New York Music Daily

Global Music With a New York Edge

Tag: rock music

Best New York Concert of the Year

The best New York concert of 2019 was Rose Thomas Bannister‘s wedding. In case you think it’s elitist to choose a private event over something everybody in town theoretically could have gone to…you could have been there too if you happened to wander into Union Pool the night of September 29. “You thought you were coming to a wedding!” the protean, psychedelic Great Plains gothic lit-rock songwriter beamed. “I gave you a music festival!”

Super Yamba Band headlined. By that time, plenty of people had come out to the bar, with no idea that two of this era’s most formidable musical minds had just tied the knot. And soon there were plenty of random strangers getting down to slinky Afrobeat in the back room with all the wedding guests.

It’s probably safe to say that Super Yamba’s set was a mashup of their mid-July 2018 show on an old shipping pier by the water on the Upper West Side, and their gig at Barbes this past March. If there’s any band in town worth seeing more than once, it’s these guys. The pier show seemed to be louder and heavier on the horns, the keyboardist doing double duty on both, while the Barbes gig had more dynamics, instruments leaving and then rejoining the mix, Both shows were heavy on the minor-key, sometimes distantly, sometimes closely Ethiopian-tinged jams. Impassioned frontman Leon Ligan-Majek a.k.a. Kaleta did a long stint in Fela’s band toward the end, so he learned from the guy who invented Afrobeat. Cantering, undulating rhythms, sharply sparkly electric piano, looming organ and spicy, emphatic horns and brass filtered through the mix, sometimes for minutes on end, sometimes shifting quickly to a faster tempo or back the other way.

Super Yamba Band’s next gig is at 9 PM on Dec 14 at Bar Chord for the tip jar. For those who can’t make it to deep Brooklyn, they’re playing Symphony Space on Dec 19 at 7:30, where you can get in for $20 if you’re thirty and under.

The rest of the wedding was a mix of searing jams and savagely brilliant tunesmithing. The wildest jam was when Bannister’s dad Tom, came up to the stage and joined 75 Dollar Bill for a hypnotic yet searing duel with guitarist Che Chen. It was as if the freedom fighters in Tinariwen had flown to Scotland for a predawn raid to liberate a Trump property.

Bannister has never sung more powerfully, or with more triumphant intensity. Which made sense in that marrying guitar polymath Bob Bannister was the crowning stroke in a career that began when she escaped from a Christian supremacist environment, driving off in a little car with her secret collection of forbidden secular cassettes. In that context, the sudden, wary martial flurry in the opening number, Ambition, made sense on every possible level: a word of warning, but also a vengeful, martial riff. Whichever motivation you might ascribe to the slowly crescendoing anthem – a portrait of greed, or revenge – it worked.

Working on only two rehearsals, drummer Rob Smith colored the music with his subtle brushwork and cymbals while the groom wove restlessly articulated webs of notes, from saturnine Richard Thompson-esque leads to lingering jangle and clang, austere blues, warmly soulful Beatlesque lines and even a little wry Tex-Mex. When bride and groom calmly matched voices in the stately, understated, Macbeth-inspired Lady M – “Your children will be kings” – there was no mistaking how much of a victory had been snatched from the jaws of defeat.

The rest of the set was a mix of the hypnotic and the ferocious. The Real Penelope, a mashup of Revolver Beatles psychedelia and Britfolk, was wistful yet guardedly optimistic, the future Mrs. Bannister realizing that she’d found the lead guitarist of her dreams. Same Name Blues, which she rarely plays live, had a seethingly sardonic edge, as did the most relevant song of the night, Heaven Is a Wall, a shapeshifting fable about border walls packed with the cynically appropriated Old Testament imagery that she loves to use to drive a point home. And Iowa, with its simple yet eerie Midwestern imagery and coda that fell away abruptly at the end, seemed to synopsize her flight from repression, knowing that there would be possibly apocalyptic consequences, both personally and globally,

After that, most of the band reconvened as PG Six, frontman/guitarist Pat Gubler a steely, dapperly suited presence out front. Debby Schwartz, fresh off a sizzling set with the Bannisters, was even more of a whirlwind, firing off incisive chords, raga riffs working around an open string and sinuous, soaring leads that gave the band a third lead player. Gubler’s resonant, darkly opaque chords and tersely circling lines rang out as Bannister’s leads slashed and wailed around them, sometimes bringing to mind Jerry Garcia in “on” mode, at other times veering closer to unhinged Sonic Youth territory. His bride eventually came up to sing harmonies, one of the great Brooklyn musical power couples reveling in making it official.

A Late-Inning Comeback by Janglerock Icons Son of Skooshny

It’s been awhile since Mark Breyer – who could be called the Elvis Costello of janglerock – has made an appearance on this page. It’s good to see him back in action, still releasing one brilliantly constructed single after another. His latest two, under the Son of Skooshny name (Skooshny being his iconic jangle/powerpop outfit dating back to the 70s) are up at Bandcamp.

The first tune, Cold has a majestic sway in the same vein as the Church, Steve Refling’s layers of acoustic and electric guitars building a rich sonic mesh over a steady backbeat. It’s a good companion piece to the Jayhawks classic Trouble, debating whether it’s better to settle for mediocrity or just be alone. Breyer’s metaphors are as withering as usual, a chronicle of “two old souls who can’t tolerate the cold.” The bridge is the best part:

It’s hard to stay in the moment
Out there on the trail
When the desert dawn contracts
Will the mountain lion attack
Will the rattlesnake recoil and flail

Staying In is one of the alltime great baseball songs ever written, but that’s just part of the picture. Wait til you get to the end, where Breyer puts everything in perspective, at his haunting, unflinching best. Getting there is a ride that brings to mind the 2016 World Series (Breyer’s beloved Cleveland Indians went down ignomimously to the typically cellar-dwelling Chicago Cubs).

The starter only carries you so far
The setup gets you close but no cigar
The closer must have nerves of steel
To wrap it up and seal the deal
Here comes a heartbreak we all feel
The leadoff walk and then the steal
The liner into centerfield
Blown save
Be brave

Watch for this on the best songs of 2019 page at the end of the decade, i.e. in a couple of weeks.

A Harrowing, Inspiring, Gruesomely Exquisite Memoir from Marianne Dissard

Singer Marianne Dissard‘s memoir Not Me is just like her lyrics: witheringly insightful, harrowingly direct, disarmingly self-aware and stylistically exquisite. That her story’s scathingly funny asides and spot-on musical and social commentary are just as gripping as the grim central narrative reaffirms the argument that great songwriters are also great prose writers.

Dissard’s musical career was on many levels a very unlikely success story. A filmmaker by training, living in Tucson with her musician husband, the French expatriate didn’t get her start as a performer until the zeros, in the wake of a bitter divorce. By then, she was already in her thirties. Yet she hit the ground running, hard, possibly out of revenge. From the beginning, her tunesmithing had a stunning level of craft: part cabaret, part desert rock and, as you would expect from a French girl who grew up in the 80s, part new wave. And her lyrics were top-tier, packed with puns, clever wordplay, historical and literary references. Although most of them are in French, she also writes competently in German. And her command of English surpasses 99% of Americans writing in their native tongue.

In a decade where the music industry lost 90% of its income and sales of digital music plummeted to zero, Dissard did what every musician needed to do to maintain a career: she toured, relentlessly. And recorded a consistently brilliant series of albums, a handful of them made on the fly in cities around the world on the rare off-day. She got great press and has an adoring fan base, neither of which she mentions in this humble and humbling story. In 2012, in many ways, she looked like she was on top of the world.

Then she crashed.

Looking back, she reflects, bandmates knew something was wrong, but they chalked it up to the wear and tear of the road. The truth is that Dissard, a lithely muscular, pixieish woman, had been a bulimic for twenty years, and it had finally caught up with her.

In context, many of her lyrics ought to be a dead giveaway. The most obvious one, which she quotes in the book, is from the song Mouton Bercail, with its images of “drooling blood.” Considering what she’d been going through at the time, one of her most shattering songs, Am Letzen, makes more sense than ever. Dissard’s muted, half-whispered portrait of complete emotional depletion on the New Years Eve from hell reaches even greater depths of despondency.

She acknowledges how lucky she was to survive – and also how unlikely it was that she managed to keep a career going, as a singer, of all things. Her teeth suffered, but somehow her vocal cords escaped any permanent damage, although she alludes to the occasional problematic show: “Ah, but my voice? Glazed by juices more acrid than turned wine, what sounds would this throat make, words boiled unintelligible from raspy syllables, a wheezing flow of tepid weakness disguised as demure coquetry. It doesn’t fucking matter. You sing in French. They’re Americans. Make sounds, any sounds. It all sounds the same, exotic and sexy, Parisian. Still, wouldn’t someone notice you’d gone awry? They know you, some of them, and some of it. And the photos? You sure don’t look like your press shots anymore. You look simply ravaged.”

This is a typical passage. Dissard has an extraordinary eye for detail and a laserlike sense of the mot juste, whether recounting the gory blow-by-blow of a night of purging where she thought she’d gone blind, or more hopeful days after she’d put the touring on hold to pursue….a degree in teaching yoga.

Which ultimately saved her. She may have tormented her digestive tract for a couple of decades, but she’d also maintained a rigorous, daily yoga practice. And when not bingeing on forbidden treats (the list will shock you), she ate well, drank little if at all, didn’t smoke or do drugs, enjoyed a close relationship with a beloved cat and remained active, perhaps hyperactive. The impetuosity and steely self-determination that drove her career may have confounded some of the people who knew her, but those qualities also kept her alive in every sense of the word.

Tellingly, Dissard’s first encounter with eating disorders came after her parents moved her to America Discovering the calorific, processed American diet – and no doubt wanting to fit in with the other kids – the svelte, petite teenager suddenly had weight issues. Then became anorexic, and after that summer was over – with only a pointed, mostly wordless encounter with her mother about it – the forty pounds she’d lost from not eating returned with a vengeance. She would discover bulimia and the thrill of guilt-free food indulgence a little later.

Ultimately, bulimia is all about control, mind over matter: giving in to the most basic desire for nourishment, then pulling the plug right at the moment where it could be metabolized. Dissard had it down to a science and doesn’t spare any ugly bits. Through sheer force of will, finally having hit rock bottom, she was able to sublimate the need for control and channel that resolve in life-affirming directions.

There are innumerable messages implicit in this story. That a French woman – you know the cliche, they’re all beautiful because they never eat between meals – could practically kill herself with bulimia speaks to how prevalent, and underreported, it is. That such a strong-willed, seemingly fearless artist could be leveled by the perception that others might find her unattractive is another genuine shock, and a cautionary tale. As usual, Dissard lets the details fill in the blanks: there’s no self-help instruction manual here.

And those details offer a delicious contrast against a haunted backdrop. Dissard’s powers of perception are formidable, whether offhandedly commenting on how an audience perceives an artist, to her contempt (a recurrent emotion in her songwriting, less so here) for digital audio: “I can’t stand these joints with tiny, lousy ceiling speakers that filter out prefab songs to their crash cymbals and hi-hat hits, a glass-fiber sort of sound, deathbed-gasping mp3s.”

Her account of yoga training, and what she seems to have considered surprising success at it, is just as vivid, particularly for non-yoginis. Most poignantly, it’s a weight gain after putting an end to the binge-and-purge cycle that brings her closer to her students, where a loss of flexibility suddenly helps her relate to their muscle fatigue and resistance to difficult poses. Just like her songs, the story’s changing milieux – from Tucson, to Paris, to Italy and back – are ablaze with color, sparkling with imagery.

Dissard considers herself a recovering addict, and that the pain had come in many ways to define her (just listen to a couple of her songs and you’ll figure that out fast). Ultimately, this is a story of transcendence, with what appears to be a happy ending. It will keep you up all night and then make you dream about it. That could be a nightmare, but it could also be immensely inspirational. Dissard, as usual, doesn’t come out and say that explicitly, testament to her prowess as a wordsmith. This book is reason to look forward to whatever narrative might be her next: a film, a novel, or if we’re lucky, maybe even a 2020 concert tour.

Live Music Calendar for New York City and Brooklyn for December 2019

Daily updates – if you go out a lot, you might want to bookmark this page and check back regularly.

If you’re leaving your hood, don’t get stuck waiting for a train that never comes, make sure you check the MTA delays and out-of-service page for service cancellations and malfunctions, considering how unreliable the subway is at night and on the weekend.

If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music. Many different styles to choose from.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised. If you see a show listed without the start time, that’s because either the artist, their publicist or the venue in question sent incomplete info – those acts are usually listed last on a particular date.  Always best to check with the venue for the latest information on set times and door charges, since that information is often published here weeks in advance.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you discovered here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

Weekly events first followed by the daily calendar:

On select Wednesdays and Sundays, an intimate, growing piano music salon on the Upper West Side featuring iconoclastically insightful, lyrical pianist Nancy Garniez – a cult favorite with an extraordinarily fluid, singing, legato style – exploring the delicious minutiae of works from across the centuries, beverages and lively conversation included! sug don, email for details/address

Mondays at 7 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud at Barbes followed at 9:30 PM by a variety of tropical bands playing cumbias, boogaloo, salsa, maybe all of the above.. Brain Cloud are also playing their 10th anniversary show on Nov 22 at 9 PM at the Jalopy for $20

Mondays at the Jazz Standard it’s all Mingus, whether with the Mingus Orchestra, Big Band or Mingus Dynasty: as jazz goes, it’s arguably the most exhilarating show of the week, every week. The first-rate players always rise to the level of the material. Sets 7:30/9:30 PM, $25 and worth it.

Mondays at the Vanguard the Vanguard Jazz Orchestra – composer Jim McNeely’s reliably good big band vehicle – plays 9/11 PM, $35 per set plus drink minimum.

Mondays starting at 9:30 PM Rev. Vince Anderson and his band play two sets at Union Pool. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically woke, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the usual lead soloist on baritone sax, with frequent special guests. Sizzling guitarist Binky Griptite – Sharon Jones’ lead player – is also often there.

Mondays at 10 PM noir guitar legend Jim Campilongo leads his trio at the big room at the Rockwood, $10

Tuesdays at 9 PM, clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Barbes (check the club calendar), $10 cover.

Wednesdays at 9ish the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Threes Brewing Outpost, 113 Franklin St (Greenpoint/Kent Aves) in Greenpoint, free

Most Thursdays at 8:30, the Brooklyn Raga Massive – a rotating cast of A-list Indian, jazz and rock musicians who love to jam out classic Indian themes from over the centuries to the present day – play the Jalopy, $15 adv tix at the bar at the main space. Tons of special guests followed by a wild raga jam!

Fridays at 7:30 PM tenor saxophonist Ken Fowser leads his band at the Django. Jukebox jazz in a JD Allen vein but not as dark and more straight-ahead/groove-oriented: as postbop party music goes, nobody’s writing better than this guy right now.

Saturdays in December at 4 PM free concerts at Bargemusic;  usually solo piano or small chamber ensembles. If you get lucky, you’ll catch pyrotechnic violinist/music director Mark Peskanov and/or the many members of his circle. Early arrival advised.

Saturdays in December, at 6 PM  haunting, cinematic lapsteel genius Myk Freedman  plays with a series of bands at Barbes

Most Sundays at 5:15 PM starting in late September, a free recital on the amazing, powerful, dynamic new organ at St. Thomas Church at 5th Ave and 53rd St. featuring some of the world’s greatest organists. The space is magnificent and the music usually is too. Right now the church fathers are programming pretty much everybody who used to work here and play the mighty old Aeolian-Skinner organ that finally had to be replaced. Check the concert calendar for details.

Sundays in December,12/1, 12/8, 12/22 an d 12/29 at 8 PM purist guitarist Peter Mazza – who gets the thumbs up from bop-era legend Gene Bertoncini – leads a series of groups at the Bar Next Door

Sundays at 8:30/11 PM the epic, intense, politically fearless Arturo O’Farrill & the Afro-Latin Jazz Orchestra at Birdland, $30 bar seating avail

Sundays at 9:30 PM paradigm-shifting Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel leads his band at Barbes – check the club calendar just to make sure.

