On the Orient Noir compilation, billed as a “WestEastern Divan,” the folks over at Piranha Records in Germany raid their own archives for an instant album…and a pretty killer playlist that goes on for well over an hour. It’s quite an inspiration for adventurous downloaders (most of this stuff is on youtube – follow the links below). It’s noir to the extent that the sexy and mysterious microtones of Middle Eastern and Jