New York Music Daily

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Tag: pop music

The New Pornographers Go New Wave at Terminal 5 on the 26th

How many of you went to see the New Pornographers at Prospect Park in the summer of 2015? It was what you would expect: a lot of fun. They played the hits, keys swooshed and guitars crunched and clanged….and there was plenty of room to roam around. Fifteen years ago, it would have been impossible to get in to see them unless you were willing to wait in an impossibly long line at the gates.

That’s not to imply that this century’s premier powerpop supergroup are any less popular now than they ever were, considering that Terminal 5, where they’re playing this April 26 at 9 PM, is the largest Manhattan venue they’ve ever been booked into. It’s likely that a lot of the people who’ve been priced out of Brooklyn and who would have packed that show in the park may come out for this one, for the borderline-obscene advance ticket price of $38. Factored into that, no doubt, is the fact that this is an all-ages show where legal adults will be subsidizing their (officially at least) nondrinking concertmates. Imagine shaggy, tattooed dad and son in matching Beavis and Butthead (or Bevis Frond) shirts.

The group’s new album, Whiteout Conditions is streaming at Spotify. It’s a new wave record, and it’s a good one. There’s a suspiciously satirical edge to the swooshy synths, and crisply danceable beats, and the unease cached rather haphazardly in the lyrics. These songs are amazingly catchy: hooks fly fast and furious, and you can sing along to pretty much everything. What Squeeze was thirty years ago, the New Pornographers are to now. Real estate bubble-era malaise has never been so much fun.

Kathryn Calder sings the careful cadences of the vampy, Head on the Door-era Cure style opening track, Play Money, over a brisk backbeat. There’s a vocoder and pulsing layers of synths:

Just when I’d thought we’d beat the system
That we were gentlemen of leisure
He left to talk about his treasure
And how he’d gotten it for a song…

Carl Newman moves to the mic for the title cut, awash in echoing sequencer beats. It sounds like Big Country without the bombast – ok, that’s a stretch, but just imagine. Mid-80s Wire is also a reference point. It’s an escape anthem, more relevant than ever since January 20.

High Ticket Attraction – how about that title for irony, huh? – looks back to the early 80s, when Bowie glam from ten years earlier was such a big influence. Yuppie entitlement and conspicuous consumption factor into Newman’s torrents of lyrics – the Jigsaw Seen come to mind.

Calder’s sober enunciation in This Is the World of the Theatre, one of the poppiest tracks here, perfectly captures the self-referential preciousness of a generation of gentrifier fauxhemians. The glossy, vamping Darling Shade has a more opaque 80s glossiness: it’s about what happens “When you add your voice to bad choices…when you break through, it’s nothing.”

Second Sleep wafts in with a late-Beatles psychedelic intro, and then the new wave beat kicks in: “This time of the morning you’d swear it was night,” Newman, Calder and Neko Case insist in between short rhyming couplets. “Be awake for awhile” becomes “Been awake for awhile,” after awhile.

Fuzz bass underpins droll, synthesized phony windchimes in Colosseums: “A scalper’s price built into the designs…say it like a soothsayer, it’ll keep for days.” The most overlty political track is the atmospherically swooshy We’ve Been Here Before: “We couldn’t find a way out when were here the first time,” Newman admits. “Might as well leave him behind, might as well leave him behind.”

Juke has a slinky Bollywood psychedelic groove, spun through the eye of a Beatles needle. Case takes over lead vocals on Clock Wise, which maintains the psychedelic ambience. The final cut is the allusively apocalyptic Avalanche Alley, blippy electronic organ flitting through a haze of guitars over a tight 2/4 beat: “News from the last world, news from the future…we could use a ride,” the singers harmonize. As with everything this band has ever done, this album doesn’t just invite repeated listens: it demands them. How rewarding it is to see one of the last successful holdovers from the college-radio-and-cds era still going strong.

Brilliant Bassist Bridget Kearney Releases a Catchy, Purist Keyboard-Driven Debut Album

Bridget Kearney is the rare bass player you want to hear more of. From day one, she’s been the groove on the low strings and the source of innumerable, tersely tasty solos as the bassist in popular blue-eyed soul group Lake Street Dive. But she’s also a solo artist, and a multi-instrumentalist. On her new album Won’t Let You Down – streaming at Bandcamp – she plays guitars and keys as well. It first took shape as a studio side project, and it’s been several years in the making. Taking a momentary detour from the never-ending Lake Street Dive tour (which this year includes a stop at Prospect Park Bandshell on June 13 at 8:30 PM), Kearney leads her own band playing songs from the new album at Rough Trade on April 21 at 10 PM. Advance tix are $12.

Vocally, Kearney works the same turf as her Lake Street Dive bandmate Rachael Price, but with an airier, more breathy delivery evocative of Holly Miranda. As a tunesmith, Kearney is very eclectic, blending elements of vintage 60s soul, garage rock, Beatlesque pop, psychedelia and glam, among other styles: this is a very keyboard-driven record. It opens with the playfully scampering garage rock title track: with its cheery layers of keys, it sounds like the New Pornographers covering the Friggs. The piano ballad What Happened Today is a catchy mashup of 70s John Lennon and classic soul, sprinkled with starry keyboard textures. With its blend of swirly roller-rink organ, twinkling electric piano and blazing guitars, Serenity brings to mind Ward White’s recent adventures in Bowie-esque glamrock.

Wash Up has a brisk new wave beat, a hypnotic swirl and a couple of tantalizingly brief lead guitar breaks. Kearney makes echoey, nocturnal trip-hop out of oldschool soul in Who Are We Kidding , then multitracks her own edgy bass and guitar harmonies in the Lynchian Nashville gothic pop of Living in a Cave. It’s the album’s strongest song.

Love Doctor isn’t a seduction theme: it’s a kiss-off anthem that looks back to Bowie in his Young Americans period. Kearney breaks out her acoustic guitar for the flamenco-tinged intro to the bitterly simmering minor-key noir soul ballad Nothing Does: the Motown chorus comes out of nowhere, and is absolutely delicious.

Kearney pushes the upper limits of her voice on Daniel, a Penny Lane pop number: it’s the only place on the album where it sounds like she’s really straining to hit the notes. The final cut is the ethereal, Lennonsque ballad So Long. It’s impossible to think of a better debut album released this year so far.

Ethio-Jazz Soul Singer Meklit Airs Out Her Brilliant Forthcoming Album at Lincoln Center

Last night at Lincoln Center, Meklit came to conquer. Rocking a sassy kente cloth skirt and black top, the ex-Brooklynite Ethio-jazz belter bounded and whirled across the stage, singing in both English and Amharic, leading a tight six-piece band through a passionate, fiery, subtly relevant mix of mostly new songs from her forthcoming album When the People Move, the Music Moves Too. Freed from behind her acoustic guitar – at least for most of the set – she’s found new vocal power in her low register, and commands the stage like never before. It’s hard to believe that the artist formerly known as Meklit Hadero – her full name – got her start in the cautious, sedate world of singer-songwriters.

While her work has always drawn on her Ethiopian roots, her newest material goes deeper into that nation’s joyously cantering, brassy dance music from the 60s and 70s. “Ethio-jazz in 2017!” was the mantra throughout the night’s most explosively kinetic number, I Want to Sing For Them All, a shout-out to influences ranging from the golden-age hip-hop she grew up with and found kinship in, to Coltrane and Mulatu Astatke, among many others. Drummer Colin Douglas and percussionist Marco Peris Coppola negotiated the song’s twists and turns with a steely precision as bassist Sam Bevan bubbled behind the searing, thrilling, trilling chomatic harmonies of tenor saxophonist Howard Wiley and trumpeter DeAndre Schaifer. It was a visceral validation of George Clinton’s observation about how freedom begins in the lower extremities.

In between songs, there was silence, and Meklit let it linger, choosing her thoughts like she chooses her spots as a singer. “Welcome to my living room!” she beamed as the second line-tinged groove of You Are My Luck got underway, an irrepressibly shuffling shout-out to the power of love as fuel for the struggle. She bookended her roughly hourlong set with a couple of bracing Ethio-jazz numbers, the first with a trick ending and a tantalizingly brief Wiley solo, the closing number a careening, pulsing take of the first Ethiopian number Miriam Makeba learned for her initial trip to that country in the 1960s.

They reinvented an Erykah Badu pop hit as Ethiopiques, with a still, suspenseful intro that gave way to spine-tingling microtonal horn riffage. One of the new songs, Supernova was akin to the Sometime Boys tackling Ethiopian funk, with Meklit’s most powerful, dramatic vocal of the night. “In case you’re ever feeling ordinary, remember you were born in a supernova,” she mused beforehand.

Musically speaking, the high point of the evening was an insistent minor-key anthem, part Ethiopiques, part Aretha, with a long, feral, microtonal Wiley solo that began with aching sirening effects and eventually picked up with volley after volley of chromatics and microtones. Then Meklit plugged in her krar harp for a number she hoped would be as hypnotic to the crowd as it is to her, an argument that held. Then she flipped the script with her own wryly sunny happy-birthday song, a welcome alternative to what you hear blasting from the speakers in East Village Indian restaurants.

The triumphantly crescendoing, anthemic, soukous-tinged This Was Made Here peaked out with a long, riveting, trilling trumpet solo fueled by Schaifer’s circular breathing. “I’m not going to wait, and I’m not going away,” Meklit belted. Throughout the set, Bevan – switching from standup and five-string Fender, and then back – impressed with his ability to be busy but not obtrusive, playing lots of variations on bouncy octaves. Coppola, with a big Indian dhol bass drum slung over his shoulder, handled the tricky metrics in tandem with Douglas and Bevan. At one point the drummers left their posts to bang on the bass strings for a solo: this group has as much fun onstage as their bandleader. The next stop on their current US tour is tonight, April 7 at 8 PM at World Cafe, 500 N. Market St. in Wilmington, Delaware.

The atrium space at Lincoln Center is where most of the most happening shows there take place – it’s an easy place to call home away from home. The next one is on April 20 at 7:30 PM with psychedelic Colombian champeta dance band Tribu Baharu.

Live Music Calendar for New York City and Brooklyn for April and May 2017

Constant updates: you might want to bookmark this page and check back every so often. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music. Many different styles to choose from here, something for everyone

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised. If you see a show listed without the start time, that’s because either the artist, their publicist or the venue in question sent incomplete info – those acts are usually listed last on a particular date.  Always best to check with the venue for the latest information on set times and door charges, since that information is often published here weeks in advance. Weekly events first followed by the daily calendar.

On select Wednesdays and Sundays, an intimate, growing piano music salon on the Upper West Side featuring iconoclastically insightful, lyrical pianist Nancy Garniez – a cult favorite with an extraordinarily fluid, singing, legato style – exploring the delicious minutiae of works from across the centuries. Up next: Bartok, Haydn, Brahms and Chopin. Sugg don $10 (pay what you can), delicious gluten-free refreshments, beverages and lively conversation included! email for info/location. Upcoming dates: Wednesdays at 7: Apr 19 , May 17,  June 21, and Sundays at 4:  Apr 23,  May 21,  June 25.

Mondays at 7 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud at Barbes followed at 9:30 PM by a variety of south-of-the-border-style bands playing cumbias, boogaloo, salsa, maybe all of the above.

Mondays at the Jazz Standard it’s all Mingus, whether with the Mingus Orchestra, Big Band or Mingus Dynasty: as jazz goes, it’s arguably the most exhilarating show of the week, every week. The first-rate players always rise to the level of the material. Sets 7:30/9:30 PM, $25 and worth it.

Also Monday and Tuesday nights Vince Giordano’s Nighthawks, a boisterous horn-driven 11-piece 1920s/early 30’s band play Iguana, 240 W. 54th St ( Broadway/8th Ave) , 3 sets from 8 to 11, surprisingly cheap $15 cover plus $15 minimum considering what you’re getting. Even before the Flying Neutrinos or the Moonlighters, multi-instrumentalist Giordano was pioneering the oldtimey sound in New York; his long-running residency at the old Cajun on lower 8th Ave. is legendary. He also gets a ton of film work (Giordano wrote the satirical number that Willie Nelson famously sang in Wag the Dog).

Mondays at the Vanguard the Vanguard Jazz Orchestra – composer Jim McNeely’s reliably good big band vehicle – plays 9/11 PM, $30 per set plus drink minimum.

Mondays at 9 PM erudite, purist torchy jazz chanteuse Svetlana & the Delancey 5 at the Back Room, 102 Norfolk St just north of Delancey St, free

Mondays at 10 noir guitar legend Jim Campilongo leads his trio at the big room at the Rockwood

Also Mondays in April Rev. Vince Anderson and his band play Union Pool in Williamsburg, two sets starting at 10:30 PM. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically astute, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the lead soloist on baritone sax, with frequent special guests.

Mondays in March at midnight wild noir piano jazz with the Dred Scott Trio back at their old spot, the small room at the Rockwood. 3/27 they’re at Mezzrow at 9

Tuesdays in April, 8:30 PM the George Gee Swing Orchestra play surprising new arrangements of old big band standards at Swing 46, 349 W 46th St,  $15

Tuesdays in April, clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at 9 PM at Barbes. Get there as soon as you can as they’re very popular. $10 cover.

Three Tuesdays in April: 4/11, 18 and 25, 10ish noisy, hazily jangly, psychedelic slowcore/free jazz/avant instrumentalists Sunwatchers at Union Pool, $10

Wednesdays at 8-ish, amazing, psychedelic instrumentalists Sandcatchers – who blend cinematic, pastoral Americana and Middle Eastern themes – at Cheryl’s Restaurant, 236 Underhill Ave. (Eastern Pkwy/Lincoln Pl.) in Ft. Greene. Closest train is actually the 2/3 to Brooklyn Museum.

Wednesdays at 8 the Brooklyn Raga Massive – a rotating cast of A-list Indian, jazz and rock musicians who love to jam out classic Indian themes from over the centuries to the present day – play Art Cafe, 884 Pacific St.(at Washington Ave) in Brooklyn, $15; closest train is the 2 to Bergen St.

Wednesdays at 9 PM Feral Foster’s Roots & Ruckus takes over the Jalopy, a reliably excellent weekly mix of oldtimey acts: blues, bluegrass, country and swing.

Fridays and Saturdays at 5 PM adventurous indie classical string quartet Ethel plus frequent special guests playing a mix of classical and more contemporary material at the balcony bar at the Metropolitan Museum of Art, free w/museum adm

Fridays at around 9:30 PM Bulgarian Romany sax legend Yuri Yunakov with his wild but haunting band at Mehanata

Saturdays at 4 PM at Bargemusic there are impromptu free classical concerts, usually solo piano or small chamber ensembles: if you get lucky, you’ll catch pyrotechnic violinist/music director Mark Peskanov and/or the many members of his circle. Early arrival advised.

Saturdays in April, 6 PM pyrotechnic klezmer clarinetist and Dave Tarras protege Michael Winograd with several of his many similarly edgy collaborators at Barbes. Expect classics from across the Jewish music diaspora as well as slyly witty originals. 

Three Saturdays in April: 4/1, 4/15 and 4/29 epic minor-key New Orleans blues/klezmer/soca/reggae jamband Hazmat Modine at Terra Blues

Saturdays eclectic compelling Brazilian jazz chanteuse Marianni and her excellent band at Zinc Bar, three sets starting at 10 PM.

Sundays there’s a klezmer brunch at City Winery, show starts around 11:30 AM – 2 PM, $10 cover, no minimum, lots of good bands

Sundays in April at sometime past noon at Hank’s, Nashville gothic crooner Sean Kershaw‘s legendary honkytonk brunch is back! It’s just like 1999 again!

Sundays in April, 7 PM spine-tingling darkly mystical art-rock/avant-garde/chamber pop songwriter Carol Lipnik – pretty much everybody’s choice for best singer in all of NYC – at Pangea

Sundays in April, 8 PM purist guitarist Peter Mazza – who gets the thumbs up from bop-era legend Gene Bertoncini – leads a series of trios at the Bar Next Door.

4/1, 4 PM composer/accordionist Michael Hearst’s Songs About Extraordinary People  – including the Iceman found more or less intact after 5300 years entombed in ice, and Marie Curie, whose radioactive notebooks are still lethal – followed at 6 by pyrotechnic klezmer clarinetist and Dave Tarras protege Michael Winograd and band playing music from a forthcoming album followed at 8 by pianist Lucian Ban and violist Mat Maneri playing their creepy Transylvanian jazz followed and at 10 by epic, sweeping, adventurous Sinaloa-style mariachi/ranchera brass group Banda de los Muertos at Barbes Whew.Songs About Extraordinary People are also here on 4/8 at 4 as well.

4/1, 4 PM the Dessoff Choir sings motets by Bach, Buxtehude and Samuel Barber’s Dover Beach at Union Theological Seminary, 3041 Broadway, 1 train to 116th St, $25/$15 stud/srs

4/1, 7/9:30 PM Gil Scott-Heron’s longtime pianist Kim Jordan plays a GSH tribute at SOB’s, $20

4/1, 7 PM NY Turk Musiki Cemiyeti play classic and contemporary Turkish orchestral music for string ensemble and choir at Merkin Concert Hall, $25

4/1, 7 PM theatrical, psychedelic, ragtime/barrelhouse pianist/songwriter Jack Spann does double duty, playing his own art-rock and then with sardonically funny Beatlesque/Costelloesque powerpop songwriter Walter Ego at Sidewalk

4/1, 7 PM a free screening of the jazz documentary film Night Bird Song: The Incandescent Life of Thomas Chapin at Flushing Town Hall

4/1, 7:30 PM Aussie psychedelic stars King Gizzard & the Lizard Wizard – who are going in an amazing, Middle Eastern-flavored microtonal rock direction – at Webster Hall, $22

4/1, 7:30 PM the Norwegian Chamber Orchestra’s Anthony Marwood, violin and Aleksandar Madžar, piano play works by Janacek, Ravel, Beethoven and Prokofiev at Washington Irving HS Auditorium, 16th St./Irving Place, $15

4/1, 8 PM NYC’s goddess of garage guitar, Palmyra Delran opens for Radio Birdman mastermind Deniz Tek and Keith Streng of the Fleshtones’ reputedly sizzling new two-guitar band at Bowery Electric

4/1, 8 PM Middle Eastern-flavored psychedelic jams with Spaghetti Eastern Music at Silvana

4/1, 8 PM Misha Piatigorsky‘s tuneful, dynamic, wit-infused Sketchy Orkestra at the Poisson Rouge, $20 adv tix rec

4/1, 8:30 PM darkly Stonesy, slinky guitar band the Deadly Wights at Muchmore’s. Catch em now while they’re on the way up. 

4/1, 8:30 PM Greg Lewis’ innovative Organ Monk trio at Bar Lunatico

4/1, 9 PM Unsteady Freddie‘s monthly surf rock extravaganza at Otto’s begins at 9 with brooding, stomping Russian prison songs reinvented as surf rock by the Vivisectors, the icy reverb-drenched Blue Wave Theory at 10, tunefully jangly Strange but Surf at 11 and allstar Link Wray cover band the Wraycyclers sometime around midnight.

4/1, 9 PM ten-piece country/carnivalesque/acoustic rock powerhouse M Shanghai String Band at the Jalopy, $10

4/1, 9 PM eclectically tuneful swing/noir/pastoral jazz combo the Jazz Thieves followed by hard-hitting bassist Dawn Drake & Zapote playing hot Afrobeat-tinged funk grooves at the Way Station. The Jazz Thieves are also here on 4/8. 

4/1, 9:30 PM Cantata Profana perform clarinet and violin music by Kurtag, Bach, Claude Vivier and more at Joe’s Pub, $15

4/1, 10:30 PM the stomping, surprisingly energetic Earthmouth – pigsnorting vox, Sabbathy psychedelic guitars – at Lucky 13 Saloon, $10

4/1, 11 PM hard-hitting, noisy, catchy Japanese-flavored stoner boogie/hardcore/metal band Toranavox at Pine Box Rock Shop 

4/1, 11 PM slyly lyrical New Orleans oldschool soul/groove/Americana crew the Nat Osborn Band at the big room at the Rockwood, $12

4/2, 2 PM pianist Paul Lewis plays works by Weber, Beethoven, Chopin and Bach at the Town Hall, $20

4/2, 4 PM pianist Steven Masi continues his concert cycle of the Thirty Two Beethoven Sonatas  at the Dreck Center at the Brooklyn Public Library, free, no under-sixes

4/2, 4 PM popular bluegrass road warriors James Reams & the Barnstormers at the Old Stone House in Park Slope, $15

4/2, 4:30 PM pianist Jason Hardink plays Messiaen’s Vingt regards sur l’enfant-Jésus at Spectrum, $15

4/2, 5 PM subtle, erudite retro swing singer Catherine Russell and her excellent band at St. Peter’s Church, free

4/2, 6 PM quirky, fun swing-infused songwriter Orly Bendavid & the Mona Dahls followed at 7 by darkly lyrical former Red Molly  multi-instrumentalist/songwriter Carolann Solebello, veteran politically-informed folksinger Bev Grant at 8 and at 9 by Lindsey Wilson and her shreddy, tuneful funk/soul band at Silvana 

4/2, 7 PM sharply lyrical southwestern gothic/Americana songwriter Tom Shaner at LIC Bar

4/2, 7 PM guitarist Tom Csatari – whose latest big band album is rapturously good and tuneful – leads his Uncivilized chamber jazz project playing Chico Hamilton tunes followed at 9ish by psychedelic/art-rock/ Romany guitar genius Stephane Wrembel at Barbes

4/2, 7 PM Skinny Lister – the Pogues of oldtime British folk music – at the Mercury, $15

4/2, 7 PM enigmatic, psychedelically-tinged, subtly sardonic jazz guitarist Jon Lundbom and Big V Chord at Shapeshifter Lab, $10

4/2, 7 PM percussive, trance-inducing, bitingly tuneful, Middle Eatstern-tinged female-fronted jamband SisterMonk at the small room at the Rockwood

4/2, 7:30 PM slyly cinematic, edgy downtown swing legends the Microscopic Septet play tunes from their surprisingly trad, straight-ahead new blues album at Smalls

4/2, 9 PM lyrical trumpet powerhouse Nadje Noordhuis leads a guitar-driven quartet at 55 Bar. 4/23 at 5 she leads a trio at St. Peter’s Church, free.

4/2, 9 PM hypnotic, pounding, surprisingly tuneful post-MBV dreampop band Ovlov at the Silent Barn, $8 

4/2, 9 PM Red Gretchen play their slowly undulating, doomy psychedelic/art-rock grooves at Otto’s. They’re also here on 4/9

4/2, 9:30 PM Annie Golden, soaring frontwoman of CBs powerpop legends the Shirts’ backed by a solid band including amazing guitarist Paul McKenzie at the Cutting Room, $15 adv tix rec

4/2, 11 PM slinky maracatu/New Orleans/surf rock mashups with Nation Beat at the big room at the Rockwood

4/3, 7:30 PM the Eroica Trio play works by Paul Schoenfield, Bruce Wolosoff, and Kevin Putsat Symphony Space, $20 adv tix rec

4/3, 9 PM awesomely slinky, psychedelic Israeli Ethiopiques groove instrumentalists Anbessa Orchestra followed eventually at 11 by the New York Chillharmonic – singer/keyboardist Sara McDonald’s lush 17-piece art-rock/chamber pop band with string quartet and big band jazz orchestration – at the Knitting Factory, $10 adv tix rec. Avoid the awful top 40 cover band in between at all costs.

