New York Music Daily

Global Music With a New York Edge

Tag: rock music

Purposeful, Darkly Heavy Psychedelia and Blues From All Them Witches

Nashville hasn’t historically been a rock hotspot, but there’s been a lot of good stuff coming out of there recently without the hint of country twang. Heavy psych band All Them Witches are at the front of the pack. Their latest album, ATW, is streaming at Bandcamp. Their riff-rock is more minimal than Led Zep, less envelopingly hypnotic than the Black Angels, although there are moments where these guys very closely resemble those two very different groups.

The album’s first track, Fishbelly 86 Onions is a circling, staggered riff-rock mini-epic. “Never thought he would wake up from a fistfight,” frontman/guitarist Charles Michael Parks Jr. intones. “Never thought he would get knocked down,” he adds. Finally the cuts loose with the vibrato on the guitar; the bass doubling Jonathan Draper’s reverbtoned Fender Rhodes electric piano lines add to the smoky atmosphere. All of a sudden, six minutes in, it hits you: these guys haven’t changed chords yet!

“Like a warhorse caught in the stable,” Parks explains as the band builds a darkly rustic, 19th century blues-influenced groove in Workhorse.  “They want to feel the wheels of control…they wanna see me work in a cage, see me bleed.” It could be a heavier take on the kind of ferociously populist gutter blues the Sideshow Tragedy were doing a couple of years ago.

Drummer Robby Staebler steers the band through the tricky changes of the vintage Zep-flavored 1st vs. 2nd with a nimbly crushing attack. “I’ve been counting the seconds, I’ve been waiting too long,” is the mantra.

The brooding Half-Tongue is a gorgeously spare heavy blues, Parks’ jagged Chicago guitar lines over Draper’s smoky Hammond organ. The album’s darkest number, Diamond is almost as stark, finally building to a menacing, chromatic drive fueled by Parks and fellow guitarist Ben McLeod before returning to a deadpool ambience that sounds like the Black Angels covering Blue Oyster Cult.

The band go back to slow, heavy minor-key blues for album’s longest epic, Harvest Feast, which is definitely a feast of clanging, echoing, wailing and burning guitar textures, orchestrated with immense subtlety for a band this heavy. The way they edge toward Grateful Dead territory without losing focus is an especially cool touch.

The band turn on a dime from a drony jet engine intro to a shamanistic pulse as HJTC gets underway: it could be the Black Angels reduced to simplest and darkest terms. They wind up the album Rob’s Dream, a slow, spare, eerily warpy minor psych-blues tableau that finally rises to a scorching peak: British legends the Frank Flight Band come to mind. Despite a recent lineup shuffle, this captures one of this country’s most individualistic psychedelic bands at the top of their uneasy game.

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Menacing Full-Throttle Instrumentals From the Death Wheelers

Today’s Halloween album, streaming at Bandcamp, is I Tread on Your Grave, by instrumentalists the Death Wheelers. The album cover and bandname are a little misleading: what they play isn’t really biker rock. It’s closer to the growling SoCal ATV themes that Agent Orange played on the River’s Edge soundtrack (now there’s a great Halloween movie!). Pat Irwin’s eclectic 80s scorpion rock band the Raybeats also come to mind, although the Death Wheelers are a lot louder. more metal-oriented and distinguish themselves with downtuned bass. In the same vein as another legendary instrumental rock band, Man or Astroman, the group like to open their songs with snippets from cheesy 50s horror flicks.

The album opens with the title track. Max Tremblay’s doomy, gleefully tremoloing Sabbath-esque bass riff kicks it off, then the band – who also comprise guitarists Sy Tremblay and Hugo Bertacci, plus drummer Richard Turcotte – take it on a weirdly syncopated tangent with keening slide guitar.

13 Discycles is a metalflake take on horror surf: when the band go halfspeed, then quarterspeed on the long outro, it could be Pantera playing Beware the Dangers of a Ghost Scorpion. The furthest they go into the surf is Moto Vampiro, but even that takes a detour into vintage 70s riff-rock: the flange and the distorted bass add skunky contrast.

Where so many of these tracks careen from one style to another or mash them up, Roadkill 69 is the closest thing to 60s biker theme here, but with metal sonics. The album’s best track, Sleazy Rider Returns, is also its creepiest, a Frankenstein gallop that starts out as the most horror surf-oriented number here, then slouches toward Sleep and then pre-Dark Side Pink Floyd.

Death Wheelers/Marche Funebre begins all sludgy, with some tasty machete tremolo-picking, then the band put the rubber to the road: it could be the Coffin Daggers with grittier bass. They launch into a nazgul gallop in Black Crack, a wry update on a classic Led Zep stomp; then, in Backstabber, they weld more of that vinyl-cracking sunburst slide guitar to a chugging, vintage Motorhead-style riff. 

If Iron Maiden had been an instrumental band during their earliest days back in the 70s, they might have done RIP (Last Ride) – the sample that introduces it is a real hoot. The brief Purple Wings sounds like an unexpectedly swinging, funk-tinged rehearsal jam that the band decided to keep and maybe work up later.

The album’s final cut is Moby Dick – an original, not the Led Zep monstrosity -where they nick an old Sonny Boy Williamson riff that the Allman Brothers infamously ruined, and do it justice. Guess these guys figured they couldn’t nick the title as well if they didn’t put in a really funny Spinal Tap drum solo as well. It’s hard to think of a more interesting, original heavy band out there. 

Shattering Acoustic Songs and Defiant Rock Anthems Side By Side on the Lower East

“The most depressing music ever!” That’s how one of the members of high-voltage rockers Petey & the True Mongrel Hearts introduced his bandmate, singer Erica Smith at the Treehouse at 2A a couple of weekends ago. But much as Smith’s shattering, nuanced voice and painterly lyrics deal almost exclusively with dark topics, her songs actually aren’t depressing at all. She’s all about transcendence. Which is what dark music is all about, right? If everything was hopeless, why bother? The real torment is the lure of something better, and Smith channels that hope against hope better than just about anyone alive.

Her career as one of the leading lights of a still-vital Lower East Side Americana scene in the late zeros took a couple of hits, first with the loss of her drummer, the late, great Dave Campbell, then the demands of job and motherhood. Since then, she hasn’t exactly been inactive, but her gigs have been more sporadic: we can’t take her for granted anymore. Playing solo acoustic, she was all the more unselfconsciously intense for the sparseness and directness of the songs.

As usual, her imagery was loaded. Glances exchanged, unspoken, almost buckled under the weight of a pivotal twist of fate. A surreal, dissociative stare up into bright lights could have been a prelude to a grisly interrogation…or just a particularly anxious moment as seen from a hospital bed. That reference came early during the night’s best song, Veterans of Foreign Wars, a brooding waltz ending with a scenario that could have been either an Eric Garner parable, one with broader, antiwar implications, or both. Otherwise, she strummed and nimbly fingerpicked her way through styles from austere front-porch folk to vintage soul to minimalist rock.

But Smith is hardly all about gloom and doom: she has a fun side. The solo set made a stark contrast with her turn out in front of the band, through a smoldering take of group leader/guitarist Pete Cenedella’s mighty, steamy oldschool soul ballad, Hand to Lend, which quickly became a launching pad for belting and torchy melismatics to rival Aretha. Nobody sings a soul anthem like Smith: we may have lost Sharon Jones, but we still have this elusive performer.

Cenedella got his start fronting the highly regarded American Ambulance, whose ferocious populism and interweave of Stonesy rock with what was then called alt-country won them a national following. But musically speaking, this latest group’s musicianship rivals any outfit he’s been involved with.

Drummer David Anthony’s matter-of-factly swinging four-on-the-floor groove and bassist Ed Iglewski’s trebly, melodic lines underpinned lead guitarist Rich Feridun’s incisively terse fills and Charly CP Roth’s rivers of organ. Alongside Cenedella, the harmony vocal trio of Smith, Lisa Zwier and Rembert Block spun elements of Motown, Tina Turner soul and Balkan gothic into an uneasily silken sheen.

The songs in the group’s first set (this blog went AWOL for the second one) rock just as hard as Cenedella’s most electric earlier material, and if anything, are more anthemic than ever. The addition of the organ along with a frequent 60s soul influence often brought to mind peak-era Springsteen at his most ornate: Gaslight Anthem, eat your heart out.

The catchiest and most danceable number was a slinky go-go-strut, The Getaround. The most straightforwardly poignant, in a mix of songs with persistent themes of heartbreak and crawling from the wreckage afterward, was the imagistic Skies Can’t Decide. Setting the stage with the catchy, defiant Down Harder Roads and Turning of the Wheel worked out well, considering the fireworks, both loud and quiet, which followed.

Petey & the True Mongrel Hearts are currently in the midst of recording a lavish double album, so they ought to be playing out a lot more. And Smith is at Otto’s on Nov 1 at 7 PM with Beatlesque soul band Nikki & the Human Element

More Brown Acid For Halloween Month

Halloween month this year is turning out to be a long, strange trip around here. In celebration of the creepiness coming up at the end of the month, there’s a sixth compilation in the Brown Acid series of obscure proto-metal and heavy psych treasures, most of them from the 60s and early 70s.

Most of the dozens of bands anthologized in the series never made more than a few singles at best. Many made only one. Some of those 45’s sell for thousands of dollars on the collectors market, but the Brown Acid folks have made them available for people who don’t have hedge funds or trust funds. And they actually pay royalties to the surviving artists. Imagine – buy the vinyl and you’re actually helping support some old weedhead.

The most recent vinyl release Brown Acid: The Sixth Trip – streaming at Bandcamp – is the most R&B, psychedelic soul and funk-influenced volume to date. It kicks off with No Parking, by San Franciso band Gold, which welds frantically scampering Blues Magoos garage rock to amped-up R&B. Like a lot of these singles, it’s mixed in mono, an effect which actually helps hold the convulsive outro together.

Inferno, by Canadian group Heat Exchange, comes across as a more nimble version of Cream, with tasty twin leads from guitar and organ and a shockingly good, biting alto sax solo before the wah-wah kicks in. Lovin’ You, by Travis (not the late 90s British arena-rock band) is a slinky,psychedelic soul groove that could almost pass for very early Hendrix. Enoch Smoky’s It’s Cruel distinguishes itself with one of the tastiest, fattest basslines in the entire series: don’t let the fact that it’s basically a supercharged Brill Building pop tune scare you off.

Backwood Memory’s Give Me Time is a vintage psychedelic soul nugget: it’s too bad the band never connected with a record label that could buy some airplay. One of the funnier titles in the collection, Luvin, Huggin & More, by Flight, sounds like a prototype for Bachman-Turner Overdrive recorded on somebody’s home stereo, guitars pinned in the red. Which comes as no surprise – six years after “releasing” this in 1974, bandleader Victor Blecman had a left-field new wave hit with Space Invaders.

Midnight Horsemen, by Truth & Janey, has a loping, funky beat and a doublespeed bridge that almost falls apart: if REO Speedwagon had started out in the 60s, they might have sounded something like this. My Life, by West Minst’r, is the most generic riff-rock track here, although the befuddled lyrics are really funny.

Purgatory’s Polar Expedition is a hippie blues bounce that could be Brownsville Station covering the Doors. Boston hippie Johnny Barnes’ Steele Rail Blues could be early Thin Lizzy. before the label censors edited out the weed references: it’s the one track here that could have been edited down to two minutes fifty seconds without sacrificing anything. The album winds up on a high point with Chicago rockers Zendik’s wickedly catchy, 13th Floor Elevators-tinged There No Peace. The biting diminished chords and “god is dead” mantra make you wish there was more material from this talented, insightful crew.

Devil’s horns raised to the skies for the tireless playlisters here who’ve dedicated literally thousands of hours to giving this music the audience it’s deserved for decades but never reached until recently.

Live Music Calendar for New York City and Brooklyn for October and November 2018

Daily updates – if you go out a lot, it couldn’t hurt to bookmark this page.

If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music. Many different styles to choose from.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised. If you see a show listed without the start time, that’s because either the artist, their publicist or the venue in question sent incomplete info – those acts are usually listed last on a particular date.  Always best to check with the venue for the latest information on set times and door charges, since that information is often published here weeks in advance. Weekly events first followed by the daily calendar.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you found out about here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

On select Wednesdays and Sundays, an intimate, growing piano music salon on the Upper West Side featuring iconoclastically insightful, lyrical pianist Nancy Garniez – a cult favorite with an extraordinarily fluid, singing, legato style – exploring the delicious minutiae of works from across the centuries, beverages and lively conversation included! Next performance is 10/3, 7 PM with special guest violinist Gregor Kitzis playing Mozart, email for details/address

Mondays at 7 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud at Barbes followed at 9:30 PM by a variety of south-of-the-border-style bands playing cumbias, boogaloo, salsa, maybe all of the above.

Mondays at the Jazz Standard it’s all Mingus, whether with the Mingus Orchestra, Big Band or Mingus Dynasty: as jazz goes, it’s arguably the most exhilarating show of the week, every week. The first-rate players always rise to the level of the material. Sets 7:30/9:30 PM, $25 and worth it.

Also Monday and Tuesday nights Vince Giordano’s Nighthawks, a boisterous horn-driven 11-piece 1920s/early 30’s band play Iguana, 240 W. 54th St ( Broadway/8th Ave) , 3 sets from 8 to 11, surprisingly cheap $15 cover plus $15 minimum considering what you’re getting. Even before the Flying Neutrinos or the Moonlighters, multi-instrumentalist Giordano was pioneering the oldtimey sound in New York; his long-running residency at the old Cajun on lower 8th Ave. is legendary. He also gets a ton of film work (Giordano wrote the satirical number that Willie Nelson famously sang in Wag the Dog).

Mondays at the Vanguard the Vanguard Jazz Orchestra – composer Jim McNeely’s reliably good big band vehicle – plays 9/11 PM, $30 per set plus drink minimum.

Mondays in October, 10 PM noir guitar legend Jim Campilongo leads his trio at the big room at the Rockwood, $10

Mondays in October, Rev. Vince Anderson and his band play Union Pool in Williamsburg, two sets starting at 10:30 PM. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically astute, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the lead soloist on baritone sax, with frequent special guests.

Tuesdays in October, clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at 9 PM at Barbes (check the club calendar). Get there as soon as you can as they’re very popular. $10 cover.

Tuesdays in October, 9:30 PM Lizzie & the Makers  at Pete’s. Snarling twin-guitar psychedelic rockers steeped in oldschool backing one of the most powerful, riveting singers on the planet. DAMN, can this woman wail. We lost Aretha but we still have Lizzie. 

Wednesdays in October, 8 PM the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Threes Brewing Outpost, 113 Franklin St (Greenpoint/Kent Aves) in Greenpoint, free

Thursdays at 8 in October the Brooklyn Raga Massive – a rotating cast of A-list Indian, jazz and rock musicians who love to jam out classic Indian themes from over the centuries to the present day – play the Jalopy, $15 adv tix at the bar at the main space. Tons of special guests followed by a wild raga jam!

Fridays and Saturdays at 5 PM adventurous indie classical string quartet Ethel plus frequent special guests playing a mix of classical and more contemporary material at the balcony bar at the Metropolitan Museum of Art, free w/museum adm

Fridays at 7:30 PM Ken Fowser leads his band at the Django. Jukebox jazz in a JD Allen vein but not as dark and more straight-ahead/groove-oriented: as postbop party music goes, nobody’s writing better than this guy right now.

Fridays in October charmingly inscrutable Parisienne chanteuse Chloe & the French Heart Jazz Band at Club Bonafide, $20. 10/5 and 10/19 she’s here at 8; 10/12 and 10/26 at 5 PM

Free classical concerts on Saturdays at 4 PM in October at Bargemusic;  usually solo piano or small chamber ensembles. If you get lucky, you’ll catch pyrotechnic violinist/music director Mark Peskanov and/or the many members of his circle. Early arrival advised.

Sundays in  October, at sometime past noon at Hank’s, Nashville gothic crooner Sean Kershaw‘s legendary honkytonk brunch is back; special guests from his wide circle of NYC Americana acts keep the afternoon going until about 7. It’s just like 1999 again -at least until the bar closes sometime this year.

Sundays in October, 7 PM pyrotechnic Balkan multi-reedman Greg Squared‘s Great (and ever-expanding) Circle followed at 9:30  by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

Sundays in October, 8 PM purist guitarist Peter Mazza – who gets the thumbs up from bop-era legend Gene Bertoncini – leads a series of trios at the Bar Next Door.

10/1, 8 PM intense, soaring harmonium player/singer Elana Low – a more organic, trancey version of Marissa Nadler, maybe – at An Beal Bocht, 45 W 238th St in the Bronx. 10/2 at 8 she’s at Sidewalk and 10/30 at 8 at the Parkside 

10/1, 8 PM wildfire guitarist Brandon Seabrook’s Trio celebrates the release of their aptly titled debut album, Convulsionaries at Roulette, $18

10/1, 8:30 PM edgy alto saxophonist Caroline Davis leads a trio at Bar Chord

10/1, 9 PM brassy, spot-on Fela cover band Chop & Quench at the Knitting Factory, $20

10/1, 9:30 PM Dilemastronauta Y Los Sabrosos Cosmicos with members of M.A.K.U and Combo Chimbita play space cumbia at Barbes. They’re also at Wonders of Nature on 10/28 for $10

10/1, 9:30 PM innovative, catchy, kinetic Americana fiddler/singer Emerald Rae– who plays her axe like a mandolin – at Pete’s 

10/2, 7 PM a screening of the documentary film/cautionary tale Advertising at the Edge of the Apocalypse with Q&A afterward led by media critic/gadfly Mark Crispin Miller at 12 W 11th St, free

10/2, 7:30 PMbassist Max Johnson with  Maria Grand on Tenor Saxophone, and Flin Van Hemmen on drums followed by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at Barbes

10/2. 8/9;30 PM Melissa Stylianou (vocal stylist), Gene Bertoncini (guitar), Ike Sturm (bass) at Mezzrow, $20 at the bar

10/2, 8 PM Eli Keszler presents his first solo music in two years alongside video installations by Alan Segal. “The live percussion performance draws from the album’s collected city-space recordings, fragmenting these sounds through acute instrumental means. As a visual and auditory experience, Keszler creates resonant, melodic, and percussive textures that move massive expanses into the tactile dimension.” Feel it at the Kitchen, $20

10/2-6, 8:30 PM gamelanesque percussion innovator Susie Ibarra leads a series of ensembles at the Stone at the New School, $20. Choice pick: opening night with Mephista: Sylvie Courvoisier (piano) Ikue Mori (electronics) Susie Ibarra (drumset, percussion)

10/2, 9 PM Crampsy ghoul-surf/noir garage band Twin Gunsat Coney Island Baby, $10

10/2, 9 PM sharply lyrical janglerock/Americana/soul songwriter Matt Keating and guitarist Steve Mayone’s catchy new powerpop project the Bastards of Fine Arts at 11th St. Bar

10/2. 10:30 PM charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy leads his quintet at Smalls. He’s also here on  10/23

10/2 ,midnight enigmatically tuneful, psychedelically abstract rock band Gold Dime at Secret Project Robot

10/3, 1 PM witty postbop multi-instrumentalist Art Baron leads a trio with James Weidman and Yasushi Nakamura at St. Peter’s Church, 54th/Lex

10/3, 1 PM violinist Max Tan leads an ensemble playing works by Bach, Brahms and Mozart at the Greene Space, free w/rsvp 

10/3, 6 PM Tibetan lutenist and guitarist Tendor and Tenzin Choeying at the  Rubin Museum of Art, free w/museum adm

10/3, 6:30 PM exhilarating, edgy, sardonic alto saxophonist Elijah Shiffer on saxophones with Nick Dunston on bass and Vincente Hanson on drums at the Bar Next Door. They’re also here on 10/17

10/3-6, 7:30 PM “guitarist and composer Oscar Peñas and his quartet combine piano, bass, and drums with a string quartet in his classical-jazz suite inspired by the 3,000-year-old Andalusian fishing tradition known as the almadraba. Borrowing sounds from Cuban and South American folk music, as well as from Peñas’ own Iberian heritage,” at BAM Fisher Theatre, $25

10/3, 7:30/9:30 PM powerhouse drummer and hauntingly lyrical pianist Allison Miller and Carmen Staaf’s Science Fair at the Jazz Standard, $30

10/3 8:30 PMthe perennially intense, tuneful godfather of edgy, lyrical, anthemic downtown NYC rock, Willie Nile  at City Winery, $30 standing room avail. Anybody remember when you could see him every month at Arlene’s for free back in the 90s? 