12/1, 2 PM fiery ecological activist/bandleader Rev. Billy and his massive original gospel-style choir at Joe’s Pub, $15,

12/1, 2 PM pianist Benjamin Grosvenor plays works by Schumann, Janacek, Prokofiev and Liszt at the Town Hall, $20

12/1, 3 PM a string quartet with Jennifer Gersten, violin; Jungwon Yoon, violin; Nick Pauly, viola; Benjamin Larsen, cello play works by Natalie Dietterich, Robert Sirota and Samuel Barber at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, Park Slope, any train to Grand Army Plz, sugg don

12/1, 4 PM Hell’s Kitchen Country play “lesser known material of bluegrass pioneers such as the Sauceman Brothers, as well as the Stanley Brothers and Jimmy Martin” at the Old Stone House in Park Slope, $10

12/1. 5 PM, repeating 12/5 at 7 Allison Kiger, flute; Valeriya Sholokhova, cello and hostess/impresario Yelena Grinberg, piano play a rare program of works by female composers Clara Schumann, Dame Ethel Smythe, Louise Farrenc, Cecile Chaminade and Fanny Mendelssohn at Grinberg’s upper westside piano salon, reception to follow, $35, close to the 1/2/3 train at 96th St., deets here 

12/1, 7:30/9 PM disarmingly direct, lustrous jazz singe Marianne Solivan with Joshua Richman (piano), Barry Stephenson (bass) at Mezzrow, $20

12/1, 8 PM perennially tuneful, pensively lyrical Americana janglerocker Mike Ferrio of Tandy and Good Luck Mountain at 11th St. Bar

12/1, 8:30 PM  cinematic guitarist Pat Irwin and boisterous swing/ska trombonist J. Walter Hawkes at Troost

12/1, 9 PM a rare reunion of gothic Americana legends O’Death followed at 10:30 by politically fearless dirty gospel piano wildman Rev. Vince Anderson with his classic 1999 lineup at Pete’s. No shit. Get there early

12/2, starting at 6ish the annual Winters Eve festival at and around the triangla where Broadway meets Columbus Ave, some surprisingly good acts show up and play in the cold. Klezmer under the xmas tree, maybe?

12/2, 6 PM whirlwind klezmer violin icon Alicia Svigal‘ Klezmer Fiddle Express at the triangle at Broadway and 66th St

12/2, 6 to 9 PM, with several breaks, Mariachi Nuevo Mexico at1900 Broadway between 63rd & 64th St

12/2 6 to 9 PM, with breaks to go down for repairs at the least opportune time, the L Train Brass Band at 1865 Broadway at 61st St.

12/2 6 to 9 PM, with breaks, electric violinist Monica Portillo at 1932 Broadway at 64th St

12/2, 7 PM Colombian-Haitian roots dance band Strings & Skins at the Lincoln Center Atrium, free, note early showtime

12/2, 7 PM Jocelyn MacKenzie, the better half of popular late zeros chamber pop band Pearl & the Beard at Pete’s

12/2, 7:30 PM percussionist/composer Qasim Naqvi, violinist Jennifer Koh and singer Davóne Tines perform Naqvi’s compositions plus works by J. S. Bach, Hildegard of Bingen, Isang Yun, and traditional African-American spirituals at Music Mondays, Advent Church, northwest corner of 93rd and Broadway, free

12/2, 7:30 PM charmingy edgy all-female latin tropicalia dance band Ladama plus Guatemalan songwriter Gaby Moreno and chamber orchestra Metropolis Ensemble at Merkin Concert Hall, $20

12/2, 8 PM pianist Jim Funnell and violinist Chloe Seunghyen Kim jam out originals and works by Shostakovich and Couperin at Scholes St. Studios

12/2, 9 PM boisterously funny oldschool 60s C&W and brooding southwestern gothic with Jack Grace solo at Bar Chord. 12/9 at 9 he’s with his band at Skinny Dennis

12/2, 9 PM edgy lead guitarist Damian Quinones and his psychedelic latin soul band at LIC Bar

 12/2, 9 PM sweeping, swinging vibraphonist Behn Gillece and group at the Fat Cat

12/3, 7 PM Venice-themed “madrigals for cello, choir, and city” by Andrea Liberovici performed by Aaron Wolff, cello with the Fractio Modi vocal quartet at the Italian Academy at Columbia, 1161 Amsterdam Ave just south of 118th, free

12/3, 7 PM soprano Lucy Dhegrae and the Talea Ensemble play David Adamcyk’s new composition, Father, My Father, a reflection on the #MeToo movement at the Americas Society, free, rsvp sugg

12/3, 7:30/9:30 PM whirlwind B3 jazz organist Pat Bianchi leads his quartet at the Jazz Standard, $30

12/3-8, 8:30/11 PM monster drummer Johnathan Blake & his sizzling quintet Pentad at the Vanguard

12/3-7, 8:30 PM perennnially edgy, darkly tuneful, fearlessly noisy guitarist Mary Halvorson leads a series of ensembles at the Stone at the New School, $20. Choice picks: 12/6-7 with her Code Girl sextet with Amirtha Kidambi (voice) María Grand (tenor saxophone, voice) Adam O’Farrill (trumpet) Michael Formanek (bass) Tomas Fujiwara (drums)

12/3, 9 PM Americana rock songstress and Hadestown creator Aiofe O’Donovan followed at 10:30 by Lake Street Dive’s Bridget Kearney doing her new wave rock project at Pete’s

12/3, 9 PM brilliant drummer/percussionist Willie Martinez & La Familia Sextet playing classic salsa grooves at the Fat Cat

12/4, 1 PM the Ulysses Quartet play works by Komitas, David Haas and others at the Greene Space, free, rsvp req

12/4, 7 PM crystalline-voiced noir Americana songwriter Jessie Kilguss with her excellent band at Mirror in the Woods, 575 Union St, Gowanus, R to Union St

12/4, 7 PM Carlos Aguilar, Simone Baron, Robert Fleitz, Carrie Frey,, Alec Goldfarb, Giancarlo Latta, Helen Newby, Erin Rogersand Clara Warnaar pay scores by George Lewis, Lou Sheppard and others “centered on ideas of loss, fragmentation, and recreation” for improvising ensemble. at Scholes St. Studios, $15/$10 stud

 12/4, 8 PM psychedelic klezmer/bluegrass mandolin and clarinet legend Andy Statman at Barbes, $10. 12/16 at 8 he’s at the Jalopy Tavern for the tipjar

12/4, 8:30 PM Dervisi feat. psychedelic guitarist George Sempepos play “exotic Greek gangsta blues” and Middle Eastern flavored hash smoking anthems at Troost

12/4, 9 PM sharply lyrical southwestern gothic/Americana songwriter Tom Shaner  at LIC Bar

12/4. 9 PM psychedelic soul band  Frankie Sunswept and the Sunwrays at the Jalopy Tavern

12/4, 9 PM edgy, dreampop-tinged Americana rock songwriter Juliana Nash back at her old stomping ground at Pete’s, which she booked brilliantly for years back in the 90s and zeros

 12/5, 8:30 PM Thurston Moore and his non Sonic Youth band at the Poisson Rouge, $20 adv tix rec

12/5 8:30 PM a klezmer dance party with T-Klez featuring clarinetist Dena Ressler, the legendary Psachya Septimus & drummer David Licht at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

 12/5, 7 PM poignant, nuanced jazz singer Amy Cervini leads her quartet at 55 Bar

12/5. 7/9 PM poignantly lyrical, eclectic pianist Marta Sanchez leads her quintet with Chris Cheek on sax playing the album release show for her new one at Birdland, $20 bar seating avail

12/5, 7:30 PM the fearlessly relevant, toweringly intense Arturo O’Farrill & the Afro-Latin Jazz Orchestra at Bric Arts, $25 standing room avail

12/5 7:30 PM, repeating 12/7 at 8 the  NY Philharmonic with piano legend Yefim Bronfman play Beethoven’s Piano Concerto No. 4. plus Symphony No. 2, $32 tix avail

12/5, 7:30 PM guitarist Wendy Eisenberg solo followed by drummer Devin Gray and his improvisational trio featuring saxophonist Chris Pitsiokos and bassist Luke Stewart at Greenwich House Music School, $15

12/5, 8 PM the Monenta Quartet “joins forces with composers Elizabeth Brown and Frances White in a multimedia evening fusing Western contemporary music with Japanese aesthetics,” at Roulette, $20 gen adm

12/5, 8 PM 21st century classical star Bright Sheng plays piano joined by the Curtis 20/21 Ensemble at the Miller Theatre, $20 tix avail

 12/5, 8 PM a night of improvisation: Donald Sturge Anthony McKenzie II + On Ka’a Davis; 8:45pm pensively intense microtonal violinist/singer Sarah Bernstein solo; 9:30pm Telepathic Band
 (Daniel Carter, Patrick Holmes, Matthew Putman, 
Hilliard Greene, Federico Ughi) at Union Pool, $15

12/5, 8:30ish psychedelic supergroup the Elgin Marbles feat. members of Love Camp 7, Dervisi and Peter Stampfel’s jug band at Troost

12/5, 10 PM the great unsung NYC hero of darkly purposeful, noir-tinged jazz guitar, Saul Rubin leads his Zebtet at the Fat Cat. He’s also here on 12/10 and 12/17 at 7

12/5, 10 PM explosive, theatrical, phantasmagorical indie/metal band A Deer A Horse at Trans-Pecos, 410

12/5-6,10:30 PM indie powerpop/jangle superstars the Joy Formidable at Rough Trade, $25. Some think they’re this era’s Pretenders; others think they’re peevishly opaque.

12/6, 5:30 PM dark, carnivalesque oldtimey songwriter Feral Foster at the American Folk Art Museum

12/6, 7 PM Yara Arts Group with bandurist Julian Kytasty singing wintertime Carpathian songs at the Ukrainian Museum, 222 E 6th St $25/$20 stud/srs

12/6, 7 PM singers Theo Bleckmann and Magos Herrera, trombone monster Ryan Keberle, and Endless Field with special guests at St Peter’s Church, 54th/Lex, $20 to benefit the NRDC

12/6, 7:30 PM chamber quintet Vista Lirica play works by Beethoven, Schubert, Schumann and a rare Max Reger quintet piece at Greenwich House Music School, $25/$15 stud/srs

12/6, 8 PM iconic fire-and-ice jazz singer Karrin Allyson and pianist Roberta Piket’s sextet project celebrate the compositions of legendary jazz pianist Marian McPartland. at Flushing Town Hall, $16/$10 srs/students 18 and under free w/school ID

12/6, 8 PM guitarist Alex Levine and pianist Alex Tosca lead their Trios at Scholes St. Studios, sug don

12/6, 8 PM, repeating 12/8 at 3 the NJ Symphony Orchestra with pianist George Li play works by Anna Clyne, Dvorak and Rachmaninoff’s 3rd Piano concerto at NJ PAC in Newark, $20 tixa vail

12/6, 8 PM avant singer Charmaine Lee with Tyshawn Sorey (percussion) remixed live by Ikue Mori at Issue Project Roomm, $15/$12 sud/rs

12/6, 8 PM the reliably entertaining, adventurous Chelsea Symphony play Arturo Marquéz — Danzón No. 2; Max Bruch — Violin Concerto No. 1 in G minor, op. 26 with soloist Molly Fletcher on violin; Camille Saint-Saëns — Introduction & Rondo capriccioso with violin soloist Dawn Wang; Fernande Breilh Decruck — Les clochers de Vienne: Suite de Valses (NYC Premiere); Ralph Vaughan Williams — Fantasia on Greensleeves; Leroy Anderson — Sleigh Ride; and Aaron Dai — The Night Before Christmas at St. Paul’s Church, 315 W 22nd St., $20 sugg don

12/6-7, 8 PM pan-Asian chanteuse/multi-instrumentalist Jen Shyu debuts hauntingly atmospheric new work at Happy Lucky No. 1 Galllery, $20

12/6, 8:30 PM John McCowan plays solo contrabass clarinet followed by bass clarinetist Aaron Novik‘s close-harmonied, overtone-layered homage to downtown NYC noiserock bands of the 80s at Arete Gallery $15

12/6, 9 PM fearlessly relevant latin rock songwriter and protest song connoisseur Ani Cordero at the Sultan Room, $20

12/6, 9 PM anthemic Iron Maiden-style metal band the Blackfires at the Mercury ,$12

12/6, 9 PM a rare Friday installment of Unsteady Freddie‘s monthly surf rock extravaganza with Drew & the Blue, at 10 surfed-up tv themes from Commercial Interruption, at 11 hard-hitting, reverb-iced Strange but Surf, and around midnight Drip Culture

12/6, 9:30 PM a rare reunion of brilliant resonator guitarist/bluesmama Mamie Minch‘s sassy all-female oldtimey blues quartet the Roulette Sisters followed at 10:30 PM by the world’s creepiest, slinkiest, most psychedelic crime jazz/film noir band, Big Lazy at Pete’s

12/6, 9:30 PM stoner boogie/punk/powerpop band the Evictions, heavy psych band the Warhorses and Brooklyn’s hilarious counterpart to Spinal Tap, stoner metal parodists Mighty High at the Gutter, $7

12/6, 10 PM hard-hitting, brass-fueled newschool latin soul/boogaloo dance band Spanglish Fly at Barbes

12/6, 10:30 PM tuneful oldschool soul/jazz trombonist Dave Gibson leads his quintet at the Fat Cat

12/7, 5 PM singer Mary Thorne leads a septet performing Bach advent cantatas at the cozy, rustically festive Christ Church Cobble Hill, 326 Clinton St, Brooklyn, F to Bergen St., reception to follow, sug don

 12/7, 6 PM fiery, psycheirdelically bluesy oldschool soul/roadhouse jamband Lizzie & the Makers  at Pete’s

12/7, 6 PM haunting, cinematic lapsteel genius Myk Freedman followed at 8 by the furry-suited, oldtimey jazz Xylopholksand then at 10 by epic ranchera/bolero brass crew Banda de los Muertos at Barbes

 12/7, 7 PM soca hall of famer Mighty Sparrow and his equally hilarious, phenomenal band in a rare intimate show at Joe’s Pub, $25

12/7, 7:30 PM the Calidore String Quartet play works by Webern, Haydn and Beethoven: String Quartet No. 12 in E-flat Major, Op. 127 iat Irving Auditorium, Irving Pl/17th St., $17

 12/7, 7:30 PM sultry retro Franco-American torch jazz/chamber pop/ukulele swing band les Chauds Lapins at the basement room at the Rockwood, $12

 12/7, 8 PM trippy, dubby roots reggae and ska sounds with Avo & Skalopy at the Jalopy Tavern

12/7, 8 PM veteran satirical poliical songwriter Charlie King and Appalachian folksinger Annie Peter at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away.”

 12/7, 8 PM Gamelan Kusuma Laras performs traditional Javanese gamelan music under the direction of the renowned I. M. Harjito. at Roulette, $30

12/7, 9 PM the Machio Ozawa Tango Duo at Bar Thalia adjacent to Symphony Space, free

12/7, 10 PM fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel & the Two Cent Band at Skinny Dennis

12/8. 11 AM fearless indie classical pianist Jenny Lin plays a program tba at Subculture, $20, coffee and breakfast snacks included

12/8, noon ish brilliant, fearlessly political B3 organist Greg Lewis plays Monk tunes at Bar Lunatico. He’s also here on 12/22

12/8, 3 PM singer Jessica Bowers and guitarist Oren Fader play art-songs by Scott Wheeler, Hilary Purrington, Frank Brickle, William Anderson, Randy Woolf, and Paul Salerni. $15/$10 stud/srs followed at 8 PM by trumpeter Ryan Messina leading his Trio with Marius Duboule, guitar; Michael Brownell, bass at Scholes St. Studios, sug don

12/8,  4 PM the Sometime Boys’ riveting, powerful, theatrical frontwoman Sarah Mucho sings dark cabaret and rock tunes at Freddy’s

12/8, 6 PM noir guitar legend Jim Campilongo leads his trio at 55 Bar

12/8, 6 PM violinist Sana Nagano does double duty, first with mandolinist Sam Harnet and bassist Zach Swanson, then in the duo  Peach and Tomato with violist Leonor Falcon at Downtown Music Gallery

12/8, 7 PM a rare free show by Ethio-jazz piano/accordion pioneer Hailu Mergia at Pioneer Works

12/8, 7 PM spine-tingling, darkly mystical art-rock/avant-garde/chamber pop songwriter Carol Lipnik – pretty much everybody’s choice for best singer in all of NYC – at Pangea

 12/8, 7 PM haunting, fearsomely powerful soul belter and noir Americana songstress Karen Dahlstrom – at Scratcher Bar, 209 E 5th St

12/8, 9ish Bubble  leader Dave Foster’s retro jazz song project the Gershwin Bros followed by torchy singer Rembert Block’s concert version of her new opera at the Treehouse at 2A

12/8 ,10ish wryly psychedelic cinematic Italophile instrumentalists/parodists Tredici Bacci at the Sultan Room, $10

12/8, 10 PM ntriguingly opaque parlor postrockers Green & Glass  play the album release show for their new one at the Mercury, $10

12/9, 6 PM the Greenpoint Songwriters Exchange – a diverse bunch playing everything from folk noir to Costelloesque, literary rock to Indian ragas and oldschool soul – at Pete’s

12/9, 7 PM tuneful postbop pianist Jim Ridl leads his group from behind the Rhodesl at 55 Bar

12/9, 8 PM Toot Sweet play twisted theatrical female-fronted accordion glam rock at the small room at the Rockwood.