4/3, 9 PM sweeping, swinging vibraphone jazz with Behn Gillece and his quartet at the Fat Cat. 4/22 at 7:30 they’re at Smalls

4/4, 7 PM the Silent Six – the Microscopic Septet’s Phillip Johnston (soprano sax), Joe Fiedler (trombone), Mike Hashim (baritone sax), Neal Kirkwood (piano), Dave Hofstra (bass), Rob Garcia (drums). A rare appearance! followed at 9 by ten-piece funky Balkan brass jazz monsters Slavic Soul Party at Barbes

4/4, 7:30/9:30 PM a captivatingly intimate, darkly tuneful duo show with pianist Shai Maestro‘s quartet featuring saxophonist Mark Turner at the Jazz Galley, $22

4/4, 7:30 PM charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy leads his group at Smalls

4/4, 8 PM Americana rock guitar legend and former Lakeside Lounge honcho  Eric Ambel of the Del-Lords and formerly with Steve Earle –  who has a reputedly scorching new live album out – at Hifi Bar

4/4, 8:30 PM darkly minimalist, atmospheric chamber pop/art-rock chanteuse Nico Turner at Bar Lunatico

4/4, 10 PM wickedly tuneful, Zombies-esque psychedelic pop bandleader Sam Kogon at Union Pool, $10

4/5, 6 PM sitarist Anjana Roy with Polash Gomes on tabla at the Rubin Museum of Art, free w/museum adm

4/5, 6:30 PM magical, mystical Pakistani Sufi chanteuse Sanam Marvi and her band at the Asia Society, 725 Park Ave, $12/$10 stud/srs

4/5, 7 PM in homage to Paul Wittgenstein—the concert pianist who lost an arm in World War I and commissioned piano concerti for the left hand alone— an ensemble perform Sonate pour violon et piano (1917) by Debussy, D’un matin de printemps by Lili Boulanger, and Eric Korngold’s Suite pour 2 violons, violoncelle et piano op.23 at the Poisson Rouge, free

4/5, 7 PM violinist Miranda Cuckson plays the album release show for her ethereal new one with works by Wang Lu, Stefan Wolpe, Richard Barrett at National Sawdust, $30 adv tix rec

 4/5, 7:30/9:30 PM sitarist Abhik Mukherjee plays a duo show with Sameer Gupta on tabla at the Jazz Gallery, $15

4/5, 7:30 PM intense, politically inspired pianist Bobby Avey solo followed by trumpeter Matt Holman’s Tenth Muse at Greenwich House Music School, $15

4/5, 7:30 PM Armenian jazz tar lute player Miqayel Voskanyan and band with special guest darkly fiery accordionist Sevana Tchakerian at Drom, $20 adv tix rec

4/5, 8 PM iconic indie classical composer Phil Kline, his old bandmate pal filmmaker Jim Jarmusch, mezzo-soprano Jacqueline Horner, fiery indie classical pianist Kathleen Supové, and Bang on a Can All-Stars percussionist David Cossin perform past, present, and future Kline works, including music from Kline’s upcoming album and two theater works-in-progress, “I Am Joan Crawford” and “Tesla” at Roulette, $20 adv tix rec

4/5, 8 PM psychedelic klezmer/bluegrass mandolin and clarinet legend Andy Statman at Barbes, $10

4/5, 8:30 PM guitarist Matt Munisteri and accordionist Will Holshouser’s shadowy Belgian barroom band Musette Explosion at Bar Lunatico

4/5-9, 8:30 PM bassist Greg Cohen plays a stand at the Stone with a variety of groups, $20. Choice pick: the 4/6 show: the Masada String Trio with Mark Feldman (violin) Erik Friedlander (cello) 

4/5, 9 PM haunting psychedelic/doom metal band Matte Black followed by horror surf legends the Coffin Daggers at the Parkside 

4/5, 9 PM Xylouris White – George Xylouris and the Dirty Three’s Jim White jamming out haunting themes on Cretan lute and drums – at the Park Church Coop in Greenpoint, $15 

4/5, 9 PM charismatic, eclectic cellist/songwriter Meaghan Burke at the Way Station

4/5, 9 PM 20s hot jazz revivalists Cait and the Critters at Radegast Hall

4/5, 10 PM epic Indian-inspired spacerock band Humeysha at Baby’s All Right, free

4/5, 10 PM fiery, charismatic soul siren Meah Pace and her oldschool band at the McKittrick Hotel

4/6, 1 PM the City of Tomorrow woodwind quintet explore futuristic water shortage-era themes at St. Paul’s Chapel downtown, free

4/6, 7:30 PM a screening of the 1929 silent film Wings – the first-ever Academy Award-winner for Best Picture – with live accompaniment by the Prima Vista Quartet at the French Institute, 55 E 59th St., free

4/6, 7 PM historian Adrienne G. Alexanian reads from her new book, Forced into Genocide: Memoirs of an Armenian Soldier in the Ottoman Turkish Army at the Zohrab Center at the Armenian Church, 34th/2nd Ave., free, reception to follow

4/6, 7 PM composer-vocalist Lisa Bielawa takes a turn as soloist, backed by the American Contemporary Music Ensemble (ACME) singing works including A Collective Cleansing (2000) for solo voice and digital audio, Graffiti Dell’amante (2010) for string quartet and soprano, Genesis Again (1998) for soprano and violin, and two arias from her episodic opera Vireo: “The Bat” and “The Dragon and the Girl, at National Sawdust, $30 adv tix avail

4/6, 7:30 PM trippy, otherworldly, ancient North African dance percussion ensemble Innov Gnawa  open for Malian guitar shredder Vieux Farka Toure at Bric Arts, $15 adv tix rec

4/6, 7:30  PM haunting Pakistani chanteuse Sanam Marvi at the Gilman Opera House at BAM, $30

4/6, 7:30 PM subtly edgy, jazz-tinged acoustic songstress Meklit plays the album release show for her new one at the Lincoln Center Atrium, free, early arrival advised

4/6-9, 7:30/9:30 PM ageeless North African-inspired jazz piano paradigm-shifter Randy Weston leads his African Rhythms Quintet at the Jazz Standard, $30

4/6, 7:30 PM pensive, imaginative Kosovo-based jazz guitarist Taulant Mehmeti leads his band at Club Bonafide, $10

4/6, 8 PM dark, charismatic, mischievously witty lyrical keyboardist/accordionist/chanteuse Rachelle Garniez at Barbes

4/6, 8 PM Sharq Attack with Marandi Hostetter, 5 string violin; Brian Prunka, oud; John Murchison, double bass and Philip Mayer, percussion jam out classic Middle Eastern themes followed by intense Balkan chanteuse Jenny Luna‘s haunting, traditional Turkish band Dolunay  at the Owl, $10

4/6, 8 PM acclaimed Mexican poet and folk music legend Zenen Zeferino with NYC’s only original son jarocho party band, Radio Jarocho at Greenwich House Music School, $15

4/6, 8 PM magically nuanced drummer Carlo Costa  and one of his improvisational ensembles at Happy Lucky No. 1 Gallery

4/6, 8 PM indie chamber orchestra Contemporaneous plays new works by  Victor Baez, Derek Cooper, Max Grafe, Alyssa Weinberg, Harry Stafylakis and Nicole Murphy at the DiMenna Center, $20/$10 stud, includes open bar!?. On 4/11 at 8 they play microtonal works by Sean Jaeger, Kristofer Svensson and Katherine Balch at Roulette, $20 adv tix rec but no bar. 

4/6, 8:30 PM klezmer dancefloor madness: the New York Fidl Kapelye concert & tantshoyz w/Sarah Myerson, featuring Amy Zakar, Deborah Strauss, Jake Shulman-Ment, Keryn Kleiman, Lauren Brody, Aaron Alexander & more! at the Jalopy, $15

4/6, 8:30ish Gozu – who range from post-Sabbath doom to stoner boogie to long, bubonic stoner jams – at Drom, $12 adv tix rec 

4/6, 9:30 PM brilliantly lyrical dark oldtimey songwriter/multi-instrumentalist Pete Lanctot and the Stray Dogs at Hank’s

4/6, 10 PM explosive Neil Y/Crazy Horse-ish sounds and slinky desert rock with guitarist Marco with Love at the Delancey, $8

4/6, 10:30 PM intense, lyrical tenor saxophonist Roxy Coss leads her quintet at Smalls

4/7, 5:30 PM fiery Americana stringband duo the Berger Sisters at the American Folk Art Museum

4/7, 7 PM intense, legendary, noirish punk jazz sax/drum duo Iconoclast – Julie Joslyn and Leo Ciesa – play their joint 30th anniversary show and album release show for their new one at stage 2 at Michiko Studios, 149 W 46 St

4/7, 7:30 PM the American String Quartet play works by Berg, Beethoven and then the Schubert Quintet at Greenfield Hall at Manhattan School of Music, free

4/7, 7:30 PM the New World Trio play works by Debussy, Ravel, Fauré and Payette at the Old Stone House in Park Slope, $20/$15 stud/srs

4/7, 8 PM NYC rock and swing guitar legend Steve Antonakos followed by Certain General guitarslinger Phil Gammage and his Quartet at Bowery Electric, free

4/7, 8 PM sitarist Alam Khan plays a bday tribute to his dad, Ali Akbar Khan with Nitin Mitta on tabla & the Om Gam Ensemble at the Poisson Rouge, $25 adv tix rec

4/7, 8 PM lyrical, lyrically-driven rising star jazz pianist Helen Sung and her trio at Mezzrow, $25

4/7, 8 PM the New Amsterdam Symphony play Mendelssohn’s Hebrides Overture, Max Bruch’s Violin Concerto no. 1  and Dvorak’s Symphony No. 8 at Symphony  Space, $25

4/7, 8 PM percussionist Annette A. Aguilar & StringBeans play Puerto Rican jazz; and Masayo Ishigure and her group the Miyabi Koto Shamisen Ensemble add innovative jazz and western classical influences to traditional Japanese music at Flushing Town Hall,  $16/$10 stud, 13-19 free w/ID

4/7, 9 PM psychedelic Punjabi rock band Rhythm Tolee and Pakistani crooner Abdul Aziz Peerzada at BAM Cafe, free

4/7, 9 PM moodily lyrical, politically savvy Irish folk-rocker Niall Connolly at the small room at the Rockwood. He’s also here on 4/21

4/7, 9 PM a ghoulabilly monstrosity at Lucky 13 Saloon with the screaming, punkish Northern Wrecks, Fiddler & the Crossroads, crooner Sean Keshaw‘s creepy Serpentones, cowpunks Kings County Casket Co. and rockabilly hellraisers the Screaming Rebel Angels at Lucky 13 Saloon, $8

4/7, 10 PM Hollywood’s Dan Finnerty leads his savagely hilarious top 40 parody group the Dan Band at Joe’s Pub, $25

 4/7, 10 PM eclectic, soulful, lyrical original oldtime Americana/folk band the Woes at Sunny’s

4/7, 10 PM epic, cinematic Indian violin-fueled art-rock themes with Rini and her explosive band at the Way Station

4/7, 10 PM well-liked 90s alt-country vets Son Volt at Bowery Ballroom, $23 adv tix rec

4/7-8, 10:30 PM powerful, erudite, elegantly tuneful tenor saxman/composerNoah Preminger/plays the album release shows for the first genuine protest jazz album of 2017 at Smalls with his long-running quartet

4/7, 10:30 PM catchy Booker T-esque soul jazz with the David Gibson/Jared Gold, Hammond B3 organ band at the Fat Cat

4/8,11:30 AM  Malian-born griot Abdoulaye Diabaté and band at the Hostos Center, 450 Grand Concourse north of 146th St. in the Bronx, free, 2/5 to 149th St.

4/8, 5  PM cleverly lyrical, edgily funny, spine-tingling powerpop/acoustic rock singer Tamara Hey at the small room at the Rockwood

4/8, 7 PM Serbian-born jazz vocalist Alma Micic and her quartet at BMHC Lab, 1303 Louis Niné Blvd in the Bronx, free; 2 or 5 train to Freeman St

4/8, 7:30 PM incomparable country/jazz/janglerock icon Amy Allison at Dixon Place, free. Brilliant new material, all kinds of rarities and devastatingly funny between-song banter

4/8, 7:30 PM Linda Chatterton (flute), Rachel Brandwein (harp) and Aristo Sham (piano) perform works by contemporary Hong Kong composers with world premieres by Galison Lau and Ka-wai So, US premieres by Wendy Wan-Ki Lee, Cynthia Chi-Wing Wong and Chi-hin Leung, with additional works by Donald Yu and Austin Ho-Kwen Yip at the DiMenna Center

4/8, 7:30 PM smartly eclectic singer and vivid original jazz songwriter Allegra Levy celebrates the release of her new album Cities Between Us with her album bandmates, saxophonist Stephen Riley, cornetist Kirk Knuffke, pianist Carmen Staaf, drummer Jeff Davis, and bassist Jay Anderson at Club Bonafide

4/8, 8 PM Vishwa Mohan Bhatt with Subhen Chaterjee play Indian music for slide guitar (mohan veena) & tabla at Roulette, $30

4/8, 8 PM haunting pan-Asian avant-jazz songstress/composer Jen Shyu  solo at the Owl, $10

4/8, 8 PM pioneering composer and electronic musician Richard Teitelbaum with pianist Marilyn Crispell, cellist Leila Bordreuil & improviser Miguel Frasconi at Greenwich House Music School, $15/$10 stud/srs

4/8, 8:30 PM brilliant Americana jazz pedal steel player Susan Alcorn with elegantly melodic, darkly counterintuitive pianist Sylvie Courvoisier at I-Beam, $15

4/8, 8:30 PM Brooklyn jamband legends Plastic Beef and their many spinoffs/side projects – who hasn’t been a member of Plastic Beef at some point? – at Freddy’s

4/8, 8:30 PM the world’s most popular newschool jazz group, Kneebody at the Poisson Rouge, $17 adv tix rec

4/8, 8:30 PM Ensemble Signal plays a “composer portrait” of the darkly enigmatic, uneasily Schoenbergian Johannes Maria Staud at the Miller Theatre, $30/$20 stud

4/8, 9 PM haunting, theatrical Korean art-folk/dance ensemble Baraji at BAM Cafe, free

4/8, 9 PM Abraham’s River fka Mac McCarty & the Kidd Twist Band playing their fiery, sometimes unexpectedly poignant Pogues-ish punk and folk noir at Sidewalk

4/8, 9 PM wryly surreal prozac rock with duo the Dream Eaters playing the album release show for their new one at Halyards in Gowanus

4/8, 9 PM eclectically tuneful swing/noir/pastoral jazz combo the Jazz Thieves followed eventually at 11 by wild, noisy, genuinely Hendrixian virtuoso lead guitarist Viva DeConcini and her band  at the Way Station. Viva is also here on 4/13 at 8 followed by Dalton Deschain & the Traveling Show playing their creepy circus punk and arena rock and then on 4/29 at 10 followed by intense frontwoman Hannah Fairchild’s searingly lyrical punk/art-rock/noir cabaret band Hannah vs. the Many 

4/8, 9 PM perennially fun fourth-wave garage rockers Muck & the Mires at Bowery Electric, $12 adv tix rec

4/8, 10 PM Dervisi feat. guitar god Steve Antonakos play “exotic Greek gangsta blues”at Pan-Icarian Brotherhood Hall, 8722 52nd Ave., Flushing, M/R train to Grand Ave – Newtown. 4/12 at 9 they’re at Troost and 4/20 at 9 at Espresso 77, 35-57 77th Street, Jackson Hts.

4/8, 10ish keyboardist Manu Koch’s trippy, socially conscious Mediterranean/Near Eastern jazz/groove/funk band Filtron M play the album release show for their new one at Nublu 151 

4/8. 10:30 PM smart, cosmopolitan jazz chanteuse Svetlana & the Delancey 5  – Breakfast at Tiffany’s meets Some Like It Hot – at the Django, $10 standing room avail

4/8, 11:30 PM funny, explosive oldschool style punk rockers the Live Ones at Hank’s

4/8, midnight a mind-blowing, murky collaboration between spacerock/postrock guitarist David Grubbs and dark low-register composer Eli Keszler at the Knockdown Center, $10

4/9, 2 PM a rare free performance by Polish polka legends the Jimmy Sturr Orchestra at the Knockdown Center

4/9, 4 PM hip-hop brass band grooves with the Lowdown Brass Band  at BMHC Lab, 1303 Louis Niné Blvd in the Bronx; 2 or 5 train to Freeman St

4/9, 4:30 PM the UK Subs at Bowery Electric, $20 adv tix rec., be aware that the late show is sold out. Think about it: Charlie Harper is probably close to 80 right now and playing 2 sets of punk rock.

4/9, 6  PM noir guitar legend Jim Campilongo leads his trio at 55 Bar

4/9, 7 PM harpist Isabelle Olivier debuts a new trio with reed player Fraser Campbell and drummer Devin Gray followed by paradigm-shifting Romany jazz guitarist Stephane Wrembel – who blends Django with ominous Pink Floyd art-rock and growling post-Velvets psychedelia – at Barbes

 4/9, 7 PM four basses in the same band: OMFG. Nicolas Letman-Burtinovic’s Bass Quartet with Nick Jozwick, Sean Ali and Zach Swanson at Downtown Music Gallery, free

4/9, 8 PM the guy who pretty much invented southwestern gothic, Giant Sand’s Howe Gelb opens for 90s indie crooner Mark Eitzel at Rough Trade, $18 adv tix rec. Should be the other way around

4/9, 8:30 PM Dance of Fury with Jason Yeager, piano;  Anna Webber, saxophone;  Nick Dunston, bass;  Samuel B, drums at Cornelia St. Cafe, $10 cover plus $10 minimum

4/9, 9 PM edgy female-fronted funk band Eliza & the Organix – feat. swirly alto sax player Kristen Tivey – at Silvana

4/9, 9ish impassioned cantorially-inspired Sway Machinery singer Jeremiah Lockwood and delta blues/oldtime hillbilly music maven Mamie Minch  play their haunting original acoustic blues at the old Nublu at 62 Ave. C

4/10, 6 PM cleverly lyrical, coolly intriguing jazz chanteuse Dorian Devins leads her quartet with special guest Jamie Baum on flute at Cornelia St. Cafe, $10 cover plus $10 minimum

4/10, 7 PM tuneful postbop pianist Jim Ridl leads his group from behind the Rhodes at 55 Bar

4/10, 7:30 PM the Variation Trio – Jennifer Koh, violin; Scott St. John, viola; Wilhelmina Smith, cello and the Rhythm Method String Quartet – Leah Asher, violin; Maria Kifferstein, violin; Anne Lanzilotti, viola; Meaghan Burke, cello, plus Aaron Wunsch, piano play music of Andrew Norman, Kurtag, Bach and Dufay at Music Mondays, Advent Church, 93rd/Broadway, free, early arrival advised 

4/10, 8 PM Devin – the world’s funniest weedhead rapper, still smoking after 20 years – at B.B. King’s, $20 adv tix req

4/10, 9:30 PM psychedelic cumbia band Los Cumpleanos – new wave synths & retro organ sounds with effect-laden trombone and trumpet as well as a three piece percussion section – at Barbes

4/10, 10 PM explosive, creepy, colorful psychedelic rembetiko metal band Greek Judas at LIC Bar

4/11, drinks at 5:30, music at 6 PM So Percussion’s Jason Treuting + JACK Quartet at the Miller Theatre, free

4/11, 7 PM eclectic, hard-hitting, lyrical composer/tenor saxophonist Stan Killian and group followed at 10 by acerbic alto saxophonist David Binney leading his quartet at at 55 Bar

4/11, 8 PM haunting Iranian classical santoor player Sahba Sidzakhani opens for noisy, hazily jangly, psychedelic slowcore/free jazz/avant instrumentalists Sunwatchers at Union Pool, $10

4/11, 8 PM roaring 20s hot jazz with Sweet Megg & the Wayfarers at Radegast Hall

4/11, 8/9:30 PM pianist Steve Sandberg & Alaya play “music from a country I’ve never been to but always wanted to visit.” performances from the solo classical piano repertoire and continue with the quartet’s improvisations on originals on European, African, Latin, Balkan and Indian themes at Cornelia St. Cafe, $10 cover plus $10 minimum

4/11, 8:30 PM Argentine tango/folklorico singer Isabel de Sebastian at Bar Lunatico

4/11, 9ish enigmatically soaring, lyrically searing noir cinematic songwriter Karla Rose – whose most recent work rivals Steve Wynn – at 11th St. Bar

4/11, 9 PM boisterously funny oldschool 60s C&W and brooding southwestern gothic with Jack Grace solo at Bar Chord.