10/3, 10 PM pyrotechnic clarinetist Ismail Lumanovski’s ferociously kinetic NY Gypsy All-Stars at Drom, $10 adv tix rec

10/4, 6:30 PM saxophonist Evan Rapport joins Shashmaqam for an evening of otherworldly, intensely crescendoing Bukharian Jewish epics. “Before the musical celebration begins, enjoy a spread of traditional Bukharian food and drink” at the Eldridge Street Synagogue, $25/$15 stud/srs

10/4, 7:30 PM firebrand Egyptian accordionist/songwriter Youssra El Hawary – best known for her hilarious revolutionary youtube hit Piss on the Wall – at the Lincoln Center Atrium, free, early arrival advised

10/4,  7;30/9:30 PM wildly popular lyrical pianist Jason Moran’s Freebird quintet reinvent Charlie Parker themes at the Jazz Standard, $30

10/4, 7:30 PM, repeating on 10/5 at 2 and 10/6 at 8, the NY Philharmonic play the world premiere of Louis Andriessen’s Agamemnon plus Stravinsky’s Symphony for Wind Instruments, Debussy’s La Mer, and Leila Josefowicz solos in Stravinsky’s Violin Concerto at Avery Fisher Hall, $31 tix avail

10/4, 7:30 PM  pianist Lana Suran plays music by Haydn, Galina Ustvolskaya, Tchaikovsky, and Mozart at Scandinavia House, $15/$10 stud

10/4 8 PM pianist Gaya Feldheim Schorr  with Kat Lee followed by the highly improvisational Rhythm Method String Quartet playing little-known works by Florence Price, Amanda Maier-Röntgen, Amy Beach, and Elizabeth Maconchy, as well as a premiere of the Rhythm Method’s “Suffragette Songs,” which “reset song texts from the early 20th century women’s movement” at the Owl

10/4, 8 PM hypnotically explosive live bhangra dance band Red Baraat at the Poisson Rouge, $20 adv tix rec

10/4, 8 PM Sephardic pianist Renan Koen at the Center for Jewish History, 15 W 16th St., $20 

10/4, 8:30 PM hard-charging oldschool soul/funk/rock singer Bette Smith and band at Bar Lunatico

10/4, 9 PM serpentine, cinematic, epic art-rock band Book of Harmony and string metal band Stratospheerius at Shrine. This twinbill absolutely slayed at Gold Sounds last summer. 

10/4, 9 PM noirish crooner/guitarslinger Phil Gammage and his four-piece band at 11th St Bar

10/4, 10 PM awesomely slinky, psychedelic Israeli Ethiopiques groove instrumentalists Anbessa Orchestra at Barbes

10/4, 10 PM the great unsung hero of darkly purposeful, noir-tinged jazz guitar, Saul Rubin leading his Zebtet at the Fat Cat. They’re also here on  10/9 at 7

10/5, 7 PM epic, cinematic Indian violin-fueled art-rock themes with Rini and her explosive band at the big room at the Rockwood, $10. Next door at the small room moodily lyrical, politically savvy Irish folk-rocker Niall Connolly plays at 9 with his band for free

10/5, 7/9 PM Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at City Winery, $20

10/5, 7:30 PM a doublebill with irrepressible drummer Vinnie Sperrazza as linchpin. The first half presents guitarist Sean Moran leading his catchy, edgy Sun Tiger trio with Vinnie and cellist Hank Roberts. The second half features a trio of Vinnie with the starry partners of soprano saxophonist Sam Newsome and pianist Angie Sanchez at Greenwich House Music School, $20/$16 stud/srs

10/5, 7:30 PM Rustlings – violinist Maya Bennardo and Leah Asher with flutist Anne Dearth – at Scholes St. Studios

10/5, 7:30 PM a high-voltage Puerto Rican country music dance party: Viento de Agua spinoff La Máquina Insular plays classic and new plenas, followed by all female bomba group Ausuba at the Hostos Community College auditorium, 450 Grand Concourse in the Bronx, $20//$5 stud

10/5, 8 PM  catchy, slinky, psychedelic tropicalia and cumbia band Yotoco,high-voltage psychedelic cumbia/Afrobeat jamband MAKU Soundsystem and wild newschool Puerto Rican salsa dura big band Orquesta El Macabeo  at the Market Hotel, $25. More good bands in a single night than this venue has booked in ten years.

10/5, 8 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Flushing Town Hall, free w/rsvp. 10/13 at 7 they’re at Terra Blues for $20

10/5, 8 PM irrepressibly devious, lyrically hilarious multi-instrumentalist songwriter Walter Ego – who spans from darkly elegant art-rock to classic Britrock sounds – at Sidewalk

10/5, 8 PM unpredictably fun, funny psychedelic art-rock band the Academy Blues Project at Silvana. 10/11 at 10 they’re at the small room at the Rockwood

10/5, 7:30/9:30 PM Miles Okazaki and drummer  Damion Reid play selections from the guitarist’s interpretations of the complete works of Thelonious Monk at the Jazz Gallery, $25. 10/10 at 8:30 they’re at Bar Lunatico for the tip jar.

10/5, 8 PM in reverse order at the Jalopy: fiery, ambitious pan-slavic violinist/composer Iva Bittova, pastoral guitar instrumentalist Shane Parish,fearlessly haunting, dynamic, charismatic Romany/Balkan chanteuse Eva Salina with pyrotechnic accordionist Peter Stan, $12 adv tix rec

10/5, 9ish intense, charismatic oldschool soul belter Sami Stevens & trumpeter Bobby Spellman at the Owl.10/11 at 10 they’re at Trans-Pecos for $10

10/5, 9:30 PM catchy upbeat funky jazz – Adison Evans on saxophone with Kyle Koehler on organ and Robert Giaquinto on drums at the Bar Next Door, $12

10/5, 10 PM high-voltage Neapolitan tarantella string band Newpoli play the abum release show for their new one at Drom, $15 adv tix rec

10/5, 10 PM busker legends the Xylopholks in their furry suits at Barbes

10/5, 10 PM sweaty gutter blues road warriors King Khan & the Shrines at the Knitting Factory, $20

10/5, 10:30 PM roaring 20s hot jazz with Sweet Megg & the Wayfarers  at St. Mazie’s

10/5, 10:30 PM cutting-edge B3 organ and trombone soul/jazz grooves with the Jared Gold and Dave Gibson Band at the Fat Cat

10/5, 10:30 PM New Orleans-inspired blue-eyed soul stompers Mighty Fine followed by hilarious, smartly political faux-French retro 60s psych-pop band les Sans Culottes at Hank’s, $8

10/6, noon a high-voltage Puerto Rican country music dance triplebill: Plena de la R, La Raiz and Bombalya at the Hostos Community College auditorium, 450 Grand Concourse in the Bronx, $20//$5 stud$15/$5 stud

10/6, 6 PM atmospheric, cinematic drummer/composer Tim Kuhl – sort of a more straightforwardly trippy version of John Hollenbeck – at Pete’s

10/6, 7 PM the godfather of powerpop, the ageless Paul Collins followed by ferocious Balkan string band A Hawk & a Hacksaw at Elsewhere, $14. Then Collins jumps into a cab and runs over to Alphaville where he’s playing at 10 PM for $10

10/6, 7:30 PM Indian carnatic violinist L. Shankar with tabla player Abhijit Banerjee and percussionist Chris Garcia at the Schimmel Center at Pace University on Spruce St. in the financial district, $30 tix avail

10/6, 8 PM psychedelic 7os style salsa dura band La Mecanica Popular at Union Pool, sugg don, “no one turned away”

10/6, 8 PM powerhouse singer/pianist Goldee Greene – equally adept at opera and deep blues – and trancey African percussionist/singer Kevin Nathaniel at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away.” 

10/6, 8 PM Capella Peregrina, who utilize “rare instruments in “classical music” such as didgeridoo, crystal bowls, derbake, theremin” play a program TBA at the DiMenna Center, free 

10/6, 8 PM playfully lyrical, fearlessly political superduo Kill Henry Sugar – guitar/banjo mastermind Erik Della Penna and drummer Dean Sharenow – followed at 10 by epic ranchera/bolero brass crew Banda de los Muertos at Barbes

10/6, 10 PM newschool roots reggae tour warriors Iration at the Nokia Theatre, $25 tix avail 

10/6 Unsteady Freddie‘s monthly surf rock extravaganza at Otto’s begins at 9 PM with exotic vibraphone-driven surf band the Vibro-jets, jangly New York original surf rock cult heroes the Supertones at 10, at 11 the loudly soulful Bali Lamas (authors of the immortal Tiki Torture) and at midnight-ish majestic, darkly cinematic surf band the TarantinosNYC. The Vibro-Jets are also at Troost on 10/19 at 8ish

10/6, 9 PM percussionist Alessandra Belloni‘s rustically witchy tarantella band  at Mehanata, $10. 10/23, 7:30 PM they’re at at the Bernie Wohl Ctr, 647 Columbus Ave (91& 92ndSt) for twice that.

10/6, 9 PM ten-piece country/carnivalesque/acoustic rock powerhouse M Shanghai String Band,at the Jalopy, $10

10/6, 9 PM brooding, pensively anthemic original Irish folk-rockers the Winter Court at Desmond’s 

10/6 9:30 PM fiery, guitar-fueled Americana punks Spanking Charlene and their acoustic alter ego cover band Sad Bastards of Brooklyn at Hill Country

10/6, 10 PM sizzling electric bluegrass and C&W with Demolition String Band at Skinny Dennis

10/6, 11 PM anthemic lit-rocker Dalton Deschain  followed by sardonically catchy powerpop/janglerockers the Hell Yeah Babies at Footlight Bar

10/6. 11 PM funny, explosive oldschool style punk rockers the Live Ones at Hank’s, $8

10/7, 3 PM Sephardic pianist Renan Koen followed at 5 by bassist/ Stravinsky reinventor Adam Maalouf and at 8 by the amazing, haunting, otherworldly NY Andalus Ensemble – who play ancient Middle Eastern and North African Jewish sounds from as far back as a thousand years ago  – at the Center for Jewish History, 15 W 16th St., $20 

10/7, 3 PM Canadian Serbian pianist Viktor Lazarov plays Balkan piano music from the 1920s to today by Josip Slavenski, Ana Sokolović, Mokranjac, Lazarov Pashu and Maksimović at Spectrum, $15

10/7, 3 PM coy all-female torch song choir Cabaret Sauvignon, Flying South Trio playing latin jazz and Changing Modes – NYC’s funnest, most unpredictable, sharply lyrical new wave art-rock band –  with special guests Sawa Tamezane, baritone saxophone; and Steven Dworkin, cello as part of this year’s Jersey City studio tour at the Eonta Space, 34 Dekalb Ave in Jersey City, about a 10 minute walk from the Journal Square Path station

10/7, 4 PM, popular indie classical orchestra the Knights  at Brooklyn Public Library are sold out

10/7, 4:30 PM rapturously eclectic jazz chanteuse Marianne Solivan leads a quartet at Smalls

10/7, 7:30 PM the reliably exciting Queensboro Symphony Orchestra play  kick off their season with Mussorgsky’s Pictures at an Exhibition, the auspicious world premiere of Symphony No.1 “Dance of Life” by Paul Joseph and Bruch’s Violin Concerto No. 1 in G minor at Mary’s Nativity Church, 46-02 Parsons Blvd., Flushing, sug don

10/7, 7:30 PM perennially tuneful, pensively lyrical Americana janglerocker Mike Ferrio of Tandy and Good Luck Mountain at 11th St. Bar 

10/7, 8 PM low reedman Ken Thomson and ensemble play new works for bass clarinet and string quartet at Roulette, $18 adv tix rc

10/7, 10 PM Sofia Wolfson – who does catchy psych-pop as well as retro 60s blue eyed soul  – at the small room at the Rockwood

10/8, 4 PM graceful ladino singer Lara Bello, at 6 PM Sephardic pianist Renan Koen and at 8 a duo version of slinky Middle Eastern dance jamband Yemen Blues at the Center for Jewish History, 15 W 16th St., $20 

10/8, 7:30/9 PM the  Frank Carlberg Large Ensemble’s Monk Dreams, Hallucinations and Nightmares – a mashup of classic creepy Monk themes with Carlberg’s own noir compositions – at Dizzy’s Club, expensive $35 but worth it

10/8. 8 PM the album release show for unstoppably edgy, deservedly iconic, witty downtown guitarist Marc Ribot’s Songs of Resistance at the Poisson Rouge, $25 adv tgix rec

10/8, 8:30 PM one of New York’s most eclectic, interesting oudists, Brian Prunka with his group Nashaz  at Bar Lunatico

10/8. 9 PM fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel & the Two Cent Band at Skinny Dennis

10/8, 9ish improvisational trombone icon Steve Swell lwith Robert Boston – elec.piano; Thomas Helton – bass; Michael Evans – drums at the old Nublu

10/8. 9:30 PM the NYC Gaita Club – a Bulla en el Barrio spinoff – play rustically pounding Afro-Colombian trance-dance music at Barbes

10/9, drinks at 5:30 PM, show at 6, rustic Brazilian jungle guitar-and-accordion sounds with Regional de NY at the Miller Theatre, free

10/9 7:30 PM the Manhattan Chamber Players perform quintets and octets by Mendelssohn, Dvorak and Mahler at the Baruch College auditorium, $21/stud free

10/9, 7:30 PM protean ten-piece choir Choral Chameleon sing works by  Mateo Fletxa el Viejo, Josquin des Prez, the Beatles and others at St. Bartholomew’s Cathedral, $25

10/9, 8 PM, presumably in reverse order: Brooklyn’s original punk Balkan horn group Hungry March Band,  Haitian brass group Plezi Rara, the L Train Brass Band (who won’t be able to get home after the show, presumably), Brazilian brass street band Unidos Do Swing, New Orleans crew New Creations Brass and iconic drummer/gong master Kenny Wollesen & Wollesonic at the Market Hotel, $5. New Creations are at the Apollo at 7 the following night, 10/10 at 7 opening for Amateur Night there, no joke. 

10/9-13, 8:30 PM hauntingly innovative cellist Erik Friedlander leads a series of ensembles at the Stone at the New School, $20. Choice pick: 10/11 with Notorious feat. Sara Shoenbeck (bassoon) Sara Serpa, (vox) Curtis Hasselbring, (guitar, trombone)

10/9, 9 PM wickedly torchy noir songwriter Julia Haltigan and her killer band on her old home turf at 11th St Bar

10/9, 9:30 PM the Bronx Conexion play their mighty salsa big band jazz at the Nuyorican Poets Cafe

10/9. 10 PM ageless CB’s era funk-punk/postrockers the Bush Tetras at Elsewhere, $17

10/9, 10 PM NYC’s zeros-era answer to the Zombies, Sam Kogon at Secret Project Robot, $7

10/10, 1 PM vintage 30s style swing with the John Eckert Nine at St. Peter’s Church, 54th/Lex

10/10, 6 PM innovative, terse, delta blues-inspired guitarist Ross Hammond with the estimable Sameer Gupta on tabla at the  Rubin Museum of Art, free w/museum adm

10/10, 7/9:30 PM classy, cinematic NZ jazz pianist Alan Broadbent  leads a trio at Birdland, $20 at the bar. 10/15 at 8 he’s at Mezzrow for five bucks more.

10/10, 7:30 PM, repeating on 10/12 at 11 AM (in the morning) and 10/13 at 8  the NY Philharmonic play Rachmaninoff’s Rhapsody on a Theme of Paganini with  piano superstar Garrick Ohlsson plus Louis Andriessen’s new Tao and Sibelus’ Symphony No. 2 at Avery Fisher Hall, $31 tix avail

10/10, 7:30/9:30 PM ambitious, tuneful trumpeter Jonathan Finlayson leads a sextet at the Jazz Gallery, $15. They’re at the National Jazz Museum in Harlem the following night, 10/11 at 7 for five bucks less

10/10, 8 PM ubiquitously terse, interesting drummer Tomas Fujiwarapresents his newest project, 7 Poets Trio, featuring vibist Patricia Brennan and cellist Tomeka Reid at Roulette, $18 adv tix rec

10/10, 9:15 PMaccordion genius Shoko Nagai leads a quartet with Maryanne de Prophetis, Ron Horton, Dean Johnson at Happy Lucky No. 1 Gallery

10/10, 10 PM Fuck You Tammy play amazingly spot-on recreations of themes from Twin Peaks and David Lynch films at LIC Bar. 10/27 at 11 they’re at Elsewhere for $12.

10/11, 6 PM Brazilian brass street band Unidos Do Swing, New Orleans crew New Creations Brass on the Newark Avenue Pedestrian Mall, Jersey City. 

10/11, 7 PM presumably those two acts are going to march to WFMU’s Monty Hall, where they’ll be joined by the L Train Brass Band (who still won’t be able to get home after the show, presumably), slinky maracatu/New Orleans/surf rock mashup crew  Nation Beat andsinger Carolina Oliveros’ mighty 13-piece Afro-Colombian trance/dance choir Bulla en el Barrio for $10. The Bullerengue crew are also at Barbes at around 10 on 10/29.

10/11, 7 PM singer/dancer Nora Chipaumire’s #PUNK 100% POP*NIGGA, a triptych “conceived of as a live performance album inspired by her formative years in Zimbabwe during the 1970s, ’80s, and ’90s. Each section explores distinct sonic ideologies—punk, pop, and Congolese rumba—confronted and celebrated through the artists Patti Smith, Grace Jones, and Congolese vocal performer and animator (atalaku) Rit Nzele,” at the Kitchen, $25

10/11. 7:30 PM epic, original, intense original Balkan monsters Raya Brass Band at Symphony Space, $30/$20 for 30 and under

10/11, 7:30 PM reedman McCoy Mrubata and pianist Paul Hanmer lead an all South African jazz quintet at the Lincoln Center Atrium, free, early arrival advised

10/11, 8 PM irrepressibly charismatic oldtimey trombonist/uke player J. Walter Hawkes and band followed at 10 by Cumbiagra – who’ve been going in a much more psychedelic direction lately-  at Barbes

10/11, 8 PM uneasily jangly Americana rocker Erika Blinn and band followed by drivingly lyrical Steve Earle-ish songwriter Kasey Anderson and wickedly catchy Americana/paisley underground rockers Girls on Grass at Hank’s, $10. Girls on Grass are also at the big room at the Rockwood on 10/21 at 7 for the same price 

10/11, 8 PM cantorially-inspired avant garde singer/multi-instrumentalist Judith Berkson in her Liederkreis persona and reedman/multi-instrumentalist Oscar Noriega at Arete Gallery

10/11, 8/9:30 PM newschool improvisation, oldschool beats: saxophonist Wayne Escoffery, pianist Marc Cary & bassist Peter Washington at Mezzrow $20

10/11, 8:30 PM snarling, careening psychedelic Americana band the Black Lillies at City Winery, $20

10/11, 8:30 PM state-of-the-art postbop guitarist Will Bernardleads a killer quartet with Brian Charette on organ and John Ellis on soprano sax this time at Smalls

 10/11, 8:30  PM Payton MacDonald and Ina Filip explore the Naad Yoga of Dhrupad, a 700-year-old tradition of North Indian Hindustani music on tabla and sitar at the Brooklyn Raga Massive’s weekly jam at the Jalopy, $15

10/11, 8:30 PM Inflame mash up classical Indian ragas and flamenco at Bar Lunatico

10/11, 9 PM creepy Laurel Canyon art-rock/psych-folk/dark Americana band Quicksilver Daydream followed eventually at 11 by  cinematic noir Americana with Nathan Xander at Union Pool, $12

10/11, 10 PM one-man gutter blues band Mark Sultan at Berlin, $10

10/11, 11 PM jangly, quirky, anthemic Asheville highway rock band the Moon & You at the small room at the Rockwood 

10/11, 11 PM Driftwood Soldier – who play sardonic gothic Americana on bass and mandolin  – at Pete’s 

10/11, the global 25-member cast of the Onebeat socially conscious music collective at the Bronx Museum. 10/12 they’re at the Queens Museum 

10/12, 1 PM rising star Chelsea Chen plays a program TBA on the organ at St. Paul’s Chapel downtown

10/12, 6/7 PM Zacbe Pichardo of the Sones de Mexico Ensemble plays the harpa jarocha on the Vélez Blanco Patio at the Metropolitan Museum of Art, free w/museum adm

10/12, 7 PM sitarist Ikhlaq Hussain at the Rubin Museum of Art, $28

10/12, 7:30 PM the best latin jazz guitarist ever to play big league ball, Bernie Williams and His All-Star Band at the Schimmel Center at Pace University $30 adv tix rec

10/12, 8 PM a killer twinbill at City Winery: the self-explanatory Hillfolk Noir and bewitching noir Americana chanteuse Eilen Jewell and her amazing band , $20 standing room avail

10/12, 8 PM darkly psychedelic circus punks Yula & the Extended Family at Coney Island Baby, $12

10/12 8 PM eclectic, electric C&W/blues band the Jug Addicts followed at 10 by psychedelic salsa bandleader Zemog El Galle Bueno at Barbes

