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Tag: rachel mason

The 50 Best Albums of 2015

Seven or eight years ago, everyone was predicting the demise of the album. That hasn’t happened, and as long as we have recording technology, it won’t. A few other predictions from the past decade, however, have come true. Albums these days tend to be shorter, and artists are releasing fewer of them. And as a result, they’re consistently better, since acts are no longer contractually obliged to record labels to churn out product regardless of whether or not they’ve got first-class material ready to go. A couple of artists on this list are on boutique labels, but everybody else is independent.

On this page you’ll find a link to stream each album in its entirety. Whenever possible, those links are to ad-free sites like Bandcamp or Soundcloud so you can multitask in comfort without having to ride the fader to mute the ads. Considering the vast number of albums released in any calendar year, you shouldn’t regard this list as gospel. It is, however, an informed survey based on careful triage followed by a sampling of several thousand releases, and then a locked-in, analytical listen to the best 500 or so, from this past January up to the present date. A LOT of time went into this. For purposes of keeping the list under control, none of the many thousands of excellent jazz, classical and avant garde releases are represented here. Realistically, there’s a limit on how much territory a single blog can cover.

The one collection that packed the most mighty wallop – a pretty quiet one, actually – and wins the title of best album of 2015 is Who’s Counting, by Rachelle Garniez. With gallows humor, terse piano, accordion and spare acoustic guitar, it’s the New York songwriter’s shortest, most intimate and darkest album, a masterpiece of existentialist rock, grim explorations of mortality and global carnage juxtaposed with jaunty, sultry, cabaret-flavored set pieces. This is the second time a release by Garniez has topped this list: her 2007 album Melusine Years ranked #1 that year at this blog’s predecessor. Stream it at Spotify

As far as the rest of this rich crop is concerned, there’s no ranking here, since there are so many styles to choose from. Seriously: what’s better? Carol Lipnik‘s otherworldly art-rock, Twin Guns’ savage garage-punk and horror surf, or Hungrytown‘s magnificently pensive folk noir? Apples and oranges, right? These albums are all so good that they can stand alongside anything here.

Les Sans Culottes- Les Dieux Ont Soif/The Gods Are Thirsty
The New York-based faux-French rockers deliver their most satirical, bitingly hilarious, spot-on critique yet…in French, of course, with a harder, more guitar-fueled edge than the retro 60s psychedelic pop they’re known for. Stream it at Soundcloud

Regular Einstein – Chimp Haven
Velvet-voiced, wickedly lyrical janglerock songwriter Paula Carino is another artist who topped the Best Albums of the Year list at this blog’s predecessor. In her case, that release was 2010’s Open on Sunday. This is her first new one – since the 90s, in fact -with her original New York band, packed with delicious double entendres, bittersweet narratives and tricky time signatures. Stream it at Bandcamp

The Bright Smoke – Terrible Towns
Haunting singer/guitarist Mia Wilson’s full-length debut with this atmospheric, blues-infused art-rock project ranks with Joy Division for angst-fueled, white-knuckle intensity. Stream it at Bandcamp

The Sideshow Tragedy Capital
Guitarist/frontman Nathan Singleton brings a ferocious, bitterly apocalyptic lyrical sensibility to his fiery gutter-blues band. Stream it at Bandcamp

Charming Disaster – Love, Crime & Other Trouble
Jeff Morris of the phantasmagorical Kotorino and Ellia Bisker of dark chamber pop band Sweet Soubrette join forces on their debut full-length release, a lyrically and historically rich mix of murder ballads and tales of relationships gone spectacularly wrong. Stream it at Bandcamp

Carol Lipnik – Almost Back to Normal
The best album by the best singer on this list, a launching pad for her spectacular four-octave vocal range, backed by luminous, hypnotic piano from Matt Kanelos and strings by Jacob Lawson. Allusive apocalyptic themes of natural and manmade disaster and post-9/11 terror linger in the distance. Stream it at Mermaidalley.com

Ember Schrag – The Folkadelphia Sessions
Hypnotically Beatlesque art-rock, smoldering Macbeth-inspired narratives and a killer Great Plains gothic anthem by the style’s most lyrical and distinctive practitioner. Stream and download it free from the Folkadelphia page