 12/9, 8 PM bassist James Ilgenfritz’s Anagram Ensemble play the world premiere of Colombian-American composer Federico Garcia De Castro’s Themuru, for two guitars, two percussionists, clarinet, saxophone, viola, cello, and bass followed by Ilgenfritz’s multimedia opera I Looked At The Eclipseat Roulette, $18 adv tix rec

12/9, 8:30 PM suave oldschool tuneful postbop: Harry Allen (tenor sax) leads his quartet at Birdland, $20 bar seating avail

 12/9, 8:30 PM enigimatically witty, erudite jazz chanteuse/songwriter Dorian Devins  leads her trio at the Bar Next Door, $12

12/9, 10ish the NYC Gaita Club – a Bulla en el Barrio spinoff – play rustically pounding Afro-Colombian trance-dance music at Barbes

12/9, 7:30 PM imaginative, purist jazz drummer Dan Pugach’s Nonet followed at 10:30 PM by this era’s most intensely powerful tenor saxophonist/composer, JD Allen‘s smoking, intense trio at Smalls

 12/9, 9 PM smartly lyrical, eclectically tuneful 70s British style pub/punk rockers Binky Phillips & the Planets at Arlene’s, $5

12/10, drinks at 5:30 PM, show at 6, badass harp virtuoso Bridget Kibbey plays works by Bach, Gershwin, Albeniz and Tschaikovsky at the Miller Theatre, free

12/10, 7 PM eclectic, hard-hitting, lyrical composer/tenor saxophonist Stan Killian at 55 Bar

 12/10, 7:30/9 PM lyrical jazz piano icon Fred Hersch in a rare duo show with his longtime, subty coloristic drummer Eric McPherson at Mezzrow, $20

12/10, 8 PM guitarist Josh Farrar leads the electric Microaggressions playing classic Arabic songs by Balegh Hamdi and Sayyed Makawi plus works by Aram Khachaturian and Erik Satie, plus, “most enticingly,” the “Wasla from Hell,” an extensive suite that juxtaposes melodies by the venerated Arab masters Mohammed Abdl Wahab, Farid Al Atrash, and Mohammed Qasabgi with metal and proto-metal riffs by Led Zeppelin, Black Sabbath, and Slayer. at Sisters Brooklyn, 900 Fulton St, C to Clinton-Washington

12/10-15, 8;30/11 PM state-of-the-art jazz bassist Christian McBride & Inside straight at the Vanguard

12/10, 9 PM klezmer-influenced singer/multi-instrumentalist Judith Berkson premieres new work with adaptive new music chamber ensemble Ordinary Affects at Roulette, $18 av tix rec

12/10, 10:30 PM charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy leads his quintet at Smalls. He’s also here on 12/24. same time

12/11, 6;30 PM not a music event but relevant and recommended: a free screening of the documentary film La Supplication (Voices from Chernobyl) directed by Pol Cruchten, at the Americas Society, free, rsvp req

12/11, 8 PM violist Carrie Frey and Tamika Gorski present: A Very Merry Minimalistmas! “A play-along of Carrie Freiley’s In C(hristmas)! It’s based on Terry Riley’s classic “In C,” but with a hefty dose of holiday twist. There will be music and festive snacks and beverages! Bring your instruments, voices, or jingle bells, and play along, or come to hang out and listen! Latecomers and early leavers also welcome,” at Scholes St. Studios

12/11 day 1 of the annual Roots & Ruckus Festival at the Jalopy and Jalopy Tavern, free. Stage 1: The Jalopy Theatre 8:00 PM – Sam Talmadge, 8:30 PM – The Jalopy Chorus. 9:00 PM – Ken Schatz, 9:30 PM – brilliantly relevant Americana/pan-American songwriter Miriam Elhajli; 10:00 PM – the intense, historically inspired oldtime blues/gospel Piedmont Blūz Acoustic Duo. 10:30 PM – Yva Las Vegass & Amelia Jackie. 11:00 PM – 19th century style string band The Four O’ Clock Flowers. 11:30 PM – Astroturf Noise. Stage 2: Jalopy Tavern 8:00 PM – Paisley Fields. 9:00 PM – Anna J. Witiuk. 10:00 PM – Lissy & the Jacks, 11:00 PM – Lord Youth

12/11, 7:30/9:30 PM purposeful raga pianist Utsav Lal at the Jazz Gallery, $15

12/11, 7:30 PM the amazing, haunting, otherworldly NY Andalus Ensemble – who play ancient Middle Eastern and North African Jewish sounds from as far back as a thousand years ago  –  at La Nacional, 239 W 14th St, $22/$16 stud/srs

12/11, 8 PM dark, ferociously eclectic guitarist Anders Nilsson – who careens from Satie to Big Lazy to metal – and band at Barbes

12/11, 8 PM  pyrotechnic clarinetist Ismail Lumanovski’s ferociously kinetic NY Gypsy All-Stars at Drom $10

12/11, 10 PM atmospheric, cinematic drummer/composer Tim Kuhl and band at Pete’s

12/12, 6 PM performances by Jo˜ão Rezende, bandoneon sorcerer JP Jofre, celtic folk trio Tam Lin (Elliot Cole, Fiona Gillespie, and friends), Andrew Yee, and ambient electronic performances from Sebastian Zel, Alex Ring Gray, natalie[dot]computer, and David Bird plus fancy drinks! at 1 Rivington St., 2nd fl, free, rsvp req 

12/12. 7 PM Hyojin Kang – one of Korea’s most celebrated gayageum (magically warptoned zither) virtuosos at Spectrum, $15

12/12, 7 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar

12/12, 7 PM in their New York debut, the Eybler Quartet play the U.S. premiere of Pedro Ximénez de Abrill Tirado’s Quartet, Op.55, at the Americas Society, $20- a rare chance to hear fascinating obscure 19th century Pan-American repertoire.

12/12, 7:30 PM postminimalist pianist Julian De la Chica “explores raw scenes from watching people’s every day life from a friend’s apartment window in Soho,” hmmm, at the DiMenna Center, $25

12/12, 7:30 PM spoofy goth and folk noir parodiies with the Gothic Archies at Symphony Space, $20 for 30 and under ,$30 otherwise

12/12 day 2 of the annual Roots & Ruckus Festival at the Jalopy and Jalopy Tavern, free. Stage 1: The Jalopy Theatre – 8:00 PM – Taylor Plas; 8:30 PM – fiery, fearless oldtimey blues songwriter/historian Vienna Carroll; 9:00 PM – Maria Alejandra Rodriguez; 9:30 PM – the otherworldly Ukrainian Village Voices; 10:00 PM – Neel Murgai & Mir Naqibul Islam playing an Indian raga or two; 10:30 PM – wild klezmer band Litvakus. Stage 2: Jalopy Tavern – 8:00 PM – Brotherhood of the Jug Band Blues playing sly Memphis Jug Band classics; 9:00 PM – The Buck and a Quarter Quartet; 10:00 PM – Starcrossed Losers; 11:00 PM – Jackson & the Stanks

12/12, 7:30 PM Indian and latin-tinged jazz improvisation with the Karuna Trio featuring Hamid Drake, Adam Rudolph, and Alexis Marcelo at the Lincoln Center Atrium, free

12/12, 8 PM the fifteen-piece Collapsible Shoulder Big Band performs compositions from Chris Cochrane’s upcoming release at Roulette, $18 adv tix rec

 12/12, 8 PM Indian percussion genius Deep Singh’s Sharabi live bhangra project, reggae-rockers Zion80 and wild, hilarious klezmer punks Golem at Drom, $20

12/12. 8 PM saxophonist Anna Webber  leads her combo at Jamaica Center for Arts, 161-4 Jamaica Ave, Queens, $10

12/12, 8 PM enigmatic improvisational rock with 101 Crustaceans’ Ed Pastorini & indie classical piano trio Bearthoven at the Owl

12/12, 8 PM charmingly dangerous harmony trio the Whynotte Sisters – Sara Milonovich, the Pre-War Ponies’ Daria Grace and Vibeke Saugestad –  followed at 10 by drummer Arthur Vint & Associates reinventing classic Morricone spaghetti western soundtracks at Barbes

12/12, 8:30 PM a rare duo performance by klezmer chanteuse Polina Shepherd with Klezmatics accordion wizard Lorin Sklamber at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

12/12, 8:30 PM riveting Japanese shamisen player/singer/improviser Emi Makabe leads a trio with Thomas Morgan on bass, Vitor Gonçalves on piano/accordion at I-Beam, $15

12/12, 9 PM 20s hot jazz revivalists Cait and the Critters at Radegast Hall

 12/12, 9 PM lavish, slinky latin noir big band jazz with the  Scott Reeves/Jay Branford Dectet at Silvana

 12/12, 9ish ferocious female-fronted art-rock/stoner metal band Ruby the Hatchet and German stoner band Kadavar at St Vitus, $20

 12/13, 5;30 PM imagistic original front-porch folk songwriter Lisa Bastoni at the American Folk Art Museum

 12/13, 7 PM drummer Adam Rudolph’s strikingly tuneful, rumblingly improvisational Go Organic Orchestra  and Brooklyn Raga Massive – 40 people onstage, insane Indian jamband awesomeness – at Elebash Hall, 365 5th Ave, $25

12/13 day 3 of the annual Roots & Ruckus Festival at the Jalopy and Jalopy Tavern. Stage 1: Jalopy Theatre – 8:00 PM – Barry Clyde 8:30 PM – Chris Acker and the Growing Boys 9:00 PM – Mary Go Round 9:30 PM – Morgan O’Kane10:00 PM – soaring Americana songstress Maggie Carson & Band 10:30 PM – The Horse-Eyed Men 11:00 PM – devious Hawaiian guiarist Isto 11:30 PM – Nat Myers; Stage 2: Jalopy Tavern 8:00 PM – Mara Kaye 9:00 PM – Skalopy Brass 10:00 PM – Hasta la Zeta 11:00 PM – Papa Vega’s Rocket 88s

 12/13. 8 PM magically hypnotic pan-Asian multi-instrumentalis/singer Jen Shyu‘s harrowing, elegaic suite Zero Grasses at the Center for Remembering and Sharing, $25 adv tix rec

12/13, 8 PM intrepid indie classical chamber group Wet Ink Ensemble  play works by Charmaine Lee, Pierre Tremblay, Kristina Wolf, Bryn Harrison and Eric Wubbels at St. Peters Church, 346 W 20th St, $10, stud free

 12/13-14 8 PM cellist Jay Campbell leads an improvisational ensemble at Happy Lucky No. 1 Galllery, $20

12/13, 8 PM poignant, eclectic, lyrical jazz bassist/composer Pedro Giraudo’s Tango Quartet followed at 10 by psychedelic salsa bandleader Zemog El Galle Bueno at Barbes

 12/13, 8:30 PM Ikue Mori remixes a live show by arguably the foremost piano improviser alive (and a hell of a composer too), Satoko Fujii and trumpeter Natsuki Tamura at the Stone at the New School, $20. The following night 12/14, same time Fujii and Tamura are at I-Beam for five bucks less sans Mori; 12/15 at 8 they’re at 244’s Black Box Theatre, 244 West 54th St.,10th fl

12/13, 8:30 PM ambitious, perennially tuneful saxophonist Mike McGinnis leads his pastoral jazz Roadtrip nonet at I-Beam, $15

12/13. 9ish kitchen sink Brazilian/C&W/funk/New Orleans band Nation Beat at Nublu 151, $15

12/13, 10 PM irrepressibly sardonic janglerock/folk-punk songwriter, New Yorker illustrator and White Hassle alum Marcellus Hall  at Pete’s

12/14, 4 PM colorful violinist Zoe Aqua leads her klezmer band playing a Hanukah celebration at Congregation Beth Elohim Ballroom, 274 Garfield Pl, Park Slope, $20

 12/14, 5 PM third-stream neoclassical group Electric Diamond with Ruth Cunningham – founding member of legendary choir Anonymous 4 at the Frances X. Cabrini Shrine, 701 Fort Washington Ave, A to 190th st, sug don

12/14, 7 PM  this era’s most spellbinding oldschool country singer, Laura Cantrell followed by Gguitar goddess Barbara Endes’ exhilarating psychedelic janglerock band Girls on Grass at WFMU Monty Hall, 43 Montgomery St., Jersey City, $12, BYOB plus there will be free eggnog and snacks! Path train to Exchange Place

12/14, some pretty wild improvs: 7 PM Aron Namenwirth: guitar, Eric Plaks: piano; 8 PM Stephen Gauci: sax, Santiago Leibson: piano, Shawn Lovato: bass, Colin Hinton: drums; 9pm Paul Austerlitz: bass and contrabass clarinet, Don Slatoff: bass clarinet, Ehran Elisha: drums; 10pm Bonnie Kane: sax, Hans Tammen: buchla, John Loggia: drums, Jon Panikkar: drums at Scholes St. Studios

12/14 day 4 of the annual Roots & Ruckus Festival at the Jalopy and Jalopy Tavern.7:00 PM – Johanna Wacker 7:30 PM – The Skipping Stones 8:00 PM – captivating flamenco/Sicilian songstress Julia Patinella 8:30 PM – Orbisonesque crooner Bobby Blue the Balladeer 9:00 PM – rising star banjo player Nora Brown 9:30 PM – folk noir impresario Feral Foster 10:00 PM – multi-instrumental Americana talent Ali Dineen 10:30 PM – Americana jamband road warriors Spirit Family Reunion 11:00 PM – Rashad Brown. Stage 2: Jalopy Tavern 7:00 PM – Miss Maybell & Charlie Judkins; 8:00 PM – sizzling blues guitar genius Michaela Gomez 9:00 PM – The Homestead Street Band 10:00 PM – psychedelic soul band Frankie Sunswept & The Sunwrays11:00 PM – Wyndham Baird & Band

12/14, 7:30 PM ruthlessly funny, politically satirical faux-folk duo Friends Who Folk (Rachel Wenitsky and Ned Riseley) at Union Hall, Union St. north of 7th Ave in Park Slope, $10

12/14, 7:30 PM Rajrupa Chowdhury plays ragas on the sarod at the Chhandayan Center For Indian Music, $20

12/14, 8 PM intense, pyrotechnic oudist and ngoni virtuoso Brandon Terzic plays Middle Eastern and west African sounds followed at 10 by  feral singer Carolina Oliveros’ mighty 13-piece Afro-Colombian trance/dance choir Bulla en el Barrio at Barbes, . Bulla are also here on 12/23 at 10

 12/14, 8 PM indie classical rising stars  TAK Ensemble play world premieres by Younge and Lopez  at Saint Mary’s Episcopal Church, Harlem , 521 W 126th St, sug don

 12/14, 9 PM  Super Yamba play their bracingly psychedelic Afrobeat jams at Bar Chord for the tip jar. Then on 12/19 at 7:30 they’re at at Symphony Space, $20 for 30 and under ,$30 otherwise

12/14, 9 PM  Andrew Vladeck – whose lyrically-driven songs careen from stark oldtimey tunes to epic, cinematic anthems – at Pete’s

12/14, 10 PM fiery electric bluegrass and C&W with Demolition String Band at Skinny Dennis

12/15, 11 AM the Aizuri Quartet play a program TBA at Subculture, $20, coffee and breakfast snacks included

 12/15, 2 PM the legendary  Kalichstein-Laredo-Robinson Trio play an all-Beethoven program at the Town Hall, $20

12/15, 5 PM sharply lyrical southwestern gothic/Americana songwriter Tom Shaner,  intense, soaring harmonium player/singer Elana Low and haunting folk noir/Americana songwriter Emily Frembgen at LIC Bar

12/15, 5 PM repeating 12/18 at 7 Eric Silberger, violin; Laura Metcalf, cello; and bandleader/impresario Yelena Grinberg, piano play works by Clara and Robert Schumann, Mendelssohn and Brahms and Robert Schumann at Grinberg’s upper westside piano salon, reception to follow, $35, close to the 1/2/3 train at 96th St., deets here 

12/15, meet at the Washington Square arch at 5:45, march to Tompkins Square Park at 6 PM, this year’s Unsilent Night electronic music procession is a NYC institution and one of the funnest, trippiest things you can do this holiday season. Download one of the twinkling piece’s four tracks for your phone, stream it or borrow one of composer Phil Kline‘s original cassettes for your boombox. Fun for the whole family!

 12/15-16, 7 PM the annual Rotunda Holiday Concert with all-star indie classical choir Roomful of Teeth, composer/singer/viollinist Caroline Shaw and percussion trio Tigue at the Guggenheim, $25 standing room avail

12/15, 8 PM shreddy female-fronted heavy psych/metal band Thrilldriver followed by the similarly dark, more eclectic, psychedelic  enigmatic Lorraine Leckie and her killer band at the big room at the Rockwood

12/15, 9:30 PM exhilarating acoustic guitar instrumentalist Lyle Brewer – like John Fahey on steroids – at Pete’s

 12/15, 9:30 PM ferociously dynamic, tuneful, female-fronted power trio Castle Black  at Our Wicked Lady, $10

 12/16, 7 PM Greg Lewis’ brilliant, fearlessly political Organ Monk Trio at 55 Bar

12/16, 7 PM female composers night: violinist Meg Okura, Tracy Yang, and the Jen Allen Jazz Orchestra at Shapeshifter Lab, $15s

12/16, 7:30 PM riveting, charismatic, intuitive pianist Karine Poghosyan plays two Beethoven Sonatas plus the Liszt solo piano arrrangement of Beethoven’s 5th Symphony at Broadway Presbyterian Church, 601 W 114th St at Broadway, $15 sug don

12/16, 8 PM feral bassist Brandon Lopez debuts new work for his trio and 4tet at Roulette, $18 adv tix rec

12/16, 7:30 PM songwriter Adrienne S. Witt’s new play Unseen – “As the news of another black teen being killed by a white police officer covers every newspaper, Ava Janine Wright can’t help but be deeply affected. As the Chief Financial Officer at Bucchanan Trust Accounting Firm she feels guilty for not doing more to help her community. When her Ivy league education, position and money can’t protect her from the red tape of Buchanan Trust and her highschool friend Elijah is profiled by police; Ava decides it’s time to reassess her future,” at Dixon Place, $17 adv tix rec

12/16, 9:30 PM ex-Chicha Libre keyboard sorcerer Josh Camp’s wryly psychedelic cumbia/tropicalia/dub band Locobeach at Barbes

12/17, 2 PM nimble tsimblist Pete Rushefsky leads a klezmer band at Poe Park in the Bronx, Grand Concourse at 192nd St., free

12/17 ,7 PM the Jack Quartet play a Catherine Lamb world premiere at the first-floor New School auditorium at 63 5th Ave. They’re back here on 12/18 playing works by Tyshawn Sorey and Clara Iannotta, free w rsvp

12/17, 8 PM Ultrafizz (pianist Nathaniel LaNasa and singer Lucy Degrahe) play works by Pauline Oliveros Meredith Monk, Guillaume de Machaut, and unknown 13th century choral composers at Arete Gallery, $15

 12/17, 8 PM soaring, politically relevant, brilliantly purposeful alto saxophonist Miguel Zenon  leads a quartet with Seth Trachy (tenor sax), Joel Mateo (drums), Chris Tordini (bass), Glenn Zaleski (piano) at Nublu 151, $15

12/17-22, 8:30/11 PM piano icon Kenny Barron leads his quintet at the Vanguard; then he’s there with a trio through 12/29

12/17-21, 8:30/11 PM iconic, tuneful Jamaican jazz pianist Monty Alexander at Birdland, $30 bar seating avail

12/17, 8:30 PM smartly tuneful oldschool soul/psych-pop songwriter Mimi Oz at Pete’s

12/17, 9 PM wickedly torchy noir and new wave songwriter Julia Haltigan at 11th St Bar

12/18, 7:30 PM surrealist avant garde free jazz collective thingNY play”audio-visual chamber music and sonic theaters” – works by Paul Pinto, Jennifer Walshe, Sam Scranton, Jesse Marino and a Robert Ashley world premiere at Arete Gallery, $15

12/18, 8 PM the album release show by  Peach and Tomato – Sana Nagano -violin and Leonor Falcón -viola plus guitarist Juanma Trujillo;s Quartet at Scholes St. Studios

12/18, 8 PM Spycatchers ( amazing, psychedelic instrumentalists Sandcatchers  doing their Middle Eastern set)  at Erv’s on Beekman,2122 Beekman Ph, Prospect Lefferts Gardens, B/D to Prospect Pk

12/19, 7:30 PM Los Rumberos del Callejón bring their salsa out of the alley at the Lincoln Center Atrium, free, get there early

12/19, 8 PM the Bushwick Book Club – a lit-rock collective including both some of NY’s smartest songwriting talent along with some dorky open mic lifers – at Barbes

 12/19, 8:30 PM lyrical pianist Jason Yeager and quintet play the album release show for his brilliant, latin-inspired new protest jazz record at the Cell Theatre, $15

12/19, 8:30 PM a klezmer dance party with Khanike Tanzhoyz at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

12/19, 10 PM the world’s darkest, slinkiest, most blackly funny crime jazz/film noir band, Big Lazy  at Bar Lunatico

12/19, 11 PM catchy, politically fearless soulstress Alice Lee – Nina Simone meets Fiona Apple, equally psychedelic and torchy – at Pete’s

12/20, 8 PM rustic Brazilian jungle guitar-and-accordion sounds with Regional de NY followed at 10 by slinky, hypnotic percussive Moroccan trance band Innov Gnawa at Barbes

12/20, 8 PM hilarious original oldtimey-style hokum blues songwriter Al Duvall followed by a quartet covering Fats Waller led by the wonderful Joanna Sternberg alongside Charlie Burnham, Joe Cohn, and Anthony Coleman. at the American Can Factory, 232 3rd St., Gowanus $15

 12/20, 8 PM “join Brooklyn’s premier Dolly Parton coverband, Doll Parts for a holiday celebration of our Lord and savior Dolly Parton,” at the Bell House, $16

12/20-21, 8 PM amazingly eclectic, alternately punishing and subtle drummer Ches Smith‘s quartet with Mary Halvorson (guitar), Liberty Ellman (guitar), Nick Dunston (bass) at Happy Lucky No. 1 Galllery, $20

12/20, 8 PM trio improvisations: Ras Moshe with Dave Miller and Dave Ross; 9pm Jack DeSalvo with Tom Cabrera and Dmitry Ishenko; 10pm Matt Lavelle with Evan Crane and Leonid Galaganov at Scholes St. Studios $10

12/20, 9 PM deviously funny twin-trombone dub reggae crew Super Hi-Fi play their sick dub versions of xmas songs at Bar Chord

12/20, midnight legendary 90s Brooklyn psychedelic funk unit Groove Collective reunite at Drom, $15

12/21, 4 PM jangly, intense, soaring bandleader/guitarist/bassist Debby Schwartz followed at 5 by Bubble‘s Dave Foster at Pete’s

12/21, 7 PM ambient guitarist and Bowie collaborator Gerry Leonard a.k.a. Spooky Ghost at the basement room at the Rockwood, $15

12/21, 8 PM dark cabaret legend Sanda Weigl and her Romany-flavored band at Barbes

12/21, 8ish popular, gritty, propulsive 90s indie rockers Versus at Elsewhere, $12

12/21, 10 PM first-rate purist honkytonk crooner/bandleader Cliff Westfall and his killer band at Skinny Dennis. He’s also here on 12/28

12/21, 10 PM hard-hitting bassist Dawn Drake & Zapote‘play psychedelic Afrobeat and funk at Shrine

12/22, 11 AM cellist Astrid Schween leads her ensemble at Subculture, $20, coffee and breakfast snacks included

12/22, 7:30 PM noir-inspired alto saxophonist/composer Nick Hempton followed at 10:30 by tuneful oldschool soul/jazz trombonist Dave Gibson leading his quintet at Smalls

12/22, 8 PM epically soaring psychedelic art-rock/chamber pop pianist/bandleader Greta Gertler and innumerable special guests at Barbes

12/22, 8 PM smart, darkly pensive third-stream jazz pianist Noa Fort at the small room at the Rockwood

12/22, 8 PM trumpeter Matt Lavelle’s improvisational outfit 12 Houses celebrate their 10th anniversary at Scholes St. Studios sug don

12/23, 7:30 PM Camille Thurman – a double threat as nuanced singer and intense tenor saxophonist – leads her quintet at Smalls

12/23, 7:30 PM mostly-female, kinetic klezmer/cumbia/cinematic jamband Isle of Klezbos at Joe’s Pub, $20

12/24, 8 PM the annual klezmer show at Barbes with plenty of usual suspects – Ben Holmes, Michael Winograd, Matt Darriau all possible – playing classics and their own material

 12/24, 8:30 PM elegant bop-era guitar legend Gene Bertoncini plays a rare solo show at the Bar Next Door $12

12/26, 10 PM Pangari & the Socialites play classic ska and rocksteady – most of it from the 60s Skatalites catalog – at Barbes

 12/27, 5 PM charmingly inscrutable Parisienne jazz chanteuse Chloe & the French Heart Jazz Band at Club Bonafide,$20.

 12/27, 8 PM the Skyline Salsa Band at FM Jersey City, $10

12/27-28, 7/9 PM powerful jazz belter – and Gil Scott-Heron reinventor –  Charenee Wade leads her group at Ginny’s Supper Club, $20

12/27, 8 PM electric, electric C&W/blues band the Jug Addicts followed by the world’s darkest, slinkiest, most blackly funny crime jazz/film noir band, Big Lazy at Barbes

12/27, 9:30 PM deviously hilarious, charismatic oldtimey New Orleans swing songwriter Carsie Blanton at Rough Trade, $15 adv tix rec

12/28, 10 PM the Bubble  leader Dave Foster’s retro jazz song project the Gershwin Bros with the transcendent Erica Smith on vocals at Barbes

12/30, 7 PM New York’s most charismatic, darkly compelling lyrical songwriter/storyteller/keyboard genius Rachelle Garniez‘s 4th annual goodbye party – saluting some of those who’ve left us this year – at Pangea

12/30, 9ish bouncy live hip-hop groove band the Hypnotic Brass Ensemble at the Knitting Factory, $18

12/31, 9ish clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at Barbes, $20

12/31, 11 PM funnest New Year’s event in town is Paolo Bordignon playing a program TBA on the massive Aeolian-Skinner organ at St. Bartholomew’s Cathedral, 52nd/Park Ave, free

Full calendar for January 2020 coming on Jan 1

1/4-5, 8 PM playwright Sarah Krasnow and bassist James IIgenfritz at Honey’s, 93 Scott Ave, Bushwick, L to Jefferson St., $10

1/10, 11:30 PM brilliant Danish klezmer jazz ensemble Mames Babagenush at Drom. 1/11 at 8:30 they’re at Mehanata for $20, then 1/13 at 7:30 they’re at the Manhattan JCC for $25, then 1/18 they’re at Golden Fest

1/21, drinks at 5:30 PM, show at 6, violinist Lauren Cauley leads a 21st century music ensemble at the Miller Theatre, free

2/24, drinks at 5:30 PM, show at 6, violinist Austin Wulliman & pianist Conrad Tao at the Miller Theatre, free

3/31, drinks at 5:30 PM, show at 6,  the new generation’s most eclectic jazz harpist, Brandee Younger & bassist Dezron Douglas at the Miller Theatre, free

4/14 drinks at 5:30 PM, show at 6, indie classical supergroup the Hands Free – James Moore, guitar & banjo; Caroline Shaw, violin Eleonore Oppenheim, bass; Nathan Koci, accordionat the Miller Theatre, free

Jessie Kilguss Brings Her Subtly Sinister Songcraft and Soaring Voice to Gowanus Next Week

There was a four-song stretch in Jessie Kilguss‘ set last week at 11th Street Bar that was as evocative and mysteriously enticing as any show anywhere in New York this year. The first song was What Do Whales Dream About at Night, which was both enigmatic, and quirky, and had an ambitious sweep. Kilguss kept the jaws of fate open with Great White Shark, then sang the most haunting song of the night, The Master, one of the best of her folk noir masterpieces. Sinister as it seems, it’s actually a shout-out to Leonard Cohen, arguably Kilguss’ biggest influence

Then Kilguss and her jangly four-piece backing band careened through House of Rain and Leaves, a broodingly steady grey-sky narrative. With her calmly nuanced, crystalline voice soaring to the highs and murmuring among the lows, Kilguss channeled distant disaster and sudden menace as well as sardonic detachment. She knows that singing is acting, which makes sense since she built a career as a stage actress before plunging into songwriting more or less fulltime. She’s playing on an intriguing acoustic bill on Dec 4 at 7 PM at Mirror in the Woods, a tea shop at 575 Union St. in Gowanus. Take the R to Union St. and walk away from the slope. The other acts on the bill range from similarly strong tunesmiths like dark duo Lusterlit (Kilguss’ bandmates in lit-pop collective the Bushwick Book Club),, soulful cello-rocker Patricia Santos, Americana songstress Andi Rae Healy and some open mic lifers.

Kilguss’ other songs at the East Village show last week were subtler and somewhat more lighthearted. She opened, playing swaths of chords on harmonium, with Spain, a pensive blend of new wave and vintage soul and continued with Strangers, an opaque mix of Guided By Voices and Blondie, maybe. She closed the show with an unexpectedly upbeat Lori McKenna cover and then an almost completely deadpan take of a big radio hit from one of the most awful chick flicks of the 80s, a moment where nobody in the band could keep a straight face all the way through. Kilguss will probaby bring just as much angst, and menace, and ridiculous fun to the Brooklyn gig: it’s a pass-the-tip-jar situation.

Yet Another Wildly Diverse Album From the Brilliantly Psychedelic, Lyrical Sometime Boys

The Sometime Boys are a rarity in the world of psychedelic music: a lyrically-driven band fronted by a charismatic woman with a shattering, powerful wail. Guitarist/singer Sarah Mucho cut her teeth in the cabaret world, winning prestigious MAC awards….when she wasn’t belting over loud guitars as an underage kid out front of the funky, enigmatic Noxes Pond, a popular act at the peak of what was an incredibly fertile Lower East Side rock scene back in the early zeros. Noxes Pond morphed into volcanically epic art-rock band System Noise, one of the best New York groups of the past decade or so, then Mucho and lead guitarist Kurt Leege went in a more acoustic, Americana-flavored direction with the Sometime Boys.

They earned the #1 song of the year here back in 2014 for their hauntingly crescendoing, gospel-fueled anthem The Great Escape. Their new album The Perfect Home – streaming at Bandcamp – is a mind-warpingly diverse collection of originals and covers. There aren’t many other bands capable of making the stretch between a country-flavored take of the Supersuckers’ deadpan, cynical Barricade and a similarly wry hard-funk cover of the Talking Heads’ Houses in Motion.

The other covers are a similarly mixed bag. Mucho’s angst-fueled, blues-drenched delivery over guest Mara Rosenbloom’s organ and the slinky rhythm section of bassist Pete O’Connell and drummer Jay Cowit takes the old Allman Brothers southern stoner standard Whipping Post to unexpected levels of intensity, Likewise, Pink Floyd’s Fearless has a bounce missing from the art-folk original on the Meddle album, along with a balmy, wise, nuanced vocal from Mucho and a starry, swirly jam at the end. And their slinky, gospel-influenced take of Tom Waits’ Way Down in the Hole is a clinic in erudite, purist blues playing.

But the album’s best songs are the originals. Unnatural Disasters has careening, Stonesy stadium rock over a bubbly groove and a characteristically sardonic but determined lyric from Mucho. The group are at their most dizzyingly eclectic on the European hit single Architect Love Letter, blending elements of bluegrass, soukous, honkytonk and an enveloping, dreampop-flavored outro.

Leege’s mournful washes of slide guitar, Rosenbloom’s pointillistic electric piano and Mucho’s brooding, gospel-tinged vocals mingle over a nimble bluegrass shuffle beat in Painted Bones. And the defiance and hard-won triumph in Mucho’s voice in the feminist anthem Women of the World – a snarling mashup of Sister Rosetta Tharpe and Poi Dog Pondering, maybe – is a visceral thrill. Good to see one of New York’s most original, distinctive bands still going strong. They’re just back from European tour; watch this space for upcoming hometown shows.

Three Edgy Songwriters Provide Respite From the Cold at City Vineyard

Last night a crowd braved the cold for the comfortable confines of City Vineyard off the West Side Highway downtown to listen raptly to three first-class, veteran tunesmiths. Mary Lee Kortes, frontwoman of Mary Lee’s Corvette, set the bar impossibly high for the rest of evening, opening the night with a rare trio version of the band alongside Rod Hohl on lead guitar and Jeremy Chatzky on upright bass.

Their set drew from throughout an astonishingly eclectic twenty-year career. They started with Out From Under It, a grittily swaying Laurel Canyon psych-pop tune. “What an amazing sight to sail the longest night and make it home somehow,” Kortes sang in a delivery that was part silk and part spun steel, victory snatched from the jaws of defeat, Chatzky nailing the slithery downward riff as the song peaked out on the final chorus.

Hohl played phantasmagorical swing beneath Kortes’ jaunty phrasing in The Music Got Me Here, from the band’s Songs of Beulah Rowley record, a concept album about a fictitious polymath songwriter from the early part of the past century. Then the trio shifted elegantly from straight-up jazz to moody blues in the slowly swaying ballad Will Anyone Know That I Was Here.

