New York Music Daily

No New Abnormal

Tag: soul music

Fun Brass Band Sounds in Park Slope This Weekend

If you’re in Park Slope this Saturday evening, July 31, you can catch a free outdoor show by irrepressible, all-female street band the Brass Queens at 5th Ave and 3rd St., a barely ten-minute walk from the Atlantic Ave. subway.

There are three singles up at the 7-piece group’s Bandcamp page. Casanova is in the same vein as the Hypnotic Brass Ensemble‘s hip-hop/New Orleans second-line mashups, Bad Brass Bunnies is a funny trip-hop groove with some absolutely luscious harmonies on the high end.;

The latest single is Love How You Wanna, which comes across like an oldschool 70s soul ballad with a bright, increasingly animated interweave of voices and a solid, slinky sousaphone bassline. Catchy sounds, sophisticated arrangements, and you can dance to all of this.

Cellist Mia Pixley Puts Out a Thoughtful, Playful, Deceptively Deep Album of Soul Songs and Chamber Pop

Before she went solo, Mia Pixley was the cellist in the Debutante Hour, an all-female trio who charmed and needled New York audiences with their quirky, deceptively biting chamber pop throughout the late zeros and early teens. Since then, the individual members have done plenty of work on their own – Maria Sonevytsky in the worlds of Balkan and Ukrainian music, and Susan Hwang with the noir-tinged , cinematic Lusterlit and the erratically brilliant lit-pop collective the Bushwick Book Club.

On her new album Margaret in the Wild – streaming at Bandcamp – Pixley glides elegantly through undulating soul grooves and the occasional minimalist classical theme or chamber pop interlude. She plays bass and guitar voicings on the cello along with classical and blues phrasing, and her vocals have more depth and expressiveness than ever. Her supporting cast is first-rate: Ruth Davies and Kevin Goldberg sharing bass duties, Javier Santiago and Bryan Simmons each on piano, Luis Salcedo on guitar, Nahuel Bronzini contributing slide guitar and Wurlitzer, Barbara Higbie on mandolin, Aaron Kruziki on organ, Michaelle Goerlitz and Amelie Hinman on percussion, Isaac Schwartz on drums and Maryam Qudus on keyboards. This is one of those rare albums that sounds like nothing else that’s been released this year. Whatever you call this music – soul, cello rock, something that hasn’t been categorized yet – Pixley owns it.

She opens the record with Core, a terse but lushly orchestrated, nocturnally sweeping overture, the cello balanced by gentle, twinkly piano. In the Daylight, a lustrous, summery tableau, has Pixley’s lithe cello multitracks rising over a vamping lullaby. She follows with Good Taste, a slinky, catchy, soul and hip-hop-infused individualist’s anthem: “Don’t their education, don’t need their ok,” Pixley asserts. If songs like this got played on commercial radio, this would be the monster hit.

Mama’s Got Snacks is funkier, with a New Orleans groove and an amusingly aphoristic, defiantly feminist lyric. In Voices – a setting of a Christopher Shaw poem – Pixley reaches from hazy chamber pop to an assertively bouncy cello-rock theme.

The album’s centerpiece is Everything Is Slow Motion, which begins as a moody, mystical, gorgeously drifting tone poem awash in layers of cello and rippling piano before Pixley hits a trip-hop groove. It reminds of Nina Simone at her most avant-garde.

Pixley orchestrates a carefree, Malian-tinged tune in African Prayer – and is that a balafon, or just Pixley’s cello running through a pitch pedal? In Between Sound comes across as a sunny reverse image of Everything Is Slow Motion, with distant hints of Indian music and Bob Marley. She wraps up the album with Watering, an attractively rippling folk-pop tune with piano and guitar, the closest thing to the Debutante Hour here. There’s a lot of depth on this record: if we get to the point where there’s still enough of a reason to pull together a best-of-2021list, this should be on it.

A Raucous, Redemptive Return For Gospel Wildman Rev. Vince Anderson at Union Pool

On Monday night Union Pool was packed with an energetic, characteristically diverse New York crowd who’d come out to dance to Rev. Vince Anderson’s distinctive, unhinged blend of oldschool gospel, funk and what could be called psychedelic soul. “How many of you are seeing live music for the first time since last year?” the wildman pianist asked them.

Only about half a dozen people raised their hands. Either this was a shy crowd, or New York is in a warp-speed operation to get back to normal. Obviously, we have to brace ourselves for the toxic schemes the lockdowners are cooking up in the lab for when cold and flu season gets here. But this show seemed to be a very good omen for the rest of the summer, at the very least.

Anderson’s weekly Monday night residency with the Love Choir, his rotating cast of some of the funkiest players around, ran almost totally uninterrupted from the summer of 2008 until the lockdown. Before then, there was a long run at Black Betty, and a couple of residencies at Pete’s. And in between, at Swift’s in the Village, and the dreaded Pianos, with brief stops at the Williamsburg Publik House and the Metropolitan. All that takes us back to around the turn of the century and Anderson’s legendary, marathon performances at the old Stinger club on Grand Street.

These days the show starts a little earlier, at nine sharp, and the party doesn’t go all the way until closing time. Anderson has had formidable chops for years,, but it was obvious from this one that he’d spent plenty of time at the keys during the lockdown. He opened the show quietly and then slowly picked up the pace until he’d raised the old hymn Precious Lord, Take My Hand to the rafters. He had his core players with him: baritone saxophonist Paula Henderson, trombonist Dave “Smoota” Smith, guitarist Jaleel Bunton and drummer Chad Taylor along with a bassist who was chilling on the back in a chair when the show started but quickly rose up to fuel the slinky groove.

Like so many other performers, Anderson had turned to social media when live music was criminalized, and one song that had grabbed him during the lockdown was Stephen Foster’s Hard Times Come Again, No More. He did that one after Fallen From the Pray, an anthem for apostates that sounded a lot like Dr. John – minus the New Orleans accent – this time out. Anderson was especially on fire for Get Out of My Way, the careening minor-key gospel anthem he’s used to open innumerable shows, finally bringing it down to a rapt series of solar-flare chords before the band stampeded out.

Meanwhile, the dancers moved further and further toward the stage as the crowd grew. In between songs, Anderson did a wry Q&A with the audience, revealed that it was edibles that got him through the lockdown, and put on a wildly applauded demo of yoga for people with a little junk in the trunk.

Then midway through Come to the River, an undulating midtempo number, he got serious: after everything we’ve been subjected to over the past sixteen months, this is our chance to lose everything that doesn’t work and start over, he reminded. And then baptized himself with a pint glass of water, shook it off into the crowd and the party started up again with a high-voltage singalong of This Little Light of Mine. Henderson channeled deep blues, Smith right alongside her while Bunton made it clear that Anderson wasn’t the only one onstage who’d been shedding these songs during the lockdown. Taylor is one of the most sought-after drummers in jazz, but luckily for Anderson he seems to have Mondays off.

Anderson’s weekly Monday night Union Pool residency continues on July 26 at 9

A Well-Traveled Americana Guitarslinger Returns to a Familiar Williamsburg Haunt

Back in the day, like most music blogs, New York Music Daily got involved in the club booking business. The choice of venue, with its utterly Lynchian, red velvet-themed back room and intimate sonics, seemed perfect.

Looking back, it was cursed. Hurricane Katrina knocked out power all over town, flooded the space, and delayed opening night by a week. We ended up doing it all acoustic, with no electricity.

Subway service was plagued by an endless series of problems for months afterward, making it next to impossible for musicians from Brooklyn and Queens to get into Manhattan. Trying to lure an audience out under those conditions proved even more of a challenge. There were other issues, and a lawsuit against the landlord which the venue owners lost. Zirzamin closed abruptly in July of 2013. David Lynch movies are great fun to watch, but not to live through.

Still, the music was phenomenal. It was like being a kid in a candy store. Go back through the archives for a time capsule of some of New York’s best talent at the time, most of whom were far too popular to be expected to play a space this small.

One of those artists was Jon LaDeau.

What was most obvious about him was his guitar chops. He knew his blues, and oldtime Americana, and jamband rock, and he didn’t waste notes. A lot of the time he played with a slide. He had a comfortable, confident way with a tune and a low-key presence as a singer.

Over the years, he kept at it. It was validating to see him refining those chops at gigs all over town, most recently at the now badly missed Friday night series at the American Folk Art Museum, in 2018 and 2019. His latest release, Time Capsules – streaming at Bandcamp – is a short album from earlier this year. As you would expect from a record put out during the lockdown, it’s haunted by uncertainty and a theme of time lost forever.

The first track, Younger Days is an undulating number driven by guest Chris Parker’s slide guitar and layers of multitracks from LaDeau. The obvious comparison is the Grateful Dead (or Widespread Panic, for that matter). It’s over in less than three minutes.