Twin Guns – The Last Picture Show
A mighty leap for the ferocious power trio, including but not limited to their Cramps-style stomp. This one’s a lot more psychedelic and noir surf-oriented. Stream it at Bandcamp

Lorraine Leckie & Pavel Cingl – The Raven Smiled
Spare and surreal yet majestically enveloping art-rock and Slavic folk noir sounds from the Canadian gothic songstress and Czech violin wizard. Stream it at Bandcamp

Rachel Mason – The Lives of Hamilton Fish
One of the darkest albums on this list, this lush, evocative mix of historically-inspired janglerock and folk noir traces the seeemingly unconnected lives of two early 20th century figures who shared the same name: a serial killer and the scion of a famous New York political legacy. Stream it at Bandcamp

King Raam – A Day & a Year
A majestic, brooding Iranian art-rock record by the pseudonymous expat baritone crooner and bandleader. Lyrics in Persian. Stream it at Soundcloud

Fernando Viciconte – Leave the Radio On
The noir rock bandleader originally hails from Argentina; this haunted, doomed concept album, with significant contributions from REM’s Peter Buck and others, could be the great lost Steve Wynn release. Stream it at Bandcamp

Litvakus– Raysn: The Music of Jewish Belarus
A rousing, exhilarating mix of rare Jewish dance numbers,lively originals and morose folk tunes from the badlands of Polesia, in the corner where Belarus, Poland, Latvia and the Ukraine meet. One of the best party albums on this list. Stream it at Bandcamp

Raya Brass Band – Raya
Another awesome party album, the third release by the New York Balkan group is their most original, stylistically and emotionally diverse one yet, incorporating Ethiopian and latin sounds into their rapidire chromatics. Stream it at Bandcamp

Tipsy Oxcart – Upside Down
A fat rock rhythm section anchors these deliriously edgy minor-key Balkan, Turkish and Jewish themes and originals. Stream it at Bandcamp

Marianne Dissard – Cologne Vier Takes
The southwestern gothic/art-rock chanteuse and bandleader at the top of her uneasy game, in a mix of richly atmospheric yet intimate versions from her darkly lyrical catalog. Lyrics in French. Stream it at Bandcamp

Tom Warnick & the World’s Fair – Side Effects
The well-loved noir rock cult figure turns in a characteristically diverse mix of ghoulabilly, noir swing, soul and blues, all with his signature black humor and a luridly smoky band behind him. Stream it at Spotify

Matt Keating – This Perfect Crime
Getting away with murder is the loosely interconnecting theme on this typically diverse blend of janglerock, Stonesy stomp, Americana and soul-infused sounds, all with Keating’s richly sardonic, literate lyricism. Stream it at Mattkeating.com

Tracy Island – War No More
The long-awaited full-length debut from captivating singer/multi-instrumentalist Liza Garelik Roure – former leader of deviously psychedelic popsters Liza & the WonderWheels – is her catchiest and most pensively colorful yet, fueled by husband Ian Roure’s sizzling lead guitar. Stream it at Lizasongs.com

Bliss Blood & Al Street – Unspun
The iconic noir torch song heroine builds lowlit, lurid, delectably lyrical ambience in an intimate duo recording with her longtime flamenco-inspired six-string guy. Stream it at Bandcamp

Orphan Jane – A Poke in the Eye
Deviously witty, creepy noir cabaret and circus rock from this irrepressibly theatrical, Brecht/Weill-inspired New York crew. Stream it at Bandcamp

The Universal Thump – Walking the Cat
Famously recorded at Abbey Road Studios, frontwoman/keyboardist Greta Gertler has never written with greater wit or purist pop chops than she does here with her lush chamber pop/art-rock project. Stream it at Bandcamp

Sarah Kirkland Snider – Unremembered
The most lavishly orchestrated album on this list features vocals from Padma Newsome and Shara Worden throughout a mix of brooding, sweeping art-rock reflections on harrowing childhood experiences and similar trauma. Stream it at Bandcamp

Goddess – Paradise
The latest release by the phantasmagorical New York art-rock band captures them in creepily enveloping psychedelic mode. Stream it at Bandcamp