4/11, 9:30 PM the Bronx Conexion play their mighty salsa big band jazz at the Nuyorican Poets Cafe

4/11, 9:30 PM wryly retro, period-perfect classic 60s style female-fronted honkytonk band the Bourbon Express at Pete’s

4/11, 9:30 PM tersely catchy latin Caribbean songwriter Alex Cuba at Joe’s Pub, $20

4/11, 11 PM ex-Belleville Outfit violinist Phoebe Hunt & the Gatherers play imaginative newgrass off their new album at the Rockwood

4/12, 6 PM Keisho Ohno on the tsugaru-shamisen at the Rubin Museum of Art, free w/museum adm

4/12, 7 PM hip-hop legend Uncle Ralph McDaniels hosts a live broadcast of the world’s longest-running and most influential rap tv show, Video Music Box at BRIC Arts, free w/rsvp 

4/12, 8 PM wry 70s style kraurtock disco band Automaatio followed by Lusterlit’s ominous, noirish literary chamber pop at the Well, 272 Meserole St, Bushwick, $8

4/12, 8 PM relentlessly dark, often creepy noir Americana with Joshua James at the Mercury, $15 adv tix rec

4/12, 8/9:30 PM unstoppable shredder Brandon Seabrook, guitar;  Daniel Levin, cello;  Henry Fraser, bass at Cornelia St. Cafe, $10 cover plus $10 minimum

4/12, 9:30 PM fiery garage rock band the NY Fowl Harmonic – a Gato Loco spinoff – at the Delancey

4/12, 10 PM hard-hitting original garage-psych bandleader Sallie Ford at the Bell House, $15

4/12, 11 PM theatrical, captivating art-rock/glamstress Kristeen Young at Bowery Electric, $10. She’s also here on 4/19, an hour earlier

4/13, 7 PM a rare solo show by iconic noir NYC saxophonist/raconteur and Jazz Passenger Roy Nathanson at the Bobst Library at NYU, 70 Washington Square South, free w/rsvp, reception to follow 

4/13, 7:30/9:30 PM rapturous carnatic-inspired singer Amirtha Kidambi with Matt Nelson – saxophone; Brandon Lopez – bass; Max Jaffe – drums at the Jazz Gallery, $15

4/13, 7:30 PM a rare bass-fronted large jazz ensemble (just like Mingus), the Ross Kratter Jazz Orchestra at Club Bonafide, $20

4/13, 8 PM playfully but also hauntingly eclectic pan-latin songstress Sofia Rei does her one-woman electroacoustic vocal thing at Greenwich House Music School, $15

4/13, 8/9:30 PM tuneful, terse third-stream jazz pianist Anat Fort with Chris Cheek, tenor sax;  Gary Wang, bass;  Francisco Mela, drums at Cornelia St. Cafe, $10 cover plus $10 minimum

4/13, 8 PM violinist Maya Bennardo’s Arcus Collective play ten new works for trumpet and violin by Ashkan Behzadi, Agustí Charles, Nicoletta Chatzopoulou, Fjóla Evans, Texu Kim, Caroline Miller, Fernanda Navarro, Celeste Oram, Kristofer Svensson, and Sam Wells.at the DiMenna Center, $10

4/13, 8:30 PM the Ternovka Ensemble, w/Pete Rushefsky, Zhenya Lopatnik, Jake Shulman-Ment, Zoe Aqua, Joanna Sternberg play darkly bristling Ukrainian-tinged klezmer sounds at the Jalopy, $15

4/13, 8/10:30 PM alto sax powerhouse Kenny Garrett leads a quintet at the Blue Note, $20 standing room avail

4/13, 8 PM plush, balmy, oldtimey uke swing band Daria Grace & the Pre-War Ponies at Barbes

4/13, 8:30 PM the irrepressible Jon Irabagon on sax with Gary Versace on organ and Dan Weiss on drums at the Bar Next Door

4/13, 9 PM hot 20s swing with trumpeter Jason Prover and his Sneak Thievery Orchestra at Radegast Hall

4/13, 10 PM fiery oldtimey 19th century style string band the Four O’Clock Flowers at Sunny’s

4/13, 10 PM torchy, eclectic jazz/Americana singer/dobro player Abbie Gardner (ex-Red Molly) at Pete’s

4/13, 10 PM simmering, nocturnal oldschool soul vocal/guitar duo Dwight & Nicole at the big room at the Rockwood, $12

4/13, 11 PM it’s a long way from the days at the back room at Black Betty: soaring, explosive singer Xenia Rubinos at Bowery Ballroom, $15

4/14, 1 PM a performance of Bach’s St. John Passion at St. Peter’s Church, free

4/14, 6 PM crystalline-voiced, noir-tinged third-stream jazz chanteuse Tessa Souter and her band at 55 Bar

4/14-15, 7:30/9:30 PM technically dazzling, smart rising star trumpeter Adam O’Farrill leads his octet at the Jazz Gallery, $22

4/14, 8 PM cutting-edge big band jazz crew the Jihye Lee Orchestra play the album release concert for their haunting new one, inspired by a Korean ferry disaster, at Symphony Space, $25

4/14, 8 PM sultry retro Franco-American torch jazz/chamber pop/ukulele swing band les Chauds Lapins at Barbes

4/14. 8 PM perennially torchy, coyly captivating oldtimey Americana/swing songwriter Jolie Holland at the Mercury, $15

4/14, 8 PM a good, mysterious twinbill: ethereally spooky pianist Rema Hasumi leads her trio followed by guitarist Todd Neufeld leading his at the Owl, $10

4/14 8:30 PM bad segue, great twinbill: fiery southwestern gothic/Romany rock band Butcher Knives followed by the stoner New Orleans soul/psych/circus rock grooves of the Dirty Bourbon River Show at the Knitting Factory, $12

4/14, 10 PM deviously fun oldtimey swing guitarist/crooner Seth Kessel & the Two Cent Band  at Sunny’s, 4/17, 8 PM he’s at Radegast Hall

4/14, 10:30 PM guitarist Alyse Lamb’s fiery, subtly witty tightly psychedelic jazz-inspired postpunk band Parlor Walls at Muchmore’s, $7

4/14, 11 PM lush, intense, artfully orchestrated psychedelic rockers Aunt Ange at the small room at the Rockwood

4/15, 2 PM edgy, lyrical rising star jazz singer/guitarist Rebecca Zola performs with her Zolaband: Nick Dunston on bass, Kalia Vandever on trombone, Lee Meadvin on guitar, and Connor Parks on drums.  She also plays guitar solo, and a duo with Theo Walentiny on piano at Mannes School of Jazz Performance Space, Arnhold Hall, 55 W13th St on the 5th floor, free 

4/15, 3 PM Blythe Gruda sings her enigmatic art-rock and parlor pop at Pete’s

4/15, 5 PM a free screening of Risha Gorig’s imagistically sobering new documentary The Changing Faces of Red Hook at the Jalopy 

4/15, 6 PM songstress Kim Monroe’s badass highway rock/classic 60s pop band Castle Creek at the small room at the Rockwood 

4/15, 7 PM fiery, guitar-fueled Americana punks Spanking Charlene, followed by longtime LES southwestern gothic/folk noir band Mad Juana and eventually former Willie Nile sideman/glamrocker Steve Conte at Bowery Electric, $10

4/15, 7:30 PM the darkly Middle Eastern-tinged Eyal Vilner Big Band at Ginny’s Supper Club, $15

4/15, 7:30 PM pianist Anna Fedorova plays works by Chopin, Scriabin, Mozart and others at at Washington Irving HS Auditorium, 16th St./Irving Place, $15

4/15, 8 PM superbly counterintuitive drummer/composer Vinnie Sperrazza leads his band followed by lyrical pianist Brian Marsella leading his at the Owl, $10

4/15, 9 PM searing, theatrical Romany/Balkan punk rockers Bad Buka at Mehanata, $10

4/15 10 PM long-running, perennially stomping post-new wavers the Wedding Present at the Bell House, $20

4/15, 11 PM sardonic, hard-hitting, noisy Japanese girlpunks the Hard Nips at the Cobra Club, $7

4/16, 1 PM a fundraiser for global women’s reproductive health organization Marie Stopes International at Corkscrew Wines, 489 Myrtle Ave, Ft. Greene with readings by Ariel Yelen, Phoebe Glick and Jasmine Dreame Wagner+ a few songs by haunting Great Plains gothic songwriter Rose Thomas Bannister, sugg don, potluck, sliding scale, contribute what you can, “nobody turned away,” C/G to Clinton-Washington

4/16, 6 PM edgy, lyrical, darkly kaleidoscopic original jazz pianist/singer/composer Alina Engibaryan at Shrine 

4/16, 7 PM accordionist Sam Reider’s “future folk music” band followed at 9ish by psychedelic/art-rock/ Romany guitar genius Stephane Wrembel at Barbes

4/16, 7:30 PM tersely incendiary Chicago blues guitarist Joe Louis Walker at B.B. King’s, $10 adv tix rec

4/16, 10 PM Dealer – who mix stoner boogie, doom metal and slower heavy psych sounds at the Silent Barn, $8 

4/17, 7:30 PM pyrotechnic vibraphonist Mark Sherman leads his quintet at Smalls

4/17, 8/10:30 PM ageless, perennially hard-hitting jazz piano sage and ex-Coltrane bandmate McCoy Tyner at the Blue Note, $30 standing room avail

4/17, 9 PM legendary dual-reedman George Braith – who can play two saxes at once better than most guys can play one – leading his quartet at the Fat Cat

4/17, 9:30 PM savagely lyrical original klezmer songwriter/bandleader Daniel Kahn & the Painted Bird at Joe’s Pub, $20

4/17, 9:30 PM Yotoco, “the bastard child of Umoja Orchestra, Bioritmo, and Cumbiagra plays a melange of salsa, Afro-Cuban rumba, boleros, and cumbia” at Barbes.

4/17, midnight noir piano jazz with the Dred Scott Trio back at their old spot, the small room at the Rockwood. They’re also here on 4/24

4/18, 7  PM brilliant pedal steel player Mike Neer’s Steelonious – who do Monk covers in the same vein as Buddy Emmons – followed at 9 by ten-piece funky Balkan brass jazz monsters Slavic Soul Party at Barbes

4/18, 7 PM counterintuitive drummer/composer Vinnie Sperrazza ‘s trio with Jacob Sacks on piano and Chet Doxas on tenor plus bass wildman Moppa Elliott‘s Advancing on a Wild Pitch at Shapeshifter Lab, $10

4/18, 7:15 PM indie classical piano/percussion ensemble Bearthoven play the album release show for their new album featuring works by some excellent indie classical and up-and-coming composers – Ken Thomson, Brooks Frederickson, Brendon Randall-Myers, Fjóla Evans, Adrian Knight, and Anthony Vine – at the Poisson Rouge, $15 adv tix rec

4/18, 7:30 PM fiery alto saxophonist Lucas Pino’s twin-guitar No No Nonet at Smalls

4/18, 8 PM popular indie classical orchestra the Knights play  music by Schubert, Mozart, Haydn, Stravinsky, Philip Glass at Bric Arts, $18 adv tix rec

4/18-19, 8/10:30 PM killer soprano saxophonist James Carter leads a quartet at the Blue Note, $20 standing room vail

4/18-23, 8:30 PM OMFG Wadada Leo Smith plays a stand at the Stone with a variety of groups, $20. Choice pick: all of them, but the real special one is 4/20 with his String Quartet No. 13 (for Four Violas with Trumpet and Electronics) performed with Stephanie Griffin (viola) Gwen Lester (viola) Tanya Kalmanovitch (viola) Jason Kao Hwang (viola) Hardedge (electronics)

4/18. 8:30 PMi ntense, rapturous Balkan/ Middle Eastern ensemble the Secret Trio –Tamer Pinarbasi, Ismail Lumanovski & Ara Dinkjian – at Bar Lunatico

4/18,  9 PM the Space Merchants – the missing link between the Stooges and X – at American Beauty, $10 adv tix req

4/19, 5 PM indie classical chamber luminaries Talea Ensemble with soprano Juliet Fraser perform John Zorn’s Alll Hallows Eve plus wotks by Olga Neuwirth, Beat Furrer and Steve Reich at the Austrian Cultural Forum 11 E 52nd St.,  free 

4/19, 6:30 PM  up-and-coming guitarist/songwriter Alicyn Yaffee -the rare artist who successfully bridges the gap between lyrically-fueled chamber pop and jazz – at the Bar Next Door, free

4/19, 7 PM a benefit for the NYC Immigration Coalition at Littlefield with the ethereal, Balkan-influenced Accord Treble Choir, badass resonator guitarist Mamie Minch, latin jazz accordionist/crooner Gregorio Uribe, Banda Nueva York and others, $20

4/19, 7:30/9:30 PM hardworking, perennially tuneful bassist/composer Linda Oh plays the album release show for her Marcel Marceau-inspired new one Walk Against Wind at the Jazz Standard, $25

4/19, 7:30 PM fiery postbop alto saxophonist/composer Hailey Niswanger leads her quartet at Smalls

 4/19, 7:30 PM Matuto mash up Brazilian forro and American bluegrass at Bric Arts, free w/rsvp 

4/19, 8 PM dangerously edgy jazz guitarist Sean Cronin‘s Animule at Barbes

4/19, 9 PM first-rate purist honkytonk crooner/bandleader Clifford Westfall at 11th St. Bar

4/19, 9 PM smart, cleverly lyrical original swing chanteuse/songwriter/trombonist Emily Asher’s Garden Party at Radegast Hall

4/20, 1 PM Novus NY play Lou Harrison’s Solstice at St. Paul’s Chapel downtown, free

4/20, 7:30 PM Colombian champeta party band Tribu Baharu at the Lincoln Center Atrium, free, early arrival advised

4/20 and 4/25, 7:30 PM, also 4/22 at 8 the NY Philharmonic and Jonathan Biss perform Beethoven’s dramatic Second Piano Concerto and Timo Andres’s new piano concerto – part of a project creating new concertos with each of Beethoven’s five – at Avery Fisher Hall, $30 tix avail

4/20, 7:30 PM violinist par excellence Anne Akiko Meyers plays works by Beethoven, Part, Rautavaara, Ravel, Lauridsen and a Ciupinski premiere at the 92nd St. Y, $25 tix avail

4/20, 8 PM the Machine do an amazingly close approximation of Pink Floyd classics and obscure material at B.B. King’s, , $25 adv tix rec.

4/20, 8 PM the only Moroccan gnawa band this side of the Atlantic, Innov Gnawa play extremely rare Moroccan Jewish trance music  at Greenwich House Music School, $15

4/20, 8 PM eclectic, lyrical jazz bassist/composer Pedro Giraudo and his Tango Quartet followed at 10 by intense, intricately orchestrated, low register-loving psycho mambo band Gato Loco at Barbes

4/20, 8 PM the lavish, kinetic Liberte Big Band led by pianist Liberté-Anne Lymberiou Liberté-Anne Lymberiou at the Wil;liamsburg Music Center, 367 Bedford Ave 

4/20, 8:30 PM bassist Brian Glassman’s Klezmer-Jazz Alliance at the Jalopy, $15

4/20, 9ish hilarious 70s metal parody band Mighty High at at Lucky 13 Saloon, $

4/20, 9 PM folk noir from across the pond: Adam Masterson at the small room at the Rockwood

4/20, 9:30 PM violinist Lisanne Tremblay leads a quartet with Liberty Ellman on guitar,John Hébert on bass, and E.J. Strickland on drums at Shapeshifter Lab, $10

4/20, 10  PM edgy lefty guitarist Damian Quinones and his psychedelic latin soul band at  Pete’s

4/20. 10:30 PM noir-inspired alto saxophonist/composer Nick Hempton leads his group at Smalls

4/21, 5:30 PM darkly lyrical indie folk/parlor pop crooner/songwriter Nathaniel Bellows – who validates the inevitable Leonard Cohen comparisons – followed eventually at 6:30ish by the similarly haunting, lyrical Carolann Solebello (ex-Red Molly) at the American Folk Art Museum 

4/21, 6:30 PM Black Marble perform 17th and 18th century violin music by Mozart, Leclair, Reger, Barbella, and others at the King Manor Museum in the middle of Rufus King Park in Jamaica, F to Sutphin Blvd, $15/$10 stud/srs

4/21, 7:30 PM, repeating 4/22 at 8:30 PM the reliably entertaining, adventurous Chelsea Symphony premieres Samuel Magrill’s Concerto Fantastique for flute and orchestra with soloist Mira Magrill;  Stephen McDougall-Graham solos on Henri Vieuxtemps’ Violin Concerto. Saturday’s concert welcomes back violinist Jenn Ahn as featured soloist, performing the Mendelssohn Violin Concerto. The second half of both concerts features two 20th-century classics: Stravinsky’s Dumbarton Oaks and the Prokofiev Classical Symphony at St. Paul’s Church, 315 W 22nd St., $20 sugg don

 4/21, 7:30 PM the Occasionalists play a revolution-themed live karaoke show at Littlefield, $12

4/21, 8 PM art-rocker Pierre de Gaillande’s Bad Reputation playing witty chamber pop English translations of Georges Brassens classics followed at 10 by energetic acoustic Veracruz-style folk-punk band Radio Jarocho at Barbes

4/21, 8 PM flutist Sylvain Leroux and Source play Malian folk music; brilliant, charismatic oudist Rachid Halihal and Fez play Moroccan and Middle Eastern classics at Flushing Town Hall,  $16/$10 stud, 13-19 free w/ID

4/21, 8/9:30 PM cinematic, nocturnally-inclined pastoral jazz vibraphonist Chris Dingman with Linda Oh, bass;  Kenny Wolleson, drums at Cornelia St. Cafe, $10 cover plus $10 minimum

4/21, 9 PM stoner boogie/gutter blues band the Krystys (all dudes, fyi) followed eventually at midnight by the far darker, more psychedelic, intense, noisy female-fronted Vaureen – sort of a heavier Castle Black – at Muchmore’s, $5

4/21, 9 PM violinist Adrianna Mateo plays songs from her upcoming debut album and violin selections with guitarist Adam Bilchik at Bar Thalia adjacent to Symphony Space, free

4/21, 9 PM atmospheric Indian folk-inspired psychedelia with Tongues in Trees – vocalist Samita Sinha, drummer Sunny Jain of Red Baraat, and guitarist Grey McMurray from itsnotyouitsme – at BAM Cafe

 4/21, 10ish slow, crescendoing stoner dub jazz jams with Electric Red at Nublu 151 

4/21, 10 PM Lake Street Dive’s brilliant bassist Bridget Kearney with her irrepressibly fun new wave-tinged band at Rough Trade, $12 adv tix rec

4/21, 11 PM intense, charismatic folk noir chanteuse Lorraine Leckie at Sidewalk

4/22, 7ish Bobby Radcliff – the rare blues guitarist who plays a ton of notes but doesn’t waste them, sort of a funkier Stevie Ray Vaughan – with his trio at Terra Blues

4/22, 7:30 PM Christian Tetzlaff & Pamela Frank, violins play works by Bartok, De Beriot, Leclair and Prokofiev at at Washington Irving HS Auditorium, 16th St./Irving Place, $15

4/22, 8 PM playfully literate superduo Kill Henry Sugar – guitar/banjo mastermind Erik Della Penna and drummer Dean Sharenow – followed at 10 by hauntingly cinematic, harmony-driven Mexican nocturne band Las Rubias Del Norte at Barbes

4/22, 8 PM art-rock/parlor-pop pianist Elizabeth Ziman of Elizabeth & the Catapult – who may have catapulted the band out of existence and has officially gone solo – at the Owl

4/22, 8/9:30 PM crystalline, enigmatically enchanting jazz singer and vocalese specialist Aubrey Johnson  leads a fantastic band: Tomoko Omura, violin;  Michael Sachs, bass clarinet, alto sax;  Chris Ziemba, piano;  Matt Aronoff, bass;  Jeremy Noller, drums Cornelia St. Cafe, $10 cover plus $10 minimum

4/22, 8:30 PM crystalline-voiced noir Americana songwriter Jessie Kilguss with her excellent band at Freddy’s

4/22, 8:30 PM if you got priced out of the Aimee Mann show this month, don’t stress: Andrea Wittgens is in the same league, and it won’t cost you as much to hear her at the third stage at the Rockwood, $10

4/22, 8:30 PM Random Test bring their roots reggae to SOB’s, $10

4/22, 9ish high-voltage psychedelic cumbia band MAKU Soundsystem – whose new album takes a detour toward Caribbean and African sounds – at C’Mon Everybody, $tba

4/22, 9:30 PM paisley underground/punk trio the Unknown Nobodies, followed by enigmatically careening,wickedly tuneful, intense female-fronted power trio Castle Black playing the release show for their third excellent album in year, at Matchless, $10

4/22. 10 PM careeningly bluesy post-Stooges psych/garage rockers Acid Dad at Rough Trade, $12 adv tix rec

4/22, 11 PM powerpop guitar hero Tobin Sprout of GBV leads his own powerpop band at the Bell House, $20

4/22, 11:30 PM twistedly phantasmagorical dark art-rock/circus rock band Chupacabra at Drom, $5 

4/23, 10 AM-8 PM the annual Mannes Chamber Music Bash, program TBA, free and open to the public, performances in the various auditoriums at Arnhold Hall, 55 W 13th St 

4/23, 5 PM intense, lyrical, smartly Waits/Dylanesque Americana songwriter Pete Lanctot with his excellent violinist wife Ginger Dolden at LIC Bar

4/23, 7 PM LES punk/surf guitar legend Simon Chardiet’s Rooftoppers – who give him a chance to show off his prowess with jazz and proto-rock and western swing – followed by multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud playing the album release show for their new one Live at Barbes, at Barbes ($15 cover)

4/23, 7:15 PM Nazan Nihal and pianist/composer Utar Artun, with oudist Jussi Reijonen and multi-instrumentalist Bassam Saba play the album release show for their new one Anatolian Song at Drom, $10 adv tix rec

4/23, 8:30 PM chamber pop/Romany/Americana violinist/songwriter Sarah Alden at the big room at the Rockwood, $10

4/23, 9:30 PM ambitiously lyrical, cutting-edge rising star jazz composer/singer Annie Chen and her band at Shapeshifter Lab, $12

4/24, 7 PM violinist Ben Sutin’s high-voltage, eclectic klezmer jamband Klazz-Ma-Tazz at the small room at the Rockwood

4/24, 7 PM five new pieces by Huang Ruo performed by the Momenta Quartet and Ensemble FIRE and solo works performed by the composer himself at Roulette, $20 adv tix rec

4/24, 7:30 PM wild, theatrical Japanese noir cabaret/klezmer/Romany accordion sister duo Charan-Po-Rantan w/ special guest violinist Alicia Svigals at Joe’s Pub, $20

4/24, 7:30 PM pianist Taka Kigawa and the String Orchestra of New York City split the bill on a concert of new music by Lisa Bielawa, Zosha Di Castri and Richard Carrick at Symphony Space, $20 adv tix rec

4/24, 9:30 PM Colombian cumbia band Bulla en el Barrio at Barbes

4/24, 10 PM Balkan powerhouse Tipsy Oxcart‘s bassist Ayal Tsubery plays with his own band at LIC Bar

4/25, 6 PM pianist Beatrice Long plays works by Scarlatti, Albeniz, Chopin and Ligeti at the Yamaha Piano Salon, $6

4/25, 7 PM big band jazz composer Amos Mitchell’s  Anomalous Ensemble plays their new album Anomalies all the way through at Shapeshifter Lab, $15

4/25, 7 PM the Orchestra of the SEM Ensemble play world premieres by George Lewis, Roscoe Mitchell, Christian Wolff and Petr Bakla plus works by Muhal Richard Abrams, and Jackson MacLow with soloists Muhal Richard Abrams, Piano;Thomas Buckner, Voice; Claire Chase, Flute; Joseph Kubera, Piano; George Lewis, Trombone; Roscoe Mitchell, Saxophone and the Momenta Quartet at Bohemian National Hall, 321 E. 73rd St, sugg don

4/25, 8 PM haunting, crepuscular folk noir songwriter Erin Regan followed eventually at 10 by the similarly haunting, desperately dark folk noir band Jagged Leaves at Sidewalk

4/25, 8 PM for night one of this year’s MATA Festival, in their North American debut Danish indie classical luminaries SCENATET play new works by Eric Wubbels (USA), Yu Oda (Japan): Daniel Tacke (USA): Martin Grütter (Germany): Messer Engel Atem Kling; Christian Winther Christensen (Denmark): Kaj Duncan David (Denmark): Murat Çolak (Turkey)  at the Kitchen, $20

4/25, 8 PM International Contemporary Ensemble play spectral music: “three generations of French and American music, from Gérard Grisey’s Périodes to a new work by Christopher Trapani” at Roulette, $20 adv tix rec