Mayteana Morales takes a turn on soulful lead vocals on the title track, a slowly swaying ballad in 6/8 time, Justin LaDeau adding quaint, retro Nashville saloon piano. The group stay in a 6/8 vintage soul groove, picking up the pace a little in the next track, Alone, the bandleader’s spare, incisive guitar rising amid Steve Okonski’s organ.

The surreal final cut, Cemetery Road has the most guitar snarl and bite here. It could be a lockdown parable: “We wanna be free, we wanna go home to the things that we love,” as LaDeau puts it. He’s making a return to the stage at one of his old haunts, Pete’s Candy Store, with an unrestricted show on July 6 at 8:30 PM.

One of New York’s Most Riveting, Entertaining Guitarists Makes a Triumphant Return to the Stage in Bed-Stuy

What James Jamerson was to Motown, Binky Griptite was to the Dap-Tone stable of artists. Jamerson was a bass player, arguably the main architect of the groove that transformed pop music in the 60s. Griptite was lead guitarist to Sharon Jones and most of the rest of New York’s best retro soul acts of the zeros and teens. After that, he maintained a cult following through an endless series of small-venue gigs around town, which ended with the lockdown. This brilliant sideman is also a bandleader, and he’s bringing his Binky Griptite Orchestra – a rotating cast of similarly sharp oldschool soul, blues and funk talent – to Bar Lunatico on July 5 at 9 PM.

This blog has been in the house at many of his gigs, most recently a searing set with gonzo gospel-funk personality Rev. Vince Anderson’s band a few months before the lockdown. The last time anyone here caught him leading a band was over the course of a week in the winter of 2017, when he played a sizzling, frequently psychedelic show at Union Pool and then a much more low-key, slinky set at Threes Brewing in Greenpoint. Both shows featured the amazing, similarly soul-inspired Moist Paula Henderson on smoky, serpentine baritone sax.

Onstage, Griptite is a cool, suave force of nature. The most adrenalizing moments of the Union Pool show were when he slowed down for some eerily crescendoing Chicago blues, an expansive platform for him to show off both subtlety and speed. You could hear the influence of B.B. King, but ultimately Griptite is his own animal. From carbonated James Brown-style bounces to lengthier jams, he chose his spots to get wild.

The Greenpoint gig was 180 degrees the opposite. This one was all about sultry ambience to warm up a cold evening, heavier on the ballads and slower on the tempos, with a lot of input from Henderson. Whichever mood you catch this guy in, it’s always worth seeing. And this intimate venue is a good one for him. Open the door at Lunatico and the first thing you notice is how good it smells (they serve crostinis and such).

Live Music Calendar for New York City and Brooklyn for July and August 2021

Sure feels good to get this calendar back to a monthly schedule again! Who knew we’d ever be able to, without going to war. This is a work in progress, and errs on the side of freedom, as far as restrictions are concerned.

Every venue listed here has been vetted to the best of this blog’s ability, but this is a weird time. All of these shows appear to be unrestricted, but if in doubt, trust your intuition. Clubs that were laid-back and friendly in March of 2020 are still probably laid-back, and friendly, and life is probably back to normal there. If a venue was problematic before the lockdown, you can bet that if it’s still in business, it’s really problematic now.

If you go out a lot, you might want to bookmark this page and check back regularly. Rock shows are really lagging behind jazz and classical as far as getting back up and running again. Hopefully that will change. Additional shows will be added through the summer as they’re announced.

If you’re leaving your hood, don’t get stuck waiting for a train that never comes, make sure you check the MTA delays and out-of-service page for service cancellations and malfunctions, considering how unreliable the subway has become.

If you don’t recognize a venue where a particular act is playing, check with the artist, or check the recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you discovered here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

Mondays starting at 9 PM sharp, Rev. Vince Anderson and his band play two sets at Union Pool. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically award, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the usual lead soloist on baritone sax, with frequent special guests. Sizzling guitarist Binky Griptite – Sharon Jones’ lead player – is also often there.

Fridays in July, 8ish torchy cumbia/swing singer and accordionist Erica Mancini at Sunny’s

7/1, 7:30 PM intense, rapturous Balkan/Middle Eastern ensemble the Secret Trio –Tamer Pinarbasi, Ismail Lumanovski & Ara Dinkjian – at Drom, $20. They’re back on 7/27 at 9:30.. After this show, at 9 moody, tuneful string-driven Americana and chamber pop with DM & the Expats play ($15 separate adm)

7/2, 7 PM Gordon Lockwood (blues guitar monster Jeremiah Lockwood and drummer Ricky Gordon) at Terra Blues. They’re back here on 7/9

7 /3, 7:30/9:30 PM cleverly lyrical, darkly klezmer-tinged pianist Uri Caine with Mark Helias on bass and Ben Perowsky on drums at Mezzrow, $25

7/5, 7 PM wryly retro, period-perfect classic 60s style female-fronted honkytonk band the Bourbon Express at Cowgirl Seahorse.. 7/10, 8 PM ish they’re at Schnitzel House, 7319 5th Ave in Bay Ridge, R to 77th St.

7/5, 9 PM the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Bar Lunatico

7/6, 7/8:30 PM postbop trumpeter Josh Evans leads a quintet at Smalls, $25

7/6, 7:30 PM chamber orchestra A Far Cry play works by Grieg, Part, Jessie Montgomery and others at the Naumburg Bandshell in Central Park

7/6, 8ish harmony-driven all-female Americana band the Maybelles at Sunny’s

7/6, 8 PM legendary, risque, politically spot-on calypso icon the Mighty Sparrow at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/6, 8:30 PM tuneful original delta blues and acoustic Americana from guitarist Jon LaDeau at Pete’s

7/6, 9 PM badass honkytonk/Americana songwriter Olivia Ellen Lloyd and band at Skinny Dennis

7/6, 9 PM Trio Catarina with hotshot Brazilian accordionist Felipe Hostins at Bar Lunatico

7/7, 6 PM new string quartet the Overlook with guest Tanya Birl-Torres play music by black composers: Leila Adu, Shelley Washington and Samuel Coleridge-Taylor at the Hispanic Society of America, 613 W 155th St. west of Broadway, 1 train to 157th St., free

7/7, 9 PM dark blues/folk noir/oldschool soul songwriter Kelley Swindall at Skinny Dennis

7/7, 6 PM horn player Cort Roberts leads an ensemble playing new classical repertoire tba at Madison Square Park. He’s back on 8/11

7/7, 8 PM ish edgy alto sax player Kate Mohanty plays her bday show followed by uneasy female-fronted psychedelic abstract rock band Gold Dime at Our Wicked Lady, $12

7/7, 7:30 PM the Chamber Music Society of Lincoln Center with Shai Wosner, piano; Chad Hoopes, violin; Kristin Lee, violin; Tien-Hsin Cindy Wu, viola; David Requiro, cello; Xavier Foley, bass play works by Beethoven and Dvořák at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/8, 6 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar

7/8, 8 PM painter Jim Watt completes his “1000 Watts” series of 1000 ink washes in the monochromatic Japanese Sumi style while an allstar jazz trio – trumpeter Antoine Drye, guitar icon Bill Frisell & drummer Kyle Benford – improvise behind him at Collab, 309 Starr St, Bushwick (St. Nicholas/Cypress Ave), L to Jefferson St, $20 sug don. Watt will donate $100,000 (a hundred grand, you read that right) to benefit jazz musicians imperiled by the lockdown through sales at his dealer Jim Kempner Fine Art.

7/8, 8 PM the NY Philharmonic play Carlos Simon: Fate Now Conquers; Stravinsky: Pulcinella Suite; Mozart: Symphony No. 40 at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/9, 7 PM perennially popular original feminist folksinger Toshi Reagon & Big Lovely at Bryant Park

7/9, 7/9:30 PM cutting-edge B3 organ grooves with the Jared Gold trio at Smallls, ,$25

7/9, 7:30 PM iconic Afro-Cuban percussionist/bandleader Pedrito Martinez at Drom, $15

7/9, 9 PM  fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel at Skinny Demis. . He’s back here on 7/31 at 4.