Bobtown – A History of Ghosts
Eerie, sepulcural Appalachian folk tunes, creepy newgrass, retro soul, murder ballads, black humor galore and exquisite four-part harmonies from the band that might be the best folk noir act around. Stream it at Bobtownmusic.com

Mike RimbaudPut That Dream in Your Pipe and Smoke It
Yet another provocative, surrealistically lyrical, tight powerpop and retro new wave record from one of the most fearlessly funny, spot-on chroniclers of post-9/11 global society anywhere. Stream it at Spotify

Hungrytown – Further West
The most elegantly arranged and arguably best album by poignant Americana songstress Rebecca Hall and multi-instrumentalist Ken Anderson’s plaintive folk noir band Stream it at Spotify

The Sway Machinery – Purity & Danger
One of the great guitar albums on this list, this richly textured, intricately arraanged, soaring collection of anthems sees the band venturing further from desert rock toward cantorially-inspired psychedelia. Stream it at Spotify

The TarantinosNYC – Surfin’ the Silver Screen
Catchy, fun, vividly cinematic surf rock, spy themes and psychedelic soul from one of NYC’s most original instrumental units. Stream it at Spotify

Dalava – their debut album
Guitar polymath Aram Bajakian and his haunting singer wife Julia Ulehla combine to reinvent stark traditional Moravian themes with an electric edge. Stream it at Bandcamp  

Patricia Santos – Never Like You Think
The auspicious, intense, eclectic soul-infused debut by the charismatic cello rocker and Kotorino member. Stream it at Bandcamp

Eleni Mandell – Dark Lights Up
Los Angeles noir soul, bittersweet torch song and Americana by an icon of dark retro songcraft. Stream it at Spotify

The Whiskey Charmers – their debut album
Twin Peaks C&W, Appalachian gothic, dark blues and jangly rock from this shadowy, female-fronted Detroit dark Americana band. Stream it at Thewhiskeycharmers.com

Figli di Madre Ignota – Bellydancer
High-energy, Gogol Bordello-esque circus rock and Romany punk songs with hilarious, satirical lyrics in Italian and English. Stream their “spaghetti Balkan” sounds at Soundcloud

The Frank Flight Band – The Usual Curse
The British counterpart to Blue Oyster Cult reach back into the vaults for this haunted mix of Doorsy art-rock, shapeshifting psychedelia and unexpectedly macabre gothic sounds. Stream it at cdbaby

Dawn Oberg – Bring
The irrepressible parlor pop pianist/chanteuse at the top of her sardonic, lyrically rich game in this mix of personality portraits and psychopathological analysis. Stream it at Dawnoberg.com

Jennifer Hall – her debut ep
An intriguing, auspicious mashup of noir soul and art-rock from the powerfully nuanced Chicago song stylist and her excellent, eclectic band. Stream it at Spotify

The Grasping Straws – their debut album
Edgy songwriter/guitarist Mallory Feuer’s snarling, hard-hitting, scruffy, defiantly lyrical first full-length effort goes in a more straightforward, less jazz-inspired direction than the band’s initial ep. Stream it at Bandcamp

Ben Von Wildenhaus– II
Southwestern gothic, slinky bellydancer noir themes and Twin Peaks atmospherics from the loopmusic guitar master and esteemed noir soundscaper. Stream it at Soundcloud

Naked Roots Conducive – Sacred521
Cellist Valerie Kuehne and violinist Natalia Steinbach’s tormentedly cinematic, surrealistically intense art-rock dives menacingly and blackly amusingly into themes of alienation and ahwer despair. Stream it at Bandcamp

Lions – their debut ep
A slinky, trippy mix of Ethiopian grooves, Israeli stoner rock jams and cinematic themes. Stream it at Bandcamp

George Usher & Lisa Burns – The Last Day of Winter
Intense, autumnal purist powerpop, blue-eyed soul and psych-pop tunesmithing from two highly regarded, veteran songcrafters. Stream it at Spotify

Banda de los Muertos – their debut album
Epic, ornate, richly arranged, reinvented Mexican brass band ranchera themes and sweepingly majestic, blazing originals from trombonist Jacob Garchik’s imaginative big brass ensemble. Stream it at Spotify 

Spanglish Fly – New York Boogaloo
A hard-hitting, wickedly arranged, cleverly crafted update on classic 60s salsa soul from this irrepressible, danceable, psychedelic New York outfit. Stream it at Bandcamp