10/12. 8 PM eclectic, refreshing female-fronted newgrass band the Chatham Rabbits followed by Steamboat – who mash up bluegrass and trad Britfolk – at the Jalopy, $10  

10/12, 8:30 PM edgy tenor sax improviser Catherine Sikora solo on tenor sax and then in a duo set with violinist Mazz Swift at I-Beam, $15

10/12, 9 PM psychedelic janglerock guitar icon Chuck Prophet & the Mission Express at the Bell House, $20

 10/12, 9 PM pianist Lior Willinger plays socially-conscious world premieres by David Smooke, Natalie Draper, Judah Adashi, Ledah Finck, Wendel Patrick, Frances Pollock, Ari Sussman, Shelley Washington, and Zhangyi Chen at Spectrum, $15

10/12, 11 PM cult favorite gutter blues/jangle-psych duo Mr. Airplane Man at Hank’s, $10

10/13, 2:30ish sardonically catchy powerpop/janglerockers the Hell Yeah Babies, long-running, wickedly jangly, tuneful Americana rockers the Sloe Guns in Tompkins Square Park and Giftshop – the missing link between Blondie and the Distillers – at Tompkins Square Park

10/13, 3 PM iconic second-wave Afrobeat band Antibalas on the plaza at 300 Ashland Pl next door to BAM, free

10/13, 4 PM the Erik Satie Quartet – Ron Hay (trombone), Max Seigel (bass trombone), Ben Holmes (trumpet), and Andrew Hadro (bari sax) –reinvent classic and obscure Satie chamber pieces as well as rare compositions by his obscure contemporaries, followed at 6 by dark cabaret legend  Sanda Weigl, at 8 by eclectic, lyrical jazz bassist/composer Pedro Giraudo leading his Tango Quartet, and at 10 by accordionist/sitarist Kamala Sankaram’s hot surfy Bollywood/cumbia/psychedelic rock band Bombay Rickey at Barbes

10/13, 7 PM night one of this year’s amazing, free Momenta Festival featuring the Momenta Quartet playing works by Anna Clyne, Cristobal Halffter, Villa-Lobos and Beethoven’s String Quartet Op. 130 at the Tenri Cultural Institute, 43 W 13th St

10/13, 7 PM hypnotic carnatic stringh music: Pallab Bandyopadhyay – violin; Mandakini Swain –  vocals; Amod Dandavate  – tabla at the Chhandayan Center for Indian Music  $20

10/13. 7:30 PM the debut of the En Root Chamber Ensemble championing the works of black and latino classical composers at the DiMenna Center, free

10/13. 7:30 PM Russian Renaissance play short works by Piazzolla, Schnittke, Prokofiev, Ellington and many others at Irving HS Auditorium, 17th St/Irving Pl, $16

 10/13, 7:30 PM adventurous literarily-inspired pianist Inna Faliks plays works by Bach, Beethoven, Chopin, and Mozart at Symphony Space, $15/$10 stud/srs

10/13, 7:30 PM catchy psych-pop road warriors the Essex Green at FM Jersey City, $15

10/13, 7:30 PM pianist Angie Zhang plays a program TBA at Greenwich House Music School, free

10/13 8 PM a politically-aware twinbill: jazz poet Dilson Hernandez and populist folksinger Ben Grosscup at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away.” 

10/13, 8 PM the world’s most popular renaissance vocal ensemble, Stile Antico  sing English Elizabethan choral works by Byrd, Tallis, Lassus and innumerable others at Church of St. Mary the Virgin, $30 seats avail

10/13, 8 PM pianist Sin-Jeong Cho and the NJ Symphony Orchestra play Chopin’s Piano Concerto No. 2, Ligeti’s Romanian Overture and Dvorak’s Symphony No. 7 at NJPAC in Newark, $20 tix avail

10/13, 8 PM edgy lefty lead guitarist Damian Quinones and his psychedelic latin soul band  at Silvana

10/13. 8 PM Scottish fiddler/songwriter Hannah Read followed by the more klezmer/Balkan-inspired Lily Henley at the Owl

10/13, 8 PM the global 25-member cast of the Onebeat socially conscious music collective at Murmur Ballroom, 17 Eastern Pkwy, Crown Heights, $15

10/13, 8 PM Unheard Of Ensemble play works by women composers  including Eleanor Aversa’s monumental Victory at Arnot and Marilyn Bliss’ Under the Azure Sky, as well as Flannery Cunningham’s Say-So with guests Amber Evans, soprano, and Francesca Ferrara, flute at Arete Gallery $15/$10 stud/srs 

10/13. 8:30 PM gonzo postbop pianist Dred Scottplays the album release show for his new solo record at the third stage at the Rockwood, $12

10/13. 9 PM intense female-fronted psychedelic groove/funk band Imunuri at Bar Chord. 10/14 at 9 they’re at the big room at the Rockwood

10/13-14, 10:30 PM perennially edgy tenor saxophonist Seamus Blake leads a quartet at Smalls

10/13 the Detroit Cobras at Hank’s are sold out. Imagine that.

10/14, 2 PM Lotus Studios’ 3rd Annual World Dance Festival: Dancing Across Cultural Borders, featuring Indian classical styles including Bharata Natyam, Kathak, Chinese opera dances and West African drumming at Manhattan Movement and Arts Center, 248 W 60th St., $25/$20 stud

10/14, 3 PM composer Svjetlana Bukvich presents an intimate electroacoustic set with Jimi Zhivago on electric guitar, Marija Ilic on piano, and herself on synthesizers, esploring themes of empathy, love, convergence and freedom at Spectrum, $15

 10/14, 3 PM Juilliard’s AXIOM new music ensemble plays Andriessen’s De Staat paired with Stravinsky’s Dumbarton Oaks and Knussen’s Two Organa at Juilliard’s Peter Jay Sharp Theatre on 65th St., free tix req

10/14. 3 PM violinist Monica Davis leads a string quartet playing works by Haydn, Schubert and Marchettini at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, sugg don

10/14, 4 PM tango violinist Machiko Ozawa with Argentinian pianist Pablo Cafici at the Dreck Center at the Brooklyn Public Library, free, no under-sixes. free w/rsvp 

10/14, 6 PM ferociously panstylistic guitarist Juancho Herrera followed by catchy acoustic Americana band Party of the Sun at the small room at the Rockwood 

10/14, 7 PM live vodou music by Fanmi Asoto at  Pioneer Works, free

10/14, 7:30 PM the Greenwich Village Orchestra play Barber – Overture to The School for Scandal, and Knoxville: Summer of 1915; Schubert – Symphony No. 9, “The Great” at All Saints Church, 230 E 60th St (2/3rd Aves), $20

10/14, 8 PM high-energy retro soul/Americana band the California Honeydrops at Bowery Ballroom, $22

10/14-16, 8 PM playful avant garde vocal icon Meredith Monk’s vocal ensemble perform her Cellular Songs at the poisson Rouge, $25 adv tix rec

10/14, 9 PM growly, psychedelic, populist Americana songwriter Jeffrey Foucault at City Winery, $22 standing room avail

10/14 9:30 PM a rare NYC show by amazing genre-smashing klezmer/Pakistani ensemble Sandaraa with vocalist Zeb Bangash and composer/clarinetist Michael Winograd at Joe’s Pub, $15

10/15, half past noon the Bessarabian Chamber Klezmer Ensemble at Central Synagogue, $18 includes lunch

10/15, 7 PM night two of this year’s amazing Momenta Festival featuring the Momenta Quartet playing oceanic and heartbreak-themed works by their excellent violist Stephanie Griffin plus Carl Bettendorf, Alba Potes, Guy Barash and Wagner at the Americas Society, 680 Park Ave

10/15, 7:30 PM the NY New Music Ensemble play chamber works by Wang Lu, Clara Iannotta, John Zorn, Chen Yi, and Luca Francesconi at 87 Eldridge St., $20/$10 stud

10/15, 9 PM legendary dual-reedman George Braith – who can play two saxes at once better than most guys can play one – leading his quartet at the Fat Cat

10/15, 9:30 PM ex-Chicha Libre keyboard sorcerer Josh Camp’s wryly psychedelic cumbia/tropicalia/dub band Locobeach at Barbes

10/16, 7:30/9:30 PM darkly sweeping, cinematic singer/composer Jihye Lee with pianist Kevin Hays play her intimate noir themes at the Jazz Gallery, $25

10/16, 8 PM catchy, restless female-fronted Americana/newgrass anthem band Kaylor Otwell & the Tin Cans at the small room at the Rockwood

10/16, 8:30/11 PM and then 10/19-22 iconic bassist Ron Carter’s Big Band at Birdland, $30 at the bar. 10/23-27 he’s here with a quintet and then 10/30-31 with a trio, same time/price. Maybe in November he’ll be here all by himself since all the musicians seem to be leaving one by one…

10/16, 7 PM violinist Sharon Steigerwald plays Anna Heflin’s solo Through the Looking Glass i.e. the scene with talking flowers. “The immersive spatial elements in Heflin’s piece are mirrored in both Berio’s Sequenza VIII for Violin and Bach’s Chaconne from the D minor Partita, where the use of space represents the passage of time,” Followed at 9 (separate $15 adm) by a wild choir of Gelsey Bell, Amirtha Kidambi, Anais Marviel, and Megan Schubert at Arete Gallery

10/16, 7 PM the Burnt Ends – Kyle Wilson – tenor sax, Kenny Warren – trumpet, Charlotte Greve – alto sax, Chris Parker – guitar, Danny Fox – piano, Noah Garabedian – bass, Sean Mullins – drums.- play horn arrangements of classic honkytonk followed by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Barbes

10/16, 9:30 PM Lizzie & the Makers  – snarling twin-guitar psychedelic rockers steeped in oldschool backing one of the most powerful, riveting singers on the planet. DAMN, can this woman wail. Followed by creepy/funny circus rock singer Dr Gasp and band at Pete’s 

10/17, 7 PM the Desdemona string quartet play string trios and quartets by Susanna Hancock, Maria Kaoutzani, Finola Merivale, Emma O’ Halloran, Gemma Peacocke and Shelley Washington at Spectrum, $15

10/17, 7 PM jangly, spiky, guitarishly brilliant Afrobeat band Timbila at Barbes

10/17, 7 PM the Trouble Notes – who play catchy, anthemic, propulsive instrumentals with violin, bass and drums – at the big room at the Rockwood, $15

10/17, 7 PM night three of this year’s amazing, free Momenta Festival featuring the Momenta Quartet playing works by Robert Sierra, Jean Martinon, Ann Southam, Kaija Saariaho and a solo violin piece by Nicola Matteis the Younger at the Americas Society, 680 Park Ave

10/17, 8 PM brilliantly improvisational pianist Mara Rosenbloom‘s FLYWAYS with bassist Adam Lane and singer/percussionist Anais Maviel  at I-Beam, $15

10/17, 7:30/9:30 PM the amazing, darkly pan-latin Juan Andrés Ospina Big Band with Carolina Calvache on piano and singers Lucia Pulido and Sofia Ribeiro at Dizzy’s Club, expensive, $35 but worth it

10/17, 8 PM reliably edgy avant garde pianist Lisa Moore plays works by Philip Glass plus Julián De La Chica’s Preludes Op. 8 (For piano and synthesizer) at the DiMenna Center, $25

10/18, 7 PM the Bond Street Euterpean Singing Society unearth rarely performed macabre songs by Schubert, Liszt, Debussy, Duparc, Loewe, Mussorgsky, Humperdinck at the reputedly haunted Merchants House Museum, 29 East 4th St, $30 adv tix very highly rec, this usually sells out

10/18, 7:30 PM coyly bouncy Europolitan swing with Avalon Jazz Band at Symphony Space, $30/$20 for 30 and under

10/18, 7:30 PM BRIC JazzFest Marathon Night 1 with – in reverse order – Christian Scott aTunde Adjuah, Stefon Harris & Blackout, Mark de Clive-Lowe, Lakecia Benjamin & SoulSquad, Madison McFerrin, JD Allen, Melanie Charles & Make Jazz Trill Again, and the Yotam Ben-Or Quartet.at Bric Arts, $30 adv tix req

10/18, 8 PM In what may be the first-ever combination of voice, period wind instruments, and saxophones, poet Katie Ford’s The Anchoress – a haunting portrait of a medieval divination tradition – performed by soprano Hyunah Yu;, early music ensemble Piffaro, the Renaissance Band; and the PRISM Sax Quartet at the DiMenna Center, $22

10/18, 8 PM intense Balkan chanteuse Jenny Luna‘s haunting, traditional Turkish band Dolunay  at the Owl. 10/25, same time they’re at Barbes followed at 10 by drummer Arthur Vint & Associates reinventing classic Morricone spaghetti western soundtracks

10/18, 8:30 PM the world’s creepiest crime jazz/film noir band, Big Lazy at Bar Lunatico

10/16-18, 8:30/10:30 PM lyrical jazz piano icon Fred Hersch with Anat Cohen on clarinet at the Vanguard. 10/19-21 he’s here with Esperanza Spalding on vocals

10/18, 8:30 PM Wormburner – who were once Hoboken’s answer to the Jam – at 11th St Bar

10/18, 9 PM early alt-country wildman Zane Campbell followed by sizzling electric bluegrass and C&W with Demolition String Band at Hank’s, $10

10/18, 10:30 PM brilliant drummer/percussionist Willie Martinez & La Familia Sextet play classic salsa grooves at the Nuyorican Poets Cafe, $10

10/19, 7 PM concluding night  of this year’s amazing, free Momenta Festivalfeaturing the Momenta Quartet playing Bartok’s sinister String Quartet No. 4, Alvin Singleton’s Glory Bound and George Enescu’s Octet for Strings, Op. 7 at the Tenri Cultural Institute, 43 W 13th St

10/19, 7:30 PM BRIC JazzFest Marathon Night 2 with – in reverse order – Cyrus Chestnut Trio, Keyon Harrold, The Jazz Passengers, Xenia Rubinos, Camila Meza, Michael Sarian & The Chabones, and Yasser Tejeda & Palotré.at Bric Arts, $30 adv tix req

10/19, 7:30 PM trombonist Doug Beavers’ salsa dura band Titanes del Trombone at the Lincoln Center Atrium, free, early arrival advised

10/19, 8 PM the Departure Duo – soprano Nina Guo and bassist Edward Kass – play works by David Smooke, John Aylward, John Kennedy, Emily Koh, Alex Jang and Sarah Gibson at Scholes St. Studios 

10/19, 8 PM Ecuadorian marimba and Andean woodwind music with Inkay & Rio Mira at Flushing Town Hall, $16/$10 srs, under 19 free

10/19, 8 PM rustic Brazilian jungle guitar-and-accordion sounds with Regional de NY followed at 10 by feral Chicago Balkan brass band Black Bear Combo at Barbes 

10/19, 8 PM Patricia Santos and Tara Hanish’s amazing, intense, soul-infused cello-rock/cello-metal duo the Whiskey Girls,  followed eventually at 10 by noirish crooner/guitarslinger Phil Gammage and his four-piece band at the Way Station

10/19, 8:30 PM Antibalas spinoff Armo play Afrobeat at Bar Lunatico 

10/19, 9 PM plaintive Yorkshire/Appalachian singer Jan Bell – whose gloomy chronicles of Brooklyn gentrification really nail it – followed by pensively kinetic newgrass band Ordinary Elephant at the Jalopy, $15 

10/19, 10 PM hilarious, politically astute girlpunks the 50 Ft. Furies at Hank’s, $8

10/19, 9 PM intense charismatic danceable metal cumbia/skaragga/latin rockers Escarioka at Bar Chord

10/19, 10 PM psychedelic funk/Afrobeat jammers the People’s Champs at C’Mon Everybody, $10

10/19, 11 PM the darkly eclectic, enigmatic Lorraine Leckie  – equally adept at Slavic and Americana noir – at Sidewalk

10/20. 1/3:30 PM “a hilarious Halloween musical romp with the Brooklyn Conservatory Community Orchestra featuring live actors, video, and music by Bach, Mussorgsky, Dvořák, and more. Discover what happens when a surprise guest visits the Moldymort Mansion,” at Brooklyn Conservatory of Music, $20/$10 under 18, rec. for ages 4-up

 10/20, 7 PM Katie Curley – frontwoman of honkytonk band the Bourbon Express – plays original, whiskey-infused Americana-influenced art-songs on her original axe, concert harp, at Pangea, $20

10/20,. 7:30 PM Souren Baronian at Michiko Studios, $20

10/20, 7:30 PM timeless, haunting, playful octogenarian Armenian jazz sage and multi-reedman Souren Baronian’s Taksim at Michiko Studios, 149 W 46th St., $20

10/20-21, 7:30/9:30 PM postbop sax cult hero Steve Coleman & Five Elements at the Jazz Gallery, $25

10/20, 7:30 PM BRIC JazzFest Marathon Night 3 with – in reverse order – Terence Blanchard ft. the E-Collective, Brownout Presents: Fear of a Brown Planet ft. Third Root (Black Sabbath covers, go figure, they’re great), Deva Mahal, coma-inducing corporate singer Kat Edmonson, Arnetta Johnson & SUNNY, Resident Alien ft. Ali Sethi & Sunny Jain, and Noa Fort at Bric Arts, $30 adv tix req

10/20, 8 PM klezmer-jazz piano icon Anthony Coleman solo at Scholes St. Studios

10/20, 8 PM Aaron Burnett plays solo electroacoustic sax followed by a duo set by pyrotechnic jazz improv trumpeter Peter Evans and percussionist Levy Lorenzo at Jack, $20

10/20, 8 PM the Latin American Chamber Ensemble with Alheli Pimienta – flute –Angela Santiago – bassoon play a program TBA at the DiMenna Center, $20, snacks included 

10/20, 8 PM violinist Itamar Zorman and pianist Kwan Yi play works by Dvorak, Kreisler, Brahms and others at Irving Auditorium, Irving Pl/17th St., $16

10/20, 8 PM this era’s arguably best jazz pianist, Vijay Iyer leads his sextet at the Miller Theatre, $25 seats avail

10/20, 9 PM a rare reunion of hard honkytonk band the Dixons – who ruled this place 12 or so years ago – at Union Pool, $10

10/20, 10 PM catchy, slinky, psychedelic tropicalia and cumbia band Yotoco at Barbes

10/21, 2 PM purist postbop tenor saxophonist Alexa Tarantino and her quartet at Flushing Town Hall, free

10/21, 3 PM the Zhang-Asher-Min Trio play music of Wolfgang Amadeus Mozart, Philip Glass, and Felix Mendelssohn at the 92nd St. Y, free

10/21, 7 PM thigh voltage skiffle/Americana band the Salt Cracker Crazies a LIC Bar

10/21, 8 PM edgy alto saxophonist Caroline Davis leads a quartet with Julian Shore – piano; Chris Tordini – bass; Allan Mednard – drums followed by JOBS: Max Jaffe – drums, electronics, voice; Jessica Pavone – viola, electronics, voice; David Scanlon – guitar, electronics, voice at Brooklyn Conservatory of Music, $20

10/21, 8 PM pyrotechnic jazz improv trumpeter Peter Evans plays solo, then with Being & Becoming with vibeman Joel Ross, basslst Nick Jozwiak and drummer Savannah Grace Harris + special guest David Byrd-Marrow (french horn) at Jack, $20

10/21, 9:30 PM brilliantly lyrical dark oldtimey songwriter/multi-instrumentalist Pete Lanctot at Pete’s

10/22, half past noon violinist Brian Bak and a septet play works by Tower, Beethoven and Ke-Chia Chen at the Cathedral of the Holy Virgin Protection, 59 E Second St

10/22, 7 PM the world’s creepiest crime jazz/film noir band, Big Lazy  at the third stage at the Rockwood, $10

10/22, 8 PM energetic delta blues/Romany swing guitarist Felix Slim followed by wildly theatrical, creepy circus rock band Orphan Jane at LIC Bar

10/22, 8:30 PM amazing classical accordionist Hanzhi Wang with he Zorá String Quartet play works by Bach, Gubaidulina, Moszkowski, Piazzolla and Martin Lohse and at Zankel Hall at Carnegie Hall, $10 tix avail

10/22, 10:30 PM intense alto saxophonist Lucas Pino’s twin-guitar No No Nonet at Smalls

 10/23, 7 PM brilliant steel guitarist and Thelonious Monk reinventor Mike Neer and quartet followed by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Barbes

10/23, 7 PM New York’s most charismatic, darkly compelling lyrical songwriter/storyteller/keyboard genius Rachelle Garniez at Pangea

10/23, 7:30/9:30 PM haunting French-Tunisian saxophonist Yacine Boulares’ Abu Sadiya trio at the Jazz Gallery, $15