“Actually, songwriters do write songs not about themselves – it is shocking to some people,” Kortes mused, then led the group through a chilling, impassioned take of Why Don’t You Leave Him, a grim minor-key abused woman’s narrative that’s every bit as relevant in the age of Metoo as it was when the band released it in 1999 on the True Lovers of Adventure album.

Midway through the set, Kortes took a pause to read a couple of surreal excerpts from her new book Dreaming of Dylan: 115 Dreams About Bob, a frequently hilarious collection crowdsourced from around the world. She reprised that theme at the end of the set with a deviously funny new song, Dreaming of Him, referencing some of those dreams without ever naming who they’re about. She challenged the crowd to sing along with the impossibly high, arioso hook on the chorus: unsurprisingly, she was the only one who could hit those notes.

The rest of the set was just as entertaining. The towering anthem Someplace We Can’t See seemed to be more triumphant than the uneasy, practically elegaic album version. Kortes brought up guitarist Steven Butler to play Byrdsy jangle and jagged Beatlisms on a couple of tunes they’d written together: the gorgeous End of the Road and a long, psychedelic take of One More Sun, which turned out to be closer to Yo La Tengo than the Indian music the album version alludes to.

Butler validated his unimpeachable taste in co-writers, following with a set of mostly new material from his latest project with crooner and vintage Britrock crooner Ed Rogers, with Don Piper playing acoustic rhythm guitar. A fixture in the East Village for years, Rogers’ songs have often savagely chronicled the destruction of New York neighborhoods in an endless blitzkrieg of gentrification. Many of the numbers last night were his most withering and spot-on yet.

The best was Old Storefronts, a bitter, chilling account of what happens when people stop supporting independent businesses and get all their stuff online. Possibilities (as in, “No possibilities”) had a Stonesy cynicism. Joined by drummer and #1 Kinks fan Frank Lima on percussion and backing vocals, their closing number, Seven Hour Man, caustically asssessed how the gig economy has made the forty hour work week a pipe dream from the past.

The rest of the material was as eclectic as expected. The trio jangled through Diana Dors, a wistful shout-out to a legendary British actress who died young after a failed attempt to make it in Hollywood. Love Lock Bridge, a catchy, rainswept ballad set in Dublin, had a similar bittersweetness.

There’s another potentially amazing lineup at City Vineyard on Nov 19 at 7:30 PM with two great champions of oldtime acoustic blues, Jontavious Willis and Jerron “Blind Boy” Paxton. Cover is $20.

The Greenpoint Songwriters Exchange Create the Newest Sound Around

Every month, the Greenpoint Songwriters Exchange plays the freshest material you can hear anywhere in New York. That’s because almost all of the Brooklyn collective’s songs are brand new. Ringleader Lorrane Leckie hosts a weekly salon where a rotating cast of some of the best songwriters you’ve never heard of – and some that you definitely have – workshop new material, then they take it to the stage in Williamsburg. Leckie in particular has been working on new material for her upcoming show on Nov 24 at 7 PM with her ferocious, psychedelic band the Demons at the Mercury. Fellow guitarslinger and charismatic singer Mallory Feuer’s equally ferocious band the Grasping Straws open the night at 6; cover is $10.

The October Greenpoint Songwriters Exchange lineup was typically diverse and just as interesting. Leckie debuted a forlornly strolling tribute to her recently departed French bulldog, Eloise, one of the more memorable musician mascots in this city in recent years. LJ Murphy, the group’s cleanup hitter, recast a couple of broodingly aphoristic older tunes as vintage soul music. Another first-class singer, Paul Anthony, went just as deeply into Sam Cooke-tinged soul.

The edgiest new material of the night was from Jeannie Skelly, one of the group’s strongest singers and guitarists. Her first number was a hilariously vindictive anti-fascist rant; the second was just as amusing, an apparently true story about an old friend who returns from his world travels a changed man: he’s become a vegetarian supremacist!

Carly Spell, a relative newcomer, held the crowd rapt with an allusively haunting chronicle of addiction and its most dire consequences. Likewise, Sara Hurwitz‘s poignant opening number, assesseddiminishing hopes for artistic community in a city completely devastated by gentrification. Lead guitarist Robert Troise added some neat bluegrass flatpicking on that one.

Eve Blackwater got everybody laughing and singing along to one of the funniest and most explicit fuck-you anthems written in recent months. Eric Richmond took the crowd back to a 1979 of the mind with a bleakly imagistic, tightly composed, Graham Parker-esque new wave tune. Teresa Toro, the latest and brighest addition to another collective, the Bushwick Book Club, brought down the lights with a couple of understatedly torchy, jazz-inflected numbers. Feuer also set aside her usual firepower for an enigmatic, more dreampop-flavored tune. And Sarah Murdoch, who might be the most powerful singer of the entire bunch, validated the argument that she’s just as nuanced and intense a blues singer as she is with jazz and Americana.

The Greenpoint Songwriters Exchange’s monthly show continues at Pete’s tonight, Nov 11 at 6 PM, so you won’t have to worry about the L train going down on your way home.

The Tune Have Fun Reinventing Ancient Korean Sounds at Lincoln Center

There’s been an explosion of psychedelic folk-rock coming out of Korea recently, and Lincoln Center has become one of the best places in New York to see it. Last night all-female quintet the Tune made alternately slinky, swaying and galloping themes out of ancient chants, dance tunes and peasant songs. Yujin Lee’s elegant neoromantic piano imbued the sound with a western classical lustre: there were times when the music sounded straight out of the UK circa 1974. But as translucent as their melodies are, the group have an enigmatic side: “Nobody knows us except us,” frontwoman Hyunkyung Go grinned. As the night went on, she turned out to be very funny: it’s been awhile since such an amusing band played here.

She opened the evening’s first song with a crystalline, quasi-operatic delivery over stagely, shapeshifting percussion and Lee’s piano ripples. With two small gongs, plus mallets on the drums, the polyrhythms grew more complex, the vocals considerably grittier as the thump picked up. Echoes of vintage American soul music, the witchy art-song of Carol Lipnik and maybe 70s art-rock like Genesis emerged.

A rhythmic, shamanistic invocation gave way to more moody classical lustre, percussionist Minji Seo’s thumb piano clicking along with the keys as their frontwoman wailed like a Korean PJ Harvey before backing away for Seo’s otherworldly taepyungso oboe. Then Go picked up her melodica as the band pulsed along gently, Seo’s piri flute adding austere color.

The shaman song after that had an imploring edge, shreddy taepyungso and a galloping triplet beat: that one really woke up the crowd. Lee switched to a vibraphone setting as the thicket of percussion – Haneol Song on drumkit, Soungsoun Lee on janggu barrel drum and Seo on a medium-sized gong – grew more hypnotic.

The song that followed, Port of Strangers had an unsettled, even aching quality, the unease of immigrants on new land transcending any linguistic limitations even as Go reached out her arms as if to welcome everyone there. But when she picked up a kazoo, she couldn’t keep from cracking up on the first verse of Youth Song, an undulating, minor-key workingperson’s blues (and drinking person’s blues) lowlit by echoey Fender Rhodes piano. Yet it wasn’t long before she got serious, singing in passable Spanish, going down on the the floor to get a clapalong going.

Go messed shamelessly with the audience, who’d been handed branches to keep time during a lively round that finally wound up with a mighty dancefloor thump and a wild taepyungso solo. The encore was a rousing mashup of oldschool 60 soul and Korean polyrhythms.

The next free concert at the Lincoln Center atrium space on Broadway just north of 62nd St. is Nov 14 at 7:30 PM, where wildly popular india classical composer, violinist and singer Caroline Shaw joins forces with the Attacca String Quartet. Get there on time if you’re going.

Live Music Calendar for New York City and Brooklyn for November and December 2019

Daily updates – if you go out a lot, you might want to bookmark this page and check back regularly.

If you’re leaving your hood, don’t get stuck waiting for a train that never comes, make sure you check the MTA delays and out-of-service page for service cancellations and malfunctions, considering how unreliable the subway is at night and on the weekend.

If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music. Many different styles to choose from.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised. If you see a show listed without the start time, that’s because either the artist, their publicist or the venue in question sent incomplete info – those acts are usually listed last on a particular date.  Always best to check with the venue for the latest information on set times and door charges, since that information is often published here weeks in advance.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you discovered here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

Weekly events first followed by the daily calendar:

On select Wednesdays and Sundays, an intimate, growing piano music salon on the Upper West Side featuring iconoclastically insightful, lyrical pianist Nancy Garniez – a cult favorite with an extraordinarily fluid, singing, legato style – exploring the delicious minutiae of works from across the centuries, beverages and lively conversation included! sug don, email for details/address

Mondays at 7 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud at Barbes followed at 9:30 PM by a variety of tropical bands playing cumbias, boogaloo, salsa, maybe all of the above.. Brain Cloud are also playing their 10th anniversary show on Nov 22 at 9 PM at the Jalopy for $20

Mondays at the Jazz Standard it’s all Mingus, whether with the Mingus Orchestra, Big Band or Mingus Dynasty: as jazz goes, it’s arguably the most exhilarating show of the week, every week. The first-rate players always rise to the level of the material. Sets 7:30/9:30 PM, $25 and worth it.

Mondays at the Vanguard the Vanguard Jazz Orchestra – composer Jim McNeely’s reliably good big band vehicle – plays 9/11 PM, $35 per set plus drink minimum.

Mondays in November, 9 PM eclectic, cinematic, funky jazz pianist Henry Hey leads a series of ensembles at the small room at the Rockwood

Mondays starting at 9:30 PM Rev. Vince Anderson and his band play two sets at Union Pool. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically woke, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the usual lead soloist on baritone sax, with frequent special guests. Sizzling guitarist Binky Griptite – Sharon Jones’ lead player – is also often there.

Mondays at 10 PM noir guitar legend Jim Campilongo leads his trio at the big room at the Rockwood, $10

Tuesdays at 9 PM, clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Barbes (check the club calendar), $10 cover.

Wednesdays at 9ish the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Threes Brewing Outpost, 113 Franklin St (Greenpoint/Kent Aves) in Greenpoint, free

Most Thursdays at 8:30, the Brooklyn Raga Massive – a rotating cast of A-list Indian, jazz and rock musicians who love to jam out classic Indian themes from over the centuries to the present day – play the Jalopy, $15 adv tix at the bar at the main space. Tons of special guests followed by a wild raga jam!

Fridays at 7:30 PM tenor saxophonist Ken Fowser leads his band at the Django. Jukebox jazz in a JD Allen vein but not as dark and more straight-ahead/groove-oriented: as postbop party music goes, nobody’s writing better than this guy right now.

Saturdays in November at 4 PM free concerts at Bargemusic;  usually solo piano or small chamber ensembles. If you get lucky, you’ll catch pyrotechnic violinist/music director Mark Peskanov and/or the many members of his circle. Early arrival advised.

Sundays in November, 5 PM hypnotic, whirlwind oudist and ngoni player Brandon Terzic  leads a series of Middle Eastern and West African ensembles at Barbes

Most Sundays at 5:15 PM starting in late September, a free recital on the amazing, powerful, dynamic new organ at St. Thomas Church at 5th Ave and 53rd St. featuring some of the world’s greatest organists. The space is magnificent and the music usually is too. Right now the church fathers are programming pretty much everybody who used to work here and play the mighty old Aeolian-Skinner organ that finally had to be replaced. Check the concert calendar for details.

Sundays at 8 PM purist guitarist Peter Mazza – who gets the thumbs up from bop-era legend Gene Bertoncini – leads a series of groups at the Bar Next Door

Sundays at 8:30/11 PM the epic, intense, politically fearless Arturo O’Farrill & the Afro-Latin Jazz Orchestra at Birdland, $30 bar seating avail

Sundays at 9:30 PM paradigm-shifting Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel leads his band at Barbes – check the club calendar just to make sure.

11/1, 7 PM pianist Domenika Robe & violinist Simon Popovski play works by Franck, Kreisler, Ravel and Manuel Ponce at Gallery MC

11/1, 7 PM pianist Daniel Tendler and a chamber ensemble plays works by American composers Benjamin Lees, Margaret Mills, Charles Ives, Meredith Monk, Cheri Lee and others at Third St Music School Setttlement, free

11/1, 7:30/9:30 PM Erica Seguine conducts saxophonist Remy LeBoeuf’s big band Asssembly of Shadows playing the album release show for their new concept album – sort of the jazz equivalent of Stephen king’s The Girl Who Loved Tom Gordon – at the Jazz Galley, $20

11/1, 9 PM hauntingly noisy/ambient cellist Leila Bordreuil with Sonic Youth’s Lee Ranaldo debuting an improvised duet, then joined by sound artist Stephan Moore at Issue Project Room, $15/$12 stud/srs

11/1, 8 PM the Sarah Weaver Ensemble with a phenomenal lineup including jane Ira Bloom on soprano sax, Min Xiao-Fen on pipa and Ned Rothenberg on reeds play the album releasr show for their lavlishly improvisational new one at the DiMenna Center,$20,$15 stud

11/1, busker legends the Xylopholks in their furry suits followed by the irrepressible, erudite, deviously funny Wade Ripka’s horn band Quatre Vingt Neuf (French for 89, a revolutionary date in case you missed it) playing Little Rascals theme music at Barbes

11/1-2, 8 PM avant violin star Pauline Kim Harris of String Noise at Happy Lucky No. 1 Gallery, $20

11/1, 9 PM dark lyrical soul jamband the Woes at Sunny’s

11/1, 10 PM Hollywood’s Dan Finnerty leads his savagely hilarious top 40 parody group the Dan Band at Joe’s Pub,, $25

11/1. 10:30 PM tuneful oldschool soul/jazz trombonist Dave Gibson leads a nonet at the Fat Cat

11/1-2, 10:30PM hard-hitting postbop tenor saxophonist Ralph Bowen leads his quartet at Smalls

11/2, 4 PM cinematic, psychedelic quirk-pop keyboardist Michael Hearst presents “Curious, Unusual and Extraordinary” songs from his many bands followed at 8  by pyrotechnic singer Kamala Sankaram’s slinky, surfy, cinematic cumbia/Bollywood band Bombay Rickey and at 10 by epic ranchera/bolero brass crew Banda de los Muertos at Barbes

11/2, 4 PM pianist Per Tengstrand plays Bach’s Goldberg Variations at Scandinavia house, $25

11/2, 7 PM the Adelphi Orchestra play works by Borodin, Prokofiev and Dvorak at Good Faith-Sheperd Church,152 West 66th St, $30

11/2, 7:30 PM Elliott Smith-esque chamber-pop band the Morning Sea play the album release show for their new one at the basement room at the Rockwood, $12. At 9 PM ubiquitous, moodily lyrical, politically savvy Irish folk-rocker Niall Connolly is at the small room and edgy, uneasy female-fronted retro new wavers the New Tarot play next door at the big room an hour later for $10. If you can’t get enough of the Rockwood,  haunting flamenco/Sicilian folk chanteuse Julia Patinella. is at the basement room at 10 for separate adm $tba

11/2, 7:30 PM latin soul guitarslingerDamian Quinones and his electric power trio at Silvana followed eventually at 10 by Argentinian dub reggae band Sessiones. 11/13 at 9 PM Quinones is at Bar Chord

11/2, 7:30 PM carnatic singer Namami Karmakar and ensemble at the Chhandayan Center For Indian Music, $20

11/2, 8 PM trippy, dubby roots reggae and ska sounds with Avo & Skalopy at the Jalopy Tavern

11/2, 8:30 PM allstar violinis Jenny Scheinman and drummer Allison Miller’s Parlour Game trio with formidable pianist Carmen Staaf at Birdland, $30 seats avail

11/2, 9 PM Greg Lewis’ brilliant, fearlessly political Organ Monk Trio – who do a lot more than just B3 reinventions of Thelonoius Monk – at Bar Lunatico. He’s also there for brunch at 1 PM on 11/10 and 11/24

11/2, 9 PM pastoral guitarist duo Charlie Rauh & Cameron Mizell at Bar Thalia adjacent to Symphony Spae

11/2, 9:30 PM comedic, legenday SoCal first-wave punks the Dickies  at Coney Island Baby, $20. Smallest venue they’ve ever played in NYC, maybe ever, anywhere

11/2, 10 PM ten-piece country/carnivalesque/acoustic rock powerhouse M Shanghai String Band at the Jalopy, $!0

11/2, midnight ferocious mariachi violinist Mireya Ramos leads her band playing a Day of the Dead celebration at Joe’s Pub, $20 av tix rec

11/3, 1 PM low-key deep-Brooklyn sounds with Naomi Shelton & the Gospel Queens playing a gospel brunch show at Bar Lunatico. They’re also here on 11/17