Curtis Eller & the New Town Drunks – Baudelaire in a Box: Songs of Anguish
Intriguing new translations of classic, surrealistically creepy Baudelaire poems set to starkly bluesy, phantasmagorical tunes by the charismatic circus rock bandleader and the Eastern Seaboard noir group. Stream it at Bandcamp

Elisa Flynn – My Henry Lee
The darkly eclectic songwriter and hauntingly luminous chanteuse’s most spare, terse album blends starkly funny individualist anthems with more pensive material and a classic murder ballad. Stream it at Bandcamp

Fireships – their debut album
Imaginatively arranged Americana rock and chamber pop with a fearlessly aware, Dylanesque, populist lyricism. Stream it at Bandcamp

The Amphibious Man – Witch Hips
Enigmatically lo-fi, twistedly Lynchian, surf-tinged reverb rock. Like nothing else on this list and yet in a way like an awful lot on this list, in terms of general darkness. Stream it at Bandcamp

The Honeycutters – Me Oh My
Oldschool female-fronted honkytonk with a newschool, sharply literate, defiantly populist lyrical edge. Stream it at Spotify

The Old Ceremony – Sprinter
Folk noir and serpentine, intricately arranged, Lynchian art-rock and chamber pop from Django Haskins’ darkly eclectic band. Stream it at youtube – but BE CAREFUL – a loud audio starts immediately when you click the link, mute the sound before you do

For more yummy clickbait, other 2015 lists here include the forthcoming playlist at the Best Songs of 2015 page and the Best New York Concerts of 2015 page.

Rachel Mason Unveils Her Gorgeously Lurid, Erudite Historical Song Suite at Joe’s Pub

Rachel Mason is best known as an uncategorizable performer who refuses to be pigeonholed. Throughout her extensive body of work, the theatrical and narrative aspects are typically as important as the music. Focusing strictly on songcraft, what was stunning at her performance at Joe’s Pub on Sunday night was how impactful her tunes are even without those theatrics – and what a spellbinding singer she is. In a rare concert performance, backed by a tight and inspired band – Tanner Beam on lead guitar, Stu Watson on bass, Robbie Lee on flute, Michael Durek on piano and theremin and Chris Moses Kinlow on drums – Mason aired out songs from her brand-new film and accompanying soundtrack album, The Lives of Hamilton Fish. Auspiciously, Mason’s latest magnum opus is currently in development as a theatre work written by Pia Wilson, to be produced by Cindy Sibilsky. As lurid and downright haunting as Mason’s music and the accompanying art-film are, a stage version could have mass appeal far beyond the confines of cutting-edge downtown New York performance.

Although Mason serves as a Greek chorus of sorts both in the film and on the soundtrack, her point of view takes a backseat to the twin narratives of two men, both named Hamilton Fish, who died on the same day in 1936. Mason has really done her homework, historically speaking – while the serial killer and pedophile Hamilton Albert Fish provides plenty of grisly grist for the mill, what might be most impressive is how she brings to life the other Hamilton Fish. He was the second in a line that would number a total of five men with that improbable name, a seemingly dour and tormented upstate New York political lifer upstaged by his famous father, a United States Secretary of State central to the doctrine and practice of manifest destiny. Exactly the kind of complex characters Mason loves to illuminate.

She opened the show with a tensely pulsing janglerock number, 60s Laurel Canyon pop through the swirly prism of 80s psychedelia in a Plan 9 vein, then going deeper into paisley underground territory as she traced the two lives that ended in side-by-side obituaries “tied together by the Evening Star.” She gave voice to the more benign Fish’s familial angst in Distinguished Line, a matter-of-factly strolling folk noir number, then took a stark, horrified, operatic tour through the deadly Fish’s horrific younger days in Wild Fish Pt. 1, an electrified take on late 19th century front-porch folk.

The narrative continued its harrowing, mysterious course with the uneasily Dylanesque, aptly titled Nightmare, the politician haunted by the ghost of his wife as the theremin whistled ominously in the background. Mason waited until The Werewolf of Wisteria – as the serial killer was known after a Staten Island murder – to spiral around at the top of her vocal range; throughout most of the show, her moody alto made a powerful vehicle for her grimly detailed story. The stark Broken Soul of a Hunan Being – based on a letter the killer wrote to the mother of one of his victims – made for a chilling example.