7/10, 2 PM afternoon improvisations: guitarist  Aron Namenwirth with Daniel Carter, Claire de Brunner, Tamio Shirashi plus poet No Land at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

710, 4 PM Sarah Durning & the Fun Sisters play twangy oldschool-style original honkytonk at Skinny Dennis

7/10, 5 PM  lustrous singer and badass cello-rock bandleader Serena Jost in a rare solo show  at Five Myles, 558 St. Johns Place (Classon/Franklin), Crown Heights, 2/3 to Eastern Pkwy/Brooklyn Museum

7/10, 7 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues. They’re back here on 7/24

7/10, 7:30 PM the Chamber Music Society of Lincoln Center play works by Haydn, Mendelssohn and Schumann at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/11, 3 PM dynamic front-porch Americana/blues songwriter Mary-Elaine Jenkins at Pete’s

7/11, 3:30 PM the Noga Band featuring amazing Middle Eastern oudist Avram Pengas at Wagner Park north and west of the Battery

7/11, 4 PM oldschool-style high plains C&W singer Hope Debates & North 40 at Skinny Dennis

7/12-16, half past noon sly, cinematic, tuneful Microscopic Septet pianist Joel Forrester at Bryant Park

7/12, 9 PM the perennially popular Western Caravan play western swing at Skinnny Dennis

7/13, 7 PM pensive, eclectic, tuneful jazz/art-rock songwriter Becca Stevens at the big room at the Rockwood, $15

7/15, 9:30 PM  ferociously dynamic, tuneful,female-fronted power trio Castle Black at Bar Freda, 801 Seneca Ave (Cornelia St/Putnam Ave) in Ridgewood, M to Seneca Ave

7/16, 7 PM  sizzling salsa dura band the Spanish Harlem Orchestra at Bryant Park

7/16, 7/8:30 PM drummer Sylvia Cuenca leads a quintet with Dave Kikoski on piano and Craig Handy on tenor sax at Smalls, $25

7/16, 8 PM  psychedelic supergroup the Elgin Marbles feat. members of Love Camp 7, Dervisi and Peter Stampfel’s jug band at the Parkside,$10

7/16, 9 PM the raucously oldtimey Buck and a Quarter Quartet at Pete’s

7/17, 5ish “a wonderful bunch” of sax players: Peter Apfelbaum, Claire Daly, Jonathan Haffner, Jeff Lederer, Jessica Lurie, Sam Newsome, Jay Rodriguez, and Stefan Zeniuk play a site-specific, echo-centric improvisation outdoors from the rooftops around 55 Waterbury St. in Bushwick

7/17, 9 PM Veronica Davila’s twangy, Bakersfield-flavored hard honkytonk band Low Roller at Skinny Dennis

7/18, 5 PM the all-femalle Lotus Chamber Music Ensemble play a program TBA at Culture Lab outdoors, 5-25 46th Ave in Long Island City, down the block toward the water from LIC Bar

7/18, 6 PM orchestrally epic alto valve trombonist Scott Reeves plays the album release show for his new lie one at 55 Bar

7/18, 7 PM brooding, intense lo-fi gutter blues songwriter/guitarist Breanna Barbara at Our Wicked Lady, free

7/18, 7:30/9 PM Falkner Evans solo on piano – sometimes inscrutable, sometimes darkly rapturous – at Mezzrow, $25

7/19, 7 PM the Orchestra of St. Luke‘s music for winds and brass by Ibert, Valerie Coleman, Stravinsky, Dukas, Scott Joplin, Leonard Bernstein and Matthew Arnold on the steps of the Brooklyn Central Library at Grand Army Plaza. 7/21, 3 PM they’re at the back of the northwest corner of the plaza at Lincoln Center and 7/22 at 7:30 PM they’re outdoors at the Queens Theatre in the Park in Corona

7/19, 9 PM darkly brilliant, psychedelic Klezmatics multi-reedman Matt Darriau‘s group plays a Yusef Lateef tribute at Bar Lunatico

7/20, noon classical ensemble the Sterling Strings play their hilarious string quartet versions of rap and pop hits at Metrotech Park in downtown Brooklyn

7/20, 7 PM vibraphonist Felipe Fournier‘s wild Tito Puente and Dave Brubeck cover band, Supermambo at Gantry Plaza State Park

7/20, 7:30 PM the Philharmonia Baroque Orchestra play works by Purcell, John Blow and others at the Naumburg Bandshell in Central Park

7/20, 7:30/9:30 PM  rapturously eclectic jazz chanteuse Marianne Solivan leads her trio at Mezzrow, $25

7/21, 6 PM noir-inspired honkytonk crooner Sean Kershaw at John Brown BBQ, 27-20 40th Avenue at 28th St., LIC/Astoria, any train to Queensboro Plaza

7/21, 7 PM adventurous indie classical ensemble Contemporaneous play edgy, often poignant new works by Alex Weiser, Zachary James Ritter, Yasmin Williams, toy pianist Lucy Yao and a world premiere by Yaz Lancaster at Pier 64, 24th St. and the Hudson, free, rsvp req  

7/21, 8 PM bhangra-klezmer mashups with Sharabi feat. trumpeter Frank London & Deep Singh with singer Sarah Gordon plus the psychedelic, Afrobeat and klezmer-influenced Zion 80 at Drom, $20

7/21, 9 PM deviously entertaining hot 20s swing chanteuse Sweet Megg Farrell and band at Skinny Dennis

7/22, half past noon mostly-female, kinetic klezmer/cumbia/cinematic jamband Isle of Klezbos at St. Marks Park, 2nd Ave/10th St.

7/22, 4:30 PM jazz singer Tahira Clayton’s Jazz Trio outdoors at the Brooklyn Conservatory of Music

7/22, 7/8:30 PM colorful,  eclectic, paradigm-shifting B3 jazz organist Brian Charette  leads his organ trio at Smalls, $25

7/22, 8 PM original blue-eyed soul chanteuse Miss Tess in a rare duo show at Sunny’s. 7/23 she’s under the Dumbo Archway at 5.

7/22, 9 PM smart, purposeful Americana guitarslingers Jason Loughlin and band at Skinny Dennis

7/23, 7:30/9:30 PM tenor saxophonist Tivon Pennicott with Louis Cato on bass and Joe Saylor on drums at the Jazz Gallery, $20

7/23, 8 PM poignantly lyrical, eclectic pianist Marta Sanchez leads her trio with a killer rhythm section of Michael Formanek and Gerald Cleaver at Bar Bayeux

7/24, 2 PM improvisational keyboardist Matt Mottel plays his bday show at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

7/24. 5 PM careening, microtonally-tinged electric blues band Jane Lee Hooker at Culture Lab outdoors, 5-25 46th Ave in Long Island City, down the block toward the water from LIC Bar

7/24, 7 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues

7/24, 7/8:30 PM Mike LeDonne takes a relatively rare turn on piano with a trio  at Smalls

7/24, 7:30ish the Sun Ra Arkestra at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

7/24, 8 PM sprawling large jazz/ambient ensemble/jamband Burnt Sugar at Damrosch Park

7/24, 10 PM fiery electric bluegrass and C&W with Demolition String Band at Skinny Dennis

7/24, 10 PM allstar percussion and sax duo Matthias Kunzli and Peter Apbelfaum’s Soup du Jour at Pete’s

7/26-30 half past noon big band pianist Russ Kasoff solo at Bryant Park

7/26, 7 PM Certain General guitarslinger Phil Gammage plays his dark Americana and blues at Cowgirl Seahorse

7/26, 7 PM newgrass band Damn Tall Buildings at Pier 1 on the upper west

7/27 1 PM not a music event but very important and enlightening: America’s Frontline Doctors livestream their White Coat Summit to stop the ongoing lethal injection campaigns. Hero doctors Simone Gold, Scott Jensen, Lee Merritt, Steve LaTulippe, Mark McDonald and other allstar freedom fighters strategize a way out of the trap that was set for us on March 16, 2020.

7/27, 7 PM the George Gee Big Band play vintage 30s swing at Gantry Plaza State Park

7/27. 8 PM ambitious saxophonist Michael Thoma and his quartet outdoors at Queens Theatre in Corona Park

7/27, 10 PM catchy, uneasily jangly female-fronted psych-pop rockers War Violet at Our Wicked Lady, $12. They’re also at Pete’s on 7/31 at 10 for the tip jar

7/28, 6 PM vibraphonist Sae Hashimoto leads an ensemble playing new classical repertoire tba at Madison Square Park. She’s back on 8/4

7/28, 10 PM guy/girl harmony vocals and a mix of Americana and lyrical Waits-ish songwriting with Loose Change at Pete’s

7/29, half past noon fearlessly relevant, toweringly intense latin jazz pianist Arturo O’Farrill leads a smaller band than usual at St. Marks Park, 2nd Ave/10th St

7/29, 4:30 PM original klezmer stylings with violinist Zoe Aqua, trumpeter Dan Blacksberg and accordionist Ira Temple outdoors at the Brooklyn Conservatory of Music

7/29, 7:30 PM the Mingus Big Band celebrate their new home at Drom, $30

7/29-31, 7/9:30 PM fiery, erudite pianist Orrin Evans leads his quartet featuring powerhouse sax player Immanuel Wilkins at Birdland, $30

7/29, 10ish sly blue-eyed soul pianist/crooner Nat Osborn at the big room at the Rockwood, ,$15

7/30, 8 PM Indian percussionist Ravish Momin’s Sunken Cages + Migiwa “Miggy” Miyajima‘s lavish large jazz ensemble at Damrosch Park, you can watch from across the street because there are draconian restrictions

7/30, 7:30 PM postbop saxophonist Greg Osby and his Quartet and clarinetist Oran Etkin’s Open Arms Project at Drom, $30