11/3, 3 PM the NJ Symphony Orchestra play the Grieg Piano Concerto wit pianist Juho Pohjonen plus Brahms Symphony No 2 at NJPAC in Newark, $20 tix avail

11/3, 3 PM haunting, politically fearless, soaring Great Plains Gothic/psychedelic songwriter Rose Thomas Bannister at Bill’s Studio, 100 Observer Hwy in Hoboken, free

11/3, 4 PM fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel & the Two Cent Band followed eventually at 9 PM b y intense noir Americana/honkytonk bandleader Karen Jonas at Skinny Dennis /

11/3, 4 PM a rare performance of subversive mid-20th century Zimbabwean chimurenga protest songs with Tanyaradzwa A. Tawengwa and ensemble, plus readings from Zimbabwean novels at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

11/3, 5 PM intense, pyrotechnic oudist and ngoni virtuoso Brandon Terzic plays Middle Eastern and west African sounds followed at 9:30 by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

11/3, 5 PM, repeating 11/6 at 7 irrepressible classical pianist and impresario Yelena Grinberg and Momenta Quartet violinist Emilie-Anne Gendron celebrate Clara Schumann and her contemporaries with a program including works by Cecile Chaminade, Lili Boulanger, Fanny Mendelssohn, Pauline Vardot, Amy Beach and Dame Ethel Smith at Grinberg’s upper westside piano salon, reception to follow, $35, close to the 1/2/3 train at 96th St., deets here 

11/3, 6 PM energetic delta blues/Romany swing guitaris Felix Slim followed by darkly torchy southwestern gothic/Europolitan songwriter/guitarist Miwa Gemini at LIC Bar

11/3, 7 PM Middle Eastern-inflected guitar improviser Ayman Fanous plays two sets: with Jason Hwang on violin and Ken Filiano on bass, the second at 8:30 with Ned Rothenberg on reeds at Scholes St. Studio

11/3, 7 PM dynamic, sizzling new jazz quartet Landline (Chet Doxas, Jacob Sacks, Vinnie Sperrazza and Zack Lober) play the release show for their debut album at Brooklyn Conservatory of Music $20

11/3, 7:30 PM  sweeping, swinging vibraphonist Behn Gillece and group at Smalls. 11/5 at 9 they’re at the Fat Cat

11/3. 8 PM haunting, multisylistic psychedelic soul/Americana bandleader Jenifer Jackson at the Owl. 11/4 same time she’s at the small room at the Rockwood

11/3, 8 PM lush, snidely lyrical parlor pop/new wave band Office Culture at Union Pool $12

11/3, 8 PM perennially tuneful, pensively lyrical Americana janglerocker Mike Ferrio of Tandy and Good Luck Mountain at 11th St. Bar.

11/3, 9 PM cleverly lyrical, edgily funny, soaring-voiced powerpop/acoustic rock singer Tamara Hey  at the small room at the Rockwood

11/4, 7 PM Greg Connors-  sharply lyrical janglerocker and first-class lead guitarist – at LIC Bar

11/4, 7 PM the Mercantillers sing sea chanteys at Cowgirl Seahorse – an apt choice at the South St. Seaport

11/4,, 7:30 PM riveting, charismatic, intuitive pianist Karine Poghosyan plays works by Rachmaninoff and Stravinsky at Zankel Hall at Carnegie Hall, $20 tix avail. She’s a force of nature, larger than life, the real deal.

11/4, 8 PM  Dervisi feat. guitar god Steve Antonakos play “exotic Greek gangsta blues” and Middle Eastern flavored hash smoking anthems with special pyrotechnic guests singer Jenny Luna and reedman George Stathos at Sisters Brooklyn, 900 Washington St at Fulton, C to Clinton-Washington. 11/6 at 8:30 Dervisi are at Troost

11/4, 8 PM popular classical violinist MIdori plays works by Vivian Fung, Sofia Gubaidulina, Olga Neuwirth and Tamar Diesendruck: at the Poisson Rouge, $25 adv tix rec

11/4, 9 PM edgy Russian minor-key stadium rock with Swanky Tiger at the Mercury, $10

11/4, 9:30ish Gato Loco bass saxophone monster Stefan Zeniuk’s new slightly less crazy band Green Mambo – a sly Perez Prado tribute – at Barbes

11/4, 9:30 PM new classical works for saxophones from the Mana Sax Quartet at Pete’s

11/5, 6 PM Carrie Bean Stute, cello and Domenic Salerni, violin play Bach cello suites plus works by Theofanidis and Schulhoff’s brilliant/obscure Duo for violin and cello at Elebash Hall , 365 5th Ave, free

11/5, 7 PM new string quartet Invoke play originals and new music by American composers including Takuma Itoh, Paul Wiancko, and Jessie Montgomery at Joe’s Pub, $20 adv tix rec

11/5, 8 PM explosive, theatrical, phantasmagorical indie/metal band A Deer A Horse plus the Art Gray Noizz Quartet feat Lydia Lunch plus members of Live Skull and Twin Guns at Brooklyn Bazaar, $12

11/5, 8 PM”sound artists Tania Caroline Chen and Ikue Mori “present an astro-electronic acoustic dream dialogue with special guest trombonst Jim Staley.” at Roulette, $18 adv tix rec

11/5-8, 8:30 PM wildly virtuosic jazz improv trumpeter Peter Evans leads a series of ensembles at the Stone at the New School, $20. Choice pick: opening night with Joel Ross (vibraphone) Nick Jozwiak (bass) Savannah Harris (drums)

11/5-10, 8:30/10:30 PM lyrical jazz piano icon Fred Hersch leads a different trio (for him) with Drew Gress and Joey Baron at the Vanguard

11/5, 9:30 PM charismatic, sultry, torchy Americana songwriter/chanteuse Julia Haltigan and her fiery band at 11th St. Bar

11/6, 7 PM psychedelic klezmer/bluegrass mandolin and clarinet legend Andy Statman at Barbes, $10

11/6, 8 PM epic jazz guitarist Joel Harrison joins forces with Talujon Percussion Quartet for rapturous Indian sounds at Roulette, $18 adv tix rec

11/6, 9 PM psychedelic soul band Frankie Sunswept and the Sunwrays at the Jalopy Tavern

11/6, 10:30 PM elegantly serpentine postbop jazz protest songs with drummer Rob Garcia‘s quintet with Leo Genovese on piano and Christopher McBride on sax at Smalls

11/6, 9 PM oldschool-style high plains C&W singer Hope Debates & North 40 at Bar Chord. They’re also at 55 Bar on 11/23 at 7

11/6 10 PM Mingus Big Band drummer Clarence Penn leads a quintet with Donny McCaslin on tenor, sweet, at 55 Bar

11/7 7 PM actress Cécile Nordegg & Band “combine Edith Piaf and Frank Zappa in celebration of French jazz with a rock’n roll-twist” hmmm at the Austrian Cultural Center, free, rsvp req

11/7, 7 PM the High Low Duo – guitarists Cameron Greider and Jack Petruzzelli play “original surf and western swing instrumentals, but also venture into classical music. Tonight they team up with violinist Joel Lambdin for a set of haunting French music—Danse Macabre by Camille Saint-Saens, Ravel’s Mother Goose Suite,” followed at 10 by slinky, hypnotic percussive Moroccan trance band Innov Gnawa at Barbes

11/7, 7:30 PM All-female Korean band The Tune combines shamanistic traditional music with art-rock at the Lincoln Center Atrium, free, early arrival advised

11/7, 7:30 PM string quartet Decoda play works by Mozart, Johann Christian Bach, Thomas Ades and Webern’s arrangement of Schoenberg’s Chamber Symphony at Weill Hall at Carnegie Hall, $32

11/7, 7:30 PM sizzling all-instrumental soul with the Delvon Lamarr Organ Trio at Symphony space, $20 for 30 and  under, $30 otherwise\

11/7, 7:30 PM brilliant dark postbop piano jazz with the Arco Sandoval Asylum septet at Smalls

11/7, 8 PM pianist Ramin Amir Arjomand plays works by Bach, Giacinto Scelsi and an improvisation at the Italian Academy at Columbia, 1161 Amsterdam Ave just south of 118th, free

11/7, 8 PM oldschool latin soul and upbeat Americana with Nikki and the Human Element at Otto’s

11/7, 8 PM long-running 90s alt-country favorites Rusty Truck at Hill Country, free

11/7, 8:30 ish psychedelic supergroup the Elgin Marbles feat. members of Love Camp 7, Dervisi and Peter Stampfel’s jug band at Troost

11/7, 8:30 PM eclectic Italian folk group Ensemble Lucidarium with recorder player Avery Gosfield at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

11/7, 9 PM ferociously catchy. fearlessly populist ska-punk/latin rock band Outernational at Bar Chord

11/7, 10 PM the great unsung NYC hero of darkly purposeful, noir-tinged jazz guitar, Saul Rubin at the Fat Cat. He’s also here at here on 11/12 and 11/19 at 7

11/7, 11:30 PM vicious noiserock jamband the the Skull Practitioners– led by Steve Wynn sparring partner/genius guitarist Jason Victor at the Gutter, $7

11/8, 5:30 PM brooding cello slowcore songs with Meaner Pencil , skronky jazz guitarist Katy the Kyng, and  irrepressible multi-instrumentalist Joanna Sternberg wearing her front-porch folk guitarist hat at the American Folk Art Museum

11/8, 7 PM unusually adventurous indie classical ensembles Hotel Elefant playt play a Kamala Sankaram portrait concert, plus Sankaram’s slinky, surfy, cinematic cumbia/Bollywood band Bombay Rickey at Shapeshifter Lab, sug don

11/8, 7 PM psychedelic ambient Hungarian postfolk band Bajdázó make their US debut at Hungarian House, 213 E 82nd St, free

11/8, 7:30 PM hilarious, ageless hair metal parody band Satanicide at the Mercury, $10

11/8-9, 7:30 PM explosive vibraphonist Mark Sherman leads his quartet at Smalls

11/8, 7:30 PM Mexican folk-punk band Jenni & the Mexicats at the Posson Rouge, $15 adv tix red

11/8, 7 PM cellist Emily Brausa leads an emsemble playing works tba at Third St. Music School Settlement, free

11/8, 9 PM in reverse order at Footlight Bar: the irrepressible Ellia Bisker’s explosive Balkan/New Orleans flavored Funkrust Brass Band playing the album release show for their new one, psychedelic funksters the MK Groove Orchestra, and the Plaster Cramp – a darkly lyrical mashup of post-Velvets jangle and Talking Heads- $10

11/8 8 PM less of a bizarre twinbill than you might think: the Toomai String Quintet play works by Milton Nascimento, Gilberto Gil, and Hermeto Pascoal, plus new string renditions of piano works by Heitor Villa Lobos. Followed at 10 by  Los Cumpleanos – with Nestor Gomez – vox/percussion; Lautaro Burgos – drums; Eric Lane – keyboards; Alex Asher – trombone and others playing trippy, dubwise tropical psychedelia at Barbes

11/8. 8:30 PM trumpeter Aaron Shragge leads a sextet playing brass versions of Tom Waits songs at Bar Lunatico

11/8, 10 PM hard-hitting bassist Dawn Drake & Zapote‘play  the album release show for her wildly psychedelic Afrobeat-flavored new one at Club Bonafide $15

11/8, 10 PM slashing lo-fi guttar blues songwriter/guitarist Breanna Barbara at the sultan Room, $10

11/8, 10:30 PM darkly cinematic, ornate surf instrumentalists the TarantinosNYC. at the Gutter, $7

11/9, 5 PM Persian sufi music with percussionist/vocalist Kamyar Arsani at the Center for Remembering and Sharing, $20

11/9, 6 PM the all-female Quartetto Tomassini, play string arrangements of Astor Piazzolla classics at Club Bonafide, $15

11/9, starting at 6 PM “a Celebration of the Moldvai Csángó ethnic group: dance, music, songs, gastronomy, and the most archaic Hungarian dialect (Csángó dialect )” at Hungarian House, 213 E 82nd St, free

11/9, 6 PM  latin drum maven and West Side Story soundtrack reinventor Bobby Sanabria and band at Bethany Baptist Church,  275 W Market St, Newark, free

11/9, 7 PM brilliantly lyrical janglerock songwriter Florence Dore – who had a great run in NYC in the late 90s and early zeros before she became a fulltime unviversity professor and Faulkner specialist –  at Pete’s

11/9, 8 PM the world’s darkest, slinkiest, most blackly funny crime jazz/film noir band, Big Lazy play the album release show for their danceably creepy new one Dear Trouble at the Old American Can Factory, 232 3rd St. in Gowanus with special guests Steven Bernstein on trumpet, Slavic Soul Party’s Peter Hess on saxes and Miramar’s Farfisa sorceress Marlysse Rose Simmons, $20. Be aware that the 11/8 show is sold out

11/9, 8 PM atmospheric, psychedelic violinist/singer Concetta Abbate with the even more ambient Kris Wettstein at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away.”

11/9 8 PM Snehesh Nag – sitar with Naren Budhakar – tabla at the Chhandayan Center For Indian Music, $20

11/9, 8 PM NY Polyphony sing works by England’s first great composer, John Dunstable and other early Albionic composers at the Church of St. Mary the Virgin, 145 W 46th St,  $30 tix avail

11/9, 8 PM wildly diverse pastoral jazz/Americana violinist Skye Steele‘s Glorious Sunshine Band followed at 10 by psychedelic salsa bandleader Zemog El Gallo Bueno at Barbes

11/9 8 PM famous Indian carnatic violinist L Shankar at Roulette, $30

11/9 ,9 PM cellist/violinist Shana Tucker at the Apollo Music Cafe just east of the Apollo, upstairs, $22 tix avail at the Apollo box ofc (don’t buy thru ticketbastard because they datamine you online and rip you off especially if you;ve bought from them before)

11/9, 9:30 PM  catchy, slinky psychedelic funk/punk band Eliza & the Organix followed eventually at 11:30 by the similar but more sardonic and punky Hard Nips at the Gutter, $7

11/9, midnight brooding cello slowcore songs with Meaner Pencil aka Lenna M. Pierce at Muchmore’s

11/10, 11 AM the Neave Trio play material from their new album of works by 19th century women composers at Subcultrue. $20

11/10, 11 AM pianist Kit Armstrong plays Bach’s Goldberg Variations at the Walter Reade Theatre at Lincoln Center, $25, breakfast snacks/coffee after included

11/10,1 PM the perennially pioneering  Momenta Quartet play music by Mozart, Ligeti and Christopher Stark at the Andrew Freedman Home, 1125 Grand Concourse, between McClellan and E166th St in the Bronx,, 4/B/Dto 167th St

11/10,, 3 PM Monica Davis, viola; Benjamin Larsen, cello; David Oei, piano play George Antheil: Sonatina for Violin and Cello; Herbert Howells: Piano Quartet in a minor, op 21; Beethoven: Serenade, opus 8  at Concerts on the Slope, St. John’s Episcopal Church, 139 St. John’s Place downhill from 7th Ave, sugg don

11/10, 4 PM An Die Musik play chamber works works by Mozart, Beethoven, Handel/Halvorsen and Schubert for oboe and strings at Merkin Concet rt Hall, $16

11/10. 4 PM pianist Eleonor Bindman plays Suites by J. S. Bach and Isaac Albeniz. at the Old Stone House in Park Slope, $20/$10 stud srs

11/10, 4:30 PM Sounds of America play works by Carlos Gardel, Astor Piazzolla, Luis Laguna, Henry Martínez, and Rafael Hernández with violinist Eddy Marcano and guitarist/cuatro player Jorge Polanco at Greenwich House Music School, 415

11/10. 5 PM hypnotic, whirlwind oudist and ngoni player Brandon Terzic followed at 7 by tuneful avant gatde guitarist Gyan Riley and then at 9:30 by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

11/10, 5 PM trumpeter Matt Lavelle’s improvisational outfit 7 Houses followed at 8 PM ($15 separate adm) by new string music by Georgia Rae with Rose Kow Xiu Yi and Karl Henry at Arete Gallery

11/10, 5 PM Ensemble Connect play works by Poulenc, Mozart, & Beach at Out Savior’s Atonement, 178 Bennett Avenue (one block west of Broadway at 189th Street), free

11/11, 6 PM the Greenpoint Songwriters Exchange – a diverse bunch playing everything from folk noir to Costelloesque, literatry rock to Indian ragas and oldschool soul  –  followed at 10:30 by pastoral guitarist duo Charlie Rauh & Cameron Mizell at Pete’s

11/11, 7 PM tuneful postbop pianist Jim Ridl leads his group from behind the Rhodes at 55 Bar

11/11. 7 PM classy, cinematic, purist NZ jazz pianist Alan Broadbent  leads a trio at Mezzrows

11/11, 7 PM Toot Sweet play twisted theatrical accordion glam rock at the small room at the Rockwood.