4/25, 9 PM Romany turbo-folk songbird Zana and band at Shrine

4/25 10 PM charismatic, sultry, torchy Americana songwriter/chanteuse Julia Haltigan and her fiery noir band  at the third stage at the Rockwood, $10

4/26, 7 PM hypnotic, psychedelic, playful new works for tabla and electronics by Suphala at National Sawdust, $25 adv tix rec

4/26, 7:30/9:30 PM eclectic, lyrical jazz bassist/composer Pedro Giraudo and his Big Band at the Jazz Standard, $25

4/26, 8 PM clarinetist Andy Biskin‘s 16 Tons with John Carlson, Dave Smith, Kenny Warren – trumpets; Rob Garcia -drums at Barbes

4/26, 8 PM night two of this year’s MATA Festival features piano music: the Hocket piano duo, Sarah Brailey (soprano), Molly Herron Trio (Herron, piano; Pat Svoboda, bass; Amy Garapic, percussion), Bridget Kibbey (harp), Blair McMillen (piano), Adam Tendler (piano) performing works by  Charlie Sdraulig. Marina Poleukhina (Russia):Joseph Michaels; Michael Laurello; Karen Keyhani (Iran): Molly Herron; Sojourner Hodges at the Kitchen, $20

4/26, 8:30 PM darkly lyrical Americana/highway rock songwriter Jeffrey Foucault at City Vineyard, 233 West St. on the water, take Canal all the way west, $20

4/26, 8:30 PM the Ariel Quartet play works by Mohammed Fairouz, Menachem Weisenberg and Beethoven at the 92nd St. Y, $25

4/26, 9ish wild, trippy, hypnotically enveloping EWI and ambient electronics from Moist Paula Henderson and Nick Demopoulos on his keytar-like invention the SMOMID at Troost

4/27, 1 PM chamber ensemble Helicon play a water shortage-themed program tba at St. Paul’s Chapel downtown, free

4/27, 7 PM intense theatrical Bartok-influenced drummer/composer Sean Noonan’s Soap trio with Alex Marcelo on piano, Peter Bitenc on bass at Barbes

4/27, 7:30/9:30 PM starry, hauntingly cinematic pastoral jazz group Bryan & the Aardvarks play the album release show for their new one at the Jazz Gallery, $15

4/27, 7:30 PM pianist Klara Min plays works by Scriabin, Messiaen, Mozart and the world premiere of Jean-Frédéric Neuberger’s Deux Etudes pour piano at Zankel Hall at Carnegie Hall, $25 tix avail

4/27, 8 PM urban country fave Jack Grace – known for his boisterously funny oldschool 60s C&W and brooding southwestern gothic – plays the album release show for his long-awaited new one at Hifi Bar

4/27, 8 PM American Modern Ensemble perform new vocal works by Robert Paterson, Luna Pearl Woolf and Robert Maggio at Merkin Concert Hall, free

 4/27, 8 PM night three of this year’s MATA Festival at the Kitchen features works for viola, guitar and percussion by Lisa Hirsch, Samuel Cedillo, Karin Wetzel, Mikel Urquiza, Oleg Elagin and Nikolet Burzyńska, $20

4/27, 8 PM Sweden’s Ensemble SON and Either/Or  play music of Swedish-born, Netherlands-based composer Klas Torstensson at the Miller Theatre, $25

4/27, 9:30 PM ageless first-wave noise-punk trio the Bush Tetras at the Delancey, $12

4/27, 10 PM Super Yamba play their psychedelic Afrobeat jams at Barbes 

 4/27, 10 PM catchy, enigmatic female-fronted dreampop band Loosie play the album release show for their new one at Friends and Lovers at  

4/27, 10:30 PM riveting, smart, Indian-influenced psychedelic soul singer/bandleader Shilpa Ananth  – the Indian Sade, maybe? – at Pine Box Rock Shop

4/28, 5:30 PM catchy, soaring Swedish Americana singer Sofia Talvik at the American Folk Art Museum 

4/28, 7 PM violinist Rolf Schulte and pianist, Judith Olson play Beethovan sonatas at Bloomingdale School of Music, 323 W 108th St (off of Broadway), free

4/28-29, 7:30/9:30 PM dazzlingly eclectic purist jazz singer Brianna Thomas and her band at Ginny’s Supper Club, $20

4/28, 7:30 PM the debut of up-and-coming indie classical clarinet/violin/percussion trio F-Plus play works by Timo Andres, Nathan Hudson, Dylan Mattingly, Anna Meadors and Roger Zare at Scholes St. Studios, $10 

4/28, 8 PM night four of this year’s MATA Festival at the Kitchen features Carl Bettendorf (conductor), Leah Asher (violin), Miranda Cuckson (violin), Isabel Lepanto Gleicher (flute), Hannah Levinson (viola), Carol McGonnell (clarinet), Isabelle O’Connell (piano), Mariel Roberts (cello) playing works by a global cast of composers: Francisco C. Goldschmidt, Giovanni Bertelli, Krists Auznieks and Siraseth Pantura-umporn, $20

4/28, 8 PM stomping Eastern European and Middle Eastern dance grooves with Balkan Beat Box at Brooklyn Steel, $25 adv tix avail. at the Mercury box ofc

4/28, 8 PM rustic Brazilian jungle sounds with Regional de NY followed at 10 by psychedelic latin bandleader Zemog El Galle Bueno at Barbes

4/28, 8 PM Chartwell Dutiro plays Zimbabwean mbira music with his band at Roulette, $25

4/28, 8:30 PM counterintuitive drummer/composer Vinnie Sperrazza plays solo drums at I-Beam, $15. Don’t laugh. Guy is good. Could be really fun.

4/28, 9 PM hypnotically funky psychedelic hammered dulcimer instrumentalists House of Waters at BAM Cafe, free

4/28, 9/10:30 PM drummer Tomas Fujiwara & the Hook-Up with Adam Hopkins, bass;  Mary Halvorson, guitar;  Brian Settles, tenor sax;  Jonathan Finlayson, trumpet at Cornelia St. Cafe, $10 cover plus $10 minimum

4/28, 10 PM slinky original rocksteady with Osekre & the Lucky Bastards at Shrine

4/28, 10 PM oldschool Cuban country music with Los Hacheros at the Museum of the City of NY, $20

4/28, 10:30 PM careening, charismatic, lyrically-fueled soul-rockers No Ice – arguably Brooklyn’s best band – at the Mercury, $10

4/29, 6 PM pyrotechnic klezmer clarinetistMichael Winograd and his similarly amazing band play originals from his killer forthcoming album, followed at 8 by thethe Dirty Waltz Band- a seven-piece group playing more than a dozen instruments in 3/4 time in countless genres from Balkan, Irish, jazz, blues and American folk traditions –and then Yotoco playing psychedelic cumbias at 10 at Barbes 

4/29, 7:30 PM Quatuor Danel play works by Mendelssohn, Weinberg and Shostakovich at Washington Irving HS Auditorium, 16th St./Irving Place, $15

4/29, 8 PM hauntingly enveloping, kinetic Iranian art-rock/trance ensemble Niyaz at Roulette, $30

4/29, 8 PM adventurous indie classical piano/flute duo RighteousGirls play new works by works by Ambrose Akinmusire, Molly Joyce, Paula Matthusen, Masatora Goya, Vijay Iyer, and Andy Akiho at Bruno Walter Auditorium at Lincoln Center, free

4/29, 8 PM pianist Pablo Mayor’s Folklore Urbano Orchestra and Pajarillo Pinta’o dance company team up for a theatrical concert exploring global culture, immigration, tradition, and love at Flushing Town Hall,  $16/$10 stud, 13-19 free w/ID

4/29, 8 PM reliably acerbic jazz  cellist Hank Roberts leads his quintet at the Owl, $10

4/29, 8 PM night fiveof this year’s MATA Festival features Novus NY with the Le Boeuf Brothers playing works by a global cast of composers: Philip Venables; Kristina Wolfe; Dmitri Timofeev; Paul Pinto and Pascal Le Boeuf at the Kitchen, $20

4/29, 8:30 PM fiery Balkan sax master Yuri Yunakov with pyrotechnic clarinetist Sal Mamudoski play Romany dance music at Balkan Cafe at Hungarian House, 213 E 82nd St, $20

4/29, 10 PM ageless Japanese jangle-women Shonen Knife at Sunnyvale, $15

4/29, 11 PM high-voltage country blues and punkgrass with Reverend Peyton’s Big Damn Band at the Mercury, $15

4/30 is International Jazz Day. Stay tuned.

4/30, noon-10 PM the Queens Jazz OverGround festival at Flushing Town Hall, free, performers tba

4/30, 4 PM classical chamber ensemble Counter)Induction play works by Faure, Bartok and a Jessica Meyer world premiere  at the Dreck Center at the Brooklyn Public Library, free, no under-sixes

4/30, 5 PM  legendary, world renowned, Guinness-record-holding former long-term (1960-2009!) principal clarinetist of the New York Philharmonic, Stanley Drucker and his frequent sparring partner, pianist Kazuko Hayami play works by Chopin, Brahms, Debussy, Poulenc and Bernstein at the Lounge at Hudson View Gardens, 128 Pinehurst Ave at W183rd St, $12, reception to follow

4/30, 7 PM fiery, charismatic soul siren and songwriter Meah Pace and her oldschool band at plays her bday show at LIC Bar

4/30, 7 PM Colombian pianist and keyboardist Ricardo Gallo’s psychedelic cumbia trio Los Aliens followed at 9:30ish by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

4/30, 7:30 PM pyrotechnic third-stream jazz pianist Laura Dubin leads her trio playing the album release show for her new one at Club Bonafide $10 

4/30, 8 PM trumpet luminary Jeremy Pelt with pianist Simona Premazzi at Mezzrow, $20

4/30, 8 PM jazz vibraphonista Yuhan Su with Matt Holman, trumpet;  Alex LoRe, alto sax;  tba, bass;  Allan Mednard, drums at Cornelia St. Cafe, $10 cover plus $10 minimum

4/30, 8 PM hypnotic, swirling, ancient and brand-new Punjabi grooves with Riyaaz Qawwali at Roulette, $30

4/30, 9 PM roots reggae cult figure opens for an iconic one: Gary “Nesta” Pine and the Love Generation Band open for Black Uhuru’s Mykal Rose at B. B. King’s, $25 adv tix rec

5/1, 7 PM Finnish murder ballad singer Pekko Käppi leads his haunting, austere folk trio at the CUNY Grad Center, 365 5th Ave north of 34th, $25/$20 stud

5/2, 9 PM popular post-Velvets slowcore/psych band the Black Angels at Brooklyn Steel, $25

5/3, midnight, fun, catchy, noisy girlpunk band Sharkmuffin at Sunnyvale, $10

5/4, 6 PM one of the year’s best triplebills features sounds from across the Middle East: the hauntingly rustic, eclectic NY Andalus Ensemble, 1950s-60s Egyptian film music revivalists Zikrayat and enigmatic Iranian folk-rockers Vatan at Brooklyn Music School; 126 Saint Felix St, $15/$10 stud 

5/4, 7 PM an Annie Gosfield retrospective performed by Duo Cortona (singer Rachel Calloway, violinist Ari Streisfeld), guitarist Roger Kleier, percussionist Brian Chase, pianist Kathleen Supové, and Gosfield herself on keyboard, at the Center for Jewish History, 15 West 16th, $15/$10 stud/srs. The program explores immigration, LES artistic milieux and possibly spy themes. 

5/4, 8 PM fiery fun violinist Chloe Swantner leads a Roger Miller cover night with a whole bunch of Americana peeps at a house concert at 169 Spencer at Willoughby, free

5/4, 9 PM inimitable, distantly ominous Japanese psychedelic folk/art-rock band Kikagaku Moyo at Rough Trade, $15

5/5, 8 PM saxophonist/singer Stephanie Chou and her band blend classical and Chinese influences with jazz; Jamaican artist Owen Romeo plays with his group Tribal Legacy at Flushing Town Hall, $16

5/6, 5 PM the Bang on a Can Marathon of indie classical and esoterica returns at the Brooklyn Museum, free: the highlight is at 8 PM with Amir ElSaffar’s 2 Rivers Ensemble doing their lush, haunting largescale Middle Eastern jazz soundscapes. Get there close to 5 or you may miss it. 

5/6, 7:30 PM Ba Ban Chinese Music Society play rarely heard, jazzy 1930s Shanghai film music themes at Flushing Town Hall, $16, kids 13-19 free w/id

5/7 explosive electric blues guitarist/songwriter Jackie Venson – arguably the best thing happening in Texas blues right now – at LIC Bar

5/8, 10:30 PM chanteuse/uke player Dahlia Dumont’s Blue Dahlia play edgy, smartly lyrically-fueled, jazz-infused tunes in English and French with classic chanson and Caribbean influences at Club Bonafide, $10 

5/12, 7 PM intense, politically fearless, frequently hilarious gothic Americana songwriter Rachael Kilgour at the Commons Cafe, 388 Atlantic Ave. in Cobble Hill, any train to Atlantic Ave; 5/13 she’s at Caffe Vivaldi at 8.

5/13, 8 PM quirky, fun swing-infused songwriter Orly Bendavid & the Mona Dahls open for powerful, fearlessly political, poignant Nashville gothic/Americana songwriter Rachael Kilgour at Caffe Vivaldi

5/14, 3 PM Alan Pierson conducts new music ensemble Alarm Will Sound in the NY premiere of John Luther Adams’ avian-inspired symphonic work Ten Thousand Birds in Morningside Park, free, follow the sound

5/15, 5:30 PM drinks at 5:30, music at 6 PM Michael Riesman and Ensemble Signal celebrate the music of Philip Glass at the Miller Theatre, free

5/19, 5:30 PM drinks at 5:30, music at 6 PM New York Polyphony “illuminate Bach and Luther’s German roots” at the Miller Theatre, free

5/20, 3 PM the Washington Heights Chamber Orchestra play a world premiere by Music Director Chris Whittaker and close with Mendelssohn’s exuberant “Italian” Symphony, at Fort Washington Collegiate Church, 729 W. 181st St.,free, reception to follow  

5/24, 7:30 PM eclectic mostly-female klezmer/cumbia/tango jamband Isle of Klezbos’ all-gal sextet ensemble (including mesmerizing vocalist Melissa Fogarty), plus clips from bandleader Eve Sicular’s cinema history project, The Celluloid Closet of Yiddish Film at the Center for Jewish History, 15 W 16th St. $25 adv tix req

6/4 7 PM individualistic, John Fahey-esque acoustic guitar instrumentalist David Rogers plays a mix of “Spanish, flamenco, uptempo Latin, Leonard Cohen, Rolling Stones, Tim Buckley, Roxy Music, Beatles, J.S. Bach and original compositions” at the third stage at the Rockwood, $10 

6/6, drinks at 5:30, music at 6 PM indie classical globetrotters International Contemporary Ensemble play animal behavior-inspired works at the Miller Theatre, free

6/13, drinks at 5:30, music at 6 PM the Mivos Quartet play a program TBA at the Miller Theatre, free

6/13, 8:30 PM popular newschool blue-eyed soul/Motown/swing band Lake Street Dive at Prospect Park Bandshell

A Killer Triplebill Foreshadows a Great Psychedelic Show on the LES

This Thursday, March 30 at 8 PM there’s a rare, intimate performance by second-wave Los Angeles psychedelic legends the Jigsaw Seen at Bowery Electric. They’re followed by the much louder New York Junk, whose retro sound moves forward in time another ten years to the Max’s Kansas City early punk rock scene. Cover is a ridiculously cheap, CBGB-era $8.

The Jigsaw Seen’s latest album, streaming at Spotify, is aptly titled For the Discriminating Completist. It’s a collection of B-sides and rarities. There’s an album of new material in the works, and frontman Dennis Davison has also recently immersed himself in a brand-new dark acoustic project, Witchfinder Witch, a duo with New York folk noir icon Lorraine Leckie. Speaking of which, she has an incendiary new protest single, America Weeping, just out and available as a free download at Bandcamp

The two made their debut at Pete’s Candy Store on a Saturday night in January, Davison on acoustic guitar and Leckie on piano. The highlight of that gig was Cave Canem, a witheringly lyrical anthem that casts the history of dogs – and centuries of canine abuse – as a metaphor for humans’ crimes against their own species.

A few days later at Maxwell’s, the duo were the centerpiece of what’s arguably been the best triplebill of the year. Debby Schwartz opened the show, jangling adn clanging through a series of arcane British folk turnings on her hollowbody Gretsch, bolstered by Bob Bannister’s nuanced, artfully jeweled, Richard Thompson-esque Strat work, Rose Thomas Bannister supplying lush harmonies and percussion. Through neo-Britfolk and more dreampop-oriented material, Schwartz sang with her her soaring, diamond-cutter delivery, dreaming New York City in the middle of LA and finally closing with a stunning take of the psych-folk anthem Hills of Violent Green.

By now, Witchfinder Witch had shaken off whatever early jitters they might have had: they’d come to conquer. Davison spun bittersweet, pun-infused psych pop gems weighing the pros and cons of clinical depression (do it right and you get tons of songs out of it) and a couple of darkly allusive, mystically-tinged co-writes with Leckie. She charmed and seduced the crowd with blue-flame red-light cabaret tune or two, a jaunty S&M piano number that was so deadpan that it was creepily plausible, and a mysterious, hypnotic folk noir tableau that could have been about heroin, or simply death itself. The crowd was rapt.

The Pretty Babies headlined, putting a deliriously fun coda on what had been a low-key, entrancing evening up to then. Professional subversive and rockstar impersonator Tammy Faye Starlite – who’s channeling Nico on Thursdays in April at 7:30 PM at Pangea – led the world’s funniest Blondie cover band through a stampeding take of Dreaming as well as a surprising number of deeper cuts from the band’s early days when they rocked harder. If memory serves right, Tammy took a hilariously politically-fueled detour that eventually drove Call Me off the rails. Everybody in the band has a funny, punny Blondie name. Was bassist Monica Falcone – who absolutely nailed the wry disco lines in Heart of Glass – newly christened as Chrissie Stein? It’s hard to remember who else everybody else was: Heidi Lieb and Keith Hartel as Frank Infantes separated at birth, and expert standins for Jimmy Destri on keys and Clem Burke on drums. Hearing the Pretty Things and watching the crowd on their feet and bopping along was a jab in the ribs that said, hey, the original outfit was pretty good too. 

Olga Bell’s Irreverently Funny, Relevant Lincoln Center Debut Trumps Adversity

Olga Bell is hilarious. In her American Songbook debut at Lincoln Center’s Kaplan Penthouse last night, the Russian-born art-rock/avant garde keyboardist/singer validated a brave piece of booking, in the process triumphing over all sorts of adversity. This was a tough gig from the git-go. Cheefing on what seemed like a bottomless thermos til it was gone, then finally switching to water, she battled a cold along with some unfamiliar gear that malfunctioned to the point of threatening to completely derail her show. But she persevered, cheerfully breaking the fourth wall when she wasn’t mercilessly pillorying the yuppie careerism, incessant status-grubbing and money obsessions of gentrifier-era Brooklyn, which she now calls home.

And she did it with more than just her lyrical jabs, which turned out to be a lot subtler than her musical barbs. Those drew the heartiest laughs from a sold-out audience of well-heeled twentysomethings whose mere presence in Manhattan on a Friday night was something of a surprise: turns out that not everyone in zip code 11221 is petrified of being geotagged outside it.

When she hit her pitch pedal and ran her vocals through a toddler-voice patch to make fun of a guy who’s too big for his britches, and then a little later turned the kiss-off anthem Power User into phony hip-hop, the crowd roared. She had similar fun with her electronics and all the loops she’d stashed away in her sequencer, particularly a Bernie Worrell-style low bass synth setting that she worked for every droll riff she could think of.

Her between-song patter also had edge and bite. Acknowledging that for her, this gig spelled revenge for having been rejected by the Juilliard folks a few floors below, she played elegantly nuanced, neoromantically-tinged piano when she wasn’t fiddling with her mixer, or loading a stubborn loop device, or feeding layers of melody into an arpeggiator. Such things exist: clearly, there’s a market among players who prefer chords instead. She namechecked “aspirational hipsters,” including the guy at the corner bar who’s on the take more than he’s on the make.

“Wherefore art thou, Doppio?” she posed to another would-be romantic doofus. Even the simpler, techier, disco-oriented numbers were laced with taunts and sarcasm, particularly Stomach It and Your Life Is a Lie, among other tracks from her 2016 album Tempo. Toward the end of the show, she was joined by cellist Andrea Lee for a moody Russian border-rock ballad from the 2014 album Krai, and then soul singer Sarah Lucas, who belted out one of the more pop-oriented electronic numbers. Bell encored with a vaudevillian piano tune about finding romance on the L train, which she’d written in 2006 for the Rockwood Music Hall open mic. Who knew there was once such a thing – and who knew that somebody who played there would someday headline at Lincoln Center.

This year’s American Songbook series continues to venture much further afield than the theatre music and pop hits from the 1930s and 40s that it was created for almost twenty years ago. There are two Kaplan Penthouse shows next week that deserve special mention: on Tuesday, March 28 at 8 PM, the Cactus Blossoms, who have an eerie resemblance to the Everly Brothers, bring their rapturous harmonies and disconsolate Americana ballads. And the following night, March 29, powerhouse Ghanian-born oldschool soul belter Ruby Amanfu leads her band.

A Provocative, Wickedly Catchy New Album and a Rare Live Show by Nehedar

Over the past few years, Nehedar has made a name for herself as an often brilliantly lyrical, eclectic songwriter spanning the worlds of psychedelic soul and catchy urban pop. Her songs are sparkly, and fun, and full of humor. She’s a tremendously good singer, with a clear, bright voice. By contrast, her lyrics have edge, and bite, and a persistent unease. They ask more questions than they answer, and get you thinking. And she’s a big-picture person; her definitive album so far may be 2011’s Power Plant Beach, whose sunny album cover depicts a nuke plant in the background.

Her new album Hello Abyss, streaming at her music page, is arguably the most rock-oriented thing she’s done to date. and might also be the musical high point of her career. The songs’ unifying theme is escape. It’s hard to think of a more apt title for anything released under the current political climate, isn’t it? When she’s not singing harmonies in the New York rock band Fierce Love, she tends to be a creature of the studio: she doesn’t play a lot of shows on her own. Which is why the album release show on March 15 at 9 PM at Bowery Electric is a pretty big deal. Perl Wolfe – former lead singer of Bulletproof Stockings, the Hasidic Sleater-Kinney – opens the night at 8. After Nehedar’s own set, she plays with Fierce Love, then sardonic new wavers Blanket Statementstein headline at around 11. Cover is $10?

Nehedar (real name: Emilia Cataldo) plays guitar and keys, joined on the album by Fierce Love guitarists Shaul Zuckerberg and Tim Rockmore, with Craig Levy on bass and drums. The opening track, The Story is a new wave soul tune complete with wryly warpy synths and deadpan funny electronic percussion patches that contrast with the lyrics, a rugged individualist surveying the terrain from an understatedly solitary perspective.