10/23, 7:30 PM pianist Sugar Vendil’s Islander music and movement suite scored for various keyboards, sarunay, and electronics, examining the grim aftereffects of imperialism from a Filipina perspective, performed by Vendil and pianists Melinda Faylor and Mary Prescott, and weaver Cynthia Alberto of Weaving Hand at Dixon Place, $12 adv tix rec 

10/23, 8 PM erudite, purist torchy cosmopolitan jazz chanteuse Svetlana & the Delancey 5 at Mezzrow, $20

10/23. 8 PM enveloping avant garde guitar quartet Dither at Wonders of Nature, $10

10/23, 8 PM andPlay, featuring Maya Bennardo on violin and Hannah Levinson on viola, perform “Translucent Harmonies,” two pieces by Catherine Lamb and Kristofer Svensson at Scandinavia House, $15

10/23, 8 PM Theatre C and arts advocacy organization LiC-A with lit-rockers the Bushwick Book Club explore the connection between George Orwell’s Animal Farm and the upcoming midterm elections, at Plaxall Gallery, 5-25 46th Ave, Long Island City, $5 

 10/23-27, 8:30 PM cutting-edge, eclectic cellist Okkyung Lee leads a series of ensembles at the Stone at the New School, $20. Choice pick: 10/26 with Mary Halvorson (guitar) María Grand (saxophones)

10/23, 9 PM slashing guitarist Steve Antonakos plays slide guitar blues with his band at Bar Chord

10/23, 11:30 PM rising star singer/pianist and Christian McBride protegee Kelly Green leads a trio at Dizzy’s Club, $5

10/24, 7 PM indie classical group Metropolis Ensemble play premieres from Jenny Beck, Elliot Cole, and a new Michael Oesterle trio premiered by Metropolis artists: Katie Hyun (violin), Jordan Dodson (guitar), and Gabriel Cabezas (cello), plus works by H.I.F. Biber,David Ludwig, and Dai Fujikura, at 1 Rivington St., 2nd Fl., $20/$10 stud, reception to follow

10/24, 8:30 PM dark, sardonic, brilliantly tuneful jazz pianist Danny Fox and his Trioat Bar Lunatico

10/24, 8;30 PM haunting flamenco/Sicilian folk chanteuse Julia Patinella at the third stage at the Rockwood, $12

10/24. 8:30 PMthis era’s most interesting voice in retro Britrock and glam-inspired art-rock, Edward Rogers and Stephen Butler followed by this era’s greatest, most epic twelve-string guitarist, Marty Willson-Piper at City Winery, $18 standing room avail

10/25, 7 PM kinetic klezmer/cumbia/cinematic jamband Isle of Klezbos with special guest singer/guitarist Natalia Zukerman at Joe’s Pub, $20

10/25. 7:30 PM Afro-Colombian trance-folk/rap band Kombilesa Mi (Palenquero for My Friends) at the Lincoln Center Atrium, free, early arrival advised

10/25, 7:30 PM pianist Per Tengstrand and chamber ensemble Opus 21 play works by Beethoven, Mozart and Part at Scandinavia House, $25

10/25, 7:30 PM , repeating on 10/26 at 2 PM and 10/27 at 8 the NY Philharmonic play Borodin’s In the Steppes of Central Asia, Prokofiev’s Violin Concerto No. 1 with soloist Gil Shaham and Tschaikovsky’s Symphony No. 4 at Avery Fisher Hall, $31 tix avail

10/25, 7:30 PM brilliant, historically spot-on oldtime blues guitar/banjo/piano genius Jerron Blind Boy Paxton  at Symphony Space, $30/$20 for 30 and under

10/25, 8 PM klezmer/Balkan trumpet hero Frank London leads a band TBA at Russ & Daughters Cafe, free

10/25, 8;30 PM powerful Indian carnatic crooner Aditya Prakash and band at the Jalopy, $15

10/25, 9 PM haunting, intense ,soulful folk noir songwriter Holly Miranda – who’s as good on Telecaster as she is on piano at City Winery, $12 gen adm

10/25, 9 PM charismatic, politically fearless, historically-inspired oldtime country blues duo Piedmont Bluz at Silvana

10/25, 9 PM sardonic first-wave Cali punks the Dickies play Stukas Over Disneyland (a pretty short album) plus the hits at Bowery Electric, $20 adv tix rec

10/25, 8:30 PM epically lyrical alto saxophonist Peter Apfelbaum & Sparkler at Bar Lunatico

10/26, 1 PM rising star organist Janet Yieh plays a program TBA at St. Paul’s Chapel downtown

10/26, 5:30/6:30 PM Gevorg Dabaghyan and Vache Sharafyan play haunting Armenian duduk music in gallery 199 at the Metropolitan Museum of Art, free w/museum adm

10/26, 6:30 PM pianists Manuel Laufer and Walter Aparicio perform the works of Latin American Composers tba at Arete Gallery, $

10/26, 8 PM the Washington Square Contemporary Music Society nonet play an evening of NY and world premieres by Fabio Grasso, Louis Karchin, David Liptak, Letizia Michielon, Adam Mirza, Paul Salerni, and Theodore Wiprud at the Tenri Institute, 43A W 13th St, $15/$8 stud

10/26, 9 PM noisy, hazily jangly, psychedelic slowcore/free jazz/avant instrumentalists Sunwatchers, hazy post-Velvets janglers Spectre Folk and post-Syd Barrett-ish Obits spinoff Savak at FM Jersey City , $10

10/26, 8 PM the irrepressibly fun, multistylistic Threeds oboe trio at the Owl

10/26, 8 PM soulful reedman Paquito D’Rivera  teams up with dynamic “shape-shifter” pianist John DiMartino and his trio for a salute to Billy Strayhorn at Flushing Town Hall, $25/$20 srs, under 19 free

10/26, 8 PM feral bassist Brandon Lopez leads his Malediction quartet with Michael Foster on saxophones, Nina Dante on vox, Lucie Vítková on accordion and objects at Issue Project Room, sugg don

10/26-27, 8 PM the reliably entertaining, adventurous Chelsea Symphony play Hindemith — Trauermusik with soloist David Bojanowski  on viola; Beethoven, arr. Yaniv Segal — The Triumph of Love: Suite from Fidelio and  Beethoven — Symphony No. 3 in E-flat Major, op. 55 (Eroica). The 10/27 show switches out the Hindemith for Oliver Davis’ Flight, Concerto for Violin and Strings with soloist Phong Ta at St. Paul’s Church, 315 W 22nd St., $20 sugg don

 10/26, 8:30 PM ferociously lyrical, hilarious, politically-spot on parlor pop pianist Dawn Oberg followed eventually at 10:30 by wryly surreal, Lynchian duo the Dream Eaters at Freddy’s

10/26, 8:30 PM the mighty,improvisational fifteen-piece Makrokosmos Orchestra at Shapeshifter Lab, $10

10/26, 10 PM the world’s creepiest crime jazz/film noir band, Big Lazyat Barbes

10/27, 7:30 PM sitarist Kalyanjit Das with Samir Chatterjee on tabla at the Chhandayan Center for Indian Music,  $20

10/27, 6 PM the Jaded Babies – who write some of the funniest new wave songs ever – at the Delancey, $10. Choice pick: I Wanna Pee on That (How a Sheepdog Shows His Love) 

10/27, 8 PM haunting, Lynchian, psychedelic organ-driven Puerto Rican bolero revivalists and Sylvia Rexach reinventors Miramar followed at 10 by the haphazardly funny Eastern Blokhedz  – who do psychedelic covers of 60s Russian psychedelic pop songs and specialize in the catalog of legendary Polish singer Edita Piaha – at Barbes

10/27, 8 PM clever, quirky, playfully lyrical jazz pianist/singer Amanda Ekery and band followed at 9 by pastoral improvisers Retumbra    Noah Becker on clarinet, Jonah Udall on resonator guitar, and Steve Williams on upright bass – at Spectrum, $15 

10/27, 8 PM terse, tuneful jazz guitarist Amanda Monaco  and her band at Greenwich House Music school, $20/$16 stud/srs

10/27, 8 PM Wet Ink Ensemble play a composer portrait of the atmospheric Kate Soper featuring the composer herself on vocals at the Miller Theatre, $20 tix avail

10/27, 10 PM charismatic, pounding live techno band the Naked Heroes at Hank’s, $10

10/28 2 PM a salute to iconic cellist Fred Sherry with an all-star cast including Peter Serkin, Richard Stoltzman, David Shifrin, Jeremy Denk, Ursula Oppens, Steve Mackey, the JACK Quartet, the Horszowski Trio, Katie Hyun, Mike Nicolas, Stefan Jackiw, Jay Campbell, Dov Scheindlin, Rubin Kodheli, Paul Neubauer, Alan Feinberg, David Fulmer and more at Merkin Concert Hall, $10

10/28, 4 PM early music ensemble Vox Luminis sing Bach Motets at Corpus Christi Church, 529 W 121St St, $10 tix avail  

10/28, 4 PM violinist Deborah Nixon and pianist Amir Farid play works by Janacek, Elgar, Kreisler and others at Scholes St. Studios

10/28, 5 PM the Merz Trio play piano trios by Mozart, Brahms, Schumann and Charlotte Bray at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs 

10/28, 7 PM Afghani pianist Elham Fanous plays music by Bach, Beethoven, Chopin, Liszt and Sun Yi-Qian at Spectrum, $15

10/28, 5 PM sitar/sarod duo Lakshay Mohan & Aayush Mohan at Symphony Space, $30/$10 stud

10/28, 8 PM the original creepy cello rockers, Rasputina at Rough Trade, $17 adv tix rec

10/29 8:30 PM eclectic, dynamic jazz singer Tammy Scheffer with Glenn Zaleski on keys and Daniel Foose on bass at the Bar Next Door, $12

10/30, 7:30/9:30 PM Camille Bertault – who rocketed to youtube virality with her spot-on vocalizations of famous jazz solos – with her similarly playful group at the Jazz Standard, $25

10/30, 8 PM Giant Sand mastermind and desert rock maven Howe Gelb at Littlefield, $18

10/30, 730 PM the Israeli Chamber Project play works by Debussy, Ravel, Fauré and Salzedo. at Merkin Concert Hall, $20 tix avil

10/30, 8:30 PM guitar noisemaker Nels Cline with Chris Lightcap on bass and Tom Rainey on drums at Bar Lunatico

10/30, 11 PM Elliott Smith-esque chamber-pop band the Morning Sea play the album release show for t heir new one at the Mercury, $12

10/31, 1 PM jazz pianist Jill McCarron at St. Peter’s Church, 54th/Lex

10/31, 6:30 PM violinist Tessa Lark and pianist Andrew Armstrong play Americana-inspired works by the violinist herself plus works by Stravinsky and Beethoven at the Baruch College auditorium, free, rsvp req 

10/31, 7ish trumpeter Pam Fleming’s colorful, cinematic reggae jazz Dead Zombie Band at the block party on Waverly Ave in Ft. Greene

10/31, 7 PM fun dub-infused skanking with Skalopy followed by cult favorite female-fronted Romany-inspired groove band Paprika at Branded Saloon

10/31-11/1, 7:30 PM, repeating on 11/3 at 8 the NY Philharmonic play Erich Korngold’s Much Ado About Nothing Suite, Barber’s Violin Concerto spotlighting Concertmaster Frank Huang and Rachmaninoff’s Symphonic Dances at Avery Fisher Hall, $33 tix avail

10/31, 8 PM poignantly lyrical, eclectic pianist Marta Sanchez‘s new jazz poetry project, Room Lore which “combines the words of visionary poets such as Maya Angelou, Charles Bukowski, Giaconda Belli and others with contemporary rhythms and harmonies,” at Barbes

1031, 8 PM trumpeter Nate Wooley plays the the world premiere of Red Autumn Gold by Wadada Leo Smith, followed by Annea Lockwood’s 1998 piece Immersion performed by Dominic Donato and Frank Cassara, and the U.S. premiere of Catherine Lamb’s Prisma Interius VIII performed by Wet Ink Ensemble (Josh Modney, Josh Rubin, Giacomo Baldelli, Mariel Roberts, Laura Barger and Eric Wubbels) at Issue Project Room, $15/$12 stud/srs

10/31, 8 PM edgy, eclectic pan-Mediterranean art-rock/latin/chanson ensemble Banda Magda  at Bric Arts, free w/rsvp 

10/31, 8 PM this year’s annual Maddonathon has an allstar band playing the Material Girl’s greatest and most infamous hits. This year’s lineup includes Madonna wannabes Amber Martin (Mattachine), the perennially subversive Tammy Faye Starlite, Shannon Conley, Brian Charles Rooney (Threepenny Opera), The Love Show, Ki Ki Hawkins, Travis Moser, Erin Hill & her Psychedelic Harp, Zoe Friedman, Emma Craig, Lisa Jackson, The Rhythm Knights Dance Troupe, Danielle Tyler, Echo of the Ghost, Jack Fuller, Tess, Hibiscus & more backed by the Material Band: Mark Christopher,  Mike Greko, Matt Lindsey, Jesse Krakow, Alan Camlet, Guy Finley & awesome violinist Claudia Chopek – plus a costume contest or Best Madonna-inspired Look AND Best Overall Halloween Look (the promoters suggest killer matador cape, virgin bride, lucky star, peepshow dancer, geisha glam, cone bra & ponytail, urban cowgirl, Evita, material girl Marilyn, etc) to win prizes & sing onstage w/the band!  Winners announced at midnight, at Highline Ballroom, $25 adv tix req 

10/31, 8:30 PM organist/Monk reinventor Greg Lewis with Brianna Thomas on vocals at Bar Lunatico -could be the most harrowing thing you could hear on Halloween

10/31, 9 PM hard honkytonk singer Sarah Durning & the Fun Sisters at Bar Chord

10/31, 10ish thunderous, titanic Rhode Island Balkan street band What Cheer Brigade at the Market Hotel, $10. Ten years in business and this spot finally, finally books a good band

11/3, drinks and kettle corn at 2, concert at 2:30 PM, Sandbox Percussion with special guest vocalist Eliza Bagg play the world premiere of Alex Weiser’s sepulchral “With GentleFfingers”,  as well as György Ligeti’s rarely performed triptych “Síppal, dobbal, nádihegedűvel” at the DiMenna Center, $20 

11/3, 7 PM the debut of NYC’s latest new music group, Wavefield Ensemble playing auspicious premieres by Abbasi, Cheah, Helgeson plus Boulez’s monumental Dérive 2 for 11 players, at the Mana Contemporary, 888 Newark Ave. Jersey City, Path train to Journal Square

11/3,  7 PM violinist Karen Bentley Pollick plays edgy Romany-inspired airs by Enescu, similar works by Mark Kopytman,a hauntingly kinetic Middle Eastern piece by Yitzhak Yedid, Selim Göncü’s The Art of Zapping,  – “a dramatic depiction of our relationship with remote controls” – plus works by Hsueh-Yung Shen and Ivan Sokolov at Spectrum, $15

11/3, 8 PM the String Trio of NY improvise with guitarist Alejandro Florez and  pianist Ricardo Gallo at Soup & Sound , 292 Lefferts Ave( b/n Nostrand & Rogers), 2nd floor, Lefferts Gardens, 2 to Sterling St, $20 sug don includes soup

11/6, 7:30 PM the Silesian String Quartet play a rare all-Polish program of works by Szymanowski, Lutosławski, Bacewicz and Penderecki at the Morgan Library, $35

11/10, 1 PM dazzlingly eclectic chamber pop/latin/classical violinist Concetta Abbate and drummer Ben Engel at Flowers for all Occasions, 1114 De Kalb Ave at Broadway, Bushwick, J/M to Kosciuszko St.

11/11, 7 PM amazing acoustic blues guitar virtuoso Terry Robb – who can do oldtime ragtimey stuff as well as his own edgy new material – at the third stage at the Rockwood, $15 

11/16, 7:30 PM hauntingly tuneful, propulsive Lebanese jazz pianist Tarek Yamani at Aaron Davis Hall, $25. This guy is amazing. 

11/18, 2 PM terse, tuneful jazz guitarist Amanda Monaco and her quartet at Flushing Town Hall, free

11/20, drinks at 5:30 PM, show at 6, flutist Isabel Lepanto Gleicher and ensemble plays works by Hildegard Von Bingen, David Lang, Rzewski and others at the Miller Theatre, free

12/4, drinks at 5:30 PM, show at 6, perennially interesting piano/percussion ensemble Yarn/Wire play works by Crumb, Saint-Saens and Tschaikovsky at the Miller Theatre, free

12/6, 6 PM klezmer violinist Jake Shulman-Ment with rippllng tsimbl (Ukrainian Jewish dulcimer) player Pete Rushefsky at Poe Park in the Bronx.

12/21, 2 PM brilliant baritone saxophonist Lauren Sevian‘s LSQ at Flushing Town Hall, free

A Moody New Album and a National Tour by Brooding Rockers DeVotchKa

Long-running, carnivalesque rockers DeVotchKa have a brand new album, This Night Falls Forever streaming at Spotify and a national tour in the works. The next affordable show is on Sept 21 at around 9 PM at the Wonder Ballroom, 128 NE Russell St. in Portland, Oregon. As a bonus, Orkesta Mendoza, who careen between psychedelic cumbia, psycho mambo and eerie southwestern gothic, open at around 8. General admission is $25.

Driven by dancing, Tex-Mex flavored reverb guitar, the album’s opening track, Straight Shot sounds like the BoDeans covering the darker side of 60s Orbison, with a little faux-soukous thrown in. Let Me Sleep is DeVotchKa at their phantasmagorical best, a southwestern gothic bolero rippling with Tom Hagerman’s moody neoromantic piano and ominously swooshing strings.

With its winged arpeggios and galloping pulse, Lose You in the Crowd is a mashup of Nick Cave and Orbison noir. Love Letters, a waltz, rises through delicate pizzicato strings to artsy pop lushness: Nick Cave lite.

Empty Vessels, with frontguy Nick Urata’s languid Coldplay vocals and portrait of carefree richkid entitlement, sounds suspiciously sarcastic: “We’re just empty vessels waiting for words to fill,“ yeah right. Likewise, Done With Those Days has those same lingering, bombastic vocals over a purposeful baroque-tinged, noirish backdrop.

Shawn King’s clustering drums and Jeanie Schroeder’s suspenseful bass push My Little Despot along as the orchestration pulses at halfspeed, Urata intoning a moody banana republic gothic narrative. It’s one of the album’s two strongest tracks.

The other is the slowly waltzing art-rock ballad Break Up Song, awash in organ and simmering guitar: it could be Nicole Atkins at her most gothic, with a dude out in front of the band. With Angels, the band return to catchy, comfortable, smoke machine-infused stadium rock: spare verse, big anthemic chorus, moody major/minor changes. The album’s last track is a throwaway, more or less – Urata’s whistling gets annoying in seconds flat.

While the new album isn’t as dark or carnivalesque as the band’s earlier material, the tunes are catchy, the arrangements are majestic yet pristine and the band play them elegantly. Goes to show that stadium grandeur isn’t necessarily incompatible with smart tunesmithing.

Delgrès Bring Their Politically-Charged Electric Update on French Caribbean Folk to Joe’s Pub

Delgrès are one of the most refreshingly unique and relevant bands around. Their sound is an often surreal, propulsively catchy mashup of amped-up French Caribbean folk, electric blues and New Orleans groove, with occasional detours into garage rock and even loping Saharan psychedelia. The trio play a mix of originals and allusive, sardonic traditional Guadeloupian freedom fighter songs from the 1920s and 30s…with guitar, drums and sousaphone. As hard-hitting as much of this music is, the lyrics can be surprisingly subtle and allusive, no surprise considering that the originators of many of these songs were living under an occupation. The group’s new album Mo Jodi (Die Today) is streaming at Spotify, and they’re playing Joe’s Pub on Sept 25 at 9:30 PM. General admission is $20.

The opening track, Respecte Nou is a romping garage rock tune, closer to the Yardbirds or the early Pretty Things covering Sonny Boy Williamson than, say, the White Stripes. In place of a bass, Rafgee’s  sousaphone is more prominent here than it is on the other tracks. The lyrics address self-respect and the need to stand up to the boss. Here’s a rough translation from the original Kreyol:

We’ve been shifting wine
Moving rum
Handling cotton
Today this all has to stop!

The album’s title track is a defiant revolutionary anthem inspired by the band’s namesake, 18th century Guadeloupian freedom fighter Louis Delgrès. Set to a Mississippi hill country blues stomp, the message is essentially “I’d rather die than slave for you.”

Mr. President opens with a hilarious Lyndon Johnson sample, then drummer Baptiste Brondy hits a hard-hitting sway and guitarist Pascal Danaë blends lingering jangle, keening slide licks and Pink Floyd resonance. The lyric is a plea directed at an unnamed authority figure instead of anyone specific.