7/30, 11:30 PM expansive, expressive jazz pianist Miki Yamanaka leads her trio at Cellar Dog (the old Fat Cat)

7/31, 5:30 PM blazing all-female street band the Brass Queens at 5th Ave and 3rd St. in Park Slope

7/31, 7 PM salsa romantica crooner Tito Nieves at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

7/31, 8 PM Raga Maqam with paradigm-shifting trumpeter/santoorist Amir ElSaffar and members of  Brooklyn Raga Massive mash up hypnotic, often haunting Arabic and Indian sounds at Damrosch Park. Their Lincoln Center show a couple of years ago was off the hook. Hang on the sidewalk across the street because there are restrictions

7/31, 8 PM legendary Brooklyn psychedelic funk band Groove Collective at Drom, $20

7/31, 9 PM Veronica Davila’s twangy, Bakersfield-flavored hard honkytonk band Low Roller at Skinny Dennis

8/1, 5 PM Los Cumpleanos – with Nestor Gomez – vox/percussion; Lautaro Burgos – drums; Eric Lane – keyboards; Alex Asher – trombone and others playing trippy, dubwise tropical psychedelia at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/1, 7 PM wild, sizzling guitar-and-brass-fueled Ethiopian jazz jamband Anbessa Orchestra at Pier 1 on the Hudson

8/1, 7 PM the Harlem Gospel Travelers and irrepressible 60s-style blue-eyed soul singer Eli “Paperboy” Reed at Our Wicked Lady, $15

8/1, 9 PM singer Richard Julian and pianist John Chin play Mose Allison songs at Bar Lunatico. Perfect pairing: Julian’s wry sense of humor and Chin’s erudite chops.

8/2-6, half past noon lyrical, dynamic original jazz pianist Victor Lin solo at Bryant Park

8/3, 7 PM fiery electric bluegrass and C&W with Demolition String Band at Shipyard Park, 13th St and McFeeley Drive in Hoboken,

8/3, 7:30 PM the East Coast Chamber Orchestra play works by Mozart, Golijov and others at the Naumburg Bandshell in Central Park

8/3, 8/10 PM postbop jazz supergroup the Cookers – Billy Harper, Cecil McBee, George Cables, Eddie Henderson, and Billy Hart – at the Blue Note, $30 bar seats avail

8/4, 6:30, PM guitarist Oren Fader and and pianist/salonniere Yelena Grinberg reprise their sold-out performance of rare duo works by Vivaldi, Beethoven, Hummel, Moscheles, Weber, Boccherini, Munier, Castelnuovo and Piazzolla at Grinberg’s popular monthly upper westside salon, email for deets here., a 3  minute walk from 1/2/3 train at 96th St.

8/4, 7:30/9 PM cult favorite gonzo pianist Dred Scott plays Chick Corea at Mezzrow, $25

8/4, 8ish cinematic noir soul instrumentalists the Ghost Funk Orchestra at Our Wicked Lady, $12

8/4, 9 PM the Jimi Hendrix of the cuatro, Jorge Glem with pianist Cesar Orozco at Bar Lunatico

8/5, 7 PM Veronica Davila’s twangy, Bakersfield-flavored hard honkytonk band Low Roller at Mama Tried, 147 27th St, Bay Ridge, R to 25th St

8/5, 7 PM what’s left of the hi-de-ho Cab Calloway Orchestra at Astoria Park, on the water, take the N to Astoria Blvd.

8/6, 7 PM trumpeter Terence Blanchard with the Turtle Island Quartet at Bryant Park

8/6, 10 PM haunting gothic Americana ballads with Flora Midwood at Pete’s. Brilliant storyteller, strong singer and tunesmith.

8/6, 11 PM clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Drom, $20

8/7, 2 PM an amazing improvisational jazz triplebill: baritone sax monster Josh Sinton with Daniel Carter and Sam Newsome, then brilliant, politically fearless visionary/tenor sax improviser Matana Roberts , and also flutist Laura Cocks solo at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

8/7, 7 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues. They’re also here on 7/21

8/7, 8 PM guitarist Nick Demopoulos’ twinkling, psychedelic spacescape project Smomid followed at 9 by enigmatic, cynical, lyrical rock band Golden Alphabet at Pete’s

8/7, 9:30 PM latin soul jams with the Brooklyn Boogaloo Blowout at 55 Bar

8/8, 7:30/9 PM  intense pianist Gerald Clayton solo at Mezzrow

8/9-13, half past noon lyrical, shapeshifting Brazilian pianist Luiz Simas solo at Bryant Park

8/10-12 Digable Planets at the Blue Note are sold out

8/10, 9:30 PM lickety-split punkgrass with the Eugene Tyler Band at Pete’s

8/11, 7 PM slinky, hypnotic percussive Moroccan trance band Innov Gnawa on the steps at the Grand Army Plaza branch of the Brooklyn Public Library

8/12-14, 7/9:30 PM the best singing pianist (and the best piano-playing singer) in jazz, the irrepressible Champian Fulton leads her quartet at Birdland, $30

8/12, 8 anthemic speedmetal band Cold Dice, 9 PM the debut of Certain Death (the house band from Pfizer or Moderna maybe?) 10 PM wild fuzzy stoner metal band Grave Bathers followed by the even more macabre Castle Rat at Our Wicked Lady, $12

8/13, 5 PM ageless, jangly, purist NY surf rock originals the Supertoness at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways There’s also a surf music festival, bands tba, there on 8/14-15

8/13, 8 PM   ferociously dynamic, tuneful,female-fronted power trio Castle Black at Culture Lab outdoors, 5-25 46th Ave in Long Island City, down the block toward the water from LIC Bar; 8/28 they’re outdoors at the Greenpoint Terminal Market at 3, Market St. past Kent Ave on the water, G to Nassau Ave

8/14, 4 PM B’Rhythm blend Indian music and classical dance moves at Garfield Place between Prospect Park West and 8th Ave. in Park Slope, music by Bala Skandan, choreography by Brinda Guha and Sonali Skandan and an A-list slate of dancers

8/14, 7/9:30 PM popular lyrical postbop trumpeter Jeremy Pelt leads his quartet at Smalls $25

8/14, 9:30 PM  this era’s most consistently interesting jazz pianist, Vijay Iyer at Prospect Park Bandshell. Listen from outside (try around the back) since the arena may still have restrictions

8/15, 8:30 PM catchy, pensive blue-eyed soul crooner/guitarist Noto at Pete’s

8/16, 9 PM boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band at Skinny Dennis..

8/17, 7 PM Dominican jazz guitarist Yasser Tejeda & Pelotre at Gantry Plaza State Park

8/17, 7/8:30 PM  charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy‘ at Smalls, $25

8/17-19, 8/10 PM the Bernie Williams Collective at the Blue Note, $25 bar seats avail. Not a vanity project: the greatest centerfielder of his time is a solid latin jazz/funk guitarist.

8/18, 7/8:30 PM eclectic jazz pianist Art Hirahara and his trio at Smalls, $25

8/18, 5 PM the Harlem Quartet at Times Square. Where? Follow the sound, it seems

8/18, 8 PM Stoogoid stoner boogie band Sun Voyager, noisy early 80s style postpunk band Smock and fuzzy acid blues/doom band Grandpa Jack at Our Wicked Lady, $12

8/18-22, 8/10 PM postbop jazz trumpeter and sly crooner Nicholas Payton at the Blue Note, $25 bar seats avail

8/19, 7 PM double threat Camille Thurman – equally dazzling on the mic and the tenor sax – with the Darrell Green Trio, and trombonist Conrad Herwig with his Quintet at Drom, $30

8/19-21, 7/9:30 PM golden-age postbop tenor sax legend Donald Harrison leads his quartet at Birdland, $30

8/19, 7/9:30 PM edgy jazz oudist and bassist Omer Avital and his group where he got his start at Smalls, $25

8/19, 11 PM sardonic and punky Japanese girlband the Hard Nip at Our Wicked Lady, $12

8/20, 7 PM amazingly dynamic drummer  Johnathan Blake and his trio and wildfire Colombian harpist Edmar Castaneda with drummer Ari Hoenig at Drom, $30

8/20, 7 PM Gordon Lockwood (blues guitar monster Jeremiah Lockwood and drummer Ricky Gordon) at Terra Blues

8/20, 7/8:30 PM the Sun Ra Arkestra’s legendary nonagenarian EWI player Marshall Allen and group at Smalls, $25

8/21, 7 PM legendary second-wave Afrobeat band Antibalas at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

8/21, 7 PM edgy, incisive, terse jazz guitarist Russell Malone and his Quartet at Drom, $20

8/22, 7 PM paradigm-shifting Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Drom $30

8/23, 7/8:30 PM erudite pianist Orrin Evans‘ richly tuneful, purist, stampeding Captain Black Big Band at Smalls,$25

8/24, 6 PM the Donald Harrison Quartet with the Harlem Orchestra play Charlie Parker’s Bird with Strings at Marcus Garvey Park, be prepared to hang on the fringes because there may be restrictions

8/24, 7/8;30 PM hard-hitting  postbop saxophonist Mike DiRubbo’s quartet at Smalls, $25

8/25, 8 PM punk/rockabilly band the Screaming Rebel Angels, goth-punks the Wh0res, and fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel at Our Wicked Lady, $12

8/26, 6 PM smart, lyrical, politically-inspired pianist Zaccai Curtis leads a trio at Times Square, Bwy at 43rd St

8/27, 6 PM an oldschool salsa dance party with 70s style charanga Son Del Monte at Alexander Avenue at Bruckner Boulevard in the Bronx

8/28, 5 PM nimble bassist Dawn Drake & Zapote‘play latin-tinged hard funk at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/28, 6 PM jazz violinist Melanie Dyer w/ poet Bonita Penn and bassist Ken Filiano at the Clifton Pl. Community Garden (1031 Bedford Ave.–b/n Clifton & Greene)

8/29, a parade of dancers with music by guitarist/bagpiper David Watson make their way through the Rockaways starting at 1 PM on the sand at Beach 86 St and end at 7 at Beach 110 St, performers include Toni Carlson, Yve Laris Cohen, Maggie Cloud, Marc Crousillat, Brittany Engel-Adams, Moriah Evans, Daria Fain, Lizzie Feidelson, Melanie Greene, Kennis Hawkins, Iréne Hultman, Shayla-Vie Jenkins, Burr Johnson, Niall Jones, Sarah Beth Percival, Jess Pretty, Antonio Ramos, Alex Rodabaugh, Carlo Villanueva, Anh Vo, Kota Yamazaki

8/29, 4 PM drummer Willie Jones III leads an allstar Charlie Parker centennial celebration band with Sarah Hanahan, Godwin Louis, Justin Robinson, Erena Terakubo with Donald Vega on piano and Endea Owens on bass at Marcus Garvey Park

8/29, 5 PM, repeating 9/1 at 6:30 colorful, charismatic pianist/salonniere Yelena Grinberg, violinist Eric Silberger and cellist Madeline Fayette play Haydn’s “Gypsy” piano trio, Mozart’s warmly lyrical Piano Trio in C and Beethoven’s daunting “Ghost” piano trio at Grinberg’s popular monthly upper westside salon, email for deets here., a 3  minute walk from 1/2/3 train at 96th St.

8/29, 9:30 PM irrepressibly sardonic janglerock/folk-punk songwriter, New Yorker illustrator and White Hassle alum Marcellus Hall  at Pete’s

8/30-9/3 half past noon latin jazz pianist Isaac Bin Ayala solo at Bryant Park

9/1, 7:30ish noiserock legends Yo La Tengo at Rumsey Playfield in Central Park

9/8 7 PM the aptly named Firey String Sistas play their edgy chamber jazz at Pier 84, 44th st. and the Hudson just south of the Intrepid

9/11, 5 PM newschool gospel with Mary Mary singer Erica Campbell, the Walls Group, Lena Byrd Miles and Jason McGee and Choir at Rumsey Playfield in Central Park

9/12, 4 PM the Overlook String Quartet play music by black composers Eleanor Alberga, Florence Price, and Chevalier de Saint-Georges at the Morris-Jumel Mansion, 65 Jumel Terrace about a block south of 162nd St., Washington Heights, free, A/C to 163rd St.

9/12, 7 PM southern soul songwriter Valerie June at Rumsey Playfield in Central Park

9/18, 7:30 PM Trombone Shorty at Prospect Park Bandshell. We might have to listen from outside since the arena may still have restrictions

9/19, 7 PM Patti Smith at Rumsey Playfield in Central Park,

10/3, 1 PM  hard-hitting, brass-fueled newschool latin soul/boogaloo dance band Spanglish Fly at Playground 52,  Kelly St bet. Av St John and Leggett Ave in the Bronx, 6 to Longwood Ave

Samantha Fish’s Hard-Rocking Retro Soul Stands the Test of Time

The last time singer/guitarslinger Samantha Fish played New York, it was at Highline Ballroom – that’s how long her album Chills & Fever (streaming at Bandcamp) has been sitting on the hard drive here. It’s a standout in the ever-increasingly crowded field of musicians (and what’s left of the music industry bottomfeeders) who’ve figured out that a lot of people whose lives aren’t dictated by what’s popular on Instagram really love going out to dance to oldschool soul music. 

Or did –  until the lockdown destroyed everything.

Fish and her purist band revisit those sounds with a lot more rock energy than most: everything on this record is louder than on your typical classic soul album, and the band benefit from using gear with more dynamic range than tinny, sixty-year-old Vox amps. There’s a lot of music here: fourteen tracks! The first one, Jackie DeShannon’s He Did It gets turbocharged with a horn section – Mark Levron on trumpet and Travis Blotsky on saxes – and Fish’s haphazardly edgy, blues-tinged guitar breaks. But it also has a 21st-century edge: Fish amps up the lyric about being shamed by a backstabbing dude.

Shivery baritone sax kicks off the title track, a backbeat-driven noir take on Ronnie Love’s 1961 soul anthem with eerily echoey Rhodes piano from Bob Mervak. The album’s longest track, Ted Taylor’s Somebody’s Always Trying comes across as an even higher-energy remake of that song, with a careening jam at the end. Fish obviously has a thing for darkly torchy soul: she revisits that simmering vibe later with It’s Your Voodoo Working, set to a soul-clap beat, and then the slow, brooding Either Way I Lose, with Fish’s ominous wide-angle tremolo guitar.

She reinvents the old Barbara Lewis 70s soul hit Hello Stranger by taking it doublespeed, with Steve Nawara’s dancing bassline and the horns balanced by trebly organ and rippling Rhodes fills. Just when you think that the Irma Thomas hit Hurts All Gone is a going to be a balmy southern soul ballad, the guitars kick in hard on the chorus. Then Fish picks up the pace again with You Can’t Go, its sharp staccato riffage in the background behind her long blues guitar solo played through a 80s chorus pedal.

Lushly swaying along in 12/8 time, Never Gonna Cry is a defiantly soaring breakup ballad, The band make an improbably connection between 60s go-go shuffles and bluegrass with the Detroit Cobras’ Little Baby, then hit a relative calm with an appropriately organ-driven, gospel-tinged version of Allen Toussaint’s Nearer to You.

They follow You’ll Never Change, a snippy minor-key soul-blues tune, with a southern rock version of the old murder ballad Crow Jane. The album winds up with I’ll Come Running Over, the poppiest number here, an Australian hit for blue-eyed soul singer Lynne Randell. Fans of artists like Lizzie & the Makers, who use oldschool soul as a stepping-off point for sounds that aren’t limited by the format, should give this a spin.

J Hacha De Zola’s New Noir Soul Album Nails the Pervasive Darkness of the Lockdown Era

The loosely interconnecting theme of crooner J Hacha De Zola‘s new album East of Eden – streaming at Bandcamp – is estrangement and loss. Or, being cast from a good place into hell. He’s flirted with soul music before, through the prism of Nick Cave, but here he takes his deepest plunge into the most noir side of the style. The Doors are also an obvious influence, often to the point of homage. But this album is more of a mashup than a straight-up ripoff, testament to the quality of Hacha De Zola’s influences.

The album’s first track is Faded: imagine Cave backed by the Dap-Kings at their darkest, or Gato Loco. That band especially comes to mind since it’s their leader, Stefan Zeniuk who takes the smoky bass sax solo right before the ending. Jerry Ramos handles guitars (and also bass, drums and keys) along with Maxwell Feinstein, plus Joe Exley on tuba and Indofunk Satish on trumpet.

Lost Space is a brooding nocturnal mashup of Morrison Hotel-era Doors, Ventures spacerock and luridly simmering 60s soul. Which Way – as in “which way is the river” – is set to a slow, menacing psychedelic soul vamp, Isaac Hayes gone down the goth hole.

The album’s title track keeps the dark night of the vintage soul going – staccato reverb guitar, smoke from the sax – and mashes it up with Bulgarian folk, Lubomir Smilenov adding layers of stark kaval, gadulka and gaida, Zeniuk prowling around in the lows.

A Viral Spring is closer to the immersive low-register minor-key roar of Gato Loco: “Gotta get out, get away,” the bandleader finally hollers. Ramos’ tremolo organ enhances the Doors feel in Shadows on Glass: with the horns, it could be the lost good track from The Soft Parade.

Zeniuk’s growl contrasts with swirling organ and that persistent, pointillistic soul guitar in That Pleading Tone. Sad Song has an unexpected reggae undercurrent along with the retro soul atmosphere.

Southwestern gothic, trip-hop and symphonic Gato Loco menacingly blend together in Green and Golden. The album’s final cut is the quasi-bolero Meet Me: the addition of the Bulgarian instruments is a neat touch. In its own twistedly stylized way, this album really captures the grim uncertainty of the world since March of 2020.

Live Music Calendar For New York and Brooklyn For May and June 2021

We’re taking baby steps toward getting back to normal: new calendar for July and August coming 7/1 with probably hundreds more listings. In the meantime, more and more free outdoor shows popping up all over town, so this calendar is being updated more frequently. A lot of shows are being announced at the 11th hour, so you might want to bookmark this page and check back on a night, or an afternoon, when you feel like going out.

Please don’t patronize venues that continue to enforce  lockdown restrictions. Let’s all do our part to make sure New York doesn’t turn into an apartheid state!

5/8, 4 PM brilliant resonator guitarist/bluesmama Mamie Minch in front of the Wild Project, 3rd St between Aves A + B. She’s also at High Dive on 5th Ave and Carroll Street in Park Slope on 5/29th at 2

5/13, 5 PM  hard-hitting bassist Dawn Drake & Zapote‘play psychedelic Afrobeat and funk at the corner of Fulton and Bond in downtown Brooklyn

5/15, 3 PM ish powerhouse tenor saxophonist Mark Turner leads a chordless trio with Vicente Archer on bass and Johnathan Blake on drums in Central Park on the elevation about a block north of the 81st St. entrance on the west side

5/15, 4 PM composer-collective Oracle Hysterical premiere their new song cycle Terra Nova outdoors at the Brooklyn Public Library at Grand Army Plaza

5/15, time TBA avant garde chanteuse Jane LeCroy’s new punk cabaret duo project Shelter Puppy outdoors at City Reliquary, 370 Metropolitan Ave off Havemeyer, Williamsburg, free

5/16, 1 PM ish drummer Antonio Sanchez leads a trio with Donny McCaslin on alto sax and Matt Brewer on bass in Central Park on the elevation about a block north of the 81st St. entrance on the west side

5/16, 3 PM luminous, visionary vocalist/dancer Luisa Muhr, multi-reed legend Daniel Carter and a posse of many more improvise outside 166 N 12th St. in Williamsburg

5/16, 5 PM the SEM Ensemble play Petr Kotik’s Letters to Olga (1988) with text by Václav Havel for two narrators, winds and guitars at in the yard adjacent to the Willow Place Auditorium, 25 Columbia Place (Joralemon/State), downtown Brooklyn, closest train is the A/C to High St.

5/17, 5:30 PM the American Symphony Orchestra brass quartet play works by Tcherepnin, Carlos Chavez, Strauss and others at Bryant Park. The program repeats on 5/19.

5/18, 5:30 PM oboeist Alexandra Knoll leads a wind trio playing an all-French program with works by Poulenc, Francaix and others at Bryant Park

5/20, 5 PM dynamic, sometimes atmospheric jazz violinist Charlie Burnham and band at the corner of Fulton and Bond in downtown Brooklyn

5/21, 5 PM cellist Marika Hughes‘ New String Quartet with Charlie Burnham on violin, Marvin Sewell on guitar, and Rashaan Carter on bass in Central Park on the elevation about a block north of the 81st St. entrance on the west side. 5/27, 5 PM she’s at the corner of Fulton and Bond in downtown Brooklyn

5/22, 3 PM ish tsunami drummer Johnathan Blake leads a wild quartet with Mark Turner and Chris Potter on tenor sax and Dezron Douglas on bass, wow, in Central Park on the elevation about a block north of the 81st St. entrance on the west side

5/23 starting at half past noon an outdoor jazz festival starting at half past noon outside at 18 Whitwell Pl in Gowanus with saxophonist Ole Mathisen‘s Take Off Collective trio at 4:30 F/R to 4th Ave

5/23-24, 1 PM ish drummer Nasheet Waits leads a high-voltage quartet with Mark Turner and Steve Nelson on tenor sax, and Rashaan Carter on bass in Central Park on the elevation about a block north of the 81st St. entrance on the west side

5/26, 1 PM lustrous singer and badass cello-rock bandleader Serena Jost in a rare solo show at Bogardus Plaza, Hudson Street between Chambers & Reade, Tribeca

5/26, 7 PM, tunefully scruffy pastoral jazz guitarist Tom Csatari leads his  noir-tinged Uncivilized band at the Flying Lobster, 144 Union St off Hicks, just over the BQE, outdoors, F to Smith/9th

5/31, 2 PM drummer Michael W. Davis leads his trio with Lucas Pino on tenor sax, Martin Nevin on bass; at 3 trumpeter Jason Palmer leads his Quartet with Mark Turner on tenor sax, Edward Perez on bass and Kendrick Scott on drums in Central Park about a block north of the 81st St. entrance on the west side; take the trail up, to the right of the bridge

6/1, 3 PM, tenor sax titan Mark Turner leads a quartet with Jason Palmer on trumpet, Joe Martin on bass, Marcus Gilmore on drums in Central Park about a block north of the 81st St. entrance on the west side; take the trail up, to the right of the bridge

6/2, 1 PM Celtic-inspired pianist Will Armstrong‘s Trio at Bogardus Plaza, Hudson Street between Chambers & Reade, Tribeca

6/2-4, 1 PM ish pyrotechnic tenor sax player Mark Turner records a live album with Jason Palmer on trumpet, Joe Martin on bass and Marcus Gilmore on drums in Central Park on the elevation about a block north of the 81st St. entrance on the west side

6/5. 4 PM  the world’s creepiest, slinkiest, most psychedelic crime jazz/film noir band, Big Lazy at a front-porch show at 182 Argyle Rd (Beverly/Albemarle). in Ditmas Park Brooklyn, Q to Beverly Rd.. 6/26 at 6:30 they’re at West Side Arts Concert series in Lincoln Park in Jersey City

6/6-8, 4 PM ish saxophonist Darius Jones records a live album with Dezron Douglas on bass and Gerald Cleaver next to the Catacombs in the middle of Green-Wood Cemetery in Brooklyn, R to 25th St.

6/6, 4 PM  amazing string quintet Sybarite5– who are also the world’s coolest Radiohead cover band – on the steps of the Grand Army Plaza branch of the Brooklyn Public Library

6/6 and 6/13, 2 PM a Scandinavian orchestral and chamber music festival with performers TBA on the Billings Lawn at Ft. Tryon Park. Artists associated with the late, great NY Scandia Symphony may be involved.

6/10, 7:30 PM bhangra-klezmer mashups with Sharabi with trumpeter Frank London & Deep Singh with singer Sarah Gordon at Wagner Park just north of the battery CANCELLED DUE TO THREAT OF RAIN

6/10, 7:30 PM perennially popular jazz bassist/singer Esperanza Spalding with drummer Teri Lyne Carrington and keyboardist Leo Genovese outdoors at the Clemente Soto VélezcCultural & Educational Center, 114 Norfolk St., LES

6/13, 2 PM carnivalesque Balkan punk monstrosity Funkrust Brass Band outdoors at 98 Dikeman St, (Richards/Conover) Red Hook

6/13 , 2 PM tenor sax player Danny Walsh leads a trio with bassist Yoshi Waki and dummer Richie Morales in Central Park about a block north of the 81st St. entrance on the west side, take the path up the hill to the left of the bridge

6/15, 7:30 PM orchestra the Knights with Gil Shaham, violin and Aoife O’Donovan, vocals play works by O’Donovan, George Walker and Beethoven at the Naumburg Bandshell in Central Park, there may be restrictions, be prepared to linger on the fringes

6/18, 9 ish  torchy cumbia/swing singer and accordionist Erica Mancini at Sunny’s. She’s back on 6/25.

6/19, 4:30 PM intense Balkan chanteuse Jenny Luna‘s haunting, traditional Turkish band Dolunay outdoors at Barbes

6/19, 4;30 PM wildfire electric blues guitarist Celisse Henderson at the block party at Astor Place east of Lafayette

6/19, 6 PM House of Time play works by JS Bach, CPE Bach & Telemann; Suzanne Lorge sings azz with John Di Martino (piano) and Sophia Reyes (flute); pianist Evelyne Luest plays Schubert outdoors at the B-C Courtyard at Hudson View Gardens, 116 Pinehurst Ave, Washington Heights, A to 181st St., free

6/19, 8 PM fearless, psychedelic jazz trumpeter Jaimie Branch and band at San Pedro Inn, 320 Van Brunt St, Red Hook

6/20, 1 PM ish an allday outdoor jazz extravaganza with trombonist Bryan Drye’s Zodiac Quintet, Steven Bernstein’s Millenial Territorial Orchestra, drummer Jeff Davis’ quintet and Brooklyn psychedelic funk legends Groove Collective in front of I-Beam

6/20, 2 PM join some of the prime movers of the NYC pro-freedom movement for a summer solstice celebration in the park on Roosevelt Island with a picnic and activities, dedicated to the late great activist Rosa Koire. Tour starts at 2 at the café at Cornell Tech, 2 West Loop Road, a 10-minute walk south from the Roosevelt Island subway station.