The second cut, Catacomb, is part eco-disaster parable, part kiss-off anthem to the powers that be, sung over a counterintuitively bouncy new wave pop tune. “Got their hooks in you, made you believe that their lies are true…get your brain back!” she insists. “The lights are bright, but it’s monochrome.”

Shedding Skin is a mashup of anthemic powerpop and trippy dub reggae with some Middle Eastern spice. How rises with echoes of gospel and oldschool soul into a big power ballad. Is it cynical to want no more than to be able to wake up into a world that doesn’t make you want to hide under your pillow, Nehedar asks us – or, is that merely being realistic?

“You’re never too young go know which way not to go,” she asserts in the surrealistically lilting Happy Birthday, with its boomy, brushed snaredrum beat and dancing bass. You’re Beautiful When You Fall Apart is a big rocker with a 60s psychedelic undercurrent, just like the following cut, Fear and Love, which is more poppy: “Let’s see the monster underneath the bed!” she challenges with irrepressible cheer. “”I’m gonna take you in the back room, show you all the monsters I keep in the rear!”

The album’s most striking and strongest track is The Grudge, a snarling psych-pop broadside: “It’s like the bottom fell out and left me in a civil war,” she laments. The final numbers here are the let’s-bury-the-hatchet ballad Tonight Tonight and Sotah, which rises from eerie folk noir to a big, roaring, angst-fueled, Santana-esque guitar anthem, with the album’s most dramatic, intense vocals. 

Agnes Obel Brings Her Creepy Waltzes to the West Village Saturday Night

Multi-keyboardist/singer Agnes Obel writes broodingly catchy songs that span from minimalist chamber pop to more ornate art-rock. She loves waltz time: most of the songs on her new album Citizen of Glass, streaming at Spotify, have a slow 3/4 pulse. David Lynch has given her his imprimatur, which makes sense, although as a point of reference, she’s closer to Basia Bulat than Julee Cruise. Obel’s got a New York gig this Saturday night, March 11 at the Poisson Rouge at 7:30 PM. Advance tix are $20.

Obel plays all the keyboards on the album other than Daniel Matz’s trautonium, an early analog synthesizer that sounds like a chorus of shortwave radios. Kristina Koropecki’s alternately swooping and dancing cello multitracks add lushness and lustre to the moodily waltzing opening number, Stretch Your Eyes: it wouldn’t be out of place as a backing track on a classic 90s RZA Wu-tang joint.

Familiar has the…ummm…familiar feel of an icy 90s stainless-steel-counter club trip-hop number, like Portishead with guy/girl vocals: it’s likely that Obel is simply multitracking those harmonies with a pitch pedal. To her credit, Obel writes instrumentals as well as vocal numbers; the first of these, Red Virgin Soil is a hypnotically circling minor-key, cello-driven waltz.

A more stately piano waltz, It’s Happening Again has a distantly troubled, hazy Marissa Nadler-esque vibe, a look over the shoulder at a haunted past. Obel also draws comparisons to Nadler over 3/4 cadences throughout Stone, which  brings to mind Philip Glass’ film work.

Trojan Horses is the album’s best and creepiest track, in the same vein as Clint Mansell’s most ominously circular film scores. “The end of time has just begun, I hear it call your name,” Obel soberly intones early in the title track, the most minimalist but arguably catchiest song here. That could also be said about Golden Green, a trance-inducing round with Bach-like echoes, Obel playing through a vibraphone patch. 

The album winds up with the melancholy, resonant piano instrumental Grasshopper and then Mary, a sad reminiscence that could be about a lesbian relationship, or maybe witchcraft, or maybe both. Once again, Obel’s signature allusiveness draws you in.

Live Music Calendar for New York City and Brooklyn for March and April 2017

Constant updates, and a brand-new calendar for April and May coming April 1, no joke. Til then, you might want to bookmark this page and check back every so often. If you don’t recognize a venue where a particular act is playing, check the comprehensive, recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music. Many different styles to choose from here, something for everyone

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised. If you see a show listed without the start time, that’s because either the artist, their publicist or the venue in question sent incomplete info – those acts are usually listed last on a particular date.  Always best to check with the venue for the latest information on set times and door charges, since that information is often published here weeks in advance. Weekly events first followed by the daily calendar.

On select Wednesdays and Sundays, an intimate, growing piano music salon on the Upper West Side featuring iconoclastically insightful, lyrical pianist Nancy Garniez – a cult favorite with an extraordinarily fluid, singing, legato style – exploring the delicious minutiae of works from across the centuries. Up next: Bartok, Haydn, Brahms and Chopin. Sugg don $10 (pay what you can), delicious gluten-free refreshments, beverages and lively conversation included! email for info/location. Upcoming dates: Wednesdays at 7: Mar 22,  Apr 19 , May 17,  June 21, and Sundays at 4:   Mar 26,  Apr 23,  May 21,  June 25.

Mondays at 7 PM multi-instrumentalist Dennis Lichtman’s popular western swing band Brain Cloud at Barbes followed at 9:30 PM by a variety of south-of-the-border-style bands playing cumbias, boogaloo, salsa, maybe all of the above.

Mondays at the Jazz Standard it’s all Mingus, whether with the Mingus Orchestra, Big Band or Mingus Dynasty: as jazz goes, it’s arguably the most exhilarating show of the week, every week. The first-rate players always rise to the level of the material. Sets 7:30/9:30 PM, $25 and worth it.

Also Monday and Tuesday nights Vince Giordano’s Nighthawks, a boisterous horn-driven 11-piece 1920s/early 30’s band play Iguana, 240 W. 54th St ( Broadway/8th Ave) , 3 sets from 8 to 11, surprisingly cheap $15 cover plus $15 minimum considering what you’re getting. Even before the Flying Neutrinos or the Moonlighters, multi-instrumentalist Giordano was pioneering the oldtimey sound in New York; his long-running residency at the old Cajun on lower 8th Ave. is legendary. He also gets a ton of film work (Giordano wrote the satirical number that Willie Nelson famously sang in Wag the Dog).

Mondays at the Vanguard the Vanguard Jazz Orchestra – composer Jim McNeely’s reliably good big band vehicle – plays 9/11 PM, $30 per set plus drink minimum.

Mondays at 9 PM erudite, purist torchy jazz chanteuse Svetlana & the Delancey 5 at the Back Room, 102 Norfolk St just north of Delancey St, free

Mondays at 10 noir guitar legend Jim Campilongo leads his trio at the big room at the Rockwood

Also Mondays in March Rev. Vince Anderson and his band play Union Pool in Williamsburg, two sets starting at 10:30 PM. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically astute, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the lead soloist on baritone sax, with frequent special guests.

Mondays in March at midnight wild noir piano jazz with the Dred Scott Trio back at their old spot, the small room at the Rockwood. 3/27 they’re at Mezzrow at 9

Tuesdays in March, 8:30 PM the George Gee Swing Orchestra play surprising new arrangements of old big band standards at Swing 46, 349 W 46th St,  $15

Tuesdays in March, clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  at 9 PM at Barbes. Get there as soon as you can as they’re very popular. $10 cover.

Wednesdays at 8-ish, amazing, psychedelic instrumentalists Sandcatchers – who blend cinematic, pastoral Americana and Middle Eastern themes – at Cheryl’s Restaurant, 236 Underhill Ave. (Eastern Pkwy/Lincoln Pl.) in Ft. Greene. Closest train is actually the 2/3 to Brooklyn Museum.

Wednesdays at 8 the Brooklyn Raga Massive – a rotating cast of A-list Indian, jazz and rock musicians who love to jam out classic Indian themes from over the centuries to the present day – play Art Cafe, 884 Pacific St.(at Washington Ave) in Brooklyn, $15; closest train is the 2 to Bergen St.

Wednesdays at 9 PM Feral Foster’s Roots & Ruckus takes over the Jalopy, a reliably excellent weekly mix of oldtimey acts: blues, bluegrass, country and swing.

Wednesdays in March, 11ish darkly rustic danceable Brazilian rainforest folk (and John Zorn covers) with Forro in the Dark at Nublu 151

Fridays and Saturdays at 5 PM adventurous indie classical string quartet Ethel plus frequent special guests playing a mix of classical and more contemporary material at the balcony bar at the Metropolitan Museum of Art, free w/museum adm

Fridays at around 9:30 PM Bulgarian Romany sax legend Yuri Yunakov with his wild but haunting band at Mehanata

Saturdays at 4 PM at Bargemusic there are impromptu free classical concerts, usually solo piano or small chamber ensembles: if you get lucky, you’ll catch pyrotechnic violinist/music director Mark Peskanov and/or the many members of his circle. Early arrival advised.

Saturdays in March 6 PM Steve Ulrich of Big Lazy at Barbes. The darkest and most darkly humorous noir guitarist on the planet promises to bring a whole slew of special guests from his vast address book. Expect the film themes that have made him famous as well as deviations into Monk, Piazzolla, maybe even country and blues. There’s nothing this guy can’t play or take deep into the shadows.

Saturdays eclectic compelling Brazilian jazz chanteuse Marianni and her excellent band at Zinc Bar, three sets starting at 10 PM.

Sundays there’s a klezmer brunch at City Winery, show starts around 11:30 AM – 2 PM, $10 cover, no minimum, lots of good bands

Sundays in March at sometime past noon at Hank’s, Nashville gothic crooner Sean Kershaw‘s legendary honkytonk brunch is back! It’s just like 1999 again!

Sundays in March, 7 PM spine-tingling darkly mystical art-rock/avant-garde/chamber pop songwriter Carol Lipnik – pretty much everybody’s choice for best singer in all of NYC – at Pangea

Sundays in March, 8 PM purist guitarist Peter Mazza – who gets the thumbs up from bop-era legend Gene Bertoncini – leads a series of trios at the Bar Next Door.

3/1, 7 PM PubliQuartet cellist Amanda Gookin plays electroacoustic piece by Leila Adu, Jessica Meyer, Allison Loggins-Hull, Morgan Krauss, Nathalie Joachim, and Amanda Feery from her new album at National Sawdust $30 adv tix rec

3/1, 8 PM a murderer’s row of first-rate singers including but not limited to Erica Smith, Tammy Faye Starlite, Lizzie Edwards of Lizzie & the Makers play a Leonard Cohen tribute, backed by an all-star band at Bowery Electric, $8

3/1, 8 PM rockabilly/honkytonk guitar maven Monica Passin a.k.a. L’il Mo followed by well-liked, fearlessly political LES soul-rock songwriter/chanteuse Dina Regine at Sidewalk

3/1-2, 8 PM the Boston Symphony Orchestra play Gunther Schuller’s Seven Studies on Themes of Paul Klee, Mozart’s Piano Concerto No. 22 in E-flat Major, K. 482 and Beethoven’s  Symphony No. 3, “Eroica” at Stern Auditorium at Carnegie Hall, $25 seats avail

3/1, 8:30  PM Rocky Mountain gothic songwriter Jackson Melnick plays the album release show for his new one with Rainy Mountain, Emma McMullin, and Joanna Sternberg at Muchmore’s 

3/1-5, 8:30 PM Mexican-American jazz fave Oscar Noriega leads a series of groups, alternating between alto sax and drums at the Stone, $20. Choice pick: the 3/3 quartet set with Mary Halvorson (guitar) Trevor Dunn (bass) Dan Weiss (drums)

3/1, 9ish Dervisi feat. guitar god Steve Antonakos play “exotic Greek gangsta blues” at Troost

3/1, 9 PM torchy, eclectic jazz/Americana singer/dobro player Abbie Gardner (ex-Red Molly) at the small room at the Rockwood

3/1, 9 PM oldschool-style high plains C&W singer Hope Debates & North 40 at Bar Chord

3/1, 9:30 PM jazz vibraphonista Yuhan Su with  Matt Holman, trumpet;  Alex LoRe, alto sax;  Petros Klampanis, bass;  Nathan Ellman-Bell, drums at Cornelia St. Cafe, $10 + $10 min

3/2, 7 PM fearless Malian psychedelic desert rock bandleader/freedom fighter Noura Mint Seymali at Littlefield, $20 adv tix avail

3/2, 7 PM oldschool soul bandleader Eliza Neals and the Narcotics plays the album release show for her new one followed eventually at 10 by wryly trippy dub reggae bandleader Effie Liu at the Bitter End

3/2, 8:30 PM riveting, dynamic, poignant klezmer singer Inna Barmash and her fantastic band sing “winkling klezmer lullabies, songs of love and love gone wrong” at the  Jalopy, $15

3/2, 7/9 PM charmingly nuanced, erudite singer/pianist and Dinah Washington reinventor  Champian Fulton plays the album release show for her new all-instrumental cd Speechless with Stephen Fulton [flugelhorn]   Dor Samoha [bass]   Fukushi Tainaka [drums] at Smoke, $12 bar seats avail. 3/7 at 8 she gets back on the mic, leading a trio at Mezzrow, $20

3/2, 7 PM Argentine songwriter Pedro Aznar, Mexican torch jazz singer Magos Herrera & pianist Edward Simon and his Trio play a Mercedes Sosa tribute at National Sawdust, $30 adv tix rec

3/2, 7:30 PM charismatic crooner Sahr Ngaujah’s Fela Acoustic Project and Sierra Leonean hip hop act Bajah and the Dry Eye Crew at the Lincoln Center Atrium, free

3/2, 8 PM dark, charismatic, mischievously witty art-rock keyboardist/chanteuse Rachelle Garniez followed at 10 by Chia’s Dance Party spinoff the Cumbia River Band playing rustic Colombian acoustic grooves at Barbes

3/2, 8 PM percussion and piano quartet Yarn/Wire play the shamanic, hypnotic, kinetic music of Japanese composer Misato Mochizuki at the Miller Theatre, $25 tix avail

3/2, 8 PM wild largescale improvisation: cornetist Taylor Ho Bynum‘s PlusTet performs music from their release “Enter the PlusTet” and premiere a new composition for creative orchestra at Roulette, $20 adv tix rec

3/2, 8 PM guitar/violin noise duo Aimee Niemann and Louis Cohen followed by concise, tuneful jazz pianist Marta Sanchez l leading her quintet with Roman Filiu on alto sax at the Owl, $10

3/2, 8/9:30 PM drummer/composer Rob Garcia  leads his quartet with Noah Preminger, tenor sax;  Gary Versace, piano;  John Hébert, bass;  playing his fearlessly political, tuneful, relevant compositions at Cornelia St. Cafe, $10 + $10 min

3/2, 9 PM long-running 90s alt-country favorites Rusty Truck at Hill Country

3/2, 10 PM ceaselessly entertaining, carnivalesque, sometimes outrageously cartoonish big band jazz: Josh Green & the Cyborg Orchestra at National Sawdust, $30 adv tix rec

3/2, 10:30 PM 10:30 PM noir-inspired alto saxophonist/composer Nick Hempton leads his group at Smalls

3/2, midnight fiery, politically aware Texas Americana band City of Decades at the small room at the Rockwood  

3/3, 7 PM intense, brilliantly lyrical, fearlessly political 1950s style original folk/blues singer Joshua Garcia at Caffe Vivaldi

3/3, 7ish killer dark retro 60s psychedelic/stoner boogie/art-rock band Medusa’s Disco at Gussy’s Bar in Queens

3/3, 7 PM a multimedia commemoration of the holocaust in Armenia by singer Anaïs Alexandra Tekerian and visual artist Kevork Mourad with writing and performance by  Tekerian and music from guitarist Anna Garano at National Sawdust, $30 adv tix rec

3/3, 7 PM “migra punk night” at the Silent Barn with a diverse lineup: bands include tuneful female-fronted Material Support, similar Pinoy punks Kadena and dark sludgy hardcore punk en Espanol band Huasipungo headlining, $10    

3/3, 7 PM Omurasu (Tomoko Omura : violin with Yuhan Su: vibraphone) followed by violinist/singer Karolina Beimcik’s Zormya quintet at Shapeshifter Lab, $15

3/3, 7 PM pianist Ena Bronstein Barton performs works by Mozart, Debussy and Chopin at Greenwich House Music School, $15/$10 stud/srs

3/3, 8 PM pianist Lucian Ban and violist Mat Maneri playing their creepy Transylvanian jazz followed at 10 by this era’s most chillingly cinematic, shadowy reverbtoned noir guitar instrumentalists, Big Lazy at Barbes

3/3, 8 PM bassist Leila Bordreuil duels with guitarist Bill Nace and then premieres “Void and Dismissal” — a collaboration with guitarist and vocalist Austin Julian (Sediment Club, Sunk Heaven). Featuring Tamio Shiraishi (alto sax) and Julia Santoli (spatialized amplifiers) at Issue Project Room, $10 sug don

3/3, 8 PM  Irina Muresanu, violin; Angela Draghicescu, piano play a Homage to Dinu Lupatti with music by Bartok, Lupati and Enescu at Weill Hall at Carnegie Hall, $25

3/3, 8:30 PM uneasy, lush chamber-rock and more avant garde sounds with the Parkington Sisters at the third stage at the Rockwood, $10

3/3, 8:30 PM a benefit for the ACLU and Brooklyn-based immigrants rights group DRUM with the Occasionalists serving as the live band for revolutionary karaoke i.e. R.E.M.’s End of the World as We Know It to Bob Marley’s Redemption Song to the Beatles’ Revolution to Public Enemy’s Fight the Power to Bowie/Queen’s Under Pressure at Union Hall, $10

3/3, 9 PM fiery garage rock band the NY Fowl Harmonic – a Gato Loco spinoff – and, Dawn Drake and at Hank’s. Hard-hitting bassist Dawn Drake & Zapote plays hot Afrobeat and latin-tinged funk grooves after

3/3, 9  PM hilarious jazz versions of Merle Haggard classics with Bryan & the Haggards – a Mostly Other People Do the Killing spinoff – at Red Hook Bait & Tackle

3/3, 10 PM fiery, psychedelically bluesy oldschool soul/southern rockers Lizzie & the Makers at the small room at the Rockwood

3/3, 10 PM New York City’s only Farsi funk group, the hauntingly psychedelic retro 60s/70s Iranian revivalists Mitra Sumara at Pete’s

3/3, 10 PM Unsteady Freddie‘s monthly surf rock extravaganza at Otto’s begins at 9 with brooding, stomping Russian prison songs reinvented as surf rock by the Vivisectors, then sax-driven garage punks the Gotham Rockets and psychobilly band the Spastiks sometime after midnight

3/3, 11 PM epic Americana/newgrass anthems with Frontier Ruckus at the Mercury, $12 adv tix rec 

3/4, 2:15 PM eclectic roots reggae/desert rock/African folk band Sierra Leone’s Refugee All Stars play a family concert at Flushing Town Hall, $13, ages 13-19 get in free w/ID; if you want to take part in an interactive workshop with the band, show up at 1 PM, that’s $7.

3/4, 4 PM quirkily cinematic, psychedelic, family-friendly instrumentalists Songs for Unusual Creatures, followed at 8 by this era’s greatest film noir guitarist and composer, Steve Ulrich of Big Lazy and eventually at 10 by epic, sweeping, adventurous Sinaloa-style mariachi/ranchera brass group Banda de los Muertos at Barbes

3/4, 6 PM carnatic vocal collective Sambhav sing a jazz and avant garde-influenced  program of tillanas — “the raucous, bravura traditional-closing-numbers of the South Indian music canon”- at Freddy’s  

3/4, 7:15ish dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues. They’re also here on 3/25

3/4, 7:30 PM perennially fearless jazz piano icon Vijay Iyer joins forces with an eclectic group of multilingual performer/composers – Himanshu Suri (formerly of Das Racist), guitarist Rafiq Bhatia (Son Lux) and drummer/rapper Kassa Overall for a voyage across multiple musical landscapes, articulated by the individual brilliance of the four collaborators. Pakistani vocalist/composer Arooj Aftab performs a set of her own songs with Leo Genovese, piano; Jorn Bielfeldt, drums; and Yusuke Yamamoto, synths. at Merkin Concert Hall, $25 or $20 per ticket for multiple purchases

3/4, 7:30 PM jangly all-female garage/surf band the Pizza Boys, sharply funny punk band the Church Bats, more all-female garagey surf jangle from PMS and the Mood Swings and garage rockers the Othermen, at Footlight Bar, $10   

3/4, 8:30 PM a benefit for Planned Parenthood with excellent, purist honkytonk crooner/bandleader Clifford Westfall followed by Tatters & Rags and then the Space Merchants – the missing link between the Stooges and X – at Union Hall, $10

3/4, 9/10:30 PM bassist Petros Klamanis leads his hauntingly lush, string-driven septet at Cornelia St. Cafe, $10 + $10 min

3/4, 9:30 PM smart, cosmopolitan jazz chanteuse Svetlana & the Delancey 5  – Breakfast at Tiffany’s meets Some Like It Hot – at Joe’s Pub, $16

3/4, 9:30 PM pianist Max Lifchitz plays Mussorgsky’s Pictures at an Exhibition as well as his own Piano Silhouettes inspired by Eliaabeth Condon’s artwork. Also on the program: recent works by American composers Dinos Constantinides, Robert Martin, Patricia Morehead and Douglas Ovens, at Specturm, $15

3/4, 9 PM Unsteady Freddie‘s monthly surf rock extravaganza at Otto’s begins with Brooklyn cover trio the Band of Others, Virginia rockabilly/surf band Brad & the Bombers, majestic, cinematic surf instrumentalists the TarantinosNYC  and at midnight X-rated comedy/surf rockers Thee Swank Bastards

3/4, 10 PM Ensemble Mik Nawooj – who work the same classical/hip-hop turf as Yasiin Bey, often covering classic 90s joints from the Wu-tang Clan and others – at the Apollo Music Cafe, $20 tix avail at the Apollo box ofc

3/4, 10 PM haunting Dawn of Midi pianist Amino Belyamani plays solo at the Owl

3/4, 10 PM boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band at Bar Chord.  They’re at Hank’s at around 9 on 3/16 for free

3/4, 10 PM Oxygen Box play Haitian-inspired roots reggae at Silvana 

3/4, 1 AM (actually wee hours of 3/5) hard-hitting tenor saxophonist Stacy Dillard leads his Brooklyn Circle trio at Smalls. They’re also here on 3/18 (technically 3/19)

3/5, 2 PM Geo Suquillo – guitarist, composer and charango player and leader of kinetic latin/Middle Eastern acoustic jamband Inti and the Moon – at Mayflower Bar in Ft. Greene. You should hear their kick-ass cover of Ya Rayyeh!

