Portland, Oregon’s Alltar bridge the gap between gloomy, dystopic Mogwai postrock and doom metal. Their new album Hallowed is streaming at Bandcamp. No shredding, no stoner blues, no boogie, just slow-baked, grimly swaying grey-sky vistas punctuated by the occasional upward drive. Interestingly, 80s gothic rock is a big influence along with the requisite Sabbath references.
The opening track, Horology starts out as a watery, spare chromatic bass-driven vamp and then explodes with a firestorm from guitarists Tim Burke and Colin Hill. The vocals are buried in the mix: if the dark early 80s Boston bands like Mission of Burma played metal, they would have sounded like this. Likewise, if the Cure were a metal band, they would have built War Altar as this band does here, taking a morose, drippy stalactite theme, finally making snarling doom metal out of it with a long series of distorted 6/8 guitar riffs and disembodied vocals. There’s also a sarcastic cynicism to the lyrics.
The most epic track here is Induction, opening with a clanging, bell-like, slowly syncopated art-rock sway. “Society has lost its connection to humanity, and I can’t understand why,” keyboardist/frontman Juan Carlos Caceres ponders. “If chosen, what would you say?” Drummer Nate Wright’s careful accents foreshadow grinding doom metal crush: again, It’s rare that you hear a guy behind the kit who’s as dynamic as he is here.
Hailstorm tremolo-picking and a slow, evil chromatic riff open Spoils before the relentless crush and lo-res distortion kick in, with a final rise from super-slow, to just plain slow and ceaselessly grim. The band seem to care more about vocals than most metal acts: the apocalypse seems awfully close. Four solid tracks to smoke up to and contemplate the end.