2:00 – “Transhumanist dream” by art-rock singer/investigative journalist Tessa Lena (at Cornell Tech)
2:30 – “The biomedical roots of the Covid plandemic” by psychiatrist Dr. Karin Burkhard (Smallpox hospital ruins)
3:00 – “The evisceration of our freedoms” by investigative journalist/healer Cat McGuire (FDR Four Freedoms Memorial)
3:30 – gong-bath storytelling performance by Mary Ann Schmidt and Michael Jay
4:00 – acceptance celebration and healing circle
4:00-7:00 – percussion improvisation by Africa Forestdance

6/20, 3 PM alto saxophonist Abraham Burton leads a trio with Dezron Douglas on bass and Eric McPherson on drums in Central Park about a block north of the 81st St. entrance on the west side; take the trail up, to the left of the bridge

6/20, 5 PM repeating 6/23 at 6:30 PM clarinetist Bixby Kennedy, cellist Madeline Fayette and pianist/salonniere Yelena Grinberg play works by Beethoven, Ries and Mendelssohn at Grinberg’s now-resusciated monthly upper westside salon, email for deets here., convenient to 1/2/3 trains, $35 includes wine, munchies and good conversation afterward

6/21-24, half past noon lyrical jazz pianist Deanna Witkowski plays solo at Bryant Park

6/21, 6 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine under the Manhattan Bridge archway in Dumbo, F to York St.

6/21, 6:30ish the NY Mandolin Orchestra at Needle Park at the triangle at Broadway and 65th St.

6/21, 7 PM Zach Layton and Nick Hallett lead a performance of Terry Riley’s “In C” at Brooklyn Bridge Park Harborview Lawn on Pier 1, south of the old roller rink, walk up and west and you’ll find it

6/24, 6:30 PM surreal, rustic, lyrical klezmer from the Beary Brothers featuring Psoy Korolenko, Zisl Slepovitch and Ilya Shneyveys at Wagner Park just north and west of the Battery

6/26, 4 PM cinematic, psychedelic quirk-pop keyboardist Michael Hearst and his Songs for Unusual (fill in the blank: creatures, vehicles, you name it) at the Old Stone House in Park Slope

6/26, 7 PM clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  under the Manhattan Bridge archway in Dumbo, F to York St.

6/26, 8 PM tunefully scruffy pastoral jazz guitarist Tom Csatari leads his  noir-tinged Uncivilized band at San Pedro Inn, 320 Van Brunt St, Red Hook

6/27, 7 PM Charu Suri Raga Jazz w/ Sufi Maestro Umer Piracha at Drom, $15

6/29, 7:30 PM an oldtimey swing dance party with the Silver Arrow Band at Drom, free

6/29, 7:30 PM the Ulysses and Emerson String Quartets team up for music by Shostakovich, Mendelssohn, Richard Strauss and others at the Naumburg Bandshell in Central Park

6/30, 7 PM the Brooklyn Conservatory Community Orchestra play music by Haydn, Dvorak and the Bruch violin concerto with concertmaster Luis Casal outdoors at the Old Stone House in Park Slope

7/1, 7:30 PM intense, rapturous Balkan/Middle Eastern ensemble the Secret Trio –Tamer Pinarbasi, Ismail Lumanovski & Ara Dinkjian – at Drom, $20. They’re back on 7/27 at 9:30.. After this show, at 9 moody, tuneful string-driven Americana and chamber pop with DM & the Expats play ($15 separate adm)

7/2, 7 PM Gordon Lockwood (blues guitar monster Jeremiah Lockwood and drummer Ricky Gordon) at Terra Blues. They’re back here on 7/9

7 /3, 7:30/9:30 PM cleverly lyrical, darkly klezmer-tinged pianist Uri Caine with Mark Helias on bass and Ben Perowsky on drums at Mezzrow, $25

7/5, 7 PM wryly retro, period-perfect classic 60s style female-fronted honkytonk band the Bourbon Express at Cowgirl Seahorse.. 7/10, 8 PM ish they’re at Schnitzel House, 7319 5th Ave in Bay Ridge, R to 77th St.

7/5, 9 PM the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Bar Lunatico

7/6, 7:30 PM chamber orchestra A Far Cry play works by Grieg, Part, Jessie Montgomery and others at the Naumburg Bandshell in Central Park

7/6, 7/8:30 PM postbop trumpeter Josh Evans leads a quintet at Smalls, $25

7/6, 8 PM legendary, risque, politically spot-on calypso icon the Mighty Sparrow at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/6, 8:30 PM tuneful original delta blues and acoustic Americana from guitarist Jon LaDeau at Pete’s

7/6, 9 PM Trio Catarina with hotshot Brazilian accordionist Felipe Hostins at Bar Lunatico

7/7, 6 PM new string quartet the Overlook with guest Tanya Birl-Torres play music by Leila Adu, Shelley Washington and Samuel Coleridge-Taylor at the Hispanic Society of America, 613 W 155th St. west of Broadway, 1 train to 157th St., free

7/7, 6 PM horn player Cort Roberts leads an ensemble playing new classical repertoire tba at Madison Square Park. He’s back on 8/11

7/7, 8 PM ish edgy alto sax player Kate Mohanty plays her bday show followed by uneasy female-fronted psychedelic abstract rock band Gold Dime at Our Wicked Lady, $12

7/7, 7:30 PM the Chamber Music Society of Lincoln Center with Shai Wosner, piano; Chad Hoopes, violin; Kristin Lee, violin; Tien-Hsin Cindy Wu, viola; David Requiro, cello; Xavier Foley, bass play works by Beethoven and Dvořák at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/8, 6 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar

7/8, 8 PM painter Jim Watt completes his “1000 Watts” series of 1000 ink washes in the monochromatic Japanese Sumi style while an allstar jazz trio – trumpeter Antoine Drye, guitar icon Bill Frisell & drummer Kyle Benford – improvise behind him at Collab, 309 Starr St, Bushwick (St. Nicholas/Cypress Ave), L to Jefferson St, $20 sug don. Watt will donate $100,000 (a hundred grand, you read that right) to benefit jazz musicians imperiled by the lockdown through sales at his dealer Jim Kempner Fine Art.

7/8, 8 PM the NY Philharmonic play Carlos Simon: Fate Now Conquers; Stravinsky: Pulcinella Suite; Mozart: Symphony No. 40 at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/9, 7 PM perennially popular original folksinger Toshi Reagon & Big Lovely at Bryant Park

7/9, 7/9:30 PM cutting-edge B3 organ grooves with the Jared Gold trio at Smallls, ,$25

7/9, 7:30 PM iconic Afro-Cuban percussionist/bandleader Pedrito Martinez at Drom, $15

7/10, 2 PM afternoon improvisations: guitarist  Aron Namenwirth with Daniel Carter, Claire de Brunner, Tamio Shirashi and otherworldly Turkish group No Land at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

7/10, 7 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues. They’re back here on 7/24

7/10, 7:30 PM the Chamber Music Society of Lincoln Center play works by Haydn, Mendelssohn and Schumann at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/11, 3:30 PM the Noga Band featuring amazing Middle Eastern oudist Avram Pengas at Wagner Park north and west of the Battery

7/12-16, half past noon sly, cinematic, tuneful Microscopic Septet pianist Joel Forrester at Bryant Park

7/13, 7 PM pensive, eclectic, tuneful jazz/art-rock songwriter Becca Stevens at the big room at the Rockwood, $15

7/14, 6:30 PM repeating 7/18 at 5 PM guitarist Oren Fader and and pianist/salonniere Yelena Grinberg play rare duo works by Vivaldi, Beethoven, Hummel, Moscheles, Weber, Boccherini, Munier, Castelnuovo and Piazzolla at Grinberg’s now-resuscitated monthly upper westside salon, email for deets here., convenient to 1/2/3 trains, $35 includes wine, munchies and good conversation afterward

7/16, 7 PM  sizzling salsa dura band the Spanish Harlem Orchestra at Bryant Park

7/16, 7/8:30 PM drummer Sylvia Cuenca leads a quintet with Dave Kikoski on piano and Craig Handy on tenor sax at Smallls, $25

7/18, 7 PM slashing lo-fi guttar blues songwriter/guitarist Breanna Barbara at Our Wicked Lady, free

7/18, 7:30/9 PM Falkner Evans solo on piano – sometimes inscrutable, sometimes darkly rapturous – at Mezzrow, $25

7/19, 9 PM darkly brilliant, psychedelic Klezmatics multi-reedman Matt Darriau‘s group plays a Yusef Lateef tribute at Bar Lunatico

7/20, noon classical ensemble the Sterling Strings play their hilarious string quartet versions of rap and pp hits at Metrotech Park in downtown Brooklyn

7/20, 7 PM vibraphonist Felipe Fournier‘s wild Tito Puente and Dave Brubeck cover band, Supermambo at Gantry Plaza State Park

7/20, 7:30 PM the Philharmonia Baroque Orchestra play works by Purcell, John Blow and others at the Naumburg Bandshell in Central Park

7/20, 7:30/9:30 PM  rapturously eclectic jazz chanteuse Marianne Solivan leads her leads her trio at Mezzrow, $25

7/21, 7 PM adventurous indie classical ensemble Contemporaneous play edgy, often poignant new works by Alex Weiser, Zachary James Ritter, Yasmin Williams , toy pianist Lucy Yao and a world premiere by Yaz Lancaster at Pier 64, 24th St. and the Hudson, free, rsvp req  

7/21, 8 PM bhangra-klezmer mashups with Sharabi feat. trumpeter Frank London & Deep Singh with singer Sarah Gordon plus Israeli reggae-rockers Zion 80 at Drom, $20

7/22, half past noon mostly-female, kinetic klezmer/cumbia/cinematic jamband Isle of Klezbos at St. Marks Park, 2nd Ave/10th St.

7/22, 7/8:30 PM colorful,  eclectic, paradigm-shifting B3 jazz organist Brian Charette  leads his organ trio at Smalls, $25

7/23, 7 PM orchestra the Knights play music by Jessie Montgomery, Anna Clyne, and Christina Courtin, alongside Mozart’s Eine kleine Nachtmusik. at Bryant Park

7/24 2 PM improvisational keyboardist Matt Mottel plays his bday show at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

7/24, 7/8:30 PM Mike LeDonne takes a relatively rare turn on piano with a trio on piano at Smalls

7/24, 7:30ish the Sun Ra Arkestra at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

7/24, 8 PM sprawling large jazz/ambient ensemble/jamband Burnt Sugar at Damrosch Park

7/24, 10 PM fiery electric bluegrass and C&W with Demolition String Band at Skinny Dennis

7/26-30 half past noon big band pianist Russ Kasoff solo at Bryant Park

7/27, 7 PM the George Gee Big Band play vintage 30s swing at Gantry Plaza State Park

7/28, 6 PM vibraphonist Sae Hashimoto leads an ensemble playing new classical repertoire tba at Madison Square Park. She’s back on 8/4

7/29, half past noon fearlessly relevant, toweringly intense latin jazz pianist Arturo O’Farrill leads a smaller band than usual at St. Marks Park, 2nd Ave/10th St

7/29, 7:30 PM the Mingus Big Band celebrate their new home at Drom, $30

7/29, 10ish sly blue-eyed soul pianist/crooner Nat Osborn at the big room at the Rockwood, ,$15

7/30, 8 PM Indian percussionist Ravish Momin’s Sunken Cages + Migiwa “Miggy” Miyajima‘s lavish large jazz ensemble at Damrosch Park, be prepared to hang on the fringes because there may be restrictions

7/30, 7:30 PM postbop saxophonist Greg Osby and his Quartet and clarinetist Oran Etkin’s Open Arms Project at Drom, $30

7/31, 7 PM salsa romantica crooner Tito Nieves at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

7/31, 8 PM Raga Maqam with paradigm-shifting trumpeter/santoorist Amir ElSaffar and members of  Brooklyn Raga Massive at Damrosch Park. Their Lincoln Center show a couple of years ago was off the hook.

7/31, 8 PM legendary Brooklyn psychedelic funk band Groove Collective at Drom, $20

8/1, 7 PM the Harlem Gospel Travelers and irrepressible 60s-style blue-eyed soul singer Eli “Paperboy” Reed at Our Wicked Lady, free

8/3, 7:30 PM the East Coast Chamber Orchestra play works by Mozart, Golijov and others at the Naumburg Bandshell in Central Park

8/6, 7 PM trumpeter Terence Blanchard with the Turtle Island Quartet at Bryant Park

8/6, 11 PM clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Drom, $20

8/7, 2 PM an amazing improvisational jazz triplebill: baritone sax monster Josh Sinton with Daniel Carter and Sam Newsome, then brilliant, politically fearless visionary/tenor sax improviser Matana Roberts , and flutist Laura Cocks solo at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

8/11, 7 PM slinky, hypnotic percussive Moroccan trance band Innov Gnawa on the steps at the Grand Army Plaza branch of the Brooklyn Public Library

8/14, 9:30 PM  this era’s most consistently interesting jazz pianist, Vijay Iyer at Prospect Park Bandshell. Listen from outside (try around the back) since the arena may still have restrictions

8/17, 7 PM Dominican jazz guitarist Yasser Tejeda & Pelotre at Gantry Plaza State Park

8/18, 5 PM the Harlem Quartet at Times Square. Where? Follow the sound, it seems

8/18 alto sax powerhouse Ravi Coltrane and the sultry Juke Joint Jelis feat. badass singer Brianna Thomas at Drom, time/price tba

8/19, 7 PM double threat Camille Thurman – equally dazzling on the mic and the tenor sax – with the Darrell Green Trio, and trombonist Conrad Herwig with his Quintet at Drom, $30

8/20, 7 PM amazingly dynamic drummer  Johnathan Blake and his trio and wildfire Colombian harpist Edmar Castaneda with drummer Ari Hoenig at Drom, $30

8/21, 7 PM legendary second-wave Afrobeat band Antibalas at Rumsey Playfield in Central Park

8/21, 7 PM edgy, incisive, terse jazz guitarist Russell Malone and his Quartet at Drom, $20

8/22, 7 PM paradigm-shifting Romany jazz/psychedelic rock guitar mastermind Stephane Wrembell at Drom $30

8/24, 6 PM the Donald Harrison Quartet with the Harlem Orchestra play Charlie Parker’s Bird with Strings at Marcus Garvey Park, be prepared to hang on the fringes because there may be restrictions

9/12, 4 PM the Overlook String Quartet play music by Eleanor Alberga, Florence Price, and Chevalier de Saint-Georges at the Morris-Jumel Mansion, 65 Jumel Terrace about a block south of 162nd St., Washington Heights, free, A/C to 163rd St.

9/18, 7:30 PM Trombone Shorty at Prospect Park Bandshell. We might have to listen from outside since the arena may still have restrictions

9/19, 7 PM Patti Smith at Rumsey Playfield in Central Park, maybe listen from outside because there may still be restrictions involved

More Dark Retro Soul From Nick Waterhouse

Nick Waterhouse has been one of the prime movers in the retro soul movement for over a decade. His latest album Promenade Blue – streaming at Bandcamp – is a welcome addition to that consistently strong, purist body of work, focusing more on the noir side of that sound than usual here. You know the drill: reverb on everything, harmony singers who punch in on the chorus, trebly guitars and melodic bass playing through vintage amps, and nonstop catchy hooks.

With the opening track, Place Names, Waterhouse reinvents pre-Motown soul with stark strings in lieu of the kind of wafting orchestral sonics that Phil Spector would have used. And Waterhouse is more of a crooner than most artists from that era. At about four minutes, the song gives him a chance to chill and reflect on better times…as those of us who remember the glory days before March 16, 2020 have probably been doing in the time since.

The Spanish Look doesn’t have anything remotely Spanish about it, although it does have a lot of fevered Elvis in it, hey heh, mmm hmmm. Waterhouse goes back to a roughhewn, vampy early 60s milieu with Vincentine, complete with tantalizingly brief, blazing Chicago blues guitar breaks.

He paints a doomed, down-and-out Tom Waits tableau in the next track, Medicine, over a Lynchian guitar twang. Very Blue is the album’s best song, a gorgeous early 60s Orbison noir song complete with desperately hammering piano, bittersweet major/minor changes….and flurrying early ELO strings. “I remember trying hard just to wake you up,” Waterhouse intones – and the rest is history.

Elvis goes to see the gypsy in Silver Bracelet, set to a tinkly Vegas noir backdrop. Promene Bleu, a quasi title track, makes for a tasty instrumental mashup of Django Reinhardt and oldschool soul with a smoky tenor sax break. The noir tropes reach parody pitch in Fugitive Lover – gruff baritone sax, fire-and-brimstone gospel imagery repurposed as crime jazz, hook-and-ladder guitar riffage, the works.

Waterhouse goes back to primitive mode for Minor Time – as in “was your major, but you made the change” – and then picks up the pace with the quasi-surf Santa Ana 1986. Turns out Waterhouse is a California Man, just like Roy Wood. The album’s final cut is To Tell, the great missing b-side to ELO’s Showdown. If you like the standard noir tropes, if you miss Twin Peaks, this is your jam. Less devoted fans may find this on the monochromatic side. But maybe that’s the way Waterhouse wants it – and if so, that’s cool.