3/5, 2 PM the Zora String Quartet play Mozart – String Quartet No. 15 in D Minor, K. 42; Atar Arad – Whims for String Quartet (2015) – New York premiere; Shostakovich – String Quartet No. 9 in E-flat Major at the New School Auditorium, 66 W 12th St. off 6th Ave, $18

3/5, 2:30 PM the Apple Hill String Quartet play the world premiere of Presences by John Harbison for string quartet, cello, and bass  at St. Bartholomew’s Church, $25

3/5 2 PM the Calefax Reed Quintet play their new arrangement of Bach’s Goldberg Variations plus Tschaikovsky’s Nutcracker Suite at the Town Hall, $15

3/5 7:30 PM Ansahman – Anna Garano, Trieste-base classical and flamenco guitarist, plays “a gorgeous repertoire of Armenian songs for voice and flamenco guitar, joined by New York-based Anaïs Alexandra Tekerian of Zula playing the album release show” for their debut at Drom, $15 adv tix rec 

3/5, 7:30 PM powerpop supergroup the Split Squad at Bowery Electric, $10

3/5, 9 PM hauntingly phantasmagorical art-rock/noir cabaret pianist/singer Anana Kaye at the small room at the Rockwood

3/5, 9:30 PM edgy lefty guitarist Damian Quinones and his psychedelic latin soul band at Pete’s

3/6, 6:30 PM violinist Kristin Lee, concertmaster of the Metropolis Ensemble plays the ep release show for composer Molly Joyce’s intense, acerbic new one; Joyce will also premiere a new work for toy organ and electronics, “Form and Deform.” at 1 Rivington St., free w/rsvp, reception to follow 

3/6, 8 PM  pianist Vyacheslav Gryaznov (New York Concert Artists 2016 Winner) performs works by Beethoven, Debussy, Ravel, Prokofiev-Gryaznov and Rachmaninoff (the gorgeous Piano Sonata No. 2) at Weill Hall at Carnegie Hall, $30 seats avail

3/6, 9:30 PM the Munchies with gonzo noir jazz pianist Dred Scott, saxophonist Kenny Brooks, drummer Mark Greenburg and bassist Malcolm Gold at the Bitter End

3/7, drinks at 5:30  PM, music at 6, violinist Miranda Cuckson  plays a solo concert with music of Aaron Jay Kernis, Huang Ro, Steve Lehman and Michael Hersch at the Miller Theatre, frree

3/7, 6 PM pianist Frank Levy plays works by Scarlatti, Mozart, Chopin, Bach/Marcello and Rachmaninov at the Yamaha Piano Salon, 689 Fifth Avenue (entrance on 54th street), $6 

3/7, 7 PM epic, exhilarating original Balkan brass music with alto saxophonist/clarinetist Greg Squared’s Expanded Circle followed by ten-piece funky Balkan brass/Ellington jazz monsters Slavic Soul Party at Barbes

3/7, 7 PM the great unsung hero of darkly purposeful, noir-tinged jazz guitar, Saul Rubin‘ leads his Zebtet at the Fat Cat. He’s also here on 3/14

3/7, 7  PM purist, cleverly lyrical jazz singer Sari Kessler with her combo at 55 Bar

3/7, 7:30/9:30 PM perennially tuneful, lyrical piano improviser/composer Kris Davis leads a trio with Eric Revis – bass and Johnathan Blake – drums at the Jazz Gallery, $22

3/7-19, 8:30/10:30 PM pastoral noir jazz guitar icon Bill Frisell leads a series of quartets and trios at the Vanguard, $30

3/7-12, 8:30 PM irrepressible, transgressively funny saxophonist Jon Irabagon leads a series of groups at the Stone, $20. Choice pick: pretty much all of them. 3/8 he’s leading an organ trio with Gary Versace; 3/11 features the Sirius Quartet with Myra Melford

3/7, 8:30 PM klezmer “Songs of People Other People Don’t Like So Much” performed by fearlessly hilarious accordionist/novelist Geoff Berner and actor/singer/movement artist/director Luisa Muhr at Freddy’s. 3/9, same time they’re at the Jalopy for $15

3/7, 8:30 PM tuneful up-and-coming alto saxophonist Caroline Davis leads a trio at the Bar Next Door. 3/21-25, 11:30ish she’s at Dizzy’s Club, $5/$10 on the weekend

3/7, 9:30 PM blazing Balkan/Romany rock/Middle Eastern/flamenco jamband Ventanas at Drom,  $10 adv tix rec

3/7, 9:30 PM uneasy postpunk/new wave/dreampop band Rich Girls at Bowey Electric, $8

3/7, 10 PM explosive, theatrical, phantasmagorical indie/metal band A Deer A Horse at Shea Stadium, $8

3/7, 10:30 PM charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy leads his group at Smalls

3/8, 1:30 PM violinist Karen Dekker leads an ensemble playing Dvorak’s Quintet in A Major plus works by vivid, cinematic rising star indie classical composer Ayumi Okada at the Nagle Ave Y, 54 Nagle Ave, Inwood, free, 1 train to Dyckman St.

3/8, 6 PM a rare chance to see two of the most riveting string  players in Indian music, violinists Trina Basu + Arun Ramamurthy of Karavika at the Rubin Museum of Art, free w/museum adm

3/8, 7 PM Quartetto Tomassini play their edgy, lush string arrangements of Piazzolla classics at Shapeshifter Lab, $10

3/8, 7 PM Parisian chanteuse Gay Marshall does her fascinatingly individualistic, lyrically revealing, devilishly hilarious and sometimes crushingly intense reinventions of Edith Piaf and Jacques Brel classics and rarities with an excellent pianist at Pangea, $20. She’s also here on 3/15 and 3/22

3/8, 8 PM intense frontwoman Hannah Fairchild’s searingly lyrical punk/art-rock/noir cabaret band Hannah vs. the Many at LIC Bar

3/8, 8 PM LES punk/surf guitar legend Simon Chardiet’s Rooftoppers – who give him a chance to show off his prowess with jazz and proto-rock and western swing – at Barbes

3/8-9. 8:30 PM summer tour fave and jamband icon: eight-string guitarist Charlie Hunter at the third stage at the Rockwood, $15

3/8, 9 PM haunting dark Americana songwriter/belter Jessi Robertson followed by charismatic, eclectic cellist/songwriter Meaghan Burke at the Way Station

3/8, 9 PM a good Afrobeat twinbill in Greenpoint: the Super Yamba Band followed by the People’s Champs at Brooklyn Bazaar, $10 adv tix avail at the Poisson Rouge box ofc. The Super Yamba Band are also at Bar Chord on 3/11 at 10 for free.

3/8, 10 PM edgy latin-inspired folk-rock with Hurray For the Riff Raff at Baby’s All Right, $15

3/9, 1 PM harpist Bridget Kibbey plays her arrangement of Debussy’s haunting prelude La Cathédrale engloutie at Trinity Church, free

3/9, 6:30 PM tectonically shifting improvisational soundscapes with Burnt Sugar the Arkestra Chamber at C’Mon Everybody, $tba. They’re also here on 3/16 and 3/23

3/9, 7 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar

3/9, 7:30/9:30 PM tenor pan jazz artist Victor Provost leads an excellent quintet with Robert Rodriguez on piano at the Jazz Gallery, $15

3/9, 8 PM the plush, balmy, oldtimey uke swing of Daria Grace & the Pre-War Ponies  followed at 10 by brilliant klezmer reedman Matt Darriau’s Who Is Manny Blanc, resurrecting the twistedly irresistible work of legendary/obscure LES psychedelic Jewish jazz/esoterica composer at Barbes

3/9, 8 PM intense, funky Indian brass bhangra band Red Baraat play the album release show for their new one at Bric Arts, $15 adv tix rec. They’re at the Poisson Rouge on 3/18 at 10:30 for five bucks more if you buy tix in advance

3/9, 8 PM rapt extended-technique compositions with pianist and composer Teodora Stepančić at the Old Stone House in Park Slope, $10, reception to follow

3/9, 9 PM charismatic, torchy, occasionally Lynchian jazz bassist/singer Kate Davis (of the Lady Bugs) at Pete’s

3/9. 9 PM sardonic female-fronted folk noir band the Dream Eaters – check out their hit Klonopin Girl – at Leftfield 

3/9, 9ish Barika play Malian guitar groove at Nublu 151, $10 

3/9, 9 PM upbeat Israeli jazz with the Arnan Raz Quartet followed at 10:30 by first-class, pensive quartet Beekman with pianist Yago Vasquez and bassist Pablo Menares at the Williamsburg Music Center,  367 Bedford Ave, $10 

3/9, 10 PM guitarist Alyse Lamb’s fiery, subtly witty tightly psychedelic jazz-inspired postpunk band Parlor Walls play the album release show for their new one at Sunnyvale, $10

3/9, 10 PM crooner Sean Kershaw‘s  creepy ghoulabilly band the Serpentones at Bar Chord

3/9, 10 PM wild string metal faves Stratospheerius at Shrine

3/9, 11 PM careeningly intense gutter blues bandleader Breanna Barbara and her band at the Knitting Factory, $10

3/10, 6 PM crystalline-voiced, noir-tinged third-stream jazz chanteuse Tessa Souter and her band at 55 Bar

3/10, 6:30 PM otherworldly Mongolian throat-singing folk ensemble Khusugtun at the Rubin Museum of Art, $30 adv tix rec

3/10, 7 PM hypnotic, richly tuneful Indian sounds: Rajasthani master of the Sindhi sarangi, Lakha Khan and ensemble at the CUNY Grad Center, 365 5th Ave north of 34th, $25/$20 stud

3/10, 7 PM “Poulenc and Cocteau’s cautionary tale La voix humaine receives a reflective update when soprano Laura Bohn and pianist Mila Henry’s conversation forces listeners to ask: in this age of technology, can we connect with others without losing ourselves?” at National Sawdust, $25 adv rix rec

3/10, 7:30 PM a first-class chamber ensemble –  Karen Dekker and Alex Fortes on violins, Alyona Aksyonova on piano, Rose Hashimoto on viola, and James Waldo on cello –  plays the world premiere of vivid, lyrical composer Ayumi Okada’s The Grey Wolf for piano quintet alongside works by Caroline Shaw, Doug Balliett, Anton Dvorak, J. S. Bach, Johann Goldberg, at Holy Trinity Church, 20 Cumming St., Washington Heights, $15/$10 stud 1 train to Dyckman St.

3/10. 7:30 PM the Mannes Orchestra play new works by up-and-coming composers Rona Park: Destination; Nathan Fletcher: Poems by Edna St. Vincent Millay; Brian Denu: it’s not a bottomless pit; Michael Spiroff: Ath-Sgal (Recurring Echoes); Sohwa Lee: Palindromev at Mannes’ Tishman Auditorium, University Center, 63 Fifth Ave, Room U100, free

3/10, 7:30 PM the cutting-edge Spectrum Symphony of NY with harp virtuoso Mélanie Genin and fellow soloists: guitarist Nilko Andreas Guarin and Nicholas Tolle, cimbalom perform the American premiere of ferociously interesting Hungarian composer Bálint Karosi’s Triple Concerto, plus the Concertino for Harp by Ernő Dohnányi and Czardas (Csárdás) featuring concertmaster Susan Heerema on solo violin, Rumanian Folk Dances by Béla Bartók, and more at St. Peter’s Church 54th/Lex, $25 sugg don

3/10, 7:30 PM accordionist Alex Sevastian and clarinetist Julian Milkis team up with the Voice Afire Strings for a dynamic multi-media concert with music by composers Ray Luedeke and Giya Kancheli at Symphony Space, $20 adv tix rec

3/10, 8 PMd feral, wildly improvisational, tuneful pianist Mara Rosenbloom  with singer/drummer Anais Maviel and Adam Lane on bass at !-Beam, $15

3/10, 8 PM minimalist art-rock songwriter Caitlin Pasko, “weaver of dreamy elegiac music for voice and piano,” at the Owl, $10

3/10, 8 PM intense pianist Gerald Clayton plays solo at Mezzrow, $20

3/10, 8 PM the Dale Wilson Big Band at Shapeshifter Lab, $10

3/10, 8:30 PM the Chelsea Symphony play a Michael Boyman world premiere viola concerto with soloist Sarah Haines, plus Dvořák’s Symphony No. 9, “From the New World,” at St. Paul’s Church, 315 W 22nd St., $20 sugg don. The 7:30 PM show the following night, 3/11 showcases Gizem Yucel on two tangos by Piazzolla as well

3/10, 9 PM brilliantly lyrical dark oldtimey songwriter/multi-instrumentalist Pete Lanctot and band at Cloud City, 85 N 1st St in Williamsburg

3/10, 9 PM a rare NYC appearance by Puerto Rican psychedelic salsa dura band Orquesta El Macabeo at Subrosa, $20 

3/10, 9 PM smart, politically-fueled Irish rocker Niall Connolly at at the small room at the Rockwood

3/10, 10 PM Arki play darkly classic Ethiopian funk grooves at Shrine

3/10. 10 PM oldschool 70s style stoner art-rock/doom metal power trio All Them Witches at Bowery Ballroom, $15 adv tix rec 

3/10, 10 PM hilarious one-man band Tattoo Money with his twisted hip-hop tales of NYC nightlife, sizzling bluesy guitar and psychedelic, funky keys, at the Way Station

3/10. 10 PM Yotoco, “the bastard child of Umoja Orchestra, Bioritmo, and Cumbiagra plays a melange of salsa, Afro-Cuban rumba, boleros, and cumbia” at Barbes. They’re also there at 9:30ish on 3/20

3/10, 10 PM bluegrass/newgrass with the Dark City Strings at Union Hall, $10

3/10, 11 PM hilarious, smartly political faux-French retro 60s psych-pop band les Sans Culottes at Hank’s, $8

3/11, 1 PM an important multimedia event: Remembering Fukushima: Art and Conversation at the Cathedral of St. John the Divine commemorates the sixth anniversary of the Fukushima Nuclear Disaster in Japan. Assembled by Japanese dancer/multimedia artist Eiko Otake, the four-hour program at the Cathedral of St. John the Divine brings together scholars, specialists, and artists from many disciplines; performers include spectacular art-rock singer Carol Lipnik and legendary avant crooner John Kelly, free 

3/11, 4 PM erudite, witty art-rock pianist/songwriter/composer Lee Feldman at Pete’s

3/11, 5:30 PM a mystical carnatic (South Indian classical) vocal concert by singer Vignesh Ravichandran with Bala Skandan on violin, Srinath Vishwanathan on mridangam, and Kabilan Jegannathan on kanjira at the Reflections Center, 27 E 24th St, $20/$15 kids, admission includes food too! 

3/11, 7 PM Miya Masaoka’s powerful double quartet, Eleonore Oppenheim’s performance works for double-bass and electronics, Mari Kimura’s extended violin techniques, and brilliant alto saxophonist Yosvany Terry’s Afro-Cuban Bohemian Trio at National Sawdust, $30 adv tix rec

3/11, 7:30 PM incomparable country/jazz/janglerock icon Amy Allison at Dixon Place. Brilliant new material! Devastatingly funny between-song banter!

3/11, 7:30 PM dark Nordic chamber pop songbird Agnes Obel at the Poisson Rouge, $20 adv tix avail

3/11, 7:30 PM the three finalists in this year’s New York Concert Artists piano competition: Adam Balogh, Zhenni Li  and Sebastiano Mesaglio perform Beethoven: 12 Variations on the Russian Dance from “Das Waldmadchen”; Debussy: Prélude à l’après-midi d’un faune; Ravel: Gaspard de la nuit; Prokofiev: Suite from “Sur le Borysthène” (arr. Vyacheslav Gryaznov, NY Premeire of arrangement); Rachmaninoff: Piano Sonata No. 2 in B-flat Minor with NYCA Symphony Orchestra at Merkin Concert Hall, $30 

3/11, 7:30 PM Barcelona pianist Eva Novoa plays a duo and trio set and then plays a third at 9:30 PM with microtonal violinist Sarah Bernstein’s sextet at I-Beam, $15. A real workout!

3/11, 8ish rustic, clatteringly hypnotic Moroccan trance groove ensemble Innov Gnawa at the Owl

3/11, 8 PM the Omni Ensemble play chamber works by J.S. Bach, G. F. Telemann, Milos Raickovich, and David Wechsler at the Brooklyn Conservatory of Music, $15/$10 stud/srs 

3/11, 9 PM charismatic folk noir songwriter Mac McCarty’s auspicious new band Abraham’s River followed by fiery, guitar-fueled Americana punks Spanking Charlene and then ferocious garage punk band the Lord Calverts at Sidewalk

3/11, 9 PM intense charismatic danceable metal cumbia/skaragga/latin rockers Escarioka at Mehanata,$10

3/11, 9 PM long-running, wickedly jangly, tuneful Americana rockers the Sloe Guns at Shrine

3/11, 9 PM Nelson Ojeda, piano plays works by Granados and Ginastera at Spectrum, $15

3/11, 9/10:30 PM intense violist Mat Maneri leads his quartet with Lucian Ban, piano;  John Hebert, bass;  Randy Peterson, drumsat Cornelia St. Cafe, $10 + $10 min

3/11, 9:30 PM majestic, epic, anthemic cinematic art-rock loopmusic guitarist Sarah Lipstate a.k.a. Noveller at St. Vitus, $15

3/11, 9/10:30 PM jazz cellist Akua Dixon plays the album release show for her new one at Sista’s Place, 456 Nostrand Ave at Jefferson, Bed-Stuy, C to Nostrand Ave., $20

3/11, 10 PM the savagely Link Wray-inspired Howlin Thurstons, followed by 80s style LES junkie powerpop/punk/stoner boogie band Grimm Jack at Desmond’s 

3/11, 10 PM excerpts from Peter Van Zandt Lane’s ballet about cyber hacking, followed by Neil Rolnick’s works for laptop and piano (with Kathleen Supové), and Cornelius Dufallo performing works for amplified violin. The evening ends with a massive graphic score by Mark Applebaum interpreted by the previous artists joined by his Innova labelmates, at National Sawdust, $30 adv tix rec

3/11, midnight legendary SoCal surf punks Agent Orange – of Everything Turns Grey fame – at the Knitting Factory, $20

3/12, half past noon a performance of choral pieces and collected folk songs from the works of Zoltán Kodály at Hungarian House, 213 E 82nd St, free, reception to follow, free but RSVP reqd 

3/12, 2 PM the Kalichstein-Laredo-Robinson Trio play Rachmaninoff: Trio élégiaque No.2 in D minor, Op.9 ; Shostakovich: Trio No. 2 in E minor, Op. 67; Tchaikovsky: Trio in A minor, Op. 50 at the Town Hall, $15

3/12, 4 PM catchy Americana rockers Greg Cornell & the Cornell Brothers at the small room at the Rockwood

3/12, 5 PM the Donald Sinta Quartet play a birthday tribute to Philip Glass with new works as well as Glass’s Saxophone Quartet Concerto at the Dreck Center at the Brooklyn Public Library

3/12, 6 PM noir guitar legend Jim Campilongo leads his trio at 55 Bar

3/12, 7 PM the American Festival of Microtonal Music with tantalizing new works by  Svjetlana Bukvich, Monroe Golden, Johnny Reinhard, Zach Seely, and others played by an ensemble of woodwinds, fretless guitars, double bass, and bass trombone legend Dave Taylor conducted by the theatrical Charles Coleman at Gallery MC, 549 W 52nd St.,  $15

3/12, 7:30 PM Books guitarist Nick Zammuto joins hard-hitting new music choir Roomful of Teeth in a program spanning Tuvan throat singing and yodeling to Korean Pansori and Persian classical at Merkin Cocert Hall, $25 or $20 per tix for multiple purchases

3/12, 8 PM noir-tinged crooner and expertly bluesy lead guitarist Phil Gammage‘s lRebel Factory at Otto’s

3/12, 8;30 PM fiery klezmer/Balkan/Middle Eastern jamband Klazz-Ma-Tazz at Drom, $10 adv tix rec

3/12, 8:30/10:30  PM edgy, noir-inspired bassist Michael Blanco leads his quartet at Cornelia St. Cafe, $10 + $10 min

3/12, 8:30 PM NakedEye Ensemble joins forces with avant garde piano titan Kathleen Supové to premiere two-piano and ensemble works Richard Belcastro: Inner Strife (2016)* – cl, egtr, toy pno + melodica, pno, perc; Randall Woolf: Punching the Clock (2014)* – fl, cl, sax, vc, egtr, pno, perc; Rusty Banks: Spoke(n) (2016)* – 2 pnos + amplified bicycle; Jonathan Russell: Sextet (2010, arr 2013)** – fl, cl, sax, vc, pno, perc; Lois Vierk: Spin 2 (1995) – 2 pnos; Molly Joyce: Rave (2016) – pno + fixed mediaat the DiMenna Center $20

3/13, 6 PM the improvisationally-inclined Osso String Quartet at the Fat Cat

3/13, 7 PM tuneful pastoral jazz guitarist Cameron Mizell leads his trio at the small room at the Rockwood

3/13, 7 PM quirkily charismatic, powerful-voiced, kinetic avant-pop siren Grace McLean at the big room at the Rockwood, $10

3/13, 7 PM perennially young, theatrical, fun composer David Del Tredici’s 80th Bday concert with special guests include Courtenay Budd, Joseph Dalton, Felix Del Tredici, Robert Frankenberry, David Leisner, John Kelly, Eric Moe, Marc Peloquin, Mark Peskanov and the Voxare Quartet at Joe’s Pub, $25

3/13, 7 PM tuneful postbop pianist Jim Ridl leads his group from behind the Rhodes at 55 Bar

3/14, 6 PM pianist David Shimoni plays nocturnes by Chopin, Faure and Lowell Liebermann, plus a screening of the documentary film Rosalyn Engelman: The Color of Memory, the artist in conversation with BPAC director Ted Altschuler, at the Recital Hall at Baruch College, E. 25th St between 3rd and Lexington Ave. $15, stud free

3/14, 7 PM brand-new, exciting Turkish band Seyvah with Jenny Luna, voice; Kane Mathis, oud; Marandi Hostetter, violin; Greg Squared, clarinet; Shane Shanahan and Philip Mayer, percussion. followed by clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Barbes

3/14, 7 PM intense, edgily tuneful Texas tenor saxophonist Stan Killian leads his postbop quartet; at 10 PM acerbic alto saxophonist David Binney leads his quartet  at 55 Bar

3/14, 8 PM bassist Lisa Dowling’s enigmatic, theatrical, Kate Bush-influenced solo loopmusic project Kills to Kisses at the Mercury, $10

3/14, 8 PM edgy third-stream improvisation with Jan Sturiale: guitar; Miha Koren: bass Klemens Marktl: drums at Shapeshifter Lab, free

3/14, 9:30 PM the Bronx Conexion play their mighty salsa big band jazz at the Nuyorican Poets Cafe

3/14, 11 PM fiery, tuneful soul-punk rockers No Ice (a spinoff of the late, great Brooklyn What) at Shea Stadium, $12

3/15, 6 PM hypnotic Middle Eastern/Indian sounds: Orakel: Roshni Samlal (tabla) + Kane Mathis (kora, oud) at the Rubin Museum of Art, free w/museum adm

3/15, 6 PM intricate, intense, diverse jazz/soundtrack/Americana violinist/composer Skye Steele at the small room at the Rockwood

3/15, 7 PM indie classical through Fender amps: Steve Mackey, the Dither Guitar Quartet and Joel Harrison’s Resophonic Guitar Orchestra at National Sawdust, $30 adv tix rec

3/15, 8 PM the album release show for the new one by formidable, reliably tuneful guitarist Tom Csatari‘s Uncivilized Americana jazz project at Barbes. “Each song on the EP was recorded live at a now-closed New York venue.”