Vivre Sur la Route (Life on the Road) is a lilting love song with echoes of Jamaican mento (the shuffling folk style that spawned calypso and then roots reggae). Séré Mwen Pli Fo (Hold Me Tighter) rises unexpectedly toward stadium-rock heft, with a vocal cameo from chanteuse Skye Edwards. Then the band add tinges of circling, hypnotic Malian desert rock over boisterous syncopation in Can’t Let You Go.

Ti Manmzel (slangy translation: My Sweetheart) could be the White Stripes taking a stab at reggae, a come-on from a musician onstage to a cute girl in the audience. Anko, a triumphant protest anthem, is a return to the north Mississippi/Mali blend. Set to the album’s most dynamic, bitingly majestic backdrop, Ramene Mwen (Take Me Back) is a characteristically sardonic example of the corrosively allusive lyrics that pervade much of Guadeloupian freedom-folk: if you don’t like how my rice and peas smell, let me go back to Africa, the narrator tells the slaver.

The album closes with the hypnotic riffs of Chak Jou Bon Di Fe (Every Single Day), a protest song, then the muted, spare Pardone Mwen (Forgive Me), which could be about familial angst or something more metaphorical. And just when you think the album’s over, wait! There’s more! At Lincoln Center back in July, the band put on a show every bit as energetic as this album, which bodes well for the Joe’s Pub gig.

Blackberry Smoke Kick Out the Jams on Their Latest Epic Tour

The high point of Blackberry Smoke’s Manhattan show this past evening happened about midway through, a twisted, surreal kaleidoscope of sunbaked Georgia clay refracted upward into grim, grey Pink Floyd atmospherics, anchored by drummer Brit Turner’s steady sway. As frontman/guitarist Charlie Starr pulled away from the center with a sudden, Gilmouresque howl, Paul Jackson stayed steady, plucking icy chordlets from his hollow-body Gretsch to light up the somber mist. Keyboardist Brandon Still, who up to this point had switched effortlessly from funky, echoey Fender Rhodes to some spot-on honkytonk piano, built a black swirl of organ beneath the ominous skies above.

By the time the jam was over, Starr had referenced Hendrix, the Grateful Dead (several times) and maybe Neil Young before leading the band into a dirtbag verse or two of the Beatles’ Come Together. Bassist Richard Turner’s graceful, boomy McCartney licks were almost comical, in contrast with the grimy detour the band had suddenly taken. Maybe it wasn’t as cartoonishly funny as the Aerosmith cover, but it worked as comic relief. And it was one of umpteen moments during the show reaffirming the eternal popularity of jambands – and why Blackberry Smoke are one of the best in the business.

Obviously, most jambands don’t have the songs, or the snide lyrical impact that Blackberry Smoke’s most recent material has. They had the crowd singing along practically from the first chorus of Fire in the Hole, the outlaw redneck rock anthem they used to open the show. Just like the last time these guys passed through town, the audience was fistpumping and raising devil’s horns to Waiting for the Thunder, Starr’s ripsnorting, fryolator-guitar fueled diatribe about the divergence between the rich and the underclasses. The song is a lot more vivid than that statement – and it was awfully validating to see a bunch of out-of-towners getting down with a protest anthem. Even if Lynyrd Skynyrd could have written a song like this one, they never would have gotten away with it.

Whether Blackberry Smoke are doing that, or twangy party anthems – and there were plenty of those in the mix – they haven’t lost touch with their populist roots. Case in point: Best Seat in the House, from the band’s latest full-length album, Find a Light, a cynical, backbeat-driven anthem told from the defiant point of view of a working class kid whose ambition doesn’t go much further than that.

Likewise, the funniest point of the evening was when Starr introduced Run Away From It All, a muted, brooding would-be escapee’s tale to open a brief more-or-less acoustic segment. “We haven’t had much luck with radio,” he admitted. “Then I looked around the house and couldn’t remember if I owned a radio.” Over a long enough timeline, all technologies’ survival rates drop to zero.

In contrast with that stark cynicism, the band ran through plenty of sidewinding stomps, a simmering peach pie of southern twang and Stonesy snarl. And then they’d suddenly get serious with a gloomy, toweringly lingering, cinematic mini-epic like the death-obsessed Running Through Time.

The seemingly endless Blackberry Smoke tour continues; the next stop with anything approaching affordable tickets is at Sept 13 at 7:30 PM at the Capitol Center for the Arts, 44 S Main St. in Concord, New Hampshire where it will cost Granite Staters $35 to get in.

A Rapturous, Relevant, Thoughtful Show by Eclectic Violinist Concetta Abbate

Saturday night at Pete’s Candy Store, violinist Concetta Abbate held the crowd silent through a beguiling, sometimes entrancing, sometimes sprightly set of original vocal and instrumental numbers, in a duo set with similarly nuanced drummer Ben Engel. Abbate is your typical in-demand string player: one day she’ll be playing Haydn, the next psychedelic Mayan folk with Inti & the Moon, or with Rose Thomas Bannister’s haunting art-rock band.

Abbate’s own material defies categorization. It’s elegant, minutely detailed and rarely ends up where it began. Shifting between pensive ambience, graceful baroque-tinged riffs and gently churning pizzicato phrases, she made all those stylistic leaps and bounds look easy. Most of her songs are under three minutes long, so she came up with several diptychs and triptychs.

A mini-suite from her most recent studio album Falling in Time gave her a launching pad from which to sail to the top of her vocal register – for someone who sings as calmly and often quietly as she does, she has enormous range. The best of the originals might have been a lilting, rather anthemic new one, contemplating how the Brooklyn-Queens border is a graveyard – literally – and allusively referencing the blitzkrieg of gentrification that’s extending that situation, metaphorically at least.

The lone cover in her set was a muted, straightforward chamber-pop arrangement of the Smiths’  There Is a Light That Never Goes Out, arguably even more cruelly bittersweet than the original since Abbate didn’t go over the top with her vocals, letting the lyrics’ angst and longing speak for themselves. Engel’s masterfully suspenseful drumming grounded the music’s upper registers while adding considerable suspense. Whether playing with brushes or mallets, from rustling whispers to spot-on imitations of Arabic drums – boomy daf and gently popping dumbek – he was always in one good place or another.

Abbate’s next gig is at the Park Church Coop at 129 Russell St. in Greenpoint on Sept 9 at 2 PM, joining an chamber ensemble for a killer program of her own work plus material by women composers Missy Mazzoli, Whitney George, Anna Bon and Kate Amrine. There’s no G train this weekend, so you’ll have to take the L to Bedford and walk. Cover is $10 and includes snacks. Abbate is also playing solo at the small room at the Rockwood on Sept 30 at 3 (three) PM.

Live Music Calendar for New York City and Brooklyn for September and October 2018

Daily updates – if you go out a lot, it couldn’t hurt to bookmark this page.

If you’re leaving your hood, make sure you check http://www.mta.info for service changes considering how the trains are at night and on the weekend.

If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music. Many different styles to choose from.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised. If you see a show listed without the start time, that’s because either the artist, their publicist or the venue in question sent incomplete info – those acts are usually listed last on a particular date.  Always best to check with the venue for the latest information on set times and door charges, since that information is often published here weeks in advance. Weekly events first followed by the daily calendar.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you found out about here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

Not a music event but relevant: thru 9/30, 30 artists respond to the failure of “broken windows” policing at the ACLU’s Museum of Broken Windows open Sun – Thur: 10 a.m. – 8 p.m.; Friday and Saturday: 10 a.m. – 9 p.m. at 9 W. 8th Street, free

9/5, 9/12 and a grand finale on 9/14 a half an hour earlier, this year’s Bryant Park Accordion Festival is as amazing as it was last year. Scroll down for individual show lineups

On select Wednesdays and Sundays, an intimate, growing piano music salon on the Upper West Side featuring iconoclastically insightful, lyrical pianist Nancy Garniez – a cult favorite with an extraordinarily fluid, singing, legato style – exploring the delicious minutiae of works from across the centuries, beverages and lively conversation included! Next performance is 10/3, 7 PM with special guest violinist Gregor Kitzis playing Mozart, email for details/address

Mondays at 7 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud at Barbes followed at 9:30 PM by a variety of south-of-the-border-style bands playing cumbias, boogaloo, salsa, maybe all of the above.

Mondays at the Jazz Standard it’s all Mingus, whether with the Mingus Orchestra, Big Band or Mingus Dynasty: as jazz goes, it’s arguably the most exhilarating show of the week, every week. The first-rate players always rise to the level of the material. Sets 7:30/9:30 PM, $25 and worth it.

Also Monday and Tuesday nights Vince Giordano’s Nighthawks, a boisterous horn-driven 11-piece 1920s/early 30’s band play Iguana, 240 W. 54th St ( Broadway/8th Ave) , 3 sets from 8 to 11, surprisingly cheap $15 cover plus $15 minimum considering what you’re getting. Even before the Flying Neutrinos or the Moonlighters, multi-instrumentalist Giordano was pioneering the oldtimey sound in New York; his long-running residency at the old Cajun on lower 8th Ave. is legendary. He also gets a ton of film work (Giordano wrote the satirical number that Willie Nelson famously sang in Wag the Dog).

Mondays at the Vanguard the Vanguard Jazz Orchestra – composer Jim McNeely’s reliably good big band vehicle – plays 9/11 PM, $30 per set plus drink minimum.

Mondays in September, 10 PM noir guitar legend Jim Campilongo leads his trio at the big room at the Rockwood, $10

Mondays in September, Rev. Vince Anderson and his band play Union Pool in Williamsburg, two sets starting at 10:30 PM. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically astute, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the lead soloist on baritone sax, with frequent special guests.

Tuesdays in September, clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at 9 PM at Barbes (check the club calendar). Get there as soon as you can as they’re very popular. $10 cover.

Tuesdays in October, 9:30 PM Lizzie & the Makers  at Pete’s. Snarling twin-guitar psychedelic rockers steeped in oldschool backing one of the most powerful, riveting singers on the planet. DAMN, can this woman wail. We lost Aretha but we still have Lizzie. 

Wednesdays in September, 8 PM the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Threes Brewing Outpost, 113 Franklin St (Greenpoint/Kent Aves) in Greenpoint, free

Thursdays at 8 in September the Brooklyn Raga Massive – a rotating cast of A-list Indian, jazz and rock musicians who love to jam out classic Indian themes from over the centuries to the present day – play the Jalopy, $15 adv tix at the bar at the main space. Tons of special guests followed by a wild raga jam!

Fridays and Saturdays at 5 PM adventurous indie classical string quartet Ethel plus frequent special guests playing a mix of classical and more contemporary material at the balcony bar at the Metropolitan Museum of Art, free w/museum adm

Fridays at 7:30 PM Ken Fowser leads his band at the Django. Jukebox jazz in a JD Allen vein but not as dark and more straight-ahead/groove-oriented: as postbop party music goes, nobody’s writing better than this guy right now.

Fridays in October charmingly inscrutable Parisienne chanteuse Chloe & the French Heart Jazz Band at Club Bonafide, $20. 10/5 and 10/19 she’s here at 8; 10/12 and 10/26 at 5 PM

Free classical concerts on Saturdays at 4 PM in September at Bargemusic;  usually solo piano or small chamber ensembles. If you get lucky, you’ll catch pyrotechnic violinist/music director Mark Peskanov and/or the many members of his circle. Early arrival advised.

Saturdays in September, 6 PM the Toomai String Quintet play all kinds of adventurous, global classical repertoire, specializing in fiery Cuban material at Barbes

Sundays in September, at sometime past noon at Hank’s, Nashville gothic crooner Sean Kershaw‘s legendary honkytonk brunch is back; special guests from his wide circle of NYC Americana acts keep the afternoon going until about 7. It’s just like 1999 again -at least until the bar closes sometime this year.

Sundays in October, 7 PM pyrotechnic Balkan multi-reedman Greg Squared‘s Great (and ever-expanding) Circle followed at 9:30  by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

Sundays in October, 8 PM purist guitarist Peter Mazza – who gets the thumbs up from bop-era legend Gene Bertoncini – leads a series of trios at the Bar Next Door.

9/1, 3 PM the Sun Ra Arkestra outdoors at Union Pool, free

9/1, 5 PM atmospheric, cinematic drummer/composer Tim Kuhl – sort of a more straightforwardly trippy version of John Hollenbeck – followed at 8 by dazzlingly eclectic chamber pop/latin/classical violinist Concetta Abbate at Pete’s

9/1, 6 PM the Toomai String Quintet play all kinds of adventurous, global classical repertoire, specializing in fiery Cuban material, then at 8 PM pianist Lucian Ban and violist Mat Maneri play their creepy Transylvanian jazz and then at 10 there’s epic ranchera/bolero brass crew Banda de los Muertos at Barbes

9/1, 7ish Bobby Radcliff – the rare blues guitarist who plays a ton of notes but doesn’t waste them, sort of a funkier Stevie Ray Vaughan – with his trio at Terra Blues

9/1, 7 PM in reverse order at El Cortez: no wave sax legends James Chance & The Contortions,dark art-rock guitar icon Martin Bisi, and perennially sick noiserock guitar band the Sediment Club, $20

9/1, 7  PM the annual Soorya festival of Sri Lankan culture and arts at Faber Park in Staten Island, free, shuttle bus will stop at the Staten Island Ferry to pick you up, call 718-755-4644, program tba

9/1, 8 PM singer Lara Solnicki leads a killer quintet with Marta Sanchez on piano and Roman Filiu on alto at the Cell Theatre, $15. Filiu leads his quartet afterward

9/1, 8 PM charmingly inscrutable Parisienne chanteuse Chloe & the French Heart Jazz Band  at Club Bonafide, $20. She’s back here on 9/21 at 6, 9/28 at 7 and 9/29 at 6 again

9/1, 8:30 PM Greg Lewis’ brilliant, fearlessly political Organ Monk Trio at Bar Lunatico

9/1, 8:30 PM Dervisi feat. guitar god Steve Antonakos play “exotic Greek gangsta blues” followed by exotic vibraphone-driven surf band the Vibro-jets at the Gutter, sug don

9/1, 9 PM Unsteady Freddie‘s monthly surf rock extravaganza at Otto’s begins at 9 PM with ferocious, creepy surf noir band the Men in Gray Suits, at 10 spaghetti western/surf trio LoungeZotica 3000, at 11 gloomy surfed-up Russian prison songs with the Vivisectors, and around midnight the night’s hardest-rocking act, Surfer R Cool 

9/1, 9 PM dark garage rock and noir psychedelia with Holly Golightly & the Brokeoffs at the Mercury, $15

9/2, 2 PM original mambo king Orlando Marin and his band at the Discovery Center in Central Park,110th Street between Lenox Avenue and Fifth Ave, free

9/2, 6 PM purist CBs style female-fronted punks the Carvels NYC  at Otto’s – they have free potluck munchies too

9/2, 8:45 PM first-rate purist honkytonk crooner/bandleader Cliff Westfall a and hard honkytonk guitar legend Wayne the Train Hancock at the Knitting Factory, $18

9/2, 9 PM oldschool-style high plains C&W singer Hope Debates & North 40 at  at Skinny Dennis

9/2, 10ish brilliant Americana-rock lead guitarist Tom Clark – whose Lakeside and Manitoba’s shows back in the 90s and zeros were legendary – on his home turf at the Treehouse at 2A

9/3, 3 PM free dogs and burgers at Freddy’s. Not a music event but if you’re hungry…

9/3, 8:30 PM darkly brilliant, psychedelic Klezmatics multi-reedman Matt Darriau’s ’s Paradox Trio at Bar Lunatico. 9/9 at 7 they’re at Barbes

9/3, 9:30 PM Dilemastronauta Y Los Sabrosos Cosmicos with members of M.A.K.U and Combo Chimbita play space cumbia at Barbes

9/4, 7 PM brilliantly lyrical latin jazz pianist Luis Perdomo leads his band at the Fat Cat, no joke

9/4, 7 PM Free Range Rats with Eric Hipp, tenor saxophone;  John Carlson, trumpet & pocket trumpet;  Shawn McGloin, bass;  George Schuller, drums followed by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Barbes

9/4, 8/10;30 PM state-of-the-art jazz bassist Christian McBride & the New Jawn Quartet at the Blue Note, $20 standing room avail

9/4, 8 PM feral bassist Brandon Lopez leads a trio with piano and drums at Roulette, $18 adv tix rec

9/4-8, 8:30 PM saxophonist/composer Michael Blake plays with a variety of ensembles at the Stone at the New School, $20. Choice pick: 9/6 with String Theory: Charlie Burnham (violin) Erik Friedlander (cello) Ryan Blotnick (guitar) Tony Scherr (bass) Jerry Granelli (drums) 

9/4, 9 PM two talented, individualistic guitarslinging women: Mallory Feuer and her fiery power trio the Grasping Straws followed by Balkan jazz player Martina Fiserova at Sidewalk

9/4, 10 PM the Inner City All-Stars – who mash up hot New Orleans brass and psychedelic funk – at Silvana 

9/4, 11:30 PM rising star singer Lucy Yeghiazaryan plays and maybe sings music by Fats Waller at Dizzy’s Club, $5

9/5, 5:30 PM  night four of this year’s amazing Bryant Park Accordion Festival, short sets by musicians scattered across the park lawn to prevent any sonic interference. Lineup includes Laren Droll (Cajun + Zydeco), Laura Vilche (Bandoneón: Argentine Tango), Nain de los M-1 Sangre de Reyes (Norteño Music from Mexico), Patty Furlong (Traditional Irish Music), Cordeone (Portuguese Fado), Ilya Shneyveys (Traditional + Original Klezmer), Eva Salina and Peter Stan (Vintage Balkan Roma Ballads), Mira Stroika (Pop Cabaret), Albert Behar (French Musette + Gypsy Jazz), Alan Morrow (Waltzes, Tango + Blues), Papa Bavarian (German Oktoberfest), and Burlap Don Simons (American Swing)

9/5, 8ish Dervisi feat. guitar god Steve Antonakos play “exotic Greek gangsta blues” and hash-smoking anthems at Troost

9/5, 8 PM klezmer clarinet/mandolin wizard Andy Statman at Barbes, $10

9/5, 8 PM a killer second/third generation Afrobeat twinbill: Super Yamba and Seun Kuti & Egypt 80 at the Poisson Rouge, $20 adv tix rec

9/5, 8:30 PM A Tribute to Americana hellraiser Jimmy C Newman w/ The Foghorn Stringband, Jesse Lege, Joel Savoy, Kelli Jones & Rusty Blake at the Jalopy, $25

9/5, 9 PM Mischief Night – the Grasping Straws’ Mallory Feuer’s menacingly lo-fi guitar-drums duo – at Footlight Bar

9/5, 10 PM awesomely slinky, psychedelic Israeli Ethiopiques groove instrumentalists Anbessa Orchestra at the big room at the Rockwood

9/6, noon latin jazz drum maestro Bobby Sanabria & Quarteto Aché outdoors at Worldwide Plaza, 350 W 50th St.

9/6, 5 PM the eclectic, Balkan/latin/funk brass Underground Horns on Broadway betw 42/43

9/6, 6 PM singer Jessy Carolina’s torchy cabaret band Shanghai Mermaid under the Manhattan Bridge archway, go south from the  York St. subway and follow the sound

9/6, 7 PM indie classical chamber ensemble Unbridled play a world premiere commission by composer Emily Praetorius plus works by Futing and others at Arete Gallery, $15

9/6, 8 PM eclectic groove instrumentalists Kadawa followed at 10 by Quatre Vingt Neuf (French for 89, a revolutionary date in case you weren’t aware) playing New Orleans brass music at Barbes

9/6, 8 PM snarky cabaret/funk/punk band Kid Congo & the Pink Monkey Birds– who are more new wave and less Crampsy than you would think – and grasscore legends Slim Cessna’s Auto Club at Brooklyn Bazaar, $20

9/6, 8 PM irrepressible multi-instrumentalist Joanna Sternberg wearing her front-porch folk guitarist hat, followed by noir soundtrack keyboardist Frank LoCrasto at Union Pool, $12

9/6, 8 PM popular newgrass/Americana road warriors Red Molly at City Winery, $22 standing room avail

9/6, 8 PM legendary drummer/cardiac medicine innovator/African historian Milford Graves with slinky bassist Shahzad Ismaily, plus performances by composer and artist Marina Rosenfeld and improvising vocalist Charmaine Lee at First Unitarian Congregational, 119 Pierrepont St., downtown Brooklyn,  $25/$10 stud/srs, closest train is the 2/3 to Clark St. or any train to Borough Hall

9/6, 8 PM pianist Alessandro Vena plays works by Chopin – Davide Zannoni – Giuseppe Lupis – Franz Liszt – Claude Debussy – Sergei Rachmaninoff at the DiMenna Center, $15/$10 stud/sf=rs

9/6, 8:30 PM kinetic, eclectic, funky parlor jazz violinist Mazz Swift  at Bar Lunatico

9/6, 9 PM wild minor key-loving Russian folk-punks Dobranotch at Drom, $15 adv tix rec

9/6, 9 PM mesmerizing, atmospheric guitarist Rafiq Bhatia & drummer Craig Weinrib at Nublu 151

9/6, 9 PM powerpop with Dave Derby’s Grand Armada, crystalline-voiced noir Americana songwriter Jessie Kilguss  and Dave Foster’s 90s jangle/powerpop band Bubble at Hank’s

9/6, 10 PM the great unsung hero of darkly purposeful, noir-tinged jazz guitar, Saul Rubin leading his Zebtet at the Fat Cat. They’re also here on 9/11 and 9/18 at 7

9/7, 6 PM elegant, lyrical, wildly eclectic oldtimey jazz/New England Americana songwriter Caroline Cotter at the American Folk Art Museum 

9/7, 7 PM Tilt Brass’s allstar trumpet octet play works by Eastman, Vierk, Gibson, McIntyre at the New School’s Stiefel Hall, 4th Floor, 55 W 13th St, $15, stud free

9/7, 8 PM timeless, haunting, playful octogenarian Armenian jazz sage and multi-reedman Souren Baronian’s Taksim at Barbes

9/7, 8 PM wryly lyrical Nashville gothic and Americana rock with Maynard & the Musties and Aron Blue at the Way Station

9/7, 8ish exotic vibraphone-driven surf band the Vibro-jets at Troost

9/7, 8 PM hauntingly cinematic pianist/composer Kelly Moran plays new work at Roulette, $18 adv tix rec

9/7, 9 PM eclectic, electric C&W/blues band the Jug Addicts at Bar Chord

9/7, 10:30 PM kinetically hypnotic postpunk band Mattson 2 at Rough Trade, $17 adv tix rec

9/7, 11:30 PM sax/keyboard duo Eva & Marie play klezmer, French chanson and other diverse styles at Freddy’s 

9/8, 4 PM purist CBs style female-fronted punks the Carvels NYC at Tompkins Square Park

9/8, 7 PM pianist Jose Menor plays the music of Spanish composer Hèctor Parra at Spectrum, $15. He’s also here on the 9th at 3 with a more varied program, and on 9/22 at 8 playing Messiaen’s Vingt Regards Sur L’enfant Jesus.

9/8, 7 PM night one of this year’s Dissident Arts Festival is a Weimar-inspired “Cabaret of Dissent” to benefit the Rosenberg Fund for Children, a non-profit public foundation which aids children of targeted progressive activists. On the bill: speaker Jenn Meeropol, granddaughter of Julius and Ethel Rosenberg and director of the Rosenberg Fund; jazz singer Judi Silvano; pianist Chris Forbes playing “Harmolodic Weill”; liberation jazz and spoken word by the Red Microphone; bassist/poet Larry Roland debuts his new all-star band They Come With Gold, and politically-charged jazz/soul songwriter Lindsey Wilson & the Human Hearts at 17 Frost Theatre and Gallery, 17 Frost St, Williamsburg, $15 `

9/8, 7 PM Bahamian trumpeter Giveton Gelin and his quintet followed by fellow horn powerhouse Jeremy Pelt leading a mighty octet and plahing a Rodin-inspired program at the New School’s Stiefel Hall, 4th Floor, 55 W 13th St, $15, stud free

9/8, 7:30 PM the Knox Trio play works for flute, cello and piano including George Crumb’s Vox Balaenae (Voice of the Whale), Matthew Burtner’s atmospheric Snowprints and two 2018 world premieres (Victoria Romano, Ernest Ling) at Arete Gallery, $15/$10 stud

9/8, 8 PM legendarily eclectic surf band the Tiki Brothers at Arlene’s $10

9/8, 8 PM jazz harpist Pia Salvia leads a quintet at the Cell Theatre, $15

9/8, 8 PM dark cabaret legend  Sanda Weigl sings Brecht/Weill with Lucian Ban, piano & Mat Maneri, viola followed at 10 by Pangari & the Socialites playing classic ska and rocksteady – most of it from the 60s Skatalites catalog – at Barbes

9/8, 8 PM Savak – who rehash Wire as well as anybody else ever has – at the Bell House, free

9/8, $10 before 9 PM, bizarrely fun dubwise accordion-and-brass stoner funksters TM Street Band followed bye xplosive, creepy, colorfully psychedelic rembetiko metal band Greek Judas at Rubulad, plus projections, fortune tellers, fire twirlers probably, the works – email for Bushwick address/info 

9/8, 9 PM the intoxicatingly clattering, sintir bass lute fueled Moroccan trance grooves of Innov Gnawa at the Owl

9/8, 10 PM oldschool soul ballads with singer Camille Atkisson’s Empire Beats at the Way Station

9/8, 10 PM fiery electric bluegrass and C&W with Demolition String Band at Skinny Dennis

 9/8, 10 PM smartly eclectic singer and vivid original jazz songwriter Allegra Levy plays the album release show for her new lunar-themed record at the third stage at the Rockwood, $10

9/9, 2 PM unpredictably brilliant violinist Concetta Abbate plus a chamber ensemble for a killer program of her own work plus material by women composers Missy Mazzoli, Whitney George, Anna Bon and Kate Amrine at the Park Church Coop at 129 Russell St. in Greenpoint. No G train this weekend, so take the L to Bedford and walk about 10 mins., $10 and includes munchies

9/9, 3 PM koto visionary Yumi Kurosawa at the Noguchi Museum, 9-01 33rd Rd,, Long Island City,  N to Broadway and about a 15-block walk, free w/museum adm

9/9, 5 PM irrepressibly charismatic oldtimey trombonist/uke player J. Walter Hawkes and band followed by Fuck You Tammy playing amazingly spot-on recreations of themes from Twin Peaks and David Lynch films at LIC Bar

9/9, 7 PM darkly brilliant, psychedelic Klezmatics multi-reedman Matt Darriau’s Paradox Trio followed at 9:30ish by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes. The twinbill repeats here on 9/30

9/9, 7 PM  dueling bass and treble clarinets: Josh Sinton and Guillermo Gregorio at Downtown Music Gallery

9/9, 10:30 PM Dreamdecay – who do as decently noisy a ripoff of late 70s PiL as well as anybody – at Brooklyn Bazaar, $10 adv tix avail at the Poisson Rouge box ofc 

9/9, 10:30 PM catchy Booker T-esque soul jazz with trombonist David Gibson and his quintet at Smalls

9/10, 7 PM rustic, acerbic front-porch folk singer Jo Williamson at LIC Bar

9/10, 7 PM tuneful postbop pianist Jim Ridl leads leads a great quartet with Terrell Stafford on trumpet at 55 Bar

9/10, 7:30 PM the 12-piece, Eddie Palmieri-influenced Zaccai Curtis Orkesta at Dizzy’s Club, $35 but could be worth it

9/10, 8:30 PM bassist Jeom Lin Yang leads a killer trio with Oscar Noriega on alto, Jacob Sacks on piano and Gerald Cleaver on drums at Bar Lunatico

9/10, 9:30ish the NYC Gaita Club – a Bulla en el Barrio spinoff – play rustically pounding Afro-Colombian trance-dance music at Barbes

9/11, 7 PM accordion genius Shoko Nagai ’s haunting Tokala Silk Road/klezmer mashup project  followed byclever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at 9 PM at Barbes

9/11, 7 PM Mark Peskanov, violin; David Bottoms, piano; Rita Sloan, piano;play works by Bach, Barber, Beethoven, Brahms, Bottoms, Chopin and Coplandat Bargemusic, free, get there early

9/11, 7 PM a roundtable discussion to open the National Jazz Museum in Harlem’s new Machito and Mario Bauza exhibit plus a performance by Cuban pianist Emilio Morales, sug don 

9/11, 7:30 PM night one of this year’s Resonant Bodies Festival of avant garde vocals features Thingny’s Paul Pinto, the operatic Helga Davis and indie classical singer Lucy Dhegrae at Roulette, $20 adv tix rec

9/11, 7:30 PM incendiary, fearlessly political Vietnamese chanteuse/freedom fighter Mai Khoi and the Dissidents plus poet Paul Tran, winner of the Nuyorican Poets Cafe Grand Slam at National Sawdust, $30 adv tix req

9/11, 8 PM guy/girl duo Yael & Gabriel sing intimate versions of Edith Piaf classics at Highline Ballroom, $15 adv tix rec

9/11, 8 PM inscrutable, tropically-tinged psychedelic singer/bandleader Renata Zeigeur at Union Pool, $12

9/11, 8 PM oldschool-styhle Cuban mambo jazz with Orquesta Akokán  at the Poisson Rouge, $20 adv tix rec

9/11, 8 PM Jesse Neuman leads a three-trumpet frontline with Ingrid Jensen and Nadje Nordhuis with Jeff Davis on drums – wow – followed at 10 by Westerlies trumpeter Riley Mulherkar with guitarist Rafiq Bhatia and pianist Chris Pattishall at the upstairs room at Threes Brewing, 333 Douglass St, Gowanus, $10

9/11-15, 8:30 PM adventurously lyrical pianist Matt Mitchell plays with a variety of ensembles at the Stone at the New School, $20. Choice pick: the 9/12 show with Miranda Cuckson (violin) Mariel Roberts (cello)

9/11, 8:30 PM hard-charging oldschool soul/funk/rock singer Bette Smith and band at Bar Lunatico 

9/11, 9 PM wickedly torchy noir songwriter Julia Haltigan and her killer band at 11th St Bar

9/11, 10 PM eclectically tuneful, spectacularly fast, Leo Kottke-esque acoustic guitar instrumentals with Dougmore at the third stage at the Rockwood, $10

9/11, 10 PM terse purist postbop trumpeter Alex Sipiagin leads a quiintet at 55 Bar

9/11, 9:30 PM the Bronx Conexion play their mighty salsa big band jazz at the Nuyorican Poets Cafe

9/12, 1 PM violist Jordan Bak and ensemble play works by Piazzolla, Telemann and Brahms at the Greene Space, free, res req 

9/12, 5:30 PM night five of this year’s amazing Bryant Park Accordion Festival, short sets by musicians scattered across the park lawn to prevent any sonic interference. Lineup includes Julie Winterbottom (Cajun Music from Louisiana), Javier Sánchez (Bandoneón: Argentine Tango), Sadys Rodrigo Espitia (Colombian Cumbia + Vallenato), Ellen Lindstrom “The Swedish Meatball” (Scandinavian Music), Vitor Gonçalves (Brazilian Choro + Forró), Shoko Nagai (Japanese + Jewish), Maestro (Electronic Balkan Music), Papa Joe De Clemente (Italian + American Standards), Will Holshouser (Jazz + Folk), Ismail Butera (Ancient Mediterranean), Ryan O’Donnell + Friends (Ukrainian), and Guillermo Vaisman (Coastal Argentine Chamamé).

9/12, 6 PM oudist Tom Chess with tabla player Roshni Samlal at the  Rubin Museum of Art, free w/museum adm

9/12, 6:30 PM the Circle Wind Chamber Orchestra with Spanish choir Escolonia de Tomares plus taiko drummers play in memory of Fukushima and 3/11 with works by Bach, Bernstein, Saburo Takta and others at Merkin Concert Hall, $10

9/12, 7:30 PM night two of this year’s Resonant Bodies Festival of avant garde vocals features hauntingly atmospheric pan-Asian chanteuse/composer Jen Shyu, star indie classical composer/singer Caroline Shaw and flutist/singer Nathalie Joachim at Roulette, $20 adv tix rec

9/12, 7 PM pianist Katie Reimer’s reliably adventurous Mimesis Ensemble play an immigration and displacement-themed program of works including Dave Schnackenberg’s Lakota setting of the Lord’s Prayer, a Moses Hogan arrangement of the African American Spiritual, Sometimes I Feel Like a Motherless Child, excerpts from Huang Ruo’s opera, An American Soldier, Dvořák’s String Quartet No. 12 in F Major, Op. 96 “American,” Astor Piazzolla’s Oblivion, excerpts from Edith Alomar and Jorge Lockward’s cantata Manos Indocumentadas, and Kinan Azmeh’s The Fence, The Rooftop, and The Distant Sea, at Weill Hall at Carnegie Hall, $25/$12 stud/srs

9/12, 7:30/9:30 carnatic string power couple Trina Basu and Arun Ramamurthy lead their amazing Indian/jazz string band Nakshatra with cellist Marika Hughes and bassist Rashaan Carter at the Jazz Gallery, $25

9/12, 8 PM trumpet-drums duo Anteloper – Jaimie Branch and Jason Nazary  – followed by Branch’s aptly named twelve-piece Wing Walker Orchestra at Threes Brewing, 333 Douglass St, Gowanus, $10

9/12, 10 PM rising star trumpeter Adam O’Farrill‘s Stranger Days Quartet at 55 Bar

9/13, 5 PM charmingly torchy vocal trio the Ladybugs – who put a twistedly original spin on old Disney movie themes –  on Broadway betw 42/43

9/13, 7 PM lyrical, spectacular organist Renée Anne Louprette plays the 1868 Henry Erben organ in the loft at the Basilica of St. Patrick’s Old Cathedral, 260 Mulberry St. 

9/13, 7 PM bassist Michael Formanek’s Very Practical Trio with Tim Berne on sax and Mary Halvorson on guitar followed by Patricia Brennan solo on vibraphone at Spectrum, $15

9/13, 7:30 PM night three of this year’s Resonant Bodies Festival of avant garde vocals features opera fugitive Sarah Maria Sun backed by International Contemporary Ensemble, irrepressible downtown NYC stalwart Pamela Z and the amazingly mutable Gelsey Bell at Roulette, $20 adv tix rec

9/13, 7:30 PM fiery Guatemalan freedom fighter and cumbia/reggae/Spanish rock bandleader Doctor Nativo at the Lincoln Center Atrium, free, early arrival advised

9/13, 7:30 PM furiously political, funny reggae/hip-hop band Tropidelic at South House in Jersey City, free 

9/13-16, 7:30/9:30 PM timeless bassist Rufus Reid leads a quartet with Yosvany Terry on alto at the Jazz Standard, $30

9/13, 8 PM plush, balmy, oldtimey uke swing band Daria Grace & the Pre-War Ponies at Barbes

9/13, 8 PM slinky, brassy, retro 60s latin soul group Alba & the Mighty Lions plus soul bandleader Ben Pirani playing the album release show for his similarly purist, wickedly catchy classic-style soul debut album at C’Mon Everybody, $10

9/13, 8:30 PM the world’s creepiest crime jazz/film noir band, Big Lazy at Bar Lunatico

9/13-14, 9 PM ferociously tuneful tenor saxophonist/composer Donny McCaslin and band at Rough Trade, $25 gen adm

9/13, 9ish singer Dida Pelled salutes obscure and cult favorite women songwriters including Connie Converse, Elizabeth Cotten, Molly Drake, Vashti Bunyan and Norma Tanega  at the Owl

9/13, 10 PM Okkervil River at the Music Hall of Williamsburg, $25 gen adm. Lazy beardos or woozily fun post-Americana? you decide.

9/14, 4 PM Afro-Dominican dance sounds with Yasser Tejeda & Palotré at Ruppert Park, Second Ave. at 90 St.

9/14, 5 PM the grand finale of this year’s amazing Bryant Park Accordion Festival with full sets by Shashmaqam (hauntin Bukharan Jewish music and and Central Asian dance), João Cirilo Pilom Batuko Band (Batuko and Funaná from Cape Verde), a lame Patti Smith wannabe on harmonium, Canzoniere Grecanico Salentino (sizzling Pugliese folk dances), and Rimel (Norteño music from Mexico).

9/14. 6 PM crystalline-voiced, noir-tinged third-stream jazz chanteuse Tessa Souter and her band at 55 Bar

9/14, 7 PM the Bobby Sanabria Multiverse Big Band play their new reinventions of Leonad Bernstein West Side Story themes at Marcus Garvey Park

9/14-15, 7:30 PM terse, purposeful rising star postbop saxophonist Melissa Aldana leads a quartet at Smalls

9/14-15, 7.9:30 PM bluegrass national champions the Mark O’Connor Family Band with gospel singer Lizz Wright and guitarist Alvin Youngblood Hart at the Allen Room at Jazz at Lincoln Center, $22 tix avail

9/14, 7:30 PM the Mannes Orchestra play Brahms’s Tragic Overture and Beethoven’s Symphony No. 3 “Eroica” at the New School’s Tishman Auditorium, University Center, 63 Fifth Avenue, Room U100, free

9/14, 8 PM twisted, carnivalesque acoustic steampunk duo the Wedding Funeral and creepy noir chamber pop/murder ballad duo Charming Disaster at Bobby Dee’s, 49 Beacon Ave, Jersey City, about a 20 minute walk from the Journal Sq. Path station, $10 

9/14, 8 PM Penelope Houston‘s legendary, still-relevant first-wave punk band the Avengers at El Cortez, $20

9/14, 8 PM eclectic, electric C&W/blues band the Jug Addicts followed at 10 by accordionist/sitarist Kamala Sankaram’s hot surfy Bollywood/cumbia/psychedelic rock project Bombay Rickey at Barbes

9/14, 8 PM lavish but feral Peruvian brass music with La Patronal at Flushing Town Hall

9/14, 8ish the City & Horses – who mix ethereal goth-tinged ballads, funky new wave and janglepop, and need a new singer – at Gold Sounds, $8

9/14, 8 PM Glass Farm Ensemble play works by Denis Schuler, Rico Gubler, and two Adagios: by Alban Berg and Stefano Gervasoni at Scholes St. Studio, $10

9/14, 8 PM recently revitalized, careening ten-piece Balkan brass crew Veveritse at Silvana

9/14, 9:30 PM eclectic, Balkan/latin/funk brass band the Underground Horns celebrate 10 years in business at Drom, $10 adv tix rec

9/15, 1 PM the Inner Mongolia Performing Arts Troupe at Flushing Town Hall, $10. Followed at 3 (separate $10 adm) by a killer twinbill withbassist Mark Wade leads his lyrical, cinematic piano trio plus the even more cinematic Yui Kitamura

9/15, 3:30 PM  the World Premiere of Neil Padukone’s surreal, colorful Indian/Puerto Rican mashup Salsa Masala: A Jackson Heights Block Party outdoors at 82nd St. and Roosevelt Ave in Elmhurst, 7 to Roosevelt Ave and about a 5 minute walk

9/15, 4 PM the Erik Satie Quartet – Ron Hay (trombone), Max Seigel (bass trombone), Ben Holmes (trumpet), and Andrew Hadro (bari sax) –reinvent classic and obscure Satie chamber pieces as well as rare compositions by his obscure contemporaries, followed at 6 by  the Toomai String Quintet playing “a range of Cuban styles, paying homage to the great artistic lineage of Ernesto Lecuona, Israel “Cachao” Lopez, Beny Moré, and Celia Cruz,” then at 8 byeclectic, lyrical jazz bassist/composer Pedro Giraudo leading his Tango Quartet and at 10 by Super Yamba playing their bracingly psychedelic Afrobeat jams at Barbes

9/15, 6 PM dark, intense, psychedelic guitarist/songwriter Anna Coogan at the small room at the Rockwood

9/15, 7 PM killer multi-generaitional punk triplebill: ferocious Spanish-language punks Escasos Recursos, similarly political, smart political hardcore band All Torn Up and first-wave punk-reggae band the Subhumans at the Knitting Factory, $20

9/15, 7:15ish dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues. They’re also here on 9/29

9/15, 7 PM night two of this year’s Dissident Arts Festival, a benefit for the Alliance of Families for Justice and the NYC Jericho Movement, who advocate for the unjustly incarcerated and call for urgent prison reform. The evening opens with a solo performance by drummer William Hooker, followed by pianist/composer Trudy Silver, reedman Ras Moshe’s Music Now!, the Flames of Discontent duo of Festival director John Pietaro and Laurie Towers and Balkan jazz guitarist Martina Fiserova at 5C Café & Cultural Center, E. 5 Street/ Ave C, $15 

9/15, 8 PM popular, anthemic dark folk/chamber pop songwriter Agnes Obel at Warsaw, $20

9/15, 8 PM organist Jan Michalko kicks off Barnard’s academic year with works bySlovak composers Ilja Zeljenka and L’udovít Rajter at James Chapel, Union Theological Seminary, 3041 Broadway at 122nd St., free

9/15, 8 PM haunting flamenco/Sicilian folk chanteuse Julia Patinella, eclectic, tuneful accordionist/songwriter Ali Dineen &the amazing Miriam Elhajli – who switches effortlessly from Venezuelan-influenced folk to classic Appalachian sounds at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away.” The trio are also at the Owl at 8 on 9/27

9/15, 8 PM American Primitive guitar pioneer Don Bikoff solo plus Two Mule Team – guitarist Sue Garner and 75 Dollar Bill drummer Rick Brown with no wave guitar legend Willie Klein of Escape by Ostrich – at Wonders of Nature, $10

9/15, 8:30 PM exhilarating, edgy, sardonic alto saxophonist Elijah Shiffer leads a similarly colorful ensemble at Freddy’s

9/15, 8:30 PM wryly tuneful, purist Americana/C&W band Grain Thief at the third stage at the Rockwood, $10

9/15, 9ish catchy, edgy, darkly kinetic female-fronted Romany-tinged rock band the Trouble with Kittens at the Cobra Club, $tab

9/15, 9 PM ominously jangly Laurel Canyon psychedelic band the Mystic Braves at Rough Trade, $15 gen adm

9/15, 9 PM guitarist Luke Schwartz‘s Quiet City Ensemble and string adventurers Cory Bracken, Mariel Roberts, Sarah Dutcher at Arete Gallery, $10

9/16, 3 PM pianist Clare Longendyke plays work by Ravel, Vivian Fung and Amy Williams at Spectrum, $15

9/16, 3 PM harpist Melanie Genin leads a trio playing works by Debussy, Sebastian Currier and Saad Haddad at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, sugg don

9/16, 4 PM irrepressibly eclectic organist Christopher Houlihan plays works by Bach, Vierne, Howells and others at the Cathedral Basilica of the Sacred Heart, 89 Ridge Street, Newark, $15 sug don

9/16, 7 PM intense frontwoman Hannah Fairchild’s searingly lyrical punk/art-rock/noir cabaret group Hannah vs. the Many – NYC’s best power trio –at the small room at the Rockwood. This sedate little spot will never know what hit them.

9/16, 7 PM innovative, tuneful Indian-influenced drone-raga band Arranged Marriage NP followed at 9:30ish by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

9/16, 7 PM feral Italian tarantella string band Canzoniere Grecanico Salentino at Joe’s Pub, $20

9/16, 7:30 PM  erudite, purist torchy cosmopolitan jazz chanteuse Svetlana Shmulyian at Minton’s with saxophonist Chris McBride’s group

9/16, 8 PM jazz flutist Jamie Baum and her Septet play the album release show for their new one, Bridges at Roulette, $18 adv tix rec

9/16, 8 PM haunting, gothic doom trio Witchkiss, riff-driven Shadow Witch and doomy fuzztone stoners Destroyer of Light at Lucky 13 Saloon  

9/17, 9 PM darkly captivating Canadian singer Terra Lightfoot and band at the Knitting Factory, $12 adv tix rec

9/16, 9 PM edgy chamber jazz singer Becca Stevens and perennial post-jazz (is that a genre?) faves Kneebody at the Poisson Rouge, $18 adv tix rec

9/17, 7:30 PM the Jasper Quartet play works by Beethoven, Mendelssohn, Caroline Shaw and Missy Mazzoli at Music Mondays, Advent Church, northwest corner of 93rd and Broadway, free

9/17, 8 PM astonishingly prolific and acerbic guitarist Mary​ ​Halvorson does marathon duty in a twinbill with Bill Frisell and then with Robbie Lee at the Poisson Rouge, $20 adv tix rec

9/17, 9:30 PM Parrada Vallenata with brilliant Venezuelan Harold Rodriguez on accordion/lead vocals, Nes Gomez on caja/vocals, Sebastian Lopez on bass/vocals and JP Gomez on guacharaca/vocals at Barbes

9/17, 8 PM Red Desert play works by Lucier, Wolff, Oliveros, plus singer Charmaine Lee and Ben Bennett at the Fridman Gallery, $20

9/17, 11 PM pensive reedman Arnan Raz with his quintet at the small room at the Rockwood

9/18, 7 PM violinist Sabina Torosjan, clarinetist Thomas Piercy, and pianist Marija Ilic play works by Ivan Božičević, Gilbert Galindo, Katherine Hoover, Frances White, and Chinese composer Mao Zhu at Arete Gallery, $15

 9/18, 7:30 PM haunting, cinematic, Middle Eastern-inspired bass clarinetist Todd Marcus leads a quintet with guitarist Paul Bollenback, pianist Bruce Barth, bassist Kris Funn, and drummer Eric Kennedy at Dizzy’s Club, $30

9/18, 9 PM singer Duckie Simpson’s version of roots reggae legends Black Uhuru at Highline Ballroom, $25 adv tix recs

9/18, 10:30 PM brilliant drummer/percussionist Willie Martinez & La Familia Sextet play classic salsa grooves at the Nuyorican Poets Cafe, $10

9/19, 2 PM flutist Jiro Yoshioka and pianist Sakuya Okayasu play a 9/11 memorial concert with works by Debussy, Faure, Boulanger and others at Weill Hall at Carnegie Hall, free tix avail at the box ofc

9/19, 6 PM sitarist K.G. West with percussionists Mir Naqibul Islam, and Amanda Welch at the Rubin Museum of Art, free w/museum adm

9/19, 7:30/9:30 PM violist Melanie Dyer’s WeFreeStrings perform “original works and arrangements that embody the ethos of free jazz and the Afro-Atlantic music lexicon” at the Jazz Gallery, $15

9/19, 7:30 PM the High Zero anniversary concerts at Roulette commemorate a legendary/obscure Baltimore improvisational music spot with a 24-piece cast including Lea Bertucci (bass clarinet, alto sax, electronics), Amritha Kidambi (voice), Ikue Mori (electronics) and many, many others, $18 adv tix rec

9/19, 8 PM a good Americana songstress twinbill: the more hardcore countryish Michaela Anne followed by Courtney Marie Andrews at Rough Trade, $15 gen adm

9/19, 8/9:30 PM a rare duo with Sam Newsome on soprano sax with Angelica Sanchez on piano at Mezzrow, $20

9/19, 8 PM crystalline-voiced noir Americana songwriter Jessie Kilguss  hosts the latest edition of the Bushwick Book Club celebrating a minor 80s pop autobio with performers also including Charlie Nieland of Lusterlit and Jim Andralis at Barbes

9/19, 10 PM Rainer Maria bassist and lustrous dreampop singer Caithlin de Marrais at the Mercury, $10 adv tix rec

9/20, 5 PM purist trumpeter Drew Anderson leads his quartet on Broadway betw 42/43

9/20, 7 PM fiery jazz violinist/composer Zach Brock leads a rare trio date at 55 Bar

9/20, 7:30 a panel discussion on the devastation of gentrification featuring Vanishing New York’s Jeremiah Moss, plus Ensemble Connect play music by Julius Eastman, Tui St. George Tucker and others at the Lincoln Center Atrium, free, early arrival advised

9/20, 7:30 PM a lecture-recital by pianist Reed Tetzloff on Charles Ives and his Concord Sonatas at Stiefel Concert Hall, Arnold Hall, 55 West 13th St at the New School, free

9/20, 8 PM folk metal band Tengger Cavalry reinvent Mongolian themes at Weill Hall at Carnegie Hall, $30 tix avail. You read that right: folk metal.

9/20, 8 PM wild female-fronted Russian turbo-folk jammers Romashka at Drom, $15 adv tix rec

9/20, 8 PM playfully Lynchian, cinematic keyboardist Frank LoCrasto and Fort Gorgeous at C’Mon Everybody, $10

9/20, 8 PM deviously theatrical oldschool C&W/rockabilly parodists Susquehanna Industrial Tool & Die Co at Mable’s Smokehouse, 44 Berry St at N 11th St in Williamsburg. They’re also at Otto’s at 8 on 9/27

9/20, 8 PM the Orpheus Chamber Orchestra reinvent music by Chopin, Part and Tschaikovsky at Stern auditorium at Carnegie Hall, $25 tix avail

 9/20, 8 PM lustrously dark jazz pianist Guy Mintus leads his trio with the breathtakingly powerful Roopa Mahadevan on guest vocals at the Owl

9/20, 8 PM singer Ka Baird, multimedia artist Tamar Ettun and koto adventurer Miya Masaoka at the Fridman Gallery, $20

9/20, 10 PM Slavic Soul Party spinoff the Mountain Lions, who play hypnotic Turkish zurla music on saxes and drums, at Barbes

9/20 Red Baraat guitarist Jonathan Goldberger, Hearing Things organist JP Schlegelmilch and Alasnoaxis drummer Jim Black bought a vintage Yamaha organ and play the release show for their killer, psychedelic new trio album Visitors at Nublu 151

9/21, 7 PM sardonically lyrical chamber pop/pastoral jazz songwriter David Poe at the third stage at the Rockwood, $15

9/21, 7:30 PM trumpeter Charlie Sepulveda & the Turnaround play salsa dura at the Lincoln Center Atrium, free, early arrival advised

9/21-22, 7:30/9:30 PM edgy vibraphonist Joel Ross with Maria Grand – sax; Kanoa Mendenhall – bass; Jeremy Dutton – drums at the Jazz Gallery, $25

9/21, 8 PM sizzling oudist Mohamed Abozekry and Karade play haunting, serpentine Egyptian music from across the centuries at Roulette, $25/$20 stud/srs

9/21, 8 PM bassist Danton Boller leads a trio; drummer Jim Black, cellist Hank Roberts & saxophonist Elias Stemeseder jam at the Owl

9/21, 8 PM thunderous Brazilian drum ensembles MaracatuNY, BatalaNYC and slinky maracatu/New Orleans/surf rock mashups from Nation Beat at SOB’s, $20

9/21, 8 PM edgy, eclectic pan-Mediterranean art-rock/latin/chanson ensemble Banda Magda at Flushing Town Hall, $16/$10 srs/teens free

9/21, 8 PM rustic Brazilian jungle guitar-and-accordion sounds with Regional de NY followed at 10 by hard-hitting, brass-fueled newschool latin soul/boogaloo dance band Spanglish Fly at Barbes

9/21, 8:30 PM torchy singer Jennifer Charles’ and guitar mastermind Oren Bloedow’s long-running art-rock/noir band Elysian Fields play the album release show for their new one at Nublu 151, $15 adv tix avail at the Poisson Rouge box ofc

9/21, 8:30 PM haunting French-Tunisian saxophonist Yacine Boulares’ Ayojo at Bar Lunatico

9/21, 10 PM Revolutionary Council play Afrobeat at Shrine

9/21, 10:30 PM Camille Thurman – a double threat as nuanced singer and intense tenor saxophonist – and her group at the Fat Cat. Who knew

9/21, 10:30 PM a rare full-band show by elegant, sharply lyrical parlor pop stylist Heather Eatman at Freddy’s

9/21, 11 PM the darkly eclectic, enigmatic Lorraine Leckie  – equally adept at Slavic and Americana noir – at Sidewalk

9/22, 2 PM this year’s edition of the Brooklyn Americana Festival opens with preteen string band sensation Nora Brown, at 2:30 Sabine McCalla; 3:00 PM Giri and Uma Peters; 3:30 PM the mighty M Shanghai String Band; 4:30 PM Clarence Bucaro; 5:00 PM irrepressibly fun blues/swing pals Mamie Minch and Tamar Korn; 6:00 PM two thirds of the Be Good Tanuas Jolie Holland and Samantha Parton and at 7:00 PM City Billies at Pier 3 Plaza in Brooklyn Bridge Park

9/22, 6 PM Toomai String Quintet play all kinds of adventurous, global classical repertoire followed at 8 by boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band  – not as ridiculous as segue as it might seem since they all have a thing for latin music – and then at 10 by catchy, slinky, psychedelic tropicalia and cumbia band Yotoco at Barbes

9/22, 7 PM pianist Elizabeth A. Baker plays the album release show for her new one Quadrivium: “minimalist solo piano compositions, avant garde prepared piano improvisations, meditative tracks, spoken word, and electronics” at Arete Gallery, $15

9/22, 7 PM torchy German cabaret chanteuse Katharine Mehrling sings rare Piaf and Weimar songs at Joe’s Pub, $20 

9/22, 7 PM Darash, from Granada, Spain, play Andalucian, Middle Eastern and Mediterranean sounds at Silvana 

9/22, 7:30 PM Indian carnatic crooner Sanjoy Banerjee backed by tabla and harmonium at Chhandayan Center For Indian Music, $20

9/22, 7:30 PM two-piano team Allison Brewster Franzetti and Carlos Franzetti play a program TBA at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs

9/22, 8 PM illustrator Robin Hoffmann’s playful, brand-new duo Ukulele Scramble and the irrepressibly comedic, politically relevant Ukuladies at the Jalopy, $10

9/22, 8 PM eclectic Americana guitarist/singer Kirsten Maxwell at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away” 

9/22, 8:30 PMslinky psychedelic Americana rockers American String Conspiracy  acoustic followed by hard honkytonk with Sarah Durning at Freddy’s

9/22, 8 PM musique concrete composer MV Carbon, mesmerizing sound sculptor/singer Lesley Flanigan  and Michael Schumacher at the Fridman Gallery, $20

9/23, noon this year’s Atlantic Antic street fair on Atlantic Ave from the Brooklyn Prom all the way to Hank’s features all kinds of good stuff. At the stage just up the block from Sahadi’s: at noon the agelesss Amber-Aba Orchestra play Lebanese and Egyptian bellydance classics behind a parade of dancers, at 4:45 it’s catchy, restless female-fronted Americana/newgrass anthem band Kaylor Otwell & the Tin Cans. Outside Hank’s baritone honkytonk crooner Sean Kershaw plays at half past noon, followed at 2:30 by one of the great saxophonists in the history of ska, Dave Hillyard and his quintet.

9/23, 2 PM this year’s edition of the Brooklyn Americana Festival continues with Rosetta and Evelyn followed by short sets: 2:30 PM noir Americana with accordion from Ali Dineen and Feral Foster; 3:00 PM all-female Americana allstars the Maybelles; 4:00 PM bluesman Will Scott w/ Charlie Burnham; 5:00 PM Jefferson Hamer; 6:00 PM The Wild Goats; 7:00 PM sophisticated soul/Americana band the Woes at Pier 3 Plaza in Brooklyn Bridge Park

9/23, 2 PM intense, lyrical, politically fearless tenor saxophonist Roxy Coss leads her quintet at Flushing Town Hall, $5

9/23, 3:30 PM intense, soaring harmonium player/singer Elana Low – akin to a more organic, atmospheric Marissa Nadler – at Pete’s. 10/29 at 8 she’s at the Music Inn, 128 W 4th St.  

9/23, 4 PM NYC’s own rippling, hypnotic, epic Balinese gamelan, Gamelan Dharma Swara kick off the fall with a traditional Balian blessing ceremony and concert at North Brooklyn Farms, 320 Kent Ave at S 4th St., south Williamsburg, free. It’s the orchestra’s first show since their new instruments – gongs, bells and drums – made their journey from Bali to New York in 2017

9/23, 5 PM Musica Viva NY​ ​kicks off its 2018-19 season with romantic lieder by Brahms, Schumann, and P.D.Q. Bach – uh huh -​ at All Souls Church​, 1157 Lexington Ave (at 80th St) feat. soprano Devony Smith, mezzo-soprano Michèle Eaton, tenor Nathan Siler, and baritone Brian Mextorf, accompanied by Artistic Director Alejandro Hernandez-Valdez and Trent Johnson, free

9/23, 6 PM the world’s creepiest yet most subtly amusing crime jazz/film noir band, Big Lazy at 55  Bar

9/23, 7 PM hauntingly lyrical art-rock songwriter/multi-instrumentalist Joanna Wallfisch at the third stage at the Rockwood, $10

9/23, 7 PM brilliant steel guitarist and Thelonious Monk reinventor Mike Neer and quartet followed at 9:30ish by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

9/23-29, 8 PMish amazing microtonal Afrobeat guitar band 75 Dollar Bill plays a week at Troost with a ton of cool special guests. Choice picks: 9/25 they’re joined by Yo La Tengo’s Ira Kaplan; 9/26 their hypnotic microtonal guitarist Che Chen opens with a solo set followed by no wavers Two Mule Team; 9/28 they open the night followed by singer Carolina Oliveros’ mighty 13-piece Afro-Colombian trance/dance choir Bulla en el Barrio; 9/29 bass goddess Felice Rosser’s ageless reggae-rock-groove band Faith open the night

9/23, 10:30 PM noir-inspired alto saxophonist/composer Nick Hempton leads leads a quartet at Smalls 

9/24, 7:30/9:30 PM erudite, reliably tuneful postbop pianist Orrin Evans leads the mighty, purist, bluesily tuneful Captain Black Big Band at Dizzy’s Club, $35

9/24, 7 PM a rare NYC appearance by dark Norwegian bassist SIgurd Hole: a solo set followed by a trio show with Mark Feldman – violin; Jarle Vespestad – drums at Shapeshifter Lab, $15

9/24, 8 PM pianist Jasna Popovic leads a seventeen-piece ensemble (including Indian soul singer Shilpa Ananth) playing 700 years’ worth of Serbian music at Weill Hall at Carnegie Hall, $35 tix avail.

9/24, 8:30 PM brilliant multi-reedman Peter Hess leads a rare trio date with Matt Moran on vibes and Jeff Davis on drums at Bar Lunatico

9/24, 9:30 PM hypnotically tuneful indie classical pianist/art-song chanteuse Psirens at Pete’s 

9/25, 7 PM unstoppably edgy, deservedly iconic, witty downtown guitarist Marc Ribot leads his fearless Songs of Resistance protest jazz project at the National Jazz Museum in Harlem, sug son

9/25, 7:30 PM flamenco singer Barbara Martinez and band at Drom, $10 adv tix rec

9/25, 7:30 PM if there’s any night this year to make a whole evening of jazz, this is it: fiery alto saxophonist Lucas Pino’s twin-guitar No No Nonet followed by this era’s most intensely powerful tenor saxophonist/composer, JD Allen leading his group at Smalls

9/25, 7:30 PM pianists Huan Li and Zhu Wang play a program TBA at Paul Hall at Juilliard, free

9/25, 8 PM unpredictably fun, funny psychedelic art-rock band the Academy Blues Project at Shrine

9/25, 8 PM Moroccan electro dude Hatim Belyamani, Russian Romany multimedia artist Valentina Kvasova and Vitche Boul-Ra at the Fridman Gallery, $20

9/25, 8 PMr oaring 20s hot jazz with Sweet Megg & the Wayfarers at Radegast Hall

9/25, 8:30 PM impressively diverse, adventurous latin jazz pianist Aruan Ortiz at Bar Lunatico

9/25-29, 8:30 PM thereminist Pamelia Stickney  plays with a variety of ensembles at the Stone at the New School, $20. Choice pick: the 9/29 show by Transcendental Dissonance Quartet doing a  “Soundtrack to a Silent Film” with Sarah Bernstein (violin) Stuart Popejoy (piano, keys) Danny Tunick (vibraphone)

9/25, 9 PM wryly psychedelic cinematic Italophile instrumentalists Tredici Bacci  play the album release show for their new one at Elsewhere, $12

9/25, 9:30 PM hypnotic, pulsing, sousaphone-driven Guadelupian/New Orleans band Delgres at Joe’s Pub, $20

9/25, 11:30 River Cult play their ferocious, feral, cinematically psychedelic doom metal/postrock at St. Vitus, $10

9/26, 7 PM fascinatingly lyrical, individualistic pianist Sylvie Courvoisier at National Sawdust, $25

9/26, 7:30 PM pianist Niklas Sivelov plays  music by Bach, Beethoven, Scriabin and Bartok at Flushing Town Hall, free

9/26, 7:30 PM an allstar Taiwanese/Japanese orchestra play works by composers from their respective countries plus Chausson’s Concert for Violin, Piano, and String Quartet at Merkin Concert Hall, $20 tix avail

9/26, 8 PM fiery, noirish Canadian Balkan/Romany band Lemon Bucket Orkestra at Drom, , $15 adv tix rec

9/26, 8 PM Junkbucket – an unorthodox allstar organ trio featuring Art Bailey (organ), Chris Stromquist (drums), Sean Moran (gtr).at Barbes

9/26, 8 PM the Mivos Quartet premieres Leila Bordreuil’s synesthetically-themed new work, Episodes et Mutations at Issue Project Room

9/26, 8 PM lyrical pianist Angelica Sanchez  leads a mighty nine-piece band with Thomas Heberer (trumpet), Kirk Knuffke (cornet), Chris Speed (tenor saxophone), Michael Attias (alto saxophone), Ben Goldberg (clarinets), Omar Tamez (guitar), John Hebert (bass), Sam Ospovat (drums) at Greenwich House Music School, $25/$20 stud/srs

9/26, 9:30ish explosive, creepy, colorful psychedelic rembetiko metal band Greek Judas at Hanks

9/27, 5:30 PM erudite, purist torchy cosmopolitan jazz chanteuse Svetlana & the Delancey 5 at Birdland They’re also at the Jazz Standard at noon on 9/30 for brunch

9/27, 7 PM the all-female Resistance Revival Chorus sing epic, inspiring populist gospel tunes and anti-trumpie broadsides followed by afropop singer Angelique Kidjo doing her reinvention of the Talking Heads’ Remain in Light at Central Park Summerstage

9/27, 7 PM chamber ensemble Shizuka play music of Bartok, Garth Knox, Jessica Meyer, and three commissions by Abby Swidler, Rosalie Burrell, and Steven Long at Spectrum, $15

9/27, 7:30 PM the debut of paradigm-shifting carnatic jazz alto saxophonist Aakash Mittal’s big band at the Lincoln Center Atrium, free, early arrival advised. Anthony Braxton, you’ve got competition!

