 92nd ST. Y, free

1/13, 3 PM the North/South Chamber Orchestra plays works by Christopther James, Max Lifchitz, Alexandro Rodriguez and John Winsor. Violinist Claudia Schaer and guitarist Hermann Hudde are the soloists, free, at Christ & St. Stephen’s Church, 122 W. 69th St

1/13, 3 PM indie classical ensemble Sandbox Percussion play a program TBA at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, Park Slope, any train to Grand Army Plz, sugg don

1/13, 4 PM ten-piece early music ensemble the Academy of Sacred Drama perform the modern premiere of Giovanni Antonio Gianettini’s 17th century cautionary oratorio/parable, La creatione de’ magistrati at Corpus Christi Church, 529 W 121St St $10 tix avail  

1/13. 5 PM pianists Joseph Kissner and Evelyne Luest play music of Brahms, Schumann and Chopin at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

1/13, 7 PM Bombay Rickey’s Drew Fleming does his honkytonk Telecaster twang thing with Brain Cloud’s Skip Krevens on pedal steel and Super Hi-Fi’s Ezra Gale on bass followed at 9:30  by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

1/13, 7 PM smart, darkly pensive third-stream jazz pianist Noa Fort at the small room at the Rockwood. Intense female-fronted psychedelic groove/funk band Imunuri are next door at the big room, same time

1/13, 7 PM haunting Middle Eastern guitarist Ayman Fanous at Scholes St. Studio

1/13, 7:30 PM Igor Butman & the Moscow Jazz Orchestra play their tectonic, epic repertoire at Dizzy’s Club, $35

1/13, 8 PM solo sets by renowned tuba player Dan Peck, singer Chiquita Magic, guitar loopmusic composer Wendy Eisenberg, bassist Sean Ali and intense improvisational cellist Leila Bordreuil at Brooklyn Conservatory of Music, $15

1/13, 9:30 PM noir guitar legend Jim Campilongo leads his trio at 55 Bar

1/14, 7 PM tuneful postbop pianist Jim Ridl leads his group from behind the Rhodes at 55 Bar

1/14, 7 PM “a double bill of two genre-defying drummers performing their newest work. Shayna Dunkelman performs a rare solo set weaving electronic sounds with acoustic percussion. Still searching for a word to describe a live performance with acoustic percussion and electronics that isn’t like watching karaoke. It’s dope, so shut up and call/text/@ if you think of the word. Lia Braswell brings her new project, Mimi Was with Jared Samuel; a combination of improvised as well as composition: ethereal landscapes, intertwining soft grooves between a variety of dynamic and pedal-infused instrumentals to compliment the melodic power of theatrical lyricism, busting ass with class (and vice versa) at Arete Gallery, $15

1/14, 9 PM energetic delta blues/Romany swing guitarist Felix Slim at LIC Bar

1/14, 9:30 PM Cumbiagra – who’ve been going in a much more psychedelic, electric cumbia direction lately-  at Barbes

1/15, 7 PM bassist Max Johnson’s Heroes Trio with Jason Rigby on saxophone, Jeff Davis on drums playing  “compositions by the great bassists and heroes, past and present, such as Jimmy Garrison, Henry Grimes, Charlie Haden, Mark Dresser, Slam Stewart and many more” at Barbes followed at 9 by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Barbes

1/15, 7:30/9:30 PM the haunting, smokily atmospheric Michael Leonhart Orchestra with Chris Potter on tenor sax at the Jazz Standard, $30

1/15, 7:30 PM edgy, shapeshifting, charismatic Korean art-rock/chamber folk/acoustic psychedelic band Black String jam with Ned Rothenberg (woodwinds), Jonathan Goldberger (electric guitar), Satoshi Takeishi (percussion) and more special guests at National Sawdust, $25 adv tix avail. Black String are also at the Lincoln Center atrium on 1/17, same time for free.

1/15, 8 PM slinky, oud-fueled Middle Eastern/Nile Delta dance orchestra Alsarah & the Nubatones  at the Old American Can Factory, 232 3rd St., Gowanus, $18, rsvp reqd, this is an intimate space and likely to sell out, early arrival advised

1/15, 8:30 PM perennially tuneful, lyrical piano improviser/composer Kris Davis leads a series of ensembles at the Stone at the New School, $20. Choice pick: 1/16 with the bes rhythm section she’s ever had, Jeff ‘Tain’ Watts and John Hébert, wow

1/15-19, 8:30/11 PM Jamaican jazz piano icon Monty Alexander at Birdland, $30 seats avail

1/15-20, 8:30 PM perennially vital latin jazz piano sage Eddie Palmieri at the Blue Note, $30 standing room avail

1/15, 9 PM elegant oldtimey/frontporch folk/jazz songwriter Shannon Pelcher at Bar Chord

1/15, 9:30 PM the charismatic Fran Pado – of dark art-rockers Goddess – and Hannah Bleier star in Prism and Dewdrop’s Cult Sing-A-Long: “Hell takes many forms. In this hilarious, painful battle between haggard cult devotees, you’ll sing along with Prism and Dewdrop, two middle aged 70’s burnouts with ravished faces and frail selves. They grapple for the love, or at least sexual attention, of their long dead cult leader whose rotting corpse graces the stage. And they, frozen at 14 yrs., recreate, again and again, their yearning for adult male approval. Much Ado About Nothing meets Stage Door in this bio-feminist roller coaster of laughter and tears,” at Dixon Place, $13 adv tix rec

1/15, 10 PM psychedelic funk/Afrobeat jammers the People’s Champs at Baby’s All Right, $10

1/15,  10:30 PM brilliant drummer/percussionist Willie Martinez & La Familia Sextet play classic salsa grooves at the Nuyorican Poets Cafe, $10

1/16 and 1/22, 7:30 PM, also on 1/19 at 8 the NY Philharmonic with soloist Yefim Bronfman play Beethoven’s Piano Concerto No. 2 and Rachmaninoff’s Symphony No. 2 at Avery Fisher Hall, $31

1/16. 8 PM pianist Simone Leitao plays Rachmaninoff’s Piano Sonata No. 2 in B-flat Minor plus works by Villa-Lobos and Bach at Weill Hall at Carnegie Hall, $30

1/16, 9 PM cinematic rock band Fuck You Tammy play amazingly spot-on recreations of themes and songs from Twin Peaks and David Lynch films at LIC Bar

1/16, 9 PM world-weary noir pop songwriter Mara Connor at Baby’s All Right, free

1/17, 7:30/9:30 PM an all-star 18-piece big band plays new jazz compositions by Angela Morris, the Wing Walker Orchestra’s Drew Williams and the cinematic Heyseon Hong at the Jazz Galley, $15

1/17, 7:30 PM pianist Per Tengstrand plays works by Debussy, Ravel & Chopin. at Scandinavia House, $25

1/17, 7:30/9:30 PM tuneful, purposeful guitar/piano duos by Nate Radley & Gary Versace at Mezzrow, $20

1/17, 7:30 PM edgy, shapeshifting, charismatic Korean art-rock/chamber folk/acoustic psychedelic band Black String at the Lincoln Center Atrium, free, early arrival advised

1/17, 8 PM centuries-old, mystical Jewish spiritual counting songs performed by Psoy Korolenko (vocals), Zisl Slepovich (clarinet, flute, piano, vocals) & Ilya Shneyveys (accordion, guitar, vocals) at Barbes

1/17, 8 PM ferociously dynamic, tuneful, female-fronted power trio Castle Black at Gold Sounds, $10

1/17, 8 PM dark cabaret legend  Sanda Weigl sings her new interpretations of obscure 13th century revolutionary poet Walther von der Vogelweide at Joe’s Pub, $18

1/17, 8:30 PM Indian-inspired cellist George Crotty plays the album release show for his new one at the Jalopy, $15

1/17. 9 PM thunderous, titanic Rhode Island Balkan street band What Cheer Brigade, hard-hitting, brass-fueled newschool latin soul/boogaloo dance band Spanglish Fly  and epic, original, intense original Balkan monsters Raya Brass Band at Littlefield, $12

1/18-19, starting at 6 PM it’s Golden Fest, the nation’s most ecstatically fun festival of minor keys, chromatics, eerie close harmonies and music from the Balkans to points further east and west. Not cheap, but a delicious all-you-can-eat buffet is included. At Grand Prospect Hall, 263 Prospect Ave in south Park Slope, R train to Prospect Ave.

1/18, 7 PM improvisational organist/multi-instrumentalist Jamie Saft with bassist Brad Jones and drummer Bobby Previte plus cellist Hank Roberts with drummer Vinnie Sperrazza and pianist Jacob Sacks at the Owl

1/18, 7 PM the debut of classical ensemble Quartet121 playing works by Olga Neuwirth, Katherine Balch, Camila Agosto, James Diaz and Reiko Füting, featuring soprano Amber Evans at the Tenri Institute, $10/$5 stud

1/18, 7:30/9:30  PM drummer/hip-hop artist Kassa Overall duets with Jason Moran at the jazz Gallery, $25, get there early

1/18, 7:30 PM carnatic vocal/tabla duo Ganavya and guitarist Ty Citerman’s Bop Kabbalah playing ‘new radical liberation songs” at Arete Gallery, $15

1/18, 8 PM rustic Brazilian jungle guitar-and-accordion sounds with Regional de NY at Barbes

1/18, 9 PM  catchy, brilliantly lyrical, irrepressibly sardonic janglerock/folk-punk songwriter, New Yorker illustrator and White Hassle alum Marcellus Hall at Pete’s

1/18, 10 PM a short and very welcome return show by singer Jodie Rae Plaut’s refreshingly down-to-earth, wickedly smart, Costelloesque janglerock band Delusions of Grand Street at the Parkside

1/18, 11 PM the darkly eclectic, enigmatic Lorraine Leckie  – equally adept at Slavic and Americana noir and dark cabaret – at Sidewalk

1/19, 7 PM an avant garde summit: fearlessly relevant, genuinely riveting, populist tenor sax visionary/improviser Matana Roberts , electroacoustic film composer/performerHaley Fohr aka Circuit des Yeux  & Suzanne Langille and Daniel Carter, plus Brooklyn Raga Massive sitar mastermind Neel Murgai & Loren Connors at Issue Project Room, $25/$15 stud

1/19, 7:30 PM cleverly funny, catchy female-fronted band Talay, edgy, punk-inspired female-fronted funk band  Eliza and the Organix , creepy, psychedelic circus rock/Russian folk band Mad Meg and guitarslinger Mallory Feuer’s fiery power trio the Grasping Straws – sort of a mashup of Patti Smith and Hole’s first album – at Coney island Baby, $10

1/19, 6 PM eclectic, edgy soul/art-rock/funk/chamber-pop cellist/singer Marika Hughes  followed at 8 by trumpeter Ben Holmes’ broodingly Middle Eastern/klezmer-tinged Naked Lore trio and then at 10 by psychedelic salsa bandleader Zemog El Gallo Bueno at Barbes

1/19, 8 PM Americana songstress Erin Durant and Philly Goat and ferociously lyrical, Macbeth-inspired art-rock/psychedelic songwriter Rose Thomas Bannister and her killer band at the Jalopy, $10

1/19, 8 PM in the round: fearlessly political, picturesque retro folk/blues songwriter Joshua Garcia, 60s folk vet Tom Smith and Gary Allard at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away.”  

1/19, 8 PM kinetic jazz vibraphonista Yuhan Su leads her quintet  at the Cell Theatre, $15

1/19, 9:30 PM ominous Laurel Canyon-style psych-folk band the Flowered Gnomes – a Volebeats spinoff – at Pine Box Rock Shop 

1/19, midnight baritone crooner Sean Kershaw‘s Serpentones play “hi octane Brooklyn honkytonk”at at Sidewalk

1/20, 3 PM a dynamic, haunting, sometimes explosive afternoon of Hungarian music with Vadalma and Fényes Banda at Hungarian House, 213 W 82nd St., $15  

1/20, 6:30  PM a post Golden Fest Balkan blowout at the Jalopy with the Balkan-American stars of decades to come, Cocek Nation followed at 7 by dynamic, subtle all-female klezmer band Tsibele, at 8  by the Romany-flavoed Sarma Brass Band and at 8 by the ferocious Novi Hitovi Brass Band, $10, “nobody turned away,” proceeds to benefit Balkan music education

1/20, 6 PM fearlessly relevant, genuinely riveting, populist sax visionary/improviser Matana Roberts duets on alto with Darius Jones followed at 7 by RaaDie with Lorenz Raab on trumpet and Christof Dienz on zither at Downtown Music Gallery

 1/20 ,7 PM darkly torchy southwestern gothic/Europolitan songwriter/guitarist Miwa Gemini at the third stage at the Rockwood, $10

1/20, 9 PM  the Dapper Brass (“brass with class), at 10 Dingonek Street Band (second line, Afrobeat, Ethio-jazz) and at 11 the irrepressible Ellia Bisker’s explosive Balkan/New Orleans flavored Funkrust Brass Band  at Pine Box Rock Shop

1/20, 9 PM violinist Damian Dudu leads a nine-piece band playing classic and new rembetiko sounds at Drom, $15 standing room avail

1/21, 7:30 PM jazz trumpeter Bria Skonberg and her swing band, edgy, eclectic pan-Mediterranean art-rock/latin/chanson ensemble Banda Magda  and hip-hop/math-metal band R.O.T.I. at National Sawdust, pay what you can, all proceeds to Planned Parenthood in celebration of the 46th anniversary of Roe v. Wade 

1/21, 9:30 PM ex-Chicha Libre keyboard sorcerer Josh Camp’s wryly psychedelic cumbia/tropicalia/dub band Locobeach at Barbes

1/22-27, 7:3-0/9:30 PM this era’s arguably best jazz pianist, Vijay Iyer at the Jazz Standard, $30. 1/22-23 he lead his trio, 1/24-26 with his sextet

1/22, 8 PM ex-Dylan lead guitarist Larry Campbell with singer Teresa Williams at City Winery, $25 standing room avail

1/22, 8 PM hard-charging oldschool soul/funk/rock singer Bette Smith and band at the Mercury, $10

1/22, 8:30 PM haunting Middle Eastern jazz violinist Layale Chaker and group play the album release show for their new one at the Stone at the New School,  $20. Very highly recommended.  

1/22, 9 PM brooding cello slowcore songs with Meaner Pencil at Freddy’s

1/22, 10 PM rising star trumpeter Adam O’Farrill‘s Stranger Days Quartet at 55 Bar

1/23-26, 7/9 PM ferociously smart postbop trumpeter Ingrid Jensen leads her quintet at Birdland, $30 seats avail

1/23, 7 PM Jane Lecroy’s edgy, intensely lyrical electro-punk band Ohmslice at Dixon Place, free

1/23, 7:15 PM classic rural Macedonian sounds with reedman Vedran Boshkovski and ensemble at Balkan Cafe, 455 W. 56th St, $15

1/23-26, 8:30 PM hauntingly atmospheric pan-Asian chanteuse/composer and multi-instrumentalist Jen Shyu leads a series of ensembles at the Stone at the New Scnool, $20. Choice pick:1/24 with drum sampler Ikue Mori and wicked violist Mat Maneri

1/24, 7 PM the epically haunting Moscow-based East/West Trio – Marina Omelchenko, organ ; Oganes Kazarian, duduk; Tehmine Zaryan, soprano performing works by Bach, Ekmalyan, Komitas, Mozart, Pachelbel and Shirakazi at St. Patrick’s Cathedral, free

1/24, 7 PM perennially sharp;, wickedly tuneful, jangly Americana band Mary Lee’s Corvette revisit their classic live performance of Dylan’s Blood on the Tracks album in its entirety at Joe’s Pub, $18

1/24, 7:30 PM, repeating 1/25-26 at 8 Jaap van Zweden conducts the NY Philharmonic in Julia Wolfe’s new immersive visual and musical event — featuring lights, chamber choir, video, and projection — weighing the legacy of the Triangle Shirtwaist Factory fire, at Avery Fisher Hall, $31

1/24, 7:30 PM Son Sublime play oldschool Afro-Cuban charanga jams at the Lincoln Center Atrium, free, early arrival advised

1/24, 7:30 PM poet Paul Muldoon hosts a colorful roundttable with fellow poet Jorie Graham, novelist Colm Tóibín and visionary violinist/social critic Laurie Anderson discussing how to keep the arts alive amid corporate fascism, social media saturation and other grim current events at National Sawdust, $30 adv tix rec

1/24, 6 PM haunting, nuanced clarinetist Vasko Dukovski leads an ensemble playing his own clever, subtly sardonic Romany and jazz-flavored works at Gallery MC

1/24, 8 PM edgy lefty lead guitarist Damian Quinones and his psychedelic latin soul band at Barbes

`1/24, 8:30 PM clarinetist Aaron Novik and band explore classic Indian raga themes at the Jalopy, $15

1/24, 8:30 PM ambient guitar ensemble Fyrn – whose guitars are “bowed with metal files and metal bars, creating dense and hauntingly beautiful, decaying sonic ambient landscapes that engulf the audience as the ensemble sets up in a large circle around them,”  at Arete Gallery, $15

1/24, 8 PM conversational pianist Jeffrey Siegel plays musical miniatures by Wilhelm Stenhammar (Sweden), Jean Sibelius (Finland), Carl Nielsen (Denmark), Dag Wirén (Sweden), Christian Sinding (Norway) and Brahms at Scandinavia House, $25

1/24, 8 PM Lea Bertucci and Amirtha Kidambi sing their new duo vocal project followed by the world premiere of Mass of Dissolution, Bertucci’s new work for percussion trio Tigue (Matt Evans, Amy Garapic, and Carson Moody), “an incantation against the blind violence of military-industrial power that dominates global dynamics,” at the Kitchen, $25

1/24, 8:30 PM a wild klezmer dance party with Steven Weintraub  Ken Maltz, Lauren Brody, Aaron Alexander at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

1/24, 9:30 PM Cynthia from the B-Girls celebrates her bday with a show with Max’s era-style punks the NY Junk at Bowery, Electric, $10

1/24, 10 PM raucous Boston newgrass band Mamma’s Marmalade at Pete’s 

1/25, 6 PM oldtime resonator guitarist/songwriter Rust Dust at the American Folk Art Museum

1/25, 7:30 PM violinist Stanichka Dimitrova leads a quintet playing a haunting, literary twinbill: Beethoven – Sonata for Violin and Piano No. 9, Opus 47 (“Kreutzer”) and  Janáček – String Quartet “Kreutzer Sonata”at the Old Stone House in Park Slope, $25/$10 stud/srs

1/25, 7:30/9:30 PM left coast improv sax luminary Jessica Jones leads her quartet at the Jazz Gallery, $25

1/25, 8 PM the year’s best twinbill so far: intense Balkan chanteuse Jenny Luna‘s haunting, traditional Turkish band Dolunay  followed by the world’s creepiest crime jazz/film noir band, Big Lazy at Barbes

1/25-26, 8 PM the reliably entertaining, adventurous Chelsea Symphony  play an Aaron Dai world premiere plus Frank Martin — Ballade for Flute and Orchestra with soloist Kim Lewis; Bach — Violin Concerto in D minor, BWV 1052R;  Sibelius — Symphony No. 2 in D Major, op. 43. The 1/26 show switches out the Martin for Nielsen’s Clarinet Concerto, at St. Paul’s Church, 315 W 22nd St., $20 sugg don

1/25, 8 PM meticulous, unbelievably tight, hypnotic tabla-and-harmonium ensemble Talavya at Flushing Town Hall, $16/$10 stud/srs, under 19 free w/id

1/25, 8 PM the 11-person Tri-Centric Vocal Ensemble perform lush, microtonal Anthony Braxton works from their new album of his Syntactical Ghost Trance Music at Roulette, $18 adv tix rec

1/25, 8 PM pianist Mary Prescott plays solo improvisations at Arete Gallery, $15

1/25, 8 PM the NJ Symphony Orchestra with soloist Daniel Trifonov play Schumann’s Piano Concerto  No. 1, Scriabin’s Poem of Ecstasy and Strauss’ Also Sprach Zarathustra at NJPAC in Newark, $20 tix avail

125. 8 PM the American Symphony Orchestra play works of Robert Mann, Jacob Druckman, Vivian Fine and William Schuman at Stern Auditorium at Carnegie Hall, $25 tix avail

1/25, 8 PM lustrously tuneful percussionist James Shipp with guitarist Taylor Ashton and elegant folk noir songwriter Jean Rohe at the Owl

1/25, 8 PM ex-October Project bandleader and art-rock chanteuse Mary Fahl at City Vineyard, $25

1/25, 8:30 PM a wild improvising duoL Angelica Sanchez, piano; Eva Novoa, keyboard & Chinese gongs at I-Beam, $15

1/25, 9 PM Stefan Jackiw, violin & Conrad Tao, piano play works by Stravinsky, Lutoslawski, Saariaho and Brahms at the 92nd St. Y, $25

1/25, 11 PM purist CBs style female-fronted punks the Carvels NYC followed by punk/rockabilly band the Screaming Rebel Angels at the Mercury, $12

1/26, 2:30 PM pianist Beth Levin performs works of Wang Jie, Vladimir N. Drozdoff,Beethoven and Handel at the NY Public Library for the Performing Arts, free

1/26, 4 PM “music, performances, and readings inspired by Wu-Tang Clan’s 1993 song “C.R.E.A.M” (Cash Rules Everything Around Me) with a lineup led by Sable Elyse Smith, including Jibade-Khalil Huffman and Simone White, Devin Kenny, and Bonita Oliver, as well as poetry readings by A. H. Jerriod Avant and Smith herself. “Works that dismantle and reimagine “C.R.E.A.M.” as a song and as a larger cultural moment. The contributors interrogate mass incarceration and shed light on the interrelationship between the prison-industrial complex and high finance, violence, intimacy, and trauma, to pursue what exists beyond those broken narratives,” free w/rsvp 

1/26, 4/5:30 PM oldschool Colombian cumbia jammes La Cumbiamba Eneye at Flushing Town Hall, $14,$8 kids

1/26, 6 PM eclectic, edgy soul/art-rock/funk/chamber-pop cellist/singer Marika Hughes followed at 8 by the Dirty Waltz Band- a seven-piece group playing more than a dozen instruments in 3/4 time from Balkan, Irish, jazz, blues and American folk traditions – and then at 10 by the haphazardly funny Eastern Blokhedz  – who do psychedelic covers of 60s Russian psychedelic pop songs and specialize in the catalog of legendary Polish singer Edita Piaha –at Barbes

1/26, 6 PM Moldovan flutist András Hodorog and his wild Slavic band band at Hungarian House, 321 E 80th St, $15

1/26, 8 PM the Orlando Consort, Joined by bass Robert Macdonald,sing works by Josquin des Prez, Clemens non Papa, Nicolas Gombert and others, concluding with Lamentations by English Tudor composer Robert White at the Church of St. Mary the Virgin, 145 W 46th St,  $30 tix avail

1/26, 10:30 PM long-running, high-energy, sardonic Irish folk-punk band Box of Crayons at Freddy’s

1/27, 4 PM the Orchestra Now play Stravinsky’s “The Firebird,” and Ravel’s arrangement of Mussorgsky’s classic, creepy “Pictures at an Exhibition,” at Symphony Space, free

1/27, 4 PM piano duo Stephanie & Saar play Stravinsky’s two-piano arrangement of The Rite of Spring, Beethoven’s transcription of his Grosse Fugue and Schubert’s tragic Fantasie in F Minor,  at the Poisson Rouge, $15 adv tix avail

1/27, 4 PM German recorder quintet Han Tol & Boreas Quartett Bremen play medieval tunes by Tye, Holborne, Dowland, Vivaldi, Boismortier and others at Corpus Christi Church, 529 W 121St St $10 tix avail

1/27, 6 PM  Matteo Liberatore, Jon Irabagon and Tom Rainey – guitar/sax/drums sparring, followed by trumpeter Emily Denison and bassist Andrew Furlong at Downtown Music Gallery

1/27, 7 PM brilliant steel guitarist Mike Neer’s Steelonious – who do Monk covers in the same vein as Buddy Emmons –   followed at 9:30  by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

1/27, 7 PM Wavefield Ensemble premiere works by Matthew Ricketts, Rebecca Saunders, Katherine Balch’s Una Corda, plus works by Iannis Xenakis  at National Sawdust, $25 adv tix rec 

1/27, 8:30 PM eclectic, tuneful accordionist/songwriter Ali Dineen at Pete’s

1/28, 7:30/9:30 PM powerhouse reedwoman Anna Webber plays flute and sax leading a sextet with Matt Mitchell on piano at the Jazz Gallery, $15

1/28, 9ish Siobhán Igoe: -County Roscommon-born concertina player – at Landmark Tavern, 11th Ave/46th St

1/28, 10ish singer Carolina Oliveros’ mighty 13-piece Afro-Colombian trance/dance choir Bulla en el Barrio at Barbes

1/29, drinks at 5:30 PM, show at 6, indie classical chamber group Either/Or play works by their leader Richard Carrick at the Miller Theatre, free

1/29, 6:30 PM “In her new film Pellea[s], Josephine Meckseper adapts Maurice Maeterlinck’s otherworldly play Pelléas et Mélisande for our current sociopolitical landscape, weaving together fictional scenarios and dramatic footage captured from the last Presidential inauguration, as well as from the landmark women’s march that followed. Conflating contemporary political realities with a timeless love story, the city of Washington D.C. and its architecture become a context and site of departure, giving voice to debates around notions of gender found in the original play. Underscoring the film is Arnold Schoenberg’s modernist version of Pelléas et Mélisande,” at the Kitchen, free

1/29, 7 PM pianist Katie Reimer’s reliably adventurous Mimesis Ensemble play  works by Alexandra du Bois, Villa-Lobos and Dina Shilleh with sopranos Lubana Al Quntar and Jasmine Muhammad at Weill Hall at Carnegie Hall, $25

1/29, 8 PM New Andalucia play Middle Eastern tunes at Sisters Brooklyn, 900 Washington St., C to Clnton/Washington

 1/29-2/2, 8:30 PM perennially interesting piano/percussion ensemble Yarn/Wire lead a series of ensembles at the Stone at the New Scnool, $20. Choice pick: 1/31 with bassoonist Katherine Young

1/29, 8 PM two “lead bass” players duke it out: Matt Pavolka and Masa Kamaguchi at I-Beam, $15

1/29, 9 PM sharply lyrical janglerock/Americana/soul songwriter Matt Keating and guitarist Steve Mayone’s catchy new project the Bastards of Fine Arts at 11th St. Bar

1/29, 9 PM intense, charismatic oldschool soul belter Sami Stevens at the small room at the Rockwood

1/30, 7:30 PM unstoppably edgy, deservedly iconic, fearlessly political downtown guitarist Marc Ribot plays his enigmatic, witty acoustic score to Charlie Chaplin’s The Kid at the World Financial Center, free

1/30, 7:30/9:30 PM whirlwind B3 jazz organist Pat Bianchi leads a killer quartet with Joe Locke on vibes at the Jazz Standard, $30

 1/30-31, 7:30 PM, repeating 2/1-2 at 8 the NY Philharmonic play Mozart’s Symphony No, 1 and Jupiter Symphony; Emmanuel Ax joins them on piano for Stravinskiy’s Capriccio for Piano and Orchestra and Haydn’s Piano Concerto No. 11 at Avery Fisher Hall, $34

1/30, 8 PM haunting, cinematic lapsteel genius Myk Freedman leads his band at Barbes

1/30, 8 PM bassist Nick Dunston leads his highly improvisational quintet, Atlantic Extraction, with Louna Dekker-Vargas on flutes, Ledah Finck on violin, Tal Yahalom on guitar, and Stephen Boegehold on drums at Roulette, $18 adv tix rec

1/30, 8 PM ish brilliant noir swing/Romany jazz/latin soul composer and guitarist Jack Martin at Troost

1/30, 9 PM powerhouse soul singers Meah Pace, Shelly Bhushan, Nicole Zuraitis, Carol Thomas and special guests salute Aretha Franklin at LIC Bar

1/31, 7 PM Burnt Sugar celebrate 20 years of lush Braxton-ish largescale improvisation, hard funk, James Brown and Bowie covers and more at the Brooklyn Museum, $16

1/31, 7 PM violinist Anne Akiko Meyers, pianist Inon Barnatan, chamber ensemble the Knights, classical saxophonist Jess Gillam and pianist Wei Luo play a program TBA at the Greene Space, $20

1/31, 7 PM some of the most killer improvisers in town, probably in reverse order: guitarist Ava Mendoza, microtonal violinist Sarah Bernstein, bassist Adam Lane, Vijay Anderson, saxophonist Ingrid Laubrock and Brandon Lopez at Holo, $15

1/31, 7:30 PM a screening of F.W. Murnau’s Nosferatu with electronic score by Irene and Linda Buckley at the World Financial Center, free

1/31, 7:30 PM fearlessly relevant latin rock songwriter and protest song connoisseur Ani Cordero at the Lincoln Center Atrium, free, early arrival advised

1/31, 7:30/9:30 PM postbop/improv jazz drum maven Ches Smith leads a new two-guitar quartet with both Mary Halvorson and Liberty Ellman at the Jazz Gallery, $15

1/31, 8 PM deviously theatrical oldschool C&W/rockabilly parodists Susquehanna Industrial Tool & Die Co at Otto’s

1/31, 8:30 PM dynamic, subtle all-female klezmer band Tsibele at Town & Village Social Hall, 334 E 14th St. (between 1st & 2nd Ave.), $15

1/31 8:30 PM Indian carnatic singer Samyukta Ranganathan with her electric raga band at the Jalopy, $15

1/31, 8:30 PM Brooklyn folk-punk legend Paranoid Larry at Freddy’s

1/31, 10 PM drummer Arthur Vint & Associates reinvent classic Morricone spaghetti western soundtracks at Barbes

1/31, 10 PM legendary punk-soul bandleader Jon Spencer at Rough Trade, $20 gen adm

1/31. 10;30 bouncy live hip-hop groove band the Hypnotic Brass Ensemble at the Blue Note, $20 standing room avail

 1/31, 10:30 PM noisy, careening, paint-peeling duo Wolf Eyes at Brooklyn Bazaar $17

2/1, 5:30 PM soul/gospel belter (and Lenny Molotov collaborator) Queen Esther at the American Folk Art Museum 

2/1, 7 PM indie classical ensemble SoundArt NYC play a rare program of Costa Rican composers including Valeria Brenes, Carlos Jose Castro Mora and Susan Campos-Fonseca at the Americas Society, free

2/1-2, 7:30 PM eclectic, paradigm-shifting, irrepressibly fun B3 jazz organist Brian Charette leads his trio at Smalls

2/1, 7:30 PM Alloy Orchestra play their live score to Josef von Sternberg’s silent gangster film Underworld at the World Financial Center, free

2/1, 8 PM a rare Queens appearance by Vince Giordano & the Nighthawks – the Boardwalk Empire house band – at Flushing Town Hall, $25/$20 stud

2/1-2, 8 PM the NY Philharmonic play Mozart’s first and 41st (Jupiter) Symphonies plus works by Haydn and Stravinsky at Avery Fisher Hall, $34

2/1, 8 PM Fresh Squeezed Opera presents world premieres of works by Whitney George, Gabi Herbst, & Gemma Peacocke for voice & electronics at Roulette, $18

2/1-3, 8/10:30 PM bouncy live hip-hop groove band the Hypnotic Brass Ensemble at the Blue Note, $20 standing room avail

2/1, 9:30 PM chamber tango night with poignant, eclectic, lyrical jazz bassist/composer Pedro Giraudo’s Tango Quartet and similarly adventurous pan-latin singer Sofia Tosello at joe’s Pub, $20

2/1, 9:30 PM Cumbiagra – who’ve been going in a much more psychedelic direction lately – at Barbes. They’re also here on 2/11 at 9:30ish

2/1, 10 PM Atlas & the All World Band play fiery, socially aware roots reggae at Shrine 

2/2, 3 PM the Brooklyn Conservatory Chorale plus 14-piece chamber orchestra, sopranos Tami Petty, Soprano & Kate Maroney perform works by Lauridsen, Yardley, and Gjeilo, and Vivaldi’s Gloria at Lafayette Avenue Presbyterian Church, 85 S. Oxford St., Ft. Greene, $20/$15 stud/srs

2/2, 4 PM cinematic, psychedelic quirk-pop keyboardist Michael Hearst presents “Curious, Unusual and Extraordinary” songs from his many bands followed eventually at 6 by low register reedman Josh Sinton’s Phantasos playing Morphine covers,  followed at 8 by pianist Lucian Ban and violist Mat Maneri playimg their creepy Transylvanian jazz at Barbes

2/2, 5 PM pensive, Middle Eastern-tinged guitarist Jonathan Goldberger and band followed at 6 by atmospheric, cinematic drummer/composer Tim Kuhl and his group at Pete’s

2/2, 6 PM postbop sax legend Oliver Lake and ensemble at Bethany Baptist Church, 275 W Market St, Newark, free

2/2, 7:30 PM the NJ Symphony Orchestra play a Chinese New Year celebration at NJPAC in Newark with Beethoven’s Festival Overture, works by Tan Dun and Li Huanzhi and others, $20 tix avail 

2/2, 8 PM left coast postbop pianist Richard Sears with his trio followed by torchy singer Jennifer Charles’ and guitar mastermind Oren Bloedow’s haunting, fearlessly political art-rock/noir band Elysian Fields on their home turf at the Owl, $10

2/2, 8 PM Wet Ink Ensemble play pianist Eric Wubbels’ new microtonal trio at the DiMenna Center, $10

2/2, 8 PM spirited Irish/Scottish folk singer Pamela Jean Agaloos followed by sea chantey duo Twa Corbies at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away”

2/2, 9 PM ubiquitous, moodily lyrical, politically savvy Irish folk-rocker Niall Connolly at the small room at the Rockwood

2/2, 10 PM the Last Internationale – sort of the Patti Smith Group of latin rock – play the album release show for their new one at Rough Trade, $10 adv tix rec

2/2. 10 PM Epic Order play roots reggae at Silvana 

2/3, 3 PM Orpheus Chamber Orchestra concertmaster Eriko Sato leads a piano quartet playing works by Saiint-Saens, Dvorak, Charles Villiers Stanford and Ellen Taaffe Zwilich at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, sugg don

2/3, 6 PM irrepressible tuba player Jesse Dulman leads his punk dixieland quartet with Ras Moshe, Dave Sewelson and Leionid Laganov followed by the acerbically atmospheric Beyond Group at Downtown Music Gallery

2/3, 7 PM tuneful, state-of-the-art postbop jazz guitarist Will Bernard and band play Strayhorn followed at 9:30  by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

2/3, 9:30 PM tunefully adventurous tenor saxophonist Seamus Blake leads a rare chordless trio at 55 Bar

2/3, 9:30 PM guitarist Ilusha Tsinadze does his pensive, rustic Georgian folk thing at Joe’s Pub, $15 adv tix rec

2/4, 9:30ish Los Mochuelos plays classic Colombian vallenato music at Barbes

2/5, 7 PM purist pop tunesmithing: powerpop titan George Usher and the hilarious, politically fearless Amy Rigby at the Mercury, $12 adv tix rec

2/5, 7 PM Free Range Rat with Slavic Soul Party‘s John Carlson 0- trumpet, pocket trumpet & flugelhorn; Eric Hipp – tenor saxophone – Shawn McGloin – bass and George Schuller – drums, followed at 9 by SSP doing their amazing Balkan brass/hip-hop mashups at Barbes

2/5, 8/9:30 PM the glimmering, noir-inspired Tom Beckham on vibes with guitarist Rale Micic & bassist Peter Slavov at Mezzrrow, $20

2/5, 8 PM terse, enigmatic avant garde singer/percussionist Anais Maviel  presents: “Who is this ritual for and from? at Roulette, $18

2/5, 8:30 PM haunting flamenco/Sicilian folk chanteuse Julia Patinella.at the downstairs room at the Rockwood, $12

2/5-10, 8:30/10:30 PM reliably tuneful postbop piano vet George Cables leads a trio at the Vanguard, $35

 2/6-9, 7/10 PM luminous, soulful pan-Latin jazz chanteuse Claudia Acuña  plays the album release stand for her new one at Birdland, $20 at the bar

2/6, 8 PM pyrotechnic clarinetist Ismail Lumanovski’s ferociously kinetic NY Gypsy All-Stars  at Drom, $10 adv tix rec

2/6, 9:30 PM high lonesome Orbisonesque acoustic Americana with Bobby Blue the Balladeer at the Jalopy. 2/16 at 11 they’re at Better Days, 302 Broome St; 2/22 at 10 they’re at Diviera Drive, 131 Berry St in Wiliamsburg

2/6, 9 PM sweeping, swinging vibraphonist Behn Gillece and group at the Fat Cat 

 2/6, 10 PM guitarslinger Mallory Feuer’s fiery power trio the Grasping Straws – sort of a mashup of Patti Smith and Hole’s first album – at the Mercury, $10

2/7, 7 PM solo sets from women composer/performers Lea Bertucci, Carla Canales, Margaret Davis, Liz Faure, Sarah Goldfeather, Anna Meadors,  Emily Wells, and Molly Joyce at 1 Rivington St. (cor Bowery), upstairs, $15/$10 stud https://metropolisensemble.org/

2/7, 7 PM poignant, nuanced jazz singer Amy Cervini leads her septet at 55 Bar

2/7-8, 7 PM “Spanish guitarist and composer Oscar Peñas and his Jazz Quartet combined with the Mivos Quartet to create a classical-jazz suite inspired by the 3,000-year-old Andalusian fishing tradition known as the almadraba” at Aaron Davis Hall, $20/$10 stud/srs

2/7, 7 PM Conduit: Zach Manzi (bass clarinet) and Evan Saddler (percussion) at Arete Gallery, $15

 2/7, 7:30 PM the Navarra String Quartet play Pēteris Vasks: String Quartet No. 4;  Ravel: String Quartet in F major at the Lincoln Center Atrium, free, early arrival advised

 2/7, 7:30 PM pianist Mackenzie Melemed plays a program tba at Greenwich House Music School, free

2/7-9 and 2/13-16, 8 PM Robert Ashley’s opera Improvement (Don Leaves Linda): “follows the adventures of its protagonist Linda, whose travels and romances can be read as attempts at assimilation and cultural cross-pollination, with varying degrees of success and rejection. The metaphor stretches in time from 1492—the beginning of a European consciousness of America and the expulsion of the Sephardic Jews from Spain—to the late 1940s on the West Coast (representing the future of the USA). Densely layered streams of text, lush live vocals, and a minutely structured electronic orchestra combine to present Ashley’s portrait of the American psyche” at the Kitchen, $25

2/7, 8 PM New York’s most charismatic, darkly compelling lyrical songwriter/storyteller/keyboard genius Rachelle Garniez followed at 10 by Balkan chanteuse Jenny Luna‘s haunting, traditional Turkish bandDolunay 

2/7, 8 PM Wormburner – who were once Hoboken’s answer to the Jam – at 11th St Bar at 11th St. Bar

2/7. 8:30 PM brilliantly lyrical trumpeter Ben Holmes’ Naked Lore with Kyle Sanna and Shane Shahanan at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

 2/7, 10 PM the great unsung NYC hero of darkly purposeful, noir-tinged jazz guitar, Saul Rubin leads his Zebtet at the Fat Cat. He’s also here on 2/12 at 7

 2/8. 7 PM left coast improv sax luminary Jessica Jones leads her quartet followed by Tony Jones’ Pitch, Rhythm and Consciousness string jazz Quartet at Shapeshifter Lab, $15

 2/8, 8 PM a composer portrait of enigmatic, trippy electroacoustic vocal composer Erin Gee at Roulette, $18 

2/8, 6 PM the opening for visual artist Rosaire Appel’s musically-themed exhibit Untitled Scores with solo piano by klezmer-jazz piano icon Anthony Coleman at 7:30

2/8, 6:30 PM folk noir crooner Greg Connors at the American Folk Art Museum 

 2/8, 7:30 PM the Parhelion Trio followed by guitarist Liz Faure’s pensive SugarCave trio with piano and vocals at Arete Gallery $15 

 2/8, 8 PM epically trippy Laotian psychedelia with an electric phin as the lead instrument with the Drunken Foreigner Band at Secret Project Robot

2/8, 8 PM the New Amsterdam Symphony Orchestra play William Levi Dawson’s 1934  Negro Folk Symphony; soloist Haerim Elizabeth Lee performs the Sibelius Violin Concerto at Symphony Space, $25/$18 stud/srs

2/8. 8 PM cinematic noir soul instrumentalists the Ghost Funk Orchestra followed by fourth-gen post-Velvets stompers Ghost King at Trans-Pecos, $10 

2/8, 8 PM busker legends the Xylopholks in their furry suits followed by horn band Quatre Vingt Neuf (French for 89, a revolutionary date in case you missed it) playing Little Rascals theme music at Barbes

2/8 8 PM the Dead Jetsetters – who do a decent late 60s MC5 impersonation – at Arlene’s, $10 

2/8, 9 PM NYC’s answer to Stevie Ray Vaughan, Hugh Pool l at Bar Chord

2/8, 10 PM popular Americana highway rockers Mandolin Orange at the Music Hall of Williamsburg, $25 adv tix avail

2/8-9, 10:30 PM vibraphonist Felipe Fournier‘s wild Tito Puente and Dave Brubeck cover band, Supermambo at Terraza 7, $15

2/8 10:30 PM popular,purist postbop guitarist Mark Whitfield at the Fat Cat

2/8. 10:30 PM semi-legendary underground Brooklyn jazz multi-instrumentalist D. Treut at Pine Box Rock Shop

2/9, noon and 2 PM Chinese traditional musicians Wu Na and Chang Jing elicit the sounds of nature—mountains, water, wind, and moon—from traditional Chinese zithers. in Galleries 963–965 on the court level at the Metropolitan Museum of Art, free w/museum adm

2/9, 4 PM the Erik Satie Quartet – Ron Hay (trombone), Max Seigel (bass trombone), Ben Holmes (trumpet), and Andrew Hadro (bari sax) –reinvent classic and obscure Satie chamber pieces as well as rare compositions by his obscure contemporaries, followed at  6 by low register reedman Josh Sinton’s Phantasos playing Morphine covers, at 8 by intense, lyrical jazz bassist/composer Pedro Giraudo leading his Tango Quartet and at at 10 by Rana Santacruz – the Mexican Shane MacGowan, but without the booze if you can imagine that – at Barbes 

 2/9, 7:30 PM sitarist Kinnar Seen with tabla player Samir Chatterjee at the Chhandayan Center For Indian Music, $20

 2/9, 8 PM populist Irish songwriter Joe Jencks and the perennially entertaining, funny, politically sot-on Rod MacDonald at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away”  

2/9, 8 PM pyrotechnic bhangra-jazz alto saxophonist Rudresh Mahanthappa‘s wickedly tuneful Indo-Pak Coalition at the Miller Theatre, $30 tix avail

2/9, 8 PM the Delorean Sisters – who do funny oldtimey acoustic covers of cheesy 80s pop songs – at the Way Station

2/9, 8 PM wild rock and classical arrangements plus improvisation: Tom Swafford, violin/composition; Zachary Swanson, bass; Leonor Falcon; Sana Nagano, violin, viola, composition  at I-Beam, $15

2/9, 8 PM the NY Repertory Orchestra with Gretchen Windt, mezzo-soprano play Vaughan Williams: English Folk Song Suite; Elgar: Sea Pictures; Moeran: Symphony in G minor at the Church of St. Mary the Virgin, 145 W 26th St., $15 sug don

2/9, 8:30ish lustrous singer and badass cello-rock bandleader Serena Jost and wildly diverse pastoral jazz/Americana violinist Skye Steele at First Unitarian Congregational Church, 119-121 Pierrepont St, Brooklyn Heights, any train to Borough Hall, $15 

2/9, 8:30 PM Serena Jost’s old band, the original creepy cello rockers, Rasputina at the Mercury, $18 adv tix rec

2/9, 8:30 PM Nashville gothic/desert rock duo the Whiskey Charmers at the downstairs room at the Rockwood, $10

 2/9, 10 PM Hollywood’s Dan Finnerty leads his savagely hilarious top 40 parody group the Dan Band at Joe’s Pub,, $25

2/9, 10 PMsizzling electric bluegrass and C&W with Demolition String Band  at Skinny Dennis

 2/10, 2 PM Alexander Zhurbin and Irena Ginzburg – Soviet musical theatre subversives from the 70s with their kid, viola virtuoso/film composer Ljova at Joe’s Pub, $20

2/10, 4 PM fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel & the Two Cent Band  at Skinny Dennis. He’s also here on 2/26 at 8

 2/10, 4 PM vocal ensemble Blue Heron perform “the Lost Music of Canterbury” at Corpus Christi Church, 529 W 121St St, $10 tix avail  

2/10. 5 PM torchy oldtimey swing crew the Buck and a Quarter Quartet at the small room at the Rockwood 

2/10, 6 PM Xander Naylor and Ryan Dugre duel on guitars followed at 7 by the abrasive Outside World with bassist Hazel Rigby, Ben Scott and Taylor Adams at Downtown Music Gallery

2/10, 7 PM singer Bethany Yarrow and cellist Rufus Cappodocia shift betwee Middle Eastern, jazz and Gregorian chant inspired material followed at 9:30  by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

 2/10, 8 PM noisy, hazily jangly, psychedelic slowcore/free jazz/avant instrumentalists Sunwatchers, at Pioneer Works, free

2/10, 9:30 PM Arpalice – the new ghoul-spaghetti western band from Twin Guns’ Andrea Sicco – at Coney Island Baby, $10 

2/11 7 PM southwestern gothic icon and Giant Sand mastermind Howe Gelb at Bowery Electric, $15

2/11, 7 PM tuneful postbop pianist Jim Ridl leads his group from behind the Rhodes at 55 Bar

 2/11-16, 9/11 PM purist swing singer Catherine Russell  leads her septet at Birdland, $30 at the bar

2/12, drinks at 5:30 PM, show at 6 the Mivos Quartet & guitarist Nadav Lev play new music by Murail, Abbasi and Klartag at the Miller Theatre, free

 2/12, 7 PM a major moment in New York music historiography: Roulette is unveiling its historic archive of nearly 4,000 concerts dating back to its first concert in 1978. Today this includes hundreds of audio and video recordings, photos, notes, programs, posters, and ephemera collected, restored, and preserved, with thousands more items to come.” Literally everyone who was anybody in the downtown scene back in the day played Roulette – and a lot still do. Free.

2/12, 7 PM eclectic, hard-hitting, lyrical composer/tenor saxophonist Stan Killian at 55 Bar

2/12, 7 PM indie classical ensemble Tenth Intervention play new music by a fantastic lineup of composers; Zosha DiCastri, Kamala Sankaram, Dorian Wallace, Bethany Younger, Gelsey Bell and others at the Americas Society, free

2/12-16, 8 MP one of the avant garde world’s go-to pianists, Vicky Chow at the Stone with a variety of ensembles, $20. Choice pick: 2/14-15 playing Philip Glass etudes

 2/12, 8 PM kinetic, eclectic, funky parlor jazz violinist Mazz Swift solo at Happy Lucky No. 1 Gallery

 2/12-17, 8:30/10:30 PM the Vanguard Jazz Orchestra play a week on their home turf, $35

 2/12. 8:30 PM soaring, epic all-female mariachi/tropicalia orchestra Mariachi Flor de Toloache at the big room at the Rockwood, $10

2/13, 7 PM Jenny Luna and Adam Good of hauntingly slinky Turkish band Dolunay in a rare duo show followed by Balkan chanteuse Vlada Tomova’s Yasna Voices choir at Drom, $15 adv tix rec

 2/13, 7:30 PM brilliant, Lynchian, darkly lyrical latin and Satie-inspired guitarist Jack Martin’s Bob Dylan Deathwatch at  at Bowery Electric, $10

2/13, 8 PM eclectic Romany and Indian-inspired jazz accordionist Will Holshouser at Barbes

2/13, 7:30 PM Stoogoid stoner sludge with the Greasy Hearts at Coney Island Baby, $10

2/13-16, 8 PM a dance and acoustic guitar spectacular with  Flamenco Vivo Carlota Santana at the Poisson Rouge, $20 adv tix avail

2/13, 10:30 PM lyrical, incisive alto saxophonist Dave Pietro leads his quintet at Smalls

 2/14, 7:30 PM Cape Verdean acoustic guitarist/balladeer Tcheka at the Lincoln Center Atrium, free, early arrival advised

2/14, 7:30 PM the Du-Rites play slinky oldschool soul and funk grooves at Symphony Space, $20 tix avail for under 30

 2/14, 8 PM plush, balmy, oldtimey uke swing band Daria Grace & the Pre-War Ponies followed at 10 by raucous all-female Colombian bullerengue trance-chanta band La Perla Bogota 

2/14, 10 PM nebulous chanteuse Adrienne Lenker of Big Thief at the Music Hall of Williamsburg, $20 gen adm

2/14. midnight rustic Colombian sounds with the Cumbia River Band at the small room at the Rockwood

2/14, 7 PM, repeating 2/16 at 8 pianist Stephen Hough returns to the NY Philharmonic  for Beethoven’s Piano Concerto No. 3; plus Nielsen’s Helios Overture and Schumann’s Symphony No. 2 at Avery Fisher Hall, $31

2/14, 8:30 PM Eleonore Biezunski plays Yiddish love songs from the Ruth Rubin collection at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

2/14, 11 PM wryly psychedelic cinematic Italophile instrumentalists Tredici Bacci play the album release show for their new one at the Mercury, $12 grn adm

2/15, 7 PM irrepressible bassist Moppa Elliott does triple duty: with Advancing on a Wild Pitch, then with the large improvisational ensemble Acceleration Due to Gravity and finally his Unspeakable Garbage, apparent heirs to the Mostly Other People Do the Killing satire-jazz throne at Shapeshifter Lab, $10

2/15, 7:30 PM Nuyorican legends the New Swing Sextet play oldschool salsa dura at the Lincoln Center Atrium, free, early arrival advised

2/15 8 PM the Red Room Orchestra play Twin Peaks soundtracks at Symphony Space,$30 tix avail

2/15, 8 PM day one of the Jalopy’s annual jug band festival with banjo player Little Nora Brown, the all-female, oldtimey Queens of Everything, crazed Steel City Jug Slammers and much more delicate Crisco Dreams, $12

2/15, 8 PM pianist Haesun Paik plays Beethoven piano concertos – the stirring First and dazzlingly powerful Third Piano Concertos, plus Samuel Adler’s Concertino at Flushing Town Hall, free w/rsvp. She’s also at Bwy Presbyterian Church, 114th/Bwy at 5 PM on 2/17  

 2/15, 9 PM eclectic, electric, guitarishly excellent C&W/blues band the Jug Addicts at Bar Chord

2/15, 9 PM newgrass crew the Lost Dog Street Band and punkgrass road warriors the Devil Makes Three at the Music Hall of Williamsburg, $27.50 adv tix avail

2/15, 9 PM the Horszowski Trio play works by Wuorinen, Schumann and Shostakovich’s Piano Trio No. 2  at the 92nd St. &, $25

 2/15, 10:30 PM Greg Lewis’ brilliant, fearlessly political Organ Monk Trio  at the Fat Cat

2/16, 7 PM psychedelically ripping hammered dulcimer power trio House of Waters  play the album release show for their new one at Joe’s Pub, $15

2/16, 7/9 PM powerful jazz belter – and Gil Scott-Heron reinventor –  Charenee Wade leads her group at Ginny’s Supper Club, $20

2/16, 7:30 PM indie classical ensemble Tigue Percussion followed by Deerhoof playing their 2007 album, Friend Opportunity at Merkin Concert Hall, $25

2/16, 8 PM charismatic, politically fearless, historically-inspired oldtime country blues duo Piedmont Bluz and bluegrass band Cole Quest & the City Pickers at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away” 

 2/16, 8:30 PM skittish new wave guitar band Dryclean, ferociously dynamic, tuneful, female-fronted power trio Castle Black and Giftshop – the missing link between Blondie and the Distillers – at Coney Island Baby, $10 

 2/16, 8 PM day rwo of the Jalopy’s annual jug band festival with the Dirdy Birdies, Staten Island’s Wahoo Skiffle Crazies, the New Found Country Homebodies and the Brotherhood of the Jug Band Blues – who do an awesome, slyly funny evocation of the Memphis Jug Band – $12

2/16, 8 PM ambient duo Metasplice and Colombian sound sculptor Lucrecia Dalt at Issue Project Room, $15/$12 stud/srs

2/16, 9 PM ageless CB’s era funk-punk/postrockers the Bush Tetras at Elsewhere, $17

2/16, 10 PM allusively haunting, minimalist folk noir singer Belle-Skinner and original swing/torchsong bandleader Gracie Terzian at City Winery, note $10 standing room tix rec – they’re selling advance tix here now

2/16, 10ish intriguingly opaque parlor postrockers Green & Glass at the Owl

2/17, 2 PM the Calidore String Quartet play works by Beethoven, Haydn, Hannah Lash and Caroline Shaw at the Town Hall, $17

2/17, 3 PM the North/South Chamber Orchestra plays works by Peter Aviss, Edna Longoria, Mikhail Johnson and Hilary Tann; violist Rita Porfiris appears as soloist, free, at Christ & St. Stephen’s Church, 122 W. 69th St

 2/17, 8 PM Chris Ferris & Dancers premiere UNQUANTIFIABLE with composer/cello monster Loren Dempster. “Experience survival and enjoyment of crowds verses solitude,” at Roulette, $18

2/17, 9:30 PM a rare small club show by haunting noir soul bandleader Karine Denike at Pete’s

2/18, 8 PM Paracosm – the new duo project by saxophonist María Grand and  brilliant Indian percussionist Rajna Swaminathan at Arete Gallery, $15

 2/19, 7:30 PM celilst Zlatomir Fung and pianist Tengku Irfan play works by Bloch, Berio, Brahms, Dallabacco and Katherine Balch at Merkin Concert Hall, $20 seats avail  

 2/19, 9 PM violinist Joshua Modney and pianist Eric Wubbels perform Anthony Braxton’s Composition No. 222 at Arete Galllery, $15

 2/19-23, 8:30 PM cellist Jeffrey Zeigler plays with a series of ensembles at the Stone, $20. Choice pick: opening night wiht Zachary Watkins (guitar) Laura Ortman (violin)

 2/19, 10:30 PM charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy‘s Tromboniverse at Smalls

3/24, 5 PM the Manhattan Chamber Players perform works by Mozart, Schumann, and Bruch at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

4/7, 5 PM the Kandinsky Trio perform a lyrical early Beethoven piano trio and then will be joined by clarinetist Jose Garcia Taborda and narrator Patricia Raun for Messiaen’s Quartet for the End of Time at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

5/26, 5 PM pianist Andrea Lam performs Bach, Schumann and Stravinsky at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

6/16, 5 PM cellist Angela Lee, with pianist Evelyne Luest play works by Beethoven, Prokofiev and Janáček at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

New York’s Most Purposeful Psychedelic Band at the Top of Their Game Last Night

If there’s any psychedelic band in New York who deserve a Saturday night gig at a good Manhattan venue, it’s the Academy Blues Project. They got one at Joe’s Pub last night, celebrating the release of their characteristically protean new album Let’s Brunch, Vol. 1 and made the most of it.

For a band who can go on as epically as these guys do, they don’t play a lot of notes: they’re the world’s least noodly jamband. Frontman/guitarist Mark Levy took a bunch of solos, from pensive jangle to ferocious volleys of purist blues to some southern-fried boogie to buffoonish bluegrass and menacing chromatics, and no matter how fast he was firing off notes, he was always going somewhere. Keyboardist Ben Easton’s expansive, punchy piano chords, marionettishly echoing Fender Rhodes riffs and swirly organ gave the music an orchestral expanse while bassist Trevor Brown and drummer Jim Bloom added subtlety and color, especially when the music got quiet.

The highlight of the night might have been a new instrumental, 1001, from the new album, a mashup of psychedelic cumbia and soul as the Meters might have done it, Levy’s sharp-fanged chromatics echoing Easton’s phantasmagorically icy keyboard intro. Another standout, which underscores how amazingly diverse this band can be, was another new song, possibly titled Christmas in the City. It came across as the great lost tune from Born to Run, right down to Easton’s spot-on, glimmering evocation of Springsteen pianist Roy Bittan. Levy subtly evoked the tension between fearlessness and conformity in an economically imperiled metropolis where no matter how much this time of year might be a reprieve from global warming-era swelter, it’s not hard to imagine being “homeless shaking hands with the unemployed.”

In the wake of that one, a practically punk take of the Kinks’ Father Christmas packed a punch. They revisited that powerpop stomp later in the set with an anthem that could have been Blondie with a male soul singer out front.

Another unselfconsciously poignant moment was The Wrong Thing, a towering oldschool soul ballad in 6/8 time capped off by a long, searing Levy solo. By contrast, Little Birdie, a surreal account of Levy encountering a peacenik feathered friend with a cautionary tale for all us humans, was more playful, even if the music masked a sinister undercurrent. Levy saved his most calmly breathtaking intensity for the bracing chromatics and whole-tone scales in the night’s most unpredictable number, constantly shifting between doublespeed and back. There was an awful lot more going on, but it would take a small book to include it all. Watch this space for upcoming shows by a this astonishingly un-self-indulgent band.

Slinky, Eclectic, Unpredictable Psychedelic Grooves from International Orange

International Orange are one of the most distinctive, unpredictable instrumental jambands out there. In a single, expansive tune, they can shift between Afrobeat, oldschool soul, psychedelic funk, gutbucket organ grooves and Bahian-flavored beats. Pretty much everybody in the band writes.Their latest album A Man and His Dog (For Gaku)  is streaming at Bandcamp. They’re playing at 11 PM on Dec 30 at Offside Tavern at 137 W 14th St,

While their music is hardly melancholy, there is a sad backstory. The group lost their bassist, Gaku Takanashi, who appears on half the tracks here: this would be his final recording. Guitarist David Phelps’ tune Keep the Blue Side Up opens it with an upbeat, catchy soukous guitar flair, then Dan Stein’s organ solo takes the music toward gutbucket organ groove before Phelps returns to with a metal attack. Meanwhile, the rhythm section – Takanashi’s bass and Todd Isler’s drums – follow a carefree tropical shuffle. 

Olinda – by Isler and Fender Rhodes player Adam Morrison – is a starry boudoir soul jam with more than a hint of roots reggae, Phelps’ slide guitar adding unexpected Hawaiian flavor as Leo Traversa’s hammer-on bass riffs weave through the mix. How I learned Not To Worry, another Phelps tune, is a syncopated oldschool soul song without words, with more of that keening slide guitar and Takanashi’s bass percolating over the organ.

The lively Strut Orange brings to mind steel guitarist Raphael McGregor’s adventures in instrumental southern rock. Freight Liner, also by Phelps, is a more tipetoeing, New Orleans-flavored strut, Phelps’ exchanges with Morrison’s organ bringing to mind vintage 60s Mulatu Astatke Ethiopian funk before the guitar goes in a shreddier direction.

Maracuja, an Isler tune, has a catchy oldschool soul melody over an animatedly shuffling maracatu groove, Phelps’ hard funk lines and detours toward metal flaring overhead. Sookie’s Rhumba, by Traversa, keeps the soul ambience simmering as Isler flits along on his rims, Phelps adding warm, Smokey Robinson-esque lines until the bass signals a shift into bubbling West African territory. 

Their take of Pat Metheny’s Sirabhorn is part twinkling Hawaiian seascape, part Carnaval them, another showcase for Phelps’ sunbaked slide work. His original The Penguin comes across as Peter Gabriel-era Genesis motoring through an oldschool soul groove with unexpected, tongue-in-cheek success: imagine a more original, focused Dopapod.

First Principle, by Stein is a dub reggae jam as organist Brian Charette might do it, with a little Beatlesque psychedelia thrown into the mix. Phelps’ solo guitar tribute to his bassist friend Gaku, A Man And His Dog closes the album on a steady, warmly reflective, pastoral note.

Purist, Potently Lyrical Janglerock, Americana, Powerpop and Soul From the Bastards of Fine Arts

For the past several months, the Bastards of Fine Arts have been working up a formidable body of catchy, anthemic, purist rock songs via a mostly-monthly residency at 11th Street Bar. The project took shape as a challenge of sorts, songwriter/multi-instrumentalist Matt Keating and his lead guitarist co-conspirator Steve Mayone hell-bent on writing a new song every week. Their project caught on with social media and went viral. Fast forward to 2018, they’ve got a full band now (Jason Mercer on bass and Greg Wieczorek on drums) and a catalog as vast as a band who’ve been around for five times as long. Which means they can mine it for the real gems.

Playing as a duo at the American Folk Art Museum in May of last year, they were at the point where they were working every style they knew (and they know a lot!). Sam Cooke ballad? Check. Lou Reed (a guy Keating is unsurpassed at imitating)? Doublecheck. Honkytonk anthem, Wallflowers janglerock, wistful Americana waltz? Triplecheck.

A year later at an early 11th Street gig, they’d pulled the band together and had built up a set that transcended its origins. They opened with their catchiest number, the gorgeously bittersweet I’ll Take the Fall, Keating both self-effacing and witheringly cynical at the same time. Another even more vindictive number traced the story of an ex that the song’s narrator spies out on a date with some dude. On the way out of the bar, she drops her coat; the dude picks it up for her. Keating’s narrator would have left it there.

Because part of the project is “what style CAN’T we do,” there are plenty of jokes to go around, some more inside than others. Switching to piano, Keating turned a Mayone ballad into a gospel tune; Mayone added some sardonic metal licks to a Keating soul number. They worked a bossa groove, Mercer spiraling all over the fretboard during a more recent number, Walk in the Park, a rare instance of a song of theirs which doesn’t seem to have a cynical undercurrent.

In a very subtle Elvis Costello vein, they vamped along on a bouncy soul-blues tune for a good three minutes, at least, without changing chords once. At the end of the set, they brought up Keating’s daughter Greta, who flashed some incisive chops on Strat as well as a similarly edgy lyricism and soaring vocals. Most children of great musicians don’t go into music for obvious reasons; Greta Keating, like Amy Allison and Jakob Dylan, is every bit as formidable as her dad was when he was in his early twenties. Here’s hoping she sticks with it. The Bastards of Fine Arts are back at 11th Street Bar on Dec 18 at 9 PM.