3/15, 8 PM bouzouki player Avram Pengas leads an amazing band with Rachid Halihal on oud and George Stathos on clarinet playing bellydance classics, plus dancers Layla Isis and Mariyah at Drom, $15 adv tix rec

3/15, 8 PM Perl – former lead singer of Bulletproof Stockings, the Hasidic Sleater-Kinney – followed by fiery, brilliantly lyrical soul/rock songwriter Nehedar singing the album release show for her latest one, then she does double duty on vocals in powerpop bnd Fierce Love, then sardonic new wavers Blanket Statementstein at Bowery Electric

3/15, 9 PM pensive, smart multi-instrumentalist Kristen Tivey – of the edgy female-fronted Talking Heads-ish Eliza & the Organix – fronts her own folk/jazz band at Pete’s

3/15, 9:30 PM singer Renee LoBue’s popular, catchy, anthemic early zeros powerpop/southwesten gothic band Elk City at the Mercury, $10

3/16, 1 PM Useful Chamber Orchestra play their arrangement of Debussy’s haunting prelude La Cathédrale engloutie at Trinity Church, free

3/16, 6:30 PM  up-and-coming guitarist/songwriter Alicyn Yaffee -the rare artist who successfully bridges the gap between lyrically-fueled chamber pop and jazz – at the Bar Next Door, free

3/16, 7:30 PM ancient, otherworldly trance beats: the first-ever US performance by the master musicians of the Festival Gnaoua et des Musiques du Monde in Essaouira, Morocco with Maalem Hamid El Kasri + Maalem Abdeslam Alikkane with special guest Maalem Hassan Ben Jaafer, leader of wildly popular NYC ensemble Innov Gnawa at the Lincoln Center Atrium, free, early arrival advised. The following night, 3/17 at  7 PM they’re at the New School Theresa Lang Center, Arnhold Hall, 55 W 13th St, free; 3/18 at 7 they’re at Pioneer Works in Red Hook, collaborating with jazz artists Marcus Strickland, Marc Cary, and Jamaaladeen Tacuma, $30 adv tix rec

3/16, 7:30 PM elegantly melodic, darkly counterintuitive pianist Sylvie Courvoisier plays duos with guitarist Mary Halvorson and then violinist Mark Feldman at Greenwich House Music School, $20/$18 stud

3/16, 7:30 PM sweeping, swinging vibraphone jazz with Behn Gillece and his quartet followed at 10:30 PM by former Dizzy Gillespie guitarist Ed Cherry leading his quartet at Smalls

3/16, 8 PM eclectic, lyrical jazz bassist/composer Pedro Giraudo leads his Tango Quartet at Barbes

3/16, 8 PM guitarist Matt Munisteri and accordionist Will Holshouser’s shadowy Belgian barroom band Musette Explosion at the Owl, $10

3/16, 8 PM the lavish, kinetic Liberte Big Band led by pianist Liberté-Anne Lymberiou at the Wiliamsburg Music Center, 367 Bedford Ave 

3/16, 8 PM a rare and fascinating night of new music from Kyrzygstan played by Aza Sydykov and Joel A. Martin, piano; Nikoleta Rallis, soprano; Perizat Kopobaeva, komuz; Jonathan Levin, piano; Nurmira Greenberg, cello; Kairy Koshoeva, piano; Elvira Abdilova, komuz; composers on the bill include Atai Ogonbaev, Niyazaaly, Kalyi Moldobasanov, Tashtan Ermatov, Michael Burshtin, Jyldyz Maldybaeva, Muratbek Begaliev, George Gershwin, Jonathan Levin and Eric Thomson at Merkin Concert Hall $25

3/16, 8 PM Chicago postrock icons Tortoise at the Hall at MP, $25 adv tix available at the Poisson Rouge box ofc

3/16, 8:30 PM the Big Galute play their irreverent original klezmer tunes at the Jalopy, $15

3/16, 10 PM fiery oldtimey string band he Four O’Clock Flowers at Sunny’s

3/17, 7 PM Niva’s magical singer Corinna Skema Snyder with Vedran Boškovski and percussionist Jerry Kisslinger, of Zlatne Uste fame, play Balkan songs at an intimate Park Slope house concert, email for info  

3/17, 7 PM new art-songs from Ted Hearne performed by NYC indie classical talent: “Peabody Southwell and Allison Semmes give rare recital performances. Solo instrumentalists Mariel Roberts, Taylor Levine and Philip White join the Nouveau Classical Project and San Francisco duo the Living Earth Show as the evening’s ensemble. R WE WHO R WE, the vocal/electronics duo of Ted Hearne and Philip White, perform selections of their upcoming sophomore release,” at National Sawdust, $30 adv tix rec

3/17, 7 PM acoustic jazz: guitarists Mark Mollica and Nate Radley with John Ellis on saxophone and Ike Sturm on bass at Bloomingdale School of Music, 323 W 108th St(off Broadway), free

3/17, 7:30/9:30 PM Swedish psychedelic/soundtrack band Dungen play their live score to the classic 20s silent film The Adventures of Prince Ahmed at Bric Arts, $15 adv tix rec

3/17, 8 PM boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band followed by awesomely slinky, psychedelic Israeli Ethiopiques groove instrumentalists Anbessa Orchestra f.k.a. Lions at Barbes

3/17, 8 PM fearlessly haunting, dynamic, charismatic Romany/Balkan chaunteuse Eva Salina with pyrotechnic accordionist Peter Stan  at the Owl, $10

3/17, 8 PM pianist Kara Huber plays David Rakowski Selected Etudes; Joan Tower – No Longer Very Clear; Wild -Seven Virtuoso Etudes for Piano on Gershwin Songs; Rachmaninoff  13 Preludes, Op. 32 at Weill Hall at Carnegie Hall, $25

3/17, 8:30 PM artful, slyly amusing jazz with the Daniel Bennett Group at the third stage at the Rockwood, $10

3/17-18, 8:30 PM badass oldschool-style blues belter Shemekia Copeland and her similarly purist band at Iridium, $30

3/17, 9 PM Canadian Celtic fiddle star Natalie MacMaster with her Ontario colleague Donnell Leahy at Webster Hall, $20

3/17, 10 PM Pussy Riot at National Sawdust. Tix not avail yet – and might not be affordable – watch this space

3/17, 11 PM guitarist Demir Demirkan‘s Anatolian Knights throw a wild live Turkish psychedelic rock party at Drom, $25 adv tix rec

3/17, 11 PM darkly eclectic, enigmatic songwriter Lorraine Leckie  – equally adept at Slavic and Americana noir – at Sidewalk

3/18, 3 PM oldtime swing icons Vince Giordano and his Nighthawks play their live score to Buster Keaton’s The Cameraman at the Town Hall, $25 tix avail

3/18, 6 PM this era’s greatest film noir guitarist and composer, Steve Ulrich of Big Lazy followed at 8 by sultry retro Franco-American torch jazz/chamber pop/ukulele swing band les Chauds Lapins and then at 10 by Cumbiagra – whose take on psychedelic cumbias is more rustic and purist than most bands who play that stuff – at Barbes

3/18, 7 PM “magical string ensemble Alba Consort – with oud, veille, lute and percussion – performs early music from the Mediterranean on period instruments and weaves iconic themes  of Antonin Dvorak’s Symphony no. 9 “From the New World” into ancient melodies at the National Opera Center, 333 7th Ave, $30/$15 stud

3/18. 7 PM lush, intense, artfully orchestrated psychedelic rockers Aunt Ange followed by catchy goth-tinged 80s punk/powerpop band the Limbo Dolls at Bowery Electric, $8 

3/18. 7 PM the Orpheus Chamber Orchestra with cello soloist Alisa Weilerstein play  Mendelssohn’s Nocturno for Winds; Schumann’s  Cello Concerto; Webern’s Five Pieces for Orchestra, Op. 10 and Schubert’s Symphony No. 6 at Stern Auditorium at Carnegie Hall, $25 seats avail

3/18, 7:30 PM intense, breathtaking Galician bagpiper/ multi-instrumentalist Carlos Núñez at Merkin Concert Hall, $25 tix avail

3/18, 7:30 PM the Traumerei Piano Trio play works by Beethoven, Piazzolla, Smetana and Zannoni at the DiMenna Center, $15$10 stud/srs

3/18. 8 PM elegant, atmospheric art-rock violinist/songwriter Concetta Abbate at the People’s Voice Cafe, $18, “no one turned away”

3/18, 8 PM guitarist Guy Picciotto, Dirty Three drummer Jim White and master lute player George Xylouris play live soundtracks to Jem Cohen films; subjects include a sudden Manhattan rainstorm, a sleeping infant, and an Istanbul city portrait, at Issue Project Room, $15/$12 stud/srs

3/18, 8 PM ex-Dylan lead guitarist Larry Campbell with singer Teresa Williams and guest pianist Bill Payne of Little Feat at City Winery $22 standing room avail

3/18, 9 PM searing, theatrical Romany/Balkan punk rockers Bad Buka at Mehanata

3/18, 9ish dark oldschool soul/garage band Mighty Fine at Red Hook Bait & Tackle 

3/18, 10 PM rising star tenor saxophonist Camille Thurman and her and her band at the Fat Cat

3/19, 2 PM Chilean folk-rock songwriter Nano Stern opens for iconic Peruvian singer Susana Baca at Lefrak Concert Hall at Queens College, 65-30 Kissena Boulevard, Flushing, $30 seats avail, from the Flushing Main St. 7 train stop, take the Q25, Q25-34, Q34 or Q17 bus along Kissena Blvd to the campus. 

3/19, 3 PM Eriko Sato, violin; Drew Vella, viola; Ben Larsen, cello; Yoon Lee, piano play works by Beethoven, Richard Strauss and Ke-Chia Chen at Concerts on the Slope, St. John’s Episcopal Church 139 St. John’s Place downhill from 7th Ave

3/19, 3 PM Blythe Gruda sings her enigmatic art-rock and parlor pop at Pete’s

3/19, 3:15 PM organist Karen Electra Christianson – one of the most electrifying church organists in the country – plays a program TBA at St. Patrick’s Cathedral

3/19, 4 PM the perennially witty Broken Reed Saxophone Quartet with pianist Roberta Piket at Sounds on Sackett at St. Agnes Church 433 Sackett St off of Hoyt St, Cobble Hill, any train to Atlantic Ave, $20, reception to follow

3/19, 5 PM latin jazz piano titan Arturo O’Farrill’s “Boss Level Sextet” at St. Peter’s Church, 54th/Lex, free

3/19, 6 PM smart, darkly pensive third-stream jazz pianist Noa Fort leads her quartet at the small room at the Rockwood

3/19, 7 PM brilliant, irrepressible classical/latin/art-rock/Middle Eastern violist/composer Leanne Darling at Scholes St. Studios

3/19, 7 PM expertly jazzy guitarist and alt-country pioneer Robbie Fulks and jazz violinist Jenny Scheinman followed at 9:30 by Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Barbes

3/19, 7:30 PM a benefit for immigrant rights with Ramon Ponce, Jr. of the mighty Mariachi Real de Mexico, and supersonic klezmer clarinetist Michael Winograd with his band the Honorable Mentshn at Brooklyn Conservatory of Music, $15

3/19, 8:30 PM My Brightest Diamond’s Shara Nova and others backed by adventurous young orchestra the Knights  play Sarah Kirkland Snider‘s song suite  Unremembered, a chilling reminiscence of childhood traumas at the Poisson Rouge, $15 adv tix rec

3/19, 10 PM first-class roots reggae band Jah N I at Shrine 

3/20, 6 PM moderator Meera Dugal of Lincoln Center, creator of the first-ever Gnaoua World Tour teams up with Innov Gnawa’s Samir Langus, panelists Hisham Aidi and Tom Pryor, plus jazz piano titan Marc Cary to discuss the history and recent resurgence of rapturous, kinetically hypnotic Moroccan gnawa music, plus a performance by Innov Gnawa, at  the New School Jazz Performance Space, Arnhold Hall, 55 W 13th St., free

3/20, 8/10 PM  ageless, perennially hard-hitting jazz piano sage and ex-Coltrane bandmate McCoy Tyner at the Blue Note, $30 standing room avail

3/20, 8 PM the Tomeka Reid Quartet featuring Jason Roebke, Tomas Fujiwara, and Mary Halvorson play edgy cello jazz at Roulette, $20 adv tix rec

3/20, 8 PM the Bob Bennett Big Band with Erica Seguine on piano at Sir D’s Lounge, 837 Union St, south of 7th Ave, Park Slope, R to Union St.

3/20, 8:30 PM the NY New Music Ensemble play David Felder: partial[dist]res[s]toration (2001) for sextet and electronics; Rand Steiger: Light on Water (2013) for flute, piano and electronics; Jacob Druckman: Come Round (1991) for sextet; Anthony Cheung  Roundabouts (2007) for piano at the Tenri Cultural Institute, 43A W 13th S, $20/$10 stud/srs

3/20, 10 PM the Amazonas Strings  play elegant, enveloping latin pastoral jazz at at the third stage at the Rockwood, $10

3/21, 7:30 PM drummer LaFrae Sci & Quintet Groove Diplomacy will play pieces highlighting achievements by great women of blues and jazz including Bessie Smith, Abbey Lincoln, Nina Simone, Ella Fitzgerald, and Mary Lou Williams. with Tamar-Kali on vocals at the Naitonal Jazz Museum in Harlem

3/21, 7 PM the F-Tones  Marcin Wisniewski, guitar, and Dwayne Beach, 5-string violin, – play their individualistic take on Romany jazz at Shrine

3/21, 7:30 PM pianist Dasol Kim plays Beethoven    Sonata No. 8 in C minor, Op. 13 Pathétique; Barber –  Sonata, Op. 26; Chopin    24 Preludes, Op. 28 at Merkin Concert Hall, $10 tix avail

3/21, 8/10:30 PM inspired, cutting-edge trombonist/composer Ryan Keberle & Catharsis with Camila Meza on guitar and vocals at Cornelia St. Cafe, $10 + $10 min

3/21-25,8/10:30 PM popular trumpeter Roy Hargrove leads his quintet at the Blue Note, $20 standing room avail

3/21, 10 PM cleverly acerbic, charismatic avant garde singer/pianist/sound artist Bora Yoon joins forces with thereminist Armen Ra at National Sawdust, $30 adv tix rec

3/21, 10 PM catchy, harmony-driven, historically-inspired original newgrass string band Cricket Tell the Weather at the third stage at the Rockwood, $10

3/21, 10:30 PM fiery alto saxophonist Lucas Pino’s twin-guitar No No Nonet at Smalls

3/22, 5 PM jazz piano legend and African music specialist Randy Weston leads a demo and introduction to kinetically hypnotic Moroccan gnawa music  at Medgar-Evers College, 1650 Bedford Avenue, Bed-Stuy, free, 2/5 to President St.

3/22, 7:30 PM intrepid indie classical ensemble International Street Cannibals with pianist Conor Hanick and soprano Ariadne Greif perform Schoenberg’s pivotal String Quartet No. 2, Op. 10, plus works by Berg, Korngold, Schnittke, Webern, Zemlimsky, and Arvo Pärt at St. Marks Church, 2nd Ave/10th St., $20/$12 stud

3/22, 8 PM fiery, psychedelically bluesy oldschool soul/southern rockers Lizzie & the Makers at LIC Bar

3/22, 8 PM Palehound – who blend eerie, lyrical new wave with hypnotic motorik vintage Wire-style postpunk – at Sunnyvale, $12

3/22, 8 PM bassist/composer Arnold Dreyblatt teams up for a dark duo performance with Brooklyn sound artist MV Carbon at the Kitchen, $15

3/22, 9ish baritone sax goddess Moist Paula and film composer Dorothea Tachler air out their new collaboration the GPS at Troost

3/22, 9 PM calm but fiery newschool Britfolk songwriter Roxanne de Bastion at Caffe Vivaldi . 3/31 she’s at the American Folk Art Museum at around 6 

3/22, 9 PM playful, sardonic French spoofers Nouvelle Vague – who’ve been making lounge music out of punk and new wave classics for decades – at Webster Hall, $30

3/23, 6 PM eclectic jazz/blues resonator guitarist Elizabeth Wise at Shrine. 3/24 she’s at Caffe Vivaldi at 7

3/23, 7:30 PM John Gattis, horn; Andy Kozar, trumpet; William Lang, trombone and David Broome, piano  play works by Guy Barash, Frances White, David Fetherolf, Gilbert Galindo, Gaetano Lorandi and Oren Boneh at Broom Tree Theatre, 23-35 Broadway, Astoria, N/Q to Broadway, free

3/23-24, 7:30 PM, repeating 3/25 at 8 and 3/26 at 3 PM Amy Beth Kirsten’s Quixote- a vividly original reimagining of the Cervantes classic, performed by the HOWL ensemble withLindsay Kesselman (soprano), Hai-Ting Chinn (mezzo-soprano), Kirsten Sollek (contralto), Mark DeChiazza and four singing players from Sandbox Percussion: Ian Rosenbaum, Victor Caccese, Terry Sweeney and Jonathan Allen at the Kasser Theatre, 1 Normal Ave, Montclair NJ, $20; catch the shuttle buss leaving from 41st behind Port Authority 

3/23. 8 PM a one-time-only event: “hilarious, kick-ass klezmer punks Golem will put on a “fake wedding” according to an old Catskills tradition, complete with mock bride, groom, ceremony, and of course a truly rocking party mixing original Golem songs, traditional Jewish repertoire and lots of amazing rock covers, from James Brown to Van Halen“ at Drom, $20 adv tix rec

3/23, 8 PM fiery, charismatic soul siren Meah Pace and her oldschool band at Salzy Bar, 506 5th Ave at 13th St, Park Slope, F to 7th Ave

3/23, 8/9:30 PM the cutting-edge, atmospheric, cinematic Alan Ferber Nonet at Cornelia St. Cafe, $10 + $10 min

3/23. 10 PM popular Americana highway rockers Mandolin Orange at the Music Hall of Williamsburg, $20 adv tix rec

3/23, 10 PM wickedly catchy Americana/paisley underground rockers Girls on Grass  followed at 11 by Dares at Halyard’s Bar, 406 3rd Ave (at 6th St), Gowanus, F/R to 4th Ave. 

3/23, 10 PM well-loved Boston alt-country vets Session Americana at Barbes

3/24, 7 PM Jog Blues with Andy Biskin, Joel Bluestone, Rob Garicia, Ikhlaq Hussain, Siddartha Mukerjee, Jonathan Rose and Jeffrey Zeigler mash up Indian, jazz and indie classical sounds at National Sawdust, $30 adv tix rec

3/24, 7:30 PM charismatic ex-Spanglish Fly frontwoman Erica Ramos’ exciting latin soul band Fulaso at the Lincoln Center Atrium, free

3/24, 7:30 PM wild, explosive, lush original and classic Indian cinematic themes with Falu’s Bollywood Orchestra at the Lynch Theater at John Jay College 524 W 59th St (between Tenth and Eleventh avenues) free, early arrival advised

3/24, 7:30 PM an all-ages ska/punk triplebill in reverse order: Voodoo Glow Skulls, Hub City Stompers, Midnight Foolishness at the Knitting Factory, $13 adv tix rec

3/24, 8 PM superb, nuanced jazz violinist Charlie Burnham and eclectic, tuneful accordionist/songwriter Ali Dineen  at the Owl, $10

3/24, 8 PM rustic Brazilian jungle sounds with Regional de NY followed at 10 by similar oldschool danceable Colombian tunes with Chia’s Dance Party  at Barbes

3/24, 8 PM Spain meets Honduras at Flushing Town Hall: Basilio Georges and his group Flamenco Latino, plus Lucy Blanco and the Afri-Garifuna Jazz Ensemble, $16/$10 stud, ages 13-19 free w/ID

3/24, 8:30 PM Beatlesque psych popsters the Babe Rainbow followed by jangly, catchy retro 60s Laurel Canyon psychedelic band the Allah-Las at Webster Hall, $20 

3/24, 8:30 PM Brandi & the Alexanders play their torchy oldschool soul and groove music at Bowery Electric, $8

3/24-25, 9 PM well-loved 90s Colorado newgrass/funk jamband Poi Dog Pondering at City Winery, $25 standing room avail

3/24, 9:30 PM catchy, enigmatic female-fronted dreampop band Loosie at Pine Box Rock Shop

3/24, 10 PM wickedly catchy powerpop/janglerock band Ruth Carp & the Fish Heads at Alphaville, $10

3/24, 10 PM Cumbiagra – whose take on psychedelic cumbias is more rustic and purist than most bands who play that stuff– at Guadalupe Inn, $10

3/24, 10:30 PM Sweet Tits – the “punk lesbian Spinal Tap” – at Freddy’s

3/25, 6 PM this era’s greatest film noir guitarist and composer, Steve Ulrich of Big Lazy  followed at 8 byart-rocker Pierre de Gaillande’s Bad Reputation playing witty chamber pop English translations of Georges Brassens classics followed at 10 by psychedelic latin bandleader Zemog El Galle Bueno at Barbes

3/25, 7:30  PM rapt improvisation: trumpet icon Wadada Leo Smith and pianist Angelica Sanchez with her Trio with Michael Formanek on bass at Greenwich House Music School, $25/$20 stud

3/25, 8 PM oudist Tareq Abdallah celebrates the “golden age of Egyptian oud music” at Alwan for the Arts, $20

3/25, 8 PM a benefit to  support Community Voices Heard and the Arab American Association of NY: the rapturous Rafiq Bhatia / Chris Pattishall guitar/piano duo, hypnotically danceable Moroccan trance ensemble Innov Gnawa and Armo ( lead singer, trumpeter and members of the rhythm section of second-wave Afrobeat icons Antibalas) at Littlefield, $12

3/25, 8 PM catchy, anthemic, charismatic folk noir band Thee Shambels – sort of the missing link between Nick Cave and the Pogues – followed by cinematic soundtrack instrumentalists/surf rockers the Tarantinos NYC and then oldschool psychedelic soul/groove band Empire Beats at the Way Station

3/25, 8 PM wickedly catchy psychedelic/garage band the Molochs followed by fuzzy drony jamband the Cosmonauts at Union Pool, $10. 3/27 at 10 careeningly intense gutter blues bandleader Breanna Barbara opens for that same twinblll at Berlin, same time, same price

3/25, 8 PM gritty, Albert King-influenced Chicago blues guitarist Lurrie Bell – son of legendary blues harpist Carey Bell – with his band at Roulette, $25 

3/25, 8 PM excellent, intense jazz cellist Hank Roberts with Sarah Bernstein – violin, Shoko Nagai – piano,  Satoshi Takeishi – percussion at the Owl, $10

3/25, 8 PM standout British early music chamber ensemble the Orlando Consort perform the haunting Renaissance music of Loyset Compère at the auditorium at 150 W 83rd St., $30 tix avail at the Miller Theatre box ofc at 116th/Bwy, M-F noon-6

3/25, 8 PM drummer Adam Rudolph’s strikingly tuneful, rumblingly improvisational Go Organic Orchestra at the Brooklyn Conseratory of Music, $20/$10 stud/srs

3/25, 8:30 PM tunefully psychedelic composer/avant-harpist Zeena Parkins plays two sets, the first with guitar goddess Mary Halvorson at I-Beam, $15

3/25, 9 PM hauntingly atmospheric art-rock siren Marissa Nadler – who’s sort of become a one-woman Pink Floyd – followed by slowcore/dreampop/doom band Pallbearer at the Music Hall of Williamsburg, $20 adv tix rec

3/25, 9 PM elegantly eclectic Americana/swing/newgrass songwriter Shannon Pelcher at Pete’s

3/25, 9 PM funky jamband the Pimps of Joytime at Bowery Ballroom, $20. It’s a long way from the old Lucky Cat

3/25, 9:30 PM socially aware, oldtimey-flavored Americana band 2/3 Goat at Hill Country, free.