9/27, 7:30 PM the Telegraph Quartet play Erwin Schulhoff Mozart’s Oboe Quartet in F Major, K. 370, Arnold Bax’s Oboe Quintet, and Dvořák’s String Quartet No. 10 at the Rockefeller University Auditorium, 1230 York Ave. at E 66th St., $30/$20 stud/srs

9/27-28, 7:30 PM “in his most ambitious stage work to date, celebrated French choreographer Boris Charmatz amasses a storm of movements with more than 20 dancers each executing thousands of actions over an hour set to Mozart’s Requiem. Each gesture is unique, not to be repeated, and evaporates as soon as it is completed,” at the NYU Skirball Center, LaGuardia and Washington Sq S, $25 tickets with code BORIS1 at the French Institute box office, 55 E 59th St.

9/27, 8 PM art-rocker Pierre de Gaillande’s Bad Reputation playing witty chamber pop English translations of Georges Brassens classics followed at 10 by followed by the haphazardly funny Eastern Blokhedz  – who do psychedelic covers of 60s Russian psychedelic pop songs and specialize in the catalog of legendary Polish singer Edita Piaha – at Barbes

9/27, 8 PM conversational pianist Jeffrey Siegel performs works by Rachmaninoff and Debussy “including the famous Clair de Lune, the Prelude in C Sharp Minor, the popular 18th Variation from the Rhapsody on a Theme of Paganini, the humorous Golliwogg’s Cake Walk,” at Scandinavia House, $25

9/27, 8 PM Miya Masaoka‘s Four Moons of Pluto— which explores deep and relational resonances – performed by all-star cohort of 5 bass players: Robert Black, Shayna Dulberger, Rebekah Griffin-Greene, James Ilgenfritz, and Zach Rowden. Masaoka also presents a new piece for string quartet, with a quartet featuring Stephanie Griffin (viola), Alex Shiozaki (violin), and Michael Haas (cello) followed by Reidemeister Move (Robin Hayward – microtonal tuba; Christopher Williams – contrabass) performing Arcanum 17: a 45-minute piece composed by Christopher Williams & Charlie Morrow, with texts from André Breton’s book of the same name, at Roulette, $20 adv tix rec

9/27, 8 PM Roya – a Habibi spinoff – and careeningly noisy guitar jamband faves Jeff the Brotherhood at Elsewhere, $17

9/27, 8:15 PM the irrepressible, cinematic, comedic Broken Reed Saxophone Quartet with special guest Wade Ridenhour at Shapeshifter Lab, $10

9/27, 8:30 PM jangly, catchy, anthemic Americana rock bandleader Christian Lopez – like a less attitudinous, less covers-focused Deer Tick – at the big room at the Rockwood, $10 

9/27, 8:30 PM dark Americana swing cult favorite Jolie Holland at Bar Lunatico

9/28, 7 PM day one of Futurefest at the Jazz Gallery: singer Kat Lee’s enigmatically anthemic abstract rock band TINY GUN, trombonist Abdulrahman Amer’s classically-inspired BA AKHU quartet, and at 10 PM Blake Opper’s Questionable Solution nonet, “one logistical dumpster fire that you do not want to miss,” $25

9/28, 7 PM Indian carnatic violin duo the Mysore Brothers backed by an “explosive rhythm section” at the Rubin Museum of Art, $28 adv tix rec

9/28, 7:45 PM flamenco guitar luminary Javier Limon leads his quartet playing his Middle Eastern and Romany songs at Drom, $15 adv tix rec

9/27, 8 PM the NYUO2 orchestra play Debussy: Petite Suite; Saint-Saëns: Piano Concerto No. 2 in G minor, Op. 22; Haydn: Symphony No. 100 in G major, “Military” at the NYU Loewe Theatre, 25 W 4th St., free

9/28-29, 8/9:30 PM intense pianist Gerald Clayton solo at Mezzrow, $20 at the bar

9/28, 8 PM the NYUO1 orchestra play Dvořák’s Symphony No. 8 in G major, Op. 88 at the NYU Loewe Theatre, 25 W 4th St., free 

9/28, 9 PM violinist Sita Chay and percussionist Jihye Kim’s SaaWee Korean Shaman Rhythm Project at Arete Gallery

9/28, 10 PM the world’s creepiest crime jazz/film noir band, Big Lazy – whose forthcoming album goes deep into dub as well as sardonic groove instrumentals – at Barbes

9/29, noon, the lush, oldschool Mariachi Tapatio de Alvaro Paulino, slinky maracatu/New Orleans/surf rock mashups from Nation Beat,,kinetic, funky, horn-fueled Algerian-Turkish-Nigerian dance crew Dahka Band, lush, dynamically eclectic Korean folk/art-rock band Coreyah, who mash up lustrous, often plaintive themes with hard-charging hip-hop and dance tunes, plus fiery Guatemalan freedom fighter and cumbia/reggae/Spanish rock bandleader Doctor Nativo and finally cajun party band the Lost Bayou Ramblers at the Chile Pepper Festival at the Brooklyn Botanic Garden, $25

9/29, 1:30 PM edgy avant jazz singer Emilie Lesbros’ Emphasis with the brilliant Mara Rosenbloom on keys, 2:30 PM trumpeter Jaimie Branch’s chordless trio, 3:30 erudite baritone sax titan Dave Sewelson’s Sewelsonics, and at 4:30 saxophonist Andrew Lamb’s trio at the 1st St. Garden, 333 E 1st St

9/29, 5 PM retro swing with the Harlem Renaissance Orchestra at Marcus Garvey Park

9/29, 6 PM the Toomai String Quintet with special guests Matt Moran & Peter Stan of Slavic Soul Party on horns – wow, Latin/Slavic madness -at Barbes

9/29, 7 PM day two of Futurefest at the Jazz Gallery:rising star trumpeter Adam O’Farrill and guitarist Gabe Schnider duel it out followed by obscure Japanese jazz unit Secret Mall and then at 10 by vibraphonist Sasha Berliner leading a quartet, $25

9/29 7:30 PM hilarious, politically astute girlpunks the 50 Ft. Furies, hard-hitting, gutter bluesy piano/guitar/drums band Drum and a Tantrum at 8:15, eclectic reggae/troopical psychedelia maven Alex Tea at 9, Desir Decir – who put more of a powerpop/Guided By Voices edge on Springsteen four-on-the-floor rock – at 9:45, feral psychedelic guitarslinger Debra Devi at 10:30 and catchy, swirling twin-guitar dreampop band Overlake at White Eagle Hall in Jersey City, $15         

9/29, 7:30 PM fiery, eclectic Egyptian chanteuse/bandleader Dina El Wedidi at the Cathedral of St. John the Divine, $20

9/29, 8 PM riveting, incisive oudist Brandon Terzic at Barbes

9/29, 8 PM an amazing twinbill at the People’s Voice Cafe: the Elias Ladino Ensemble and cantor emerita Mara Goodman leading a high-energy string band playing classic and obscure Yiddish songs, sugg don $20, “more if you choose; less if you can’t; no one turned away” 

9/29, 8 PM energetic, perennially relevant, boisterously amusing acoustic Veracruz-style folk-punk band Radio Jarocho  at Guadalupe Inn

9/29, 8 PM a mesmerizing, unorthodox lineup of  sitar, shehnai (Indian oboe) and tabla – Mita Nag, Hassan Haider and Subhen Chatterjee at Roulette, $30

9/29, 8:30 PM epically prolific, fearless, monumentally tuneful pianist Satoko Fujii leads a trio at I-Beam, $15

 9/29, 9 PM a killer female-fronted triplebill in a weird spot:hard-hitting bassist Dawn Drake & Zapote‘s hot Afrobeat-tinged funk grooves , psychedelic Brazilian tropicalia band As Lolas and wild, noisy, genuinely Hendrixian virtuoso lead guitarist Viva DeConcini and her band at the Way Station 

9/29, 10 PM haunting, gothic doom trio Witchkiss at Arlene’s, $10

9/30, 1:30 PM lyrical, playfully clever tenor saxophonist Ingrid Laubrock with Brandon Lopez on bass & Francisco Mela on drums at First Street Green Art Park, 30 1st Ave

9/30, 3 PM flutist Maarika Järvi, violinist Caterina Szepes, and pianist Aurelia Mika Chang perform works by J.S. Bach, Gaubert, Tchaikovsky, Massenet, Shostakovich and Martinu, reception to follow at St. Paul’s Chapel downtown, free

9/30, 4 PM charismatic singer/actor/six-string harpist Benjamin Bagby performs his high-voltage recreation of Beowulf at Corpus Christi Church, 529 W 121St St $10 tix avail  

9/30, 7 PM lustrous singer and badass cello-rock bandleader Serena Jost at the Owl

9/30, 7 PM tango violinist Machiko Ozawa with Argentine pianist Pablo Cafici at Bar Thalia

9/30, 8:30 PM brilliantly lyrical, epic art-rock pianist/singer Greta Gertler Gold – the missing link between Kate Bush and Pink Floyd? – at Pete’s

 9/30, 8:30 PM veteran electric Chicago blues guitarist Joe Louis Walker at City Winery, $20 standing room avail

9/30, 10:30 PM the unfortunately named, tunefully shambling Laurel Canyon psych-folk band the Bumbling Woohas at Pine Box Rock Shop 

10/1, 6 PM avant garde accordion music by three of the best in the business –Erica ManciniMary Spencer KnappRachelle Garniez on the 5th Ave side terrace at Bryant Park

10/1, 8 PM intense, soaring harmonium player/singer Elana Low – a more organic, trancey version of Marissa Nadler, maybe – at An Beal Bocht, 45 W 238th St in the Bronx. 10/2 at 8 she’s at Sidewalk and 10/30 at 8 at the Parkside 

10/1, 8 PM wildfire guitarist Brandon Seabrook’s Trio celebrates the release of their aptly titled debut album, Convulsionaries at Roulette, $18

10/1 8:30 PM edgy alto saxophonist Caroline Davis leads a trio at Bar Chord

10/1, 9 PM brassy, spot-on Fela cover band Chop & Quench at the Knitting Factory, $20

10/1, 9:30 PM Dilemastronauta Y Los Sabrosos Cosmicos with members of M.A.K.U and Combo Chimbita play space cumbia at Barbes

10/1, 9:30 PM innovative, catchy, kinetic Americana fiddler/singer Emerald Rae – who plays her axe like a mandolin – at Pete’s 

10/2, 7 PM a screening of the documentary film/cautionary tale Advertising at the Edge of the Apocalypse with Q&A afterward led by media critic/gadfly Mark Crispin Miller at 12 W 11th St, free

10/2, 7:30 PMbassist Max Johnson with  Maria Grand on Tenor Saxophone, and Flin Van Hemmen on drums followed by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at Barbes

10/2. 8/9;30 PM Melissa Stylianou (vocal stylist), Gene Bertoncini (guitar), Ike Sturm (bass) at Mezzrow, $20 at the bar

10/2, 8 PM Eli Keszler presents his first solo music in two years alongside video installations by Alan Segal. “The live percussion performance draws from the album’s collected city-space recordings, fragmenting these sounds through acute instrumental means. As a visual and auditory experience, Keszler creates resonant, melodic, and percussive textures that move massive expanses into the tactile dimension.” Feel it at the Kitchen, $20

10/2. 9 PM Crampsy ghoul-surf/noir garage band Twin Gunsat Coney Island Baby, $10

10/2, 9 PM sharply lyrical janglerock/Americana/soul songwriter Matt Keating and guitarist Steve Mayone’s catchy new powerpop project the Bastards of Fine Arts at 11th St. Bar

10/3, 1 PM witty postbop multi-instrumentalist Art Baron leads a trio with James Weidman and Yasushi Nakamura at St. Peter’s Church, 54th/Lex

10/3, 1 PM violinist Max Tan leads an ensemble playing works by Bach, Brahms and Mozart at the Greene Space, free w/rsvp 

10/3, 6 PM Tibetan lutenist and guitarist Tendor and Tenzin Choeying at the  Rubin Museum of Art, free w/museum adm

10/3, 6:30 PM Elijah Shiffer on Saxophone with Nick Dunston on Bass and Vincente Hanson on Drumsat the Bar Next Door. They’re also here on 10/17

10/3, 10 PM pyrotechnic clarinetist Ismail Lumanovski’s ferociously kinetic NY Gypsy All-Stars at Drom, $10 adv tix rec

10/4, 6:30 PM saxophonist Evan Rapport joins Shashmaqam for an evening of otherworldly, intensely crescendoing Bukharian Jewish epics. “Before the musical celebration begins, enjoy a spread of traditional Bukharian food and drink” at the Eldridge Street Synagogue, $25/$15 stud/srs

10/4, 7:30 PM firebrand Egyptian accordionist/songwriter Youssra El Hawary – best known for her hilarious revolutionary youtube hit Piss on the Wall – at the Lincoln Center Atrium, free, early arrival advised

10/5, 7:30 PM a high-voltage Puerto Rican country music dance party: Viento de Agua spinoff La Máquina Insular plays classic and new plenas, followed by all female bomba group Ausuba at the Hostos Community College auditorium, 450 Grand Concourse in the Bronx, $20//$5 stud

10/5, 8 PM irrepressibly devious, lyrically hilarious multi-instrumentalist songwriter Walter Ego – who spans from darkly elegant art-rock to classic Britrock sounds – at Sidewalk

10/5, 10 PM high-voltage Neapolitan tarantella string band Newpoli play the abum release show for their new one at Drom, $15 adv tix rec

10/6, noon a high-voltage Puerto Rican country music dance triplebill: Plena de la R, La Raiz and Bombalya at the Hostos Community College auditorium, 450 Grand Concourse in the Bronx, $20//$5 stud$15/$5 stud

10/6, 7:30 PM Indian carnatic violinist L. Shankar with tabla player Abhijit Banerjee and percussionist Chris Garcia at the Schimmel Center at Pace University on Spruce St. in the financial district, $30 tix avail

10/9, drinks at 5:30 PM, show at 6, rustic Brazilian jungle guitar-and-accordion sounds with Regional de NY at the Miller Theatre, free

10/11, 7:30 PM reedman McCoy Mrubata and pianist Paul Hanmer lead an all South African jazz quintet at the Lincoln Center Atrium, free, early arrival advised

10/11, the global 25-member cast of the Onebeat socially conscious music collective at  Bronx Museum. 10/12 they’re at the Queens Museum 

10/12, 7:30 PM the best latin jazz guitarist ever to play big league ball, Bernie Williams and His All-Star Band at the Schimmel Center at Pace University $30 adv tix rec

10/13, 2:30ish sardonically catchy powerpop/janglerockers the Hell Yeah Babies, long-running, wickedly jangly, tuneful Americana rockers the Sloe Guns in Tompkins Square Park and Giftshop – the missing link between Blondie and the Distillers – at Tompkins Square Park

10/13, 3 PM iconic second-wave Afrobeat band Antibalas on the plaza at 300 Ashland Pl next door to BAM, free

10/13, 7 PM night one of this year’s amazing, free Momenta Festival featuring the Momenta Quartet playing works by Anna Clyne, Cristobal Halffter, Villa-Lobos and Beethoven’s String Quartet Op. 130 at the Tenri Cultural Institute, 43 W 13th St

10/15, 7 PM night two of this year’s amazing Momenta Festival featuring the Momenta Quartet playing oceanic and heartbreak-themed works by their excellent violist Stephanie Griffin plus Carl Bettendorf, Alba Potes, Guy Barash and Wagner at the Americas Society, 680 Park Ave

10/17, 7 PM night three of this year’s amazing, free Momenta Festival featuring the Momenta Quartet playing works by Robert Sierra, Jean Martinon, Ann Southam, Kaija Saariaho and a solo violin piece by Nicola Matteis the Younger at the Americas Society, 680 Park Ave

10/18, 7:30 PM BRIC JazzFest Marathon Night 1 with – in reverse order – Christian Scott aTunde Adjuah, Stefon Harris & Blackout, Mark de Clive-Lowe, Lakecia Benjamin & SoulSquad, Madison McFerrin, JD Allen, Melanie Charles & Make Jazz Trill Again, and the Yotam Ben-Or Quartet.at Bric Arts, $30 adv tix req

10/18, 8 PM In what may be the first-ever combination of voice, period wind instruments, and saxophones, poet Katie Ford’s The Anchoress – a haunting portrait of a medieval divination tradition – performed by soprano Hyunah Yu;, early music ensemble Piffaro, the Renaissance Band; and the PRISM Sax Quartet at the DiMenna Center, $22

10/19, 7 PM concluding night  of this year’s amazing, free Momenta Festival featuring the Momenta Quartet playing Bartok’s sinister String Quartet No. 4, Alvin Singleton’s Glory Bound and George Enescu’s Octet for Strings, Op. 7 at the Tenri Cultural Institute, 43 W 13th St

10/19, 7:30 PM BRIC JazzFest Marathon Night 2 with – in reverse order – Cyrus Chestnut Trio, Keyon Harrold, The Jazz Passengers, Xenia Rubinos, Camila Meza, Michael Sarian & The Chabones, and Yasser Tejeda & Palotré.at Bric Arts, $30 adv tix req

10/20, 7:30 PM BRIC JazzFest Marathon Night 3 with – in reverse order – Terence Blanchard ft. the E-Collective, Brownout Presents: Fear of a Brown Planet ft. Third Root (Black Sabbath covers, go figure, they’re great), Deva Mahal, coma-inducing corporate singer Kat Edmonson, Arnetta Johnson & SUNNY, Resident Alien ft. Ali Sethi & Sunny Jain, and Noa Fort at Bric Arts, $30 adv tix req

10/21, 2 PM purist postbop tenor saxophonist Alexa Tarantino and her quartet at Flushing Town Hall, free

10/22, 8:30 PM amazing classical accordionist Hanzhi Wang with he Zorá String Quartet play works by Bach, Gubaidulina, Moszkowski, Piazzolla and Martin Lohse and at Zankel Hall at Carnegie Hall, $10 tix avail

10/24, 7 PM indie classical group Metropolis Ensemble play premieres from Jenny Beck, Elliot Cole, and a new Michael Oesterle trio premiered by Metropolis artists: Katie Hyun (violin), Jordan Dodson (guitar), and Gabriel Cabezas (cello), plus works by H.I.F. Biber,David Ludwig, and Dai Fujikura, at 1 Rivington St., 2nd Fl., $20/$10 stud, reception to follow

10/28, 5 PM the Merz Trio play piano trios by Mozart, Brahms, Schumann and Charlotte Bray at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/srs 

10/31, 6:30 PM violinist Tessa Lark and pianist Andrew Armstrong play Americana-inspired works by the violinist herself plus works by Stravinsky and Beethoven at the Baruch College auditorium, free, rsvp req 

10/31, 10ish thunderous, titanic Rhode Island Balkan street band What Cheer Brigade at the Market Hotel. Ten years in business and this spot finally, finally books a good band

11/6, 7:30 PM the Silesian String Quartet play a rare all-Polish program of works by Szymanowski, Lutosławski, Bacewicz and Penderecki at the Morgan Library, $35

11/10, 1 PM dazzlingly eclectic chamber pop/latin/classical violinist Concetta Abbate and drummer Ben Engel at Flowers for all Occasions, 1114 De Kalb Ave at Broadway, Bushwick, J/M to Kosciuszko St.

11/18, 2 PM terse, tuneful jazz guitarist Amanda Monaco and her quartet at Flushing Town Hall, free

11/20, drinks at 5:30 PM, show at 6, flutist Isabel Lepanto Gleicher and ensemble plays works by Hildegard Von Bingen, David Lang, Rzewski and others at the Miller Theatre, free

12/4, drinks at 5:30 PM, show at 6, perennially interesting piano/percussion ensemble Yarn/Wire play works by Crumb, Saint-Saens and Tschaikovsky at the Miller Theatre, free

12/6, 6 PM klezmer violinist Jake Shulman-Ment with rippllng tsimbl (Ukrainian Jewish dulcimer) player Pete Rushefsky at Poe Park in the Bronx.

12/21, 2 PM brilliant baritone saxophonist Lauren Sevian‘s LSQ at Flushing Town Hall, free