And in a cameo, pianist/singer M. Lamar delivered chills with his otherworldly falsetto and murky attack on the keys, channeling the horror and pain of a tortured child – throughout both the album and the film, Mason leaves no doubt that the killer Fish wasn’t born that way, he was made. It’ll be fascinating to see how this translates to the stage.

Rachel Mason’s Epic New Folk Noir Album Traces Two Twisted Historical Narratives

In addition to her work in film, video and performance art, Rachel Mason is one of the most entertaining artists in art-rock. An edgy surrealism, a laser sense for catchy tunes and a spot-on political sensibility define her work. She’s performed pieces which recreate a Rand Paul thirteen-hour filibuster in its entirety, sent shout-outs to freedom fighters in Chechnya and to inspirations as disparate as Beyonce and Marina Abramovic. Mason’s latest project is an ambitious film where she plays the role of a newspaper editor whose imagination is sparked by the January 15, 1936 deaths of two historical figures, both named Hamilton Fish. One is a New York State congressman and the most minor figure in a prominent political family, the other a sadistic serial killer and self-described cannibal executed in the Sing Sing electric chair. The accompanying double album, The Lives of Hamilton Fish is streaming at Bandcamp.  Mason has a couple of intriguing shows coming up: on July 21 at 7:30 PM sharp at Anthology Film Archives, she’ll be singing to accompany the film. Then on July 26 at 7 PM, Mason will playing the album with her band and countertenor M. Lamar at Joe’s Pub. General admission is $15, but advance tix are a good idea because it’s likely to sell out.

This is one creepy album. There are a grand total of twenty-one tracks on Mason’s folk noir magnum opus, mostly just reverbtoned acoustic guitar and vocals. Mason has really done her homework, filling out the narrative in rich detail. For example, in the opening cut, Two Strangers, Mason alludes to the many sewing pins that the killer Fish inserted into his abdomen…and also references the most likely apocryphal stash of cash that his shady Republican county boss namesake buried in the woods somewhere in New England. Mason’s voice is richly nuanced, depending on the song; sometimes muted and somber, sometimes horrified and reaching for the rafters with a spine-tingling, dramatic edge, as on The Werewolf of Wisteria, one of the monickers given to the sadomasochistic Fish in the contemporary press.

Likewise, the music is typically somber and minor-key as a lurid crime chronicle takes centerstage. On one hand, Mason doesn’t downplay the grisly, hallucinatory storyline, but she also doesn’t deny dignity to the victims, many of them children. And there’s plenty of sympathy here for the tortured orphan who would later turn his demons loose on the world – he claimed to have killed, dismembered and eaten more than a hundred victims, a claim that’s been subject to plenty of dispute. Mason also poignantly reminds that an innocent man was tried – and acquitted – for one of Fish’s crimes.

The sarcasm rises to fever pitch in A Distinguished Line, contemplating the irony in how history remembers a mass murderer better than the undistinguished scion of a Republican political fortune. Mason’s sarcasm is crushing: “I sang soprano in the little boys’ choir, and the things they did to me made my voice grow higher,” she sings in Wild Fish, a broodingly subdued chronicle of the killer’s horrific childhood. Mason really works the mystery – despite the two central characters’ divergent life stories, sometimes it’s hard to tell which Fish Mason is talking about. Throughout the album, two other similarly brilliant, historically-inspired songwriters, Robin Aigner and Elisa Flynn often come to mind. The arrangements occasionally get more fleshed out, encompassing creepy Alec Redfearn-esque organ-fueled psychedelia and shuffling Americana or 80s goth-tinged rock.

And what of the largely forgotten upstate New York politico? There’s a happy ending here, at least on his side. While not addressed on the album, Hamilton Fish V – the last of the line, Hamilton-wise – redeemed the name, turning the family’s Republican legacy on its axis, becoming a prime mover behind the resurgence of the influential progressive weekly The Nation. After springboarding a respected think tank and independent media center, the Nation Institute, Fish V now runs a consultancy that aids environmentally sustainable businesses. At least that’s what he does when he’s not growing organic produce.