3/26, 2  PM the Orion String Quartet play Haydn’s Seven Last Words of Christ at the New School Auditorium, 66 W 12th St. off 6th Ave, $18 

3/26, 3 PM an all-star band: Adrianne Greenbaum (flute), Michael Alpert (violin and badkhones), Jake Shulman-Ment (violin), Brian Glassman (bass), Walter Zev Mamlock (poyk/percussion) and Pete Rushefsky (tsimbl) play extremely rare, rustic klezmer tunes from Dubiecko, Poland at the Eldridge Street Synagogue, Eldridge St. just north of Canal, $25/$15 stud/srs

3/26, 4 PM the Calidore Quartet play works by Beethoven, Ligeti, and Dvorak at the Dreck Center at the Brooklyn Public Library, free

3/26, 7:30  PM cinematic pianist Tempei Nakamura plays the album release for his new one Vortex at Drom, $15 adv tix rec

3/26, 8 PM for elegant, atmospheric art-rock violinist/songwriter Concetta Abbate and Bridget Hill’s joint bday, “come see the PARK Quartet (Nicholas Alexander Wilson and Concetta Abbate – violins, Lenna Pierce- cello) live score the 1959 Mexican Sci Fi Classic “Ship of Monsters” (Spanish with English subtitles) at the Park Church Coop in Greenpoint, $10 sugg don – bring food and we’ll all share”

3/26, 8 PM Nashville gothic/folk noir band Karen & the Sorrows at Bowery Electric, $8

3/26, 10 PM Wedeya play roots reggae at Shrine 

3/27, 7:30 PM  indie classical vocal ensemble Ekmeles sing works by Schütz and Haydn ; the Attacca Quartet play the New York premiere of Wolfgang Rihm’s 7 Passion Texts and David Lang’s Little Match Girl at Music Mondays, Advent Church, 93rd/Broadway, 1/2/3 to 96th St., free

3/27,  7:30 PM Parisian/Senegalese hip-hop jazz with Steve Leyman & Selebeyone at Merkin Concert Hall, $25 or $20 per ticket for multiple purchases

3/27, 8 PM an eight-piece expanded version of hypnotically psychedelic, microtonally guitar-fueled East African psychedelic band 75 Dollar Bill with strings and sax at Roulette, $20 adv tix rec

3/27, 8 PM cinematic, plaintively sardonic composer/violinist Christopher Tignor at the Silent Barn, $8

3/27, guessing 8ish, popular 80s powerpop band Teenage Fanclub at Warsaw, $25

3/27. 8 PM the Canadian Guitar Quartet play works by Beethoven, Saint-Saens, Brahms, Côté-Giguère, and others at the Recital Hall at Baruch College, E. 25th Street between 3rd and Lexington Ave, free

3/28, drinks at 5:30  PM, music at 6,British early music chamber ensemble the Orlando Consort perform early music by Machaut, Defay, Geurrero, Isaac and others at the Miller Theatre, free

3/28, 6 PM Jiuilliard Provost Ara Guzelimian interviews John Adams, surrounded by performances of Adams’s own compositions and works by Ellington, Beethoven, and Ives at Paul Hall at Juilliard, 2 free tix avail. per person 

3/28, 6 PM pianist Jose Ramon Mendez plays works by Bach, Schubert and Rachmaninoff at the Yamaha Piano Salon, 689 Fifth Ave (entrance on 54th st)), 3rd floor , $6

3/28, 7 PM smart purist oldtime blues/Americana resonator guitarist Zeke Healy & intense, eclectic violist Karen Waltuch making wild psychedelia out of classic Americana folk themes followed by ten-piece funky Balkan brass/Ellington jazz monsters Slavic Soul Party at Barbes

3/28, 7 PM Taiko drummer Kaoru Watanabe with the Brooklyn Raga Massive at Shapeshifter Lab, $20

3/28, 8 PM noir jazz legends the Jazz Passengers celebrate the release of their newest album, Still Life with Trouble at Roulette, $20 adv tix rec

3/28, 8/10:30 PM Marianne Solivan “sings with authority and grace” – true – joined by pianist George Colligan and bassist Matthew Parrish at Mezzrow, $20

3/28, 8:30 PM irrepressible slide trumpeter Steven Bernstein leads a series of groups at the Stone, $20. Choice picks: opening night with the Diaspora Special Edition: Arturo O’Farrill (piano) Peter Apfelbaum (sax) Brad Jones (bass) Billy Martin (drums) ; and 3/29 with legendary noir jazz outfit Sexmob

3/28, 9 PM Norwegian artist Helge Sten’s creepy ambient Deathprod project in a rare New York appearance at Issue Project Room, $15/$12 stud/srs

3/28, 10 PM brilliant drummer/percussionist Willie Martinez & La Familia Sextet play classic salsa grooves at the Nuyorican Poets Cafe

3/29, 7 PM uneasily fiery, intense jazz guitarist Sean Cronin‘s new ensemble Very Good at Barbes

3/29, 7:30 PM the Wellesley College Choir sing works by Brahms, Ronald Perera, Joan Szymko and Ysaye Barnwell at Merkin Concert Hall, $15

3/29, 8 PM haunting, intuitive cellist Inbal Segev opens for the String Orchestra of Brooklyn and Mivos Quartet performing works by Anna Clyne at Roulette, $20 adv tix rec

3/29, 8 PM deep-space solo guitar epics with David Grubbs at the Old Stone House in Brooklyn, $10, reception to follow

3/29, 8 PM enigmatic, synthy, propulsive new wave act Decorum followed by snide 80s-style goth-punks Pop. 1280 at Brooklyn Bazaar, $10 

3/29, 9 PM a fun 90s roots-rock guitar twinbill: the Bottle Rockets and Chuck Prophet & the Mission Express at Bowery Ballroom, $20

3/30, 1 PM lyrical jazz pianist Chris Pattishall and his group at Trinity Church, free

3/30-4/1, 7:30/9:30 PM haunting, intense flamenco jazz pianist Chano Dominguez leads his flamenco jazz/dance quintet at the Jazz Standard, $30

3/30, 7:30 PM Argentine pianist Emilio Teubal lead his strio at Club Bonafide, $15

3/30, 7:30 PM the Jasper String Quartet play Beethoven: String Quartet in A major, Op. 18, No. 5; Missy Mazzoli: Death Valley Junctionl Dvořák: String Quartet No. 12 in F major (“American”) at the Lincoln Center Atrium, free, early arrival advised

3/30, 7:30 PM Cookers trumpeter David Weiss & Point of Departure at Nublu. 3/31 at 11 they’re at the Fat Cat 

3/30, 8 PM cleverly lyrical, murderously witty murder ballad/chamber pop allstars Charming Disaster  at Pete’s

3/30, 8 PM lyrical jazz pianist Guy Mintus with flamenco guitarist Andreas Arnold at Caffe Vivaldi

3/30, 8 PM the W4 New Music Collective premiere a collaboration between composers Matt Frey, Tim Hansen and Molly Herron exploring aspects of solitude at Roulette, $20 adv tix rec

3/30, 8 PM trumpeter John McNeil’s Hush Point –  a New York update on 50s West Coast cool jazz – play the album release show for their third disc at Brooklyn Conservatory of Music, $15

3/30, 9 PM lead guitarist to the stars of the NYC underground, Homeboy Steve Antonakos plays a rare solo show featuring songs off his new powerpop album Bodega rock at Espresso 77, 35-57 77th Street, Jackson Hts

3/30, 9 PM enigmatic chamber jazz songwriter Becca Stevens sings the album release show for her new one at Bric Arts, $15 adv tix rec

3/30, 9 PM  the hilarious, politically astute Paranoid Larry & His Imaginary Band at Freddy’s

3/30, 9:30 PM Boss Hogg – Christina and Jon pulling their legendary 90s project back together – at the Mercury, $15

3/30, 10 PM Brooklyn’s funnest new band, psychedelic organ-driven Middle Eastern-tinged surf rock trio Hearing Things  at Barbes

3/30, 10 PM legendary LA psychedelic rockers the Jigsaw Seen‘ followed by real oldschool Max’s style glampunks the New York Junk at Bowery Electric, $8

3/30, 10 PM Diamond Hotel – noir frontwoman Raquel Vidal’s fiery paisley underground psychedelic/noir Americana band – at Desmond’s of all places 

3/30, 10:30 PM Goblin-esque monster-cartoon soundtrack band Xombie at the downstairs space at Webster Hall, $12

3/31, 5:30 PM darkly edgy, politically-fueled Irish tunesmith Niall Connolly  followed by calm but fiery newschool Britfolk songwriter Roxanne de Bastion at the American Folk Art Museum

3/31, 7 PM haunting Puerto Rican bolero revivalists – and Sylvia Rexach reinventors – Miramar at the CUNY Grad Center, 365 5th Ave north of 34th, $25/$20 stud

3/31, 7:30 PM the St. Louis Symphony Orchestra play John Adams’ The Gospel According to the Other Mary at Stern Auditorium at Carnegie Hall, $25 tix aail

3/31, 8 PM Aussie soul-psych rock band Stonefield followed eventually by psychedelic stars King Gizzard & the Lizard Wizard – who are going in an amazing microtonal rock direction – at Webster Hall, $22 

3/31, 8 PM eclectic, electric C&W/blues band the Jug Addicts followed at 10 by trippy North African dance grooves with Innov Gnawa at Barbes

3/31, 8 PM eclectically tuneful swing/noir/pastoral jazz combo the Jazz Thieves at the Way Station

3/31, 8 PM the Argus String Quartet air out a mix of new and old works at Roulette, $20 adv tix rec

3/31, 8:45 PM a rare solo show by Leigh Celent, frontwoman/guitarist of snarling, dark psychedelic punk trio Castle Black at Terra Firma, 119 Ingraham St., Bushwick, L to Morgan Ave

3/31, 9 PM Silencio play Twin Peaks themes and originals in a similar creepy vein at Nublu 151, $5

3/31, 10 PM slinky original rocksteady with Osekre & the Lucky Bastards at Shrine

3/31, 11 PM psychedelic latin soul with Chicano Batman at Bowery Ballroom, $16 adv tix rec

3/31, 10 PM Red Gretchen – best known for their anguished Replacements/Nirvana anthems, although they’re even better at slowly undulating, doomy psychedelic/art-rock grooves – at Sidewalk.

4/1, 4 PM the Dessoff Choir sings motets by Bach, Buxtehude and Samuel Barber’s Dover Beach at Union Theological Seminary, 3041 Broadway, 1 train to 116th St, $25/$15 stud/srs

4/1, 7 PM a free screening of the jazz documentary film Night Bird Song: The Incandescent Life of Thomas Chapin at Flushing Town Hall

4/1, 8 PM NYC’s goddess of garage guitar, Palmyra Delran opens for Radio Birdman mastermind Deniz Tek and Keith Streng of the Fleshtones’ reputedly sizzling new two-guitar band at Bowery Electric

4/2, 7 PM Skinny Lister – the Pogues of oldtime British folk music – at the Mercury, $15

4/3, 7:30 PM the Eroica Trio play works by Paul Schoenfield, Bruce Wolosoff, and Kevin Putsat Symphony Space, $20 adv tix rec

4/5, 6:30 PM magical, mystical Pakistani Sufi chanteuse Sanam Marvi and her band at the Asia Society, 725 Park Ave, $12/$10 stud/srs

4/5, 10 PM fiery, charismatic soul siren Meah Pace and her oldschool band at the McKittrick Hotel

4/6, 7 PM composer-vocalist Lisa Bielawa takes a turn as soloist, backed by the American Contemporary Music Ensemble (ACME) singing works including A Collective Cleansing (2000) for solo voice and digital audio, Graffiti Dell’amante (2010) for string quartet and soprano, Genesis Again (1998) for soprano and violin, and two arias from her episodic opera Vireo: “The Bat” and “The Dragon and the Girl, at National Sawdust, $30 adv tix avail

4/6, 7:30 PM trippy, otherworldly, ancient North African dance percussion ensemble  Innov Gnawa  open for Malian guitar shredder Vieux Farka Toure at Bric Arts, $15 adv tix rec

4/7, 5:30 PM fiery Americana stringband duo the Berger Sisters at the American Folk Art Museum

4/7, 7 PM intense, legendary, noirish punk jazz sax/drum duo Iconoclast – Julie Joslyn and Leo Ciesa – play their joint 30th anniversary show and album release show for their new one at stage 2 at Michiko Studios, 149 W 46 St

4/7, 8 PM percussionist Annette A. Aguilar & StringBeans play Puerto Rican jazz; and Masayo Ishigure and her group the Miyabi Koto Shamisen Ensemble add innovative jazz and western classical influences to traditional Japanese music at Flushing Town Hall,  $16/$10 stud, 13-19 free w/ID

4/7, 10 PM well-liked 90s alt-country vets Son Volt at Bowery Ballroom, $23 adv tix rec

4/8, 7:30 PM Linda Chatterton (flute), Rachel Brandwein (harp) and Aristo Sham (piano) perform works by contemporary Hong Kong composers with world premieres by Galison Lau and Ka-wai So, US premieres by Wendy Wan-Ki Lee, Cynthia Chi-Wing Wong and Chi-hin Leung, with additional works by Donald Yu and Austin Ho-Kwen Yip at the DiMenna Center

4/8, 7:30 PM smartly eclectic singer and vivid original jazz songwriter Allegra Levy celebrates the release of her new album Cities Between Us with her album bandmates, saxophonist Stephen Riley, cornetist Kirk Knuffke, pianist Carmen Staaf, drummer Jeff Davis, and bassist Jay Anderson at Club Bonafide

4/8, 8 PM Vishwa Mohan Bhatt with Subhen Chaterjee play Indian music for slide guitar (mohan veena) & tabla at Roulette, $30

4/8, 8:30 PM Ensemble Signal plays a “composer portrait” of the darkly enigmatic, uneasily Schoenbergian Johannes Maria Staud at the Miller Theatre, $30/$20 stud

4/8, 10 PM Dervisi feat. guitar god Steve Antonakos play “exotic Greek gangsta blues”at Pan-Icarian Brotherhood Hall, 8722 52nd Ave., Flushing, M/R train to Grand Ave – Newtown. 4/12 at 9 they’re at Troost and 4/20 at 9 at Espresso 77, 35-57 77th Street, Jackson Hts.

4/8, 10ish keyboardist Manu Koch’s trippy, socially conscious Mediterranean/Near Eastern jazz/groove/funk band Filtron M play the album release show for their new one at Nublu 151 

4/11, drinks at 5:30, music at 6 PM So Percussion’s Jason Treuting + JACK Quartet at the Miller Theatre, free

4/12, 8 PM wry 70s style kraurtock disco band Automaatio followed by Lusterlit’s ominous, noirish literary chamber pop at the Well, 272 Meserole St, Bushwick, $8 

4/19, 5 PM indie classical chamber luminaries Talea Ensemble with soprano Juliet Fraser perform John Zorn’s Alll Hallows Eve plus wotks by Olga Neuwirth, Beat Furrer and Steve Reich at the Austrian Cultural Forum 11 E 52nd St.,  free 

4/20, 8 PM the lavish, kinetic Liberte Big Band led by pianist Liberté-Anne Lymberiou Liberté-Anne Lymberiou at the Wil;liamsburg Music Center, 367 Bedford Ave 

4/21, 8 PM flutist Sylvain Leroux and Source play Malian folk music; brilliant, charismatic oudist Rachid Halihal and Fez play Moroccan and Middle Eastern classics at Flushing Town Hall,  $16/$10 stud, 13-19 free w/ID

4/24, 7:30 PM pianist Taka Kigawa and the String Orchestra of New York City split the bill on a concert of new music by Lisa Bielawa, Zosha Di Castri and Richard Carrick at Symphony Space, $20 adv tix rec

4/25, 8 PM for night one of the MATA Festival, in their North American debut Danish indie classical luminaries SCENATET play new works by Eric Wubbels (USA), Yu Oda (Japan): Daniel Tacke (USA): Martin Grütter (Germany): Messer Engel Atem Kling; Christian Winther Christensen (Denmark): Kaj Duncan David (Denmark): Murat Çolak (Turkey)  at the Kitchen, $20

4/28, 8PM Chartwell Dutiro plays Zimbabwean mbira music with his band at Roulette, $25

4/29, 8 PM hauntingly enveloping, kinetic Iranian art-rock/trance ensemble Niyaz at Roulette, $30

4/29, 8 PM pianist Pablo Mayor’s Folklore Urbano Orchestra and Pajarillo Pinta’o dance company team up for a theatrical concert exploring global culture, immigration, tradition, and love at Flushing Town Hall,  $16/$10 stud, 13-19 free w/ID

4/30, 8 PM hypnotic, swirling, ancient and brand-new Punjabi grooves with Riyaaz Qawwali at Roulette, $30

5/1, 7 PM Finnish murder ballad singer Pekko Käppi leads his haunting, austere folk trio at the CUNY Grad Center, 365 5th Ave north of 34th, $25/$20 stud

5/15, 5:30 PM drinks at 5:30, music at 6 PM Michael Riesman and Ensemble Signal celebrate the music of Philip Glass at the Miller Theatre, free

5/19, 5:30 PM drinks at 5:30, music at 6 PM New York Polyphony “illuminate Bach and Luther’s German roots” at the Miller Theatre, free

5/20, 3 PM the Washington Heights Chamber Orchestra play a world premiere by Music Director Chris Whittaker and close with Mendelssohn’s exuberant “Italian” Symphony, at Fort Washington Collegiate Church, 729 W. 181st St.,free, reception to follow  

5/24, 7:30 PM eclectic mostly-female klezmer/cumbia/tango jamband Isle of Klezbos’ all-gal sextet ensemble (including mesmerizing vocalist Melissa Fogarty), plus clips from bandleader Eve Sicular’s cinema history project, The Celluloid Closet of Yiddish Film at the Center for Jewish History, 15 W 16th St. $25 adv tix req

6/6, drinks at 5:30, music at 6 PM indie classical globetrotters International Contemporary Ensemble play animal behavior-inspired works at the Miller Theatre, free

6/13, drinks at 5:30, music at 6 PM the Mivos Quartet play a program TBA at the Miller Theatre, free

6/13, 8:30 PM popular newschool blue-eyed soul/Motown/swing band Lake Street Dive at Prospect Park Bandshell

Carsie Blanton Charms and Provokes at the Mercury

Tuesday night at the Mercury, New Orleans bandleader Carsie Blanton was at the top of her hilarious game. She makes good albums, but nothing compares to seeing her onstage. The woman is devastatingly funny, and politically spot-on, and charismatic to the extreme. Decked out in a sassy vintage red dress, fronting her skintight four-piece group, the inventor of the sexy board game Bango kept the audience in stitches when she wasn’t taking requests or running through a mix of torchy soul, swing and retro rock from her latest album So Ferocious.

One of the funniest moments of the night was when she explained the backstory for the bouncy kiss-off anthem Fat and Happy. As you would expect, she’s an Ella Fitzgerald fan, but she winced at how cheesy some of the choir arrangements on Fitzgerald’s albums from the 40s were. “So I thought, what if I took a song and ended it with the band going, ‘Oooohhh, FUUUUUUCK,” Blanton grinned. The band – keyboardist Pat Firth, bassist Joe Plowman and drummer Nicholas Falk – did exactly that, slowly and in perfect three-part harmony. The crowd roared.

“My friends said take the high road, turn the other cheek,” Blanton elaborated with a grin, “But I’m a revenge-taking kind of person.” So the tale of a selfish dude hell-bent on piggybacking on Blanton’s success resonated even more: “Will you still be whining like a suckling pig, or will you be trying to get on the gig?” she sneered.

She’d opened with a simmering blue-flame soul song that Amy Winehouse would have traded her stash to have had the chance to sing. “You don’t scare me,” was the refrain: no joke. Blanton followed that with Scoundrel, a bouncy early 60s-style John Waters soul-pop number and then the hazy, summer-evening soul of Hot Night. She explained that she’d written most of that one in Madrid on vacation, sulking in her unairconditioned B&B, serenaded by street noise until she realized how lucky she was to be there at all.

Throughout the set, Blanton worked the dynamics up and down, more than a tinge of smoke in her voice, through the gentle 6/8 torch-soul ballad Loving Is Easy to a wryly propulsive number from her Idiot Heart album, a typical surreal/crazy/creepy New Orleans moment when a guy tried to pick her up with the line, “Why not, we’re all gonna die one day.”

The first of the audience requests, Chicken grew out an idea that had stuck in her head, she said, which she’d dismissed as silly until she wrote the song…and it turned out to be one of her biggest crowd-pleasers. She followed Money in the Bank – a slinky mashup of sly, low-key Lou Reed and oldschool soul – with another novelty song, Moustache, a newschool Motown number. Blanton revealed that she actually has no issues with facial hair on dudes – it’s just that this one particular fuzzy upper lip turned out to be a big mistake.

Twister, a brand-new number, brought back the sultry/icy vibe of the night’s opening song. inspired by the recent tornado that hit her hometown, contemplating how a new romance could be altered by that sort of calamity. To Be Known made a poignant change of pace, part vintage BeeGees angst, part Jimmy Webb art-song. She kept pretty low-key with The Animal I Am, inspired by a badass canine friend who chews her underwear and, like her owner, is a general hellraiser. Then the group picked up the pace a little with Backbone, a snide dis at a sappy guy who’s probably too lazy to show a little gumption.

Blanton warned the crowd that she’d save the best for last, and she sort of did. It was a brand-new song where everybody in the band changed instruments. Pandemonium ensued as she railed about how everything went completely haywire at an election-night party, and how history reminds that back in the early 30s, lists of forbidden nations and ethnicities were being compiled just like they are now. The crowd begged for another encore but didn’t get one. Blanton’s tour continues at the Lancaster Roots & Blues Festival at the Ware Center, 42 N Prince St. in Lancaster, PA tonight, Feb 25 at 7:45 PM.