11/11, 7:30 PM Terra Nostra Ensemble play their Suite Terra Nostra – original arrangements of traditional songs from Spain and different countries in Latin America, as well as the Piano Quintet Op. 49 by Enrique Granados at Greenwich House Music School, $15

11/11, 9:30 PM “the Slippery Fish “pay tribute to the Mexican pedal steel master Tõno Quirazco, who in the 1960’s combined the new sound of ska music out of Jamaica with country twang to invent a twist on the Caribbean sound. With Ari Folman-Cohen – bass and John Echelay – pedal steel,” at Barbes

11/11, midnight boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band at the Ear Inn

11/12, 6:30 PM Catalan composer Josep Prohens and pianist Andreu Riera team up for a retrospective celebration of Prohens’ piano works. at Elebash Hall, 365 5th Ave, free

11/12, 7 PM eclectic, hard-hitting, lyrical composer/tenor saxophonist Stan Killian at 55 Bar

11/12, 7 PM one of the year’s most haunting, relevant classical bills: the Daedalus Quartet play music by Viktor Ullman, Gabriel Bolaños and Mieczyslaw Weinberg at the Baruch Colllege Auditorium, pricy, $36/$16 stud but could be worth it

11/12, 7 PM pianist Giorgi Gigashvili plays works by Chopin, Ginastera, Prokofiev and others at the Americas Society, free, rsvp sug 

11/12, 7:30/9:30 PM the haunting, smokily atmospheric Michael Leonhart Orchestra at the Jazz Standard, $30

11/12, 7:30 PM whirlwind accordionist Matti Pulkki plays Finnish music for solo accordion by Einojuhani Rautavaara, Cecilia Damström and Magnus Lindberg with a premiere by Reiko Füting.at Scandinavia house, $15

11/12, 7;30 PM violinist Grace Park and ensemble play a program tba at Weill Hall at Carnegie Hall, $20

11/12, 7 PM the Bushwick Book Club – a lit-rock collective including both some of NY’s smartest songwriting talent along with some dorky open mic lifers – followed at 9:30 by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs and Ellington reinventors Slavic Soul Party

11/12, 7 PM the Vera Quartet and pianist Meng-Chieh Liu play a program tba at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

11/12, 7:30 PM Rogers & Butler – powerpop aces Ed Rogers and Steven Butler’s new duo project – and  perennially sharp;, wickedly tuneful, jangly Americana band Mary Lee’s Corvette at City Vineyard, $18

11/12, 8 PM rising star Middle Eastern singer Jennifer Grout with an allstar cast: Sami Abu Shumays – violin John Murchison – qanun Brian Prunka – oud Johnny Farraj – Riq Gilbert Mansour – darbuka play classic Egytian vocal tunes by including Oum Kalthoum, Asmahan, Souad Mohammed, and others at Siterss Brooklyn, 900 Fulton St. at Washington, C to Clinton/Washington

11/12-16, 8:30 PM lyrical latin jazz pianist Aruan Ortiz leads a series of ensembles at the Stone at the New School, $20. Choice pick:: 11/14 his Pygmalion Project with Melanie Dyer (viola) Michaël Attias (sax) Arooj Aftab (voice)

11/12, 9:30 PM satirical German new wave/funk-punk band Die Goldenen Zitronen at the Mercury, $15 adv tix rec

11/13, 7 PM one of this era’s most vividly bustling, entertaining big bands, Miho Hazama & M-Unit at at National Sawdust, $25 adv tix rc

11/13, 8ish brand new Brookliyn honkytonk band Lissy & The Jacks at the Jalopy Tavern

11/I3, 8 PM ish Iron Kingdom – British Columbia’s female-fronted answer to Iron Maiden – at Blackthorn 51, $12

11/13, 8 PM intuitive, lyrical pianist  Melody Fader with Sophie Ackerman and cellist Nicolas Delataille play works by Mendelssohn, Debussy, Ravel and Dalit Warshaw at Greenwich House Music School, $20/$15 stud/sra

11/13, 8 PM the Nouveau Classical Project play works by Paul Pinto, Bethany Younge and Mieko Shiomi at Arete Gallery, $15

11/13. 9 PM unpredictably fun, funny  art-rock/psychedelic soul band the Academy Blues Project at LIC Bar

\11/13, 9 PM dark, new wave-ish lit-rock bandleader Dalton Deschain  at Arlene’s, $10

11/13, 10 PM wildfire neo-klezmer violinist/composer Ben Sutin leads his quartet at Pete’s

11/13, 10 PM psychedelic funk/Afrobeat jammers the People’s Champs at the Sultan Room, $12

11/14, 7 PM the Orchestra Now play the first NYC performances in over 50 years of rarely-heard pieces by Arthur Honegger and Dimitri Mitropoulos, along with the Divertimentosuite from Stravinsky’s ballet score The Fairy’s Kiss at Stern Auditorium at Carnegie Hall, $25

11/14. 7 PM  soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar at 55 Bar

11/14-15, 7:30/9:30 PM reliably tuneful postbop piano vet George Cabless leads a trio at Mezzrow

11/14, 7:30 PM, repeating 11/15-16 at 8 the NY Philharmonic play Sibelius’ Symphony No. 1 and Prokofiev’s Romeo & Juliet Overture, $34. Be aware that there’s also a modern work by a precious wannabe goth-rock boy on the bill which you will want to avoid

11/14, 730 PM clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs and Ellington reinventors Slavic Soul Party at Symphony Space, $20 for under 30, $30 otherwise

11/14, 7:30 PM the Attacca Quartet with Caroline Shaw (presumably on vocals and violin) at the Lincoln Center Atrium, free, early arrival advised

11/14, 7:30/9:30 PM drummer Colin Hinton leads a quintet with Anna Webber on tenor sax at the Jazz Gallery $15

11/14, 8 PM plush, balmy, oldtimey uke swing band Daria Grace & the Pre-War Ponies at Barbes

11/14, 8 PM perennially interesting piano/percussion ensemble Yarn/Wire  lead an ensemble playing an all Annea Lockwood program at the Miller Theatre, $20 tix avail

11/14,8:30 PM ferocious klezmer violinst Jake Shulman-Ment’s Fidl Kapelye town &

11/14, 9 PM  quirky, jangly psych-pop band Rancho Cowabunga  at Pete’s

11/14, 9 PM fiery 19th century style oldtimey string band the Four O’Clock Flowers  at Sunny’s

11/14, 9 PM newschool honkytonk band Sarah Shook & the Disarmers at the Knitting Factory, $15

11/15, 6:30 PM haunting, fearsomely powerful soul belter and noir Americana songstress Karen Dahlstrom at the American Folk Art Museum

11/15, 7 PM magical Balkan accordionist Merima Ključo and contralto vocalist Jelena Milusic at Elebash Hall, $25

11/15, 7 PM violinist Chiu-Chen Liu plays a program tba at Third St. Music School Settlement, free

11/15, 7:30 PM conguero Edwin Bonilla leads his salsa dura band at the Lincoln Center Atrium, free, early arrival advised

11/15, 8 PM avant garde trumpeter Nate Wooley leads an ensemble works by Eva-Maria Houben, Katherine Young: and Ryoko Akama at Issue Project Room, $15/$12 stud/srs

11/15-16, 8 PM fearlessly relevant, genuinely riveting, populist tenor sax visionary/improviser Matana Roberts at Happy Lucky No. 1 Gallery, $20

11/15, 8 PM rustic Brazilian jungle guitar-and-accordion sounds with Regional de NY followed at 10 by ferocious, creepily enveloping, kinetic psychedelic tropicalia band Yotoco at Barbes

11/15, 8 PM at  Our Savior’s Atonement Lutheran (178 Bennett Ave.), repeating 11/16 at 3 at Fort Washington Collegiate Church (729 W. 181st St.) the Washington Heights Chamber Orchestra play Valerie Coleman: Afro-Cuban Concerto; Wolfgang Amadeus Mozart: Clarinet Quintet in A, K. 581; Arnold Schoenberg: Chamber Symphony No. 1 in E major, Op. 9, $7

11/15, 8:30 PM brilliant retro blues/New Orleans soul/Americana songwriter Pokey LaFarge solo at the Bell House, $20 gen adm

11/15, 10ish popular fuzztone psychedelic rock road warriors the Mystery Lights at the Market Hotel, $15

11/15, 11:30 PM ferociously dynamic, tuneful, female-fronted power trio Castle Black at the Gutter

11/16, 8 PM West Virginia musicologists/musicians Carrie & Michael Kline and oldtime front porch folk band Triboro at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away”

11/16, 8 PM  poignant, eclectic, lyrical jazz bassist/composer Pedro Giraudo’s tango quartet followed at 10 by  feral singer Carolina Oliveros’ mighty 13-piece Afro-Colombian trance/dance choir Bulla en el Barrio at Barbes, who are also here on 11/25 at around the same time. Giraudo is also at Bar Lunatico on 11/20 at 8:30

11/16 ,8 PM bassoonist Sara Schoenbeck joined by an ensemble playing new works by iconoclast composers Eva-Maria Houben, Sarah Hennies, Katherine Young, and Ryoko Akama at Issue Project Room, $15/$12 stud/srs

11/16, 8 PM  the new generation’s most eclectic jazz harpist, Brandee Younger leads a quintet with Chelsea Baratz on sax at the Miller Theatre, $20 tix avail

11/17, 11 AM brass chamber ensemble the Westerlies at Subculture. $20

11/17. noon jazz violinist Majid Khaliq leads a quartet plus choir in a tribute to Grover Washington Jr.’s violinist John Blake Jr. at Joe’s Pub, $15

11/17, 4 PM the Catalyst Quartet play music of African-American composers Samuel Coleridge-Taylor, Florence Price, and Coleridge-Taylor Perkinson at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

11/17, 5 PM hypnotic, whirlwind oudist and ngoni player Brandon Terzic  followed at 7 by brilliant steel guitarist Mike Neer’s Steelonious – who do Monk covers in the same vein as Buddy Emmons –  followed at 9:30 by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

11/17, 5 PM, releating 11/20 at 7 irrepressible classical pianist and impresario Yelena Grinberg  and pianist Elena Kuschnerova celebrate Clara Schumann and her contemporaries plus works by Schubert, Brahms and Robert Schumann at Grinberg’s upper westside piano salon, reception to follow, $35, close to the 1/2/3 train at 96th St., deets here 

11/17, 6 PM first-class indie classical pianist Zosha DiCastri plays the album release show for her new one at the Tenri Institute, $15/$10 stud/rs lncludes copy of the album

11/17, 7 PM New York’s most charismatic, darkly compelling lyrical songwriter/storyteller/keyboard genius Rachelle Garniez and guitar wizard Erik Della Penna of Kill Henry Sugar play NY-centric songs at Pangea, $25

11/17, 7:30 PM sharpy lyrical pianist Kelly Green leads a trio at Mezzrow

11/17, 8 PM  cinematic guitarist Pat Irwin and boisterous swing/ska trombonist J. Walter Hawkes at Teri10 studios, 10-10 47th Road, Long Island City, sug don, 7 to Vernon Blvd.

11/17, 8 PM fearlessly relevant, genuinely riveting, populist tenor sax visionary/improviser Matana Roberts airs out “the fourth chapter of her innovative and profoundly iconoclastic COIN COIN project” at Roulette, $18 adv tix rec

11/18, 7:30 PM new wave era nostalgia: Runaways frontwoman and solo artist Cherie Currie and Fanny drummer and singer Brie Darling at the Poisson Rouge, $20 ad tix rec. Where’s Marie Currie when we need her?

11/18, 9 PM surreal, amusingly bombastic heavy psych band Howling Giant at the Kinitting Factory, $10; avoid the lame 8 PM and 10 PM acts

11/18, 9:30ish ex-Chicha Libre keyboard sorcerer Josh Camp’s wryly psychedelic cumbia/tropicalia/dub band Locobeach at Barbes

11/18, 9:30 PM legendary dual-reedman George Braith – who can play two saxes at once better than most guys can play one – leads his quartet at the Fat Cat

11/19, 7 PM ish  allstar Americana jammers the Honky-Tonk Heroes,, featuring Springsteen pianist Charlie Giordano, Gene Yellin, Trip Henderson, Tim Kiah and some surprise guests  at the Jalopy Tavern

11/19, 7 PM Brooklyn Brassens: “Georges Brassens, anarchist, provocateur and French poet, gets his repertoire re-arranged for a Nigerian-influenced quartet. With Francis Jacob – guitar, Vocals; Bennett Paster – keyboard; Derek Nievergelt – bass and AJ Olusegun – conga followed at 9:30 by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs and Ellington reinventors Slavic Soul Party at Barbes

11/19, 7:30 PM the best singing pianist (and the best piano-playing singer) in jazz, Champian Fulton in a rare duo wih bassist Hide Tanaka at Mezzrow

11/19, 7:30 PM the Irish Chamber Orchestra play works by Mozart, Mendelsssohn and Weber at Zankel Hall at Carnegie Halll, $30

11/19, 7:30 PM a wildly good acoustic blues twinbill:  Jontavious Willis & guitar/banjo/piano genius Jerron Blind Boy Paxton at City Vineyard, $20

11/19-24, 7:30/9:30 PM  guitar icon Bill Frisell at the Jazz Standard, $35. 11/19 with his long-running trio with Tony Scherr and Kenny Wollesen; 11/21-22 solo; 11/23-24 leading a chamber jazz quartet with Hank Roberts on cello

11/19, 8 PM crystalline-voiced noir Americana songwriter Jessie Kilguss with her excellent band  at 11th St. Bar

11/19 ,8:30 PM quirky, smartly lyrical avant cello-rock band the Icebergs at Pete’s

11/19, 9 PM all-female pan-latin jazz jamband Cocomama at the Fat Cat

11/19, 9 PM intense, multistylistic blues guitarist/singer Will Scott  at Sunny’s

11/20, 630 PM Chinese pipa virtuoso Zhou Yi at the China Institute, 100 Washington St, $20

11/20, 7 PM the irrepressible, cinematic, comedic Broken Reed Saxophone Quartet at the National Jazz Museum in Harlem, $10

11/20, 7:30 PM the Alexander String Quartet play Mozart Quartet, KV 465, “Dissonant”; Shostakovich Quartet No. 12, Op. 133; Mendelssohn Quartet, Op. 13, at the Baruch Colllege Auditorium, pricy, $36/$16 stud but could be worth it. They’re also playing a free show featuring Beethoven: String Quartet in D Major, Op. 18, No. 3; Beethoven: String Quartet in C Major, Op. 59. No. 3 the following day, 11/21 at 2:45 PM, free tix req 

11/20, 730 PM the MSM Symphony Orchestra, play works by Strauss and Rodrigo, plus a rare performance of Stravinsky’s Symphony of Psalms with the MSM Symphonic Chorus, at Neidorff Hall at Manhattan School of Music, 130 Claremont Ave north of 122nd,, free, 1 train to 125th , walk west 1 block and then back

11/20, 8 PM singer Dida Pelled salutes obscure and cult favorite women songwriters including Connie Converse, Elizabeth Cotten, Molly Drake, Vashti Bunyan and Norma Tanega at Barbes

11/20, 8 PM Nick Podgurski and his ensemble Feast of the Epiphany play keyboard-driven punk art-rock at Roulette, $18 adv tix rec

11/20, 8 PM postbop saxophonist Michael Blake and his quartet the Digging at Erv’s, 2122 Beekman Place, Crown Heights, sug don

11/20, 10 PM hauntingly cinematic Lynchian/southwestern gothic instrumentalists Suss play the album release show for their new one at the Sultan Room, $12

11/20, 10 PM smartly tuneful oldschool soul/psych-pop songwriter Mimi Oz  at the small room at the Rockwood

11/20, 10 PM pyrotechnic Greek electric lauto player Lazo at Drom, $15 adv tix rec

11/20, 10:30 PM trippy downtempo keys/trumpet/drums improvisation with Covered in Peanut Butter at the basement room at the Rockwood, free

11/20 atmospheric saxophonist Ben Bryden with his trio at the basement room at the Rockwood, $tba. 11/30 at 7:30 he’s at the Bar Next Door

11/21. 7 PM fhe Geenwich Vilage Chamber Music Society play works by Rachmaninoff & Brahms at te Tenri institute, free

11/21, 730 PM, repeating 11/23 at 8 the NY Philharmonicl with solist Alisa Weilerstein play Saint-Saëns’s First Cello Concerto, Borodin’s Symphony No. 2 and Dvorak’s Symphony No 4, $32 tix avail

11/21, 7:30 PM soca hall of famer Mighty Sparrow in a relatively intimate show, omg, at the Lincoln Center Atrium, free, early arrival advised

11/21, 730 PM the MSM Philharmonia Orchestra, conducted by Ari Pelto, performs Verdi, Sibelius, and Rachmaninoff.at Neidorff Hall at Manhattan School of Music, 130 Claremont Ave north of 122nd, 1 train to 125th , free, walk west 1 block and then back

11/21. 7:30 PM pianist Per Tengstrand and ensemble Opus 21 play a chamber version of Rachmaninoff’s Piano Concerto No. 2 plus Brahms’ Piano Quartet in G Minor at Scandinavia House, $25

11/21, 8 PM Rena Anakwe “presents the third and final work of her 2019 residency with the premiere of Ogwu (the healing), an immersive purification ritual sculpted through a visual, sound, and scent bath inspired by the element of fire” at Issue Project Room, free

11/21 ,8 PM kinetic improvisational rapture: bassist Luke Stewart with dancer Miriam Parker followed by bracing singer Amirtha Kidambi and sound artist Lea Bertucci at Fridman Gallery, 169 Bowery, $15

11/21, 8:30 PM Dervisi feat. psychedelic guitarist George Sempepos play “exotic Greek gangsta blues” and Middle Eastern flavored hash smoking anthems at Troost

11/21. 8:30 PM spirited Yiddish songs wih Susan Leviton and Lauren Brody at Town & Village Social Hall, 334 E 14th St.(between 1st & 2nd Ave.), $15

11/21, 9 PM satirical punk rocker and Freddys’ legend Paranoid Larry in a now-rare live gig on his old/new home turf

11/22, 6;30 ish pensive, smart, jazz-tinged acoustic songwriter May Cheung at the American Folk Art Museum

11/22, 7 PM pianist Mira Gill plays a program tba at Third St. Music School Settlement, free

11/22, 7:30 PM the Mannes Chamber Orchestra play Penderecki’s Threnody To The Victims of Hiroshima plus 20th century works by George Rochberg, Henry Cowell and Johanna Beyer’s Music of the Spheres at the first-floor New School auditorium at 63 5th Ave, free

11/22, 7:30 PM flute/violin/cello trio Eight Strings and a Whistle play works by CPE Bach, Siegfried Thiele, 8SW Featured Composers Pamela Sklar and Douglas Anderson, at the Tenri institute, $tba

11/22-23, 7:30 PM the perennially intense, tuneful godfather of edgy, lyrical, anthemic downtown NYC rock, Willie Nile at the Mercury where he made that sizzling live album all those years ago, $25

11/22,  8 PM intense Balkan chanteuse Jenny Luna‘s haunting, traditional Turkish band Dolunay followed at 10 by followed at 10 by the world’s darkest, slinkiest, most blackly funny crime jazz/film noir band, Big Lazy at Barbes

11/22, 8 PM, repeating 11/23 at 7:30 New Chamber Ballet celebrate 15 years in business with intuitive, lyrical pianist Melody Fader playing music of Stockhausen, Rhim, Schubert and Dvorak- some with violinist Doori Na. at City Center Studio 5, 130 West 56th street, 5th fl, $33/$20 stud/srs

11/22, 8 PM pianist Matthew McCright performs piano works from a diverse set of living composers: Kirsten Broberg, Kyong Mee Choi, Christopher Coleman, Sean Friar, Dorothy Hindman, Mike McFerron, Ingrid Stölzel, and Robert Voisey. at Weill Hall at Carnegie Hall, $20

11/22. 8 PM the Kyle Simpson Chamber Orchestra and Red Line String Quartet play a live score to Georges Méliès’ most famous French silent films A Trip to The Moon (1902) and The Kingdom of the Fairies (1903). at the DiMenna Center, $10

11/22, 8 PM pianist and composer Gustavo Casenave plays with his eclectic quartet including bassist Pedro Giraudo,  saxophonist Alejandro Aviles and drummer guru Franco Pinna, playing Casenave’s original jazz, tango, and classical works at Flushing Town Hall, $16/$10 srs/under 18 free w/ID

11/22, 8:30 PM eclectic stoner folk with Odetta Hartman followed by enigmatic psychedelic funk guitarist/singer Aubrey Haddard and her band at C’mon Everyody $12

11/22-23, 7:30/9:30 PM vibraphonist Joel Ross’ genuinely Good Vibes band at the Jazz Gallery, $25

11/22. 9 PM oldschool 80s downtown postpunk legends Disturbed Furniture at the Way Station

11/22, 9:30 PM rambunctious newgrass band Goodnight Texas at the Knitting Factory, $10

11/22, midnight  bass sax monster Stefen Zeniuk’s punk mambo crew the NY Fowl Harmonic at  at Branded Saloon

11/22, midnight black metal spoof band Witch Taint at the Mercury, $12

11/23, 4 PM intense, soaring harmonium player/singer Elana Low at Pete’s

11/23, 5 PM cellist Paul Brantley plays works by Anonymous, 14th Century plus his own compositions and pieces by Buxtehude, Tina Davidson, Shemaria, and Joseph Zawinul, Brantley will perform the beloved Suite in D minor for solo cello by J.S. Bach. At Out Savior’s Atonement, 178 Bennett Avenue (one block west of Broadway at 189th Street), sug don

11/23, 7 PM soprano Lucy Dhegrae sings a program in solidarity with women who’ve survived violent sexual assault;, works include a  world premiere of Osnat Netzer’s Philomelos, plus pieces by Jason Eckardt, Bethany Younge, Maria Stankova, Vinko Globokar, and Caleb Burhans at National Sawdust, $25 adv tix rec

11/23. 8 PM gritty Iraqi maqam music icon Hamid Al-Saadi with trumpeter Amir ElSaffar’s hypnotic, incisive classical Iraqi music ensemble Safaafir  at P at Roulette, $30

11/23 8 PM explosive, creepy, colorful psychedelic rembetiko metal band Greek Judas at Kasteli Cafe, 372 8th Ave. (@29th St.). 11/24 at 10 they’re at Threes Brewing, 333 Douglass St upstairs in Gowanus

11/23, 8 PM amazingly versatile, genuinely Hendrixian guitar shredder Viva DeConcini plays the album release show for her new one at Branded Saloon

11/23, 8 PM the Attacca Quartet   play the album release for Nathan Schram’s latest electroacoustic release, Oak and the Ghost at 1 Rivington St, 2nd fl, $20/$10 stud/srs

11/23. 8 PM edgy oldschool and newer soul styles with singer Maya Sharpe at the small room at the Rockwood

11/23, 4 PM a rare NYC concert by Japanese koto and shamisen player Yoko Reikano Kimura at the Center for Remembering and Sharing, $30

11/23, 7 PM works by Schoenfield, Piazzolla, and Haydn performed by  Yu Jeong Lee on violin, Min Park on flute, Na-Young Baek on cello, and Edwin Sungpil Kim on piano.at Flushing Town Hall $16/$10 srs/free for students 19-under w/ID

11/23, 7 PM new music for string quartet by Pan, Swidler, Selin, Grosshandler and Vigneau-Britt performed by the Xanthoria Quartet at Scholes St Studios

11/23, 8 PM choral folk traditions in concert: Wyndborne and the even more globally-inspired Asaran Earth Trio at the People’s Voice Cafe, sugg don, $20, “more if you choose; less if you can’t; no one turned away.”

11/23. 8 PM pioneering French musique concrete composer/performers Beatriz Ferreyra & Christine Groult at Issue Project Room, $15/$12 stud/srs

11/23, 8 PM the Manhattan Wind Ensemble play works by Vaughan Williams Viet Cuong, mark camphouse and others at Sypohnny Space, $12 adv tix avail

11/23. 8 PM 80s goth icons Clan of Xymox at the Poisson Rouge, $25 adv tix rec. Watery chorus-box bass! Synthesized strings!

11/23, 9 PM multi-instrumentalist Brian Carpenter’s noir, cinematic, epic Ghost Train Orchestra at the Jalopy, $12 adv tix avail at the venue

11/23. 9 PM searing, fearlessly political gutter blues songwriter/guitarist Molly Ruth at Bar Chord. If she’s solo, she’s a force of nature; if she’s with the band. be aware that the Bleecker Street hacks in it can’t figure out how to do her stuff smooth and hippie-friendly

11/23, 10 PM awesomely slinky, psychedelic Israeli Ethiopiques groove instrumentalists Anbessa Orchestra at Barbes

11/23, midnight anthemic Iron Maiden-style metal band the Blackfires at the Mercury, $12

11/24, 11 AM pensive, eclectic, tuneful jazz songwriter/chanteuse Becca Stevens at Subculture. $20

11/24, 2 PM fiery ecological activist/bandleader Rev. Billy and his massive original gospel-style choi at Joe’s Pub, $15, Followed eventually at 9:30 by choreographer Miguel Gutierrez’s Sadonna project – sad versions of Madonna songs – for $20 separate adm

11/24, starting at 2 PM the annual Mannes Chamber Bash featuring classical ensembles of various sizes playing a program tba in various spaces throughout the building at 55 W 13th St., free

11/24, 3 PM the National Symphony Orchestra of Ukraine with Olga Kern on piano play Berezovsky: Symphony in C; Tchaikovsky: Polonaise (Eugene Onegin); Rachmaninoff: Piano Concerto No. 2; Tchaikovsky: Symphony No. 5 at NJPAC in Newark, $30 tix avail

11/24, 3 PM  the Greenwich Village Orchestra play Beethoven Symphony No. 6, Pastoral and the Dvořák Cello Concerto Prokofiev Selections from The Love for Three Oranges*; Mussorgsky Songs and Dances of Death; Rimsky-Korsakov Scheherazade at All Saints Church, 230 E 60th St (2/3rd Aves) $25 sug don

11/24, 4 PM genre-busting, pioneering string ensemble the Turtle Island Quartet at the Dreck Center at the Brooklyn Public Library, free, no under-sixes.

11/24, 4 PM early music ensemble Alkemie jam out medieval British themes at Arete Gallery, $15. Followed at 8 ($15 separate adm) by Ghost Ensemble playing works by Pauline Oliveros, Ben Richter, Kevin Kay and others

11/24, 5 PM violist Jessica Thompson (Daedalus Quartet) and pianist Andrea Lam (Claremont Trio),team up for works by Bach, Britten, Kurt Rohde, and Schumann at the Lounge at Hudson View Gardens, 128 Pinehurst Ave @ W 183rd St, A train or #1 train (to 181st St) or the M4 bus (to 183rd St), $15/$12 stud/sr

11/24, 6 PM guitarslinger Mallory Feuer’s fiery band the Grasping Straws – sort of a mashup of Patti Smith and Hole’s first album – followed by the similarly dark, more eclectic, psychedelic  enigmatic Lorraine Leckie and her killer band at the Mercury, $10

11/24, 7 PM Jimbo Mathus’ Incinerator (ex-Squirrel Nut Zippers guitar monster) at the big room at the Rockwood, $15

11/25, 10 PM tuneful drummer/composer Ben Perowsky, leads his group at 55 Bar

11/26, 7 PM electric oudist Barbouhl with Mohamed Araki: keyboard Dillon Zahner: percussion Ghassan Sawalhi: percussion at Sisters Brooklyn,900 Fulton St at Washington, C to Clinton-Washington, sugg don

11/26, 7 PM  ex-Chicha Libre keyboard sorcerer Josh Camp’s new psychedelic tropicalia project CAMPOS  followed by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Barbes

11/26, 7:30 PM hauntingly psychedelic folk noir/art-rock multi-instrumentalist songwriter  Holly Miranda at City Vineyard, $15

11/26, 7:30/9:30 PM hard-charging postbop tenor saxophonist Immanuel Wilkins leads a quartet at the Jazz Galery, $20

11/26, 7:30 PM salsa jazz grooves with Cuban pianist Dayramir González & Habana enTRANCé at the Lincoln Center Atrium, free, early arrival advised

11/26, 6 PM TAK Ensemble play works by Taylor Brook, Erin Gee, Tyshawn Sorey and others at the Miller Theatre, free

11/26, 8 PM accordion genius Shoko Nagai and trumpeter Ron Horton’s improvisational Fido Quartet at Arete Gallery, $15

11/26-30, 8:30/10:30 PM the reliably electrifying Jason Moran & the Bandwagon at the Vanguard, this is gonna sell out, get there early

11/26, 9 PM drummer Kate Gentile‘s Batterie with Jon Irabagon on sax and Matt Mitchell on piano at the Sultan Room, $!2

11/26, 10:30 PM charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy and band at Smalls

11/27, 7 PM  perennially entertaning Irish party band Shilelagh Law at Connollly’s, $tba

11/27, 10 PM high-voltage psychedelic cumbia/Afrobeat jamband MAKU Soundsystem play the album release show for their new one at the Sultan Room, $12

11/29, 3 PM Patti Smith lead guitar legend Lenny Kaye leads his powerpop band followed by second-gen garage rock legends the Fleshtones at Rough Trade, free

11/29-30, 7:30/9:30 PM darkly colorful, perennially interesting bassist Linda May Han Oh leads her band at the Jazz Gallery, $25

11/29, 7:30 PM Glass Farm Ensemble plays duos for violin (Pauline Kim Harris) and piano/toy piano (Yvonne Troxler), with music by Louis Andriessen, Willy Burkhard, Stefano Gervasoni, Elizabeth Hoffman, Denis Schuler and Yvonne Troxler at Symphony Space, $20 adv tix rec

11/29-30, 8 PM lyrical, cerebral pianist Matt Mitchell at Happy Lucky No. 1 Gallery, $20

11/29, 10 PM Terapia & Verbena play oldschool and newschool champeta at Barbes

11/24, 5:30 PM Albanian Romany guitarist Taulant Mehmeti‘s Gypsy Quartet at Birdland, $30

11/30, 2 PM Jaap Van Zweden conducts he NY Philharmonic in the Mozart Wind Serenade and Tschaikovsky’s Symphony No. 5, $34 tix avail

11/30, 9 PM Amayo’s Fu-Arkist-Ra mash up Afrobeat and ancient Chinese grooves at Bar Lunatico

12/1, 8:30 PM  cinematic guitarist Pat Irwin and boisterous swing/ska trombonist J. Walter Hawkes at Troost

12/1, 9 PM a rare reunion of gothic Americana legends O’Death followed at 10:30 by politically fearless dirty gospel piano wildman Rev. Vince Anderson with his classic 1999 lineup at Pete’s. No shit. Get there early

12/2, starting at 6ish the annual Winters Eve festival at and around the triangla where Broadway meets Columbus Ave, some surprisingly good acts show up and play in the cold. Klezmer under the xmas tree, maybe?

12/2, 7 PM Colombian-Haitian roots dance band Strings & Skins at the Lincoln Center Atrium, free, note early showtime

12/2, 7 PM Jocelyn MacKenzie, the better half of popular late zeros chamber pop band Pearl & the Beard at Pete’s

12/2, 7:30 PM percussionist/composer Qasim Naqvi, violinist Jennifer Koh and singer Davóne Tines perform Naqvi’s compositions plus works by J. S. Bach, Hildegard of Bingen, Isang Yun, and traditional African-American spirituals at Music Mondays, Advent Church, northwest corner of 93rd and Broadway, free

12/3 7 PM Venice-themed “madrigals for cello, choir, and city” by Andrea Liberovici performed by Aaron Wolff, cello with the Fractio Modi vocal quartet at the Italian Academy at Columbia, 1161 Amsterdam Ave just south of 118th, free

12/3 7 PM soprano Lucy Dhegrae and the Talea Ensemble play David Adamcyk’s new composition, Father, My Father, a reflection on the #MeToo movement at the Americas Society, free, rsvp sugg

12/3, 9 PM Americana rock songstress and Hadestown creator Aiofe O’Donovan followed at 10:30 by Lake Street Dive’s Bridget Kearney doing her new wave rock project at Pete’s

12/4, 7 PM crystalline-voiced noir Americana songwriter Jessie Kilguss with her excellent band at Mirror in the Woods, 575 Union St, Gowanus, R to Union St

12/4, 9 PM edgy, dreampop-tinged Americana rock songwriter Juliana Nash back at her old stomping ground at Pete’s, which she booked brilliantly for years back in the 90s and zeros

12/10, drinks at 5:30 PM, show at 6, badass harp virtuoso Bridget Kibbey plays works by Bach, Gershwin, Albeniz and Tschaikovsky at the Miller Theatre, free

12/12, 7:30 PM Indian and latin-tinged jazz improvisation with the Karuna Trio featuring Hamid Drake, Adam Rudolph, and Alexis Marcelo at the Lincoln Center Atrium, free

12/14, 7:30 PM ruthlessly funny, politically satirical faux-folk duo Friends Who Folk (Rachel Wenitsky and Ned Riseley) at Union Hall, Union St. north of 7th Ave in Park Slope, $10

12/19 730 PM Los Rumberos del Callejón bring their salsa out of the alley at the Lincoln Center Atrium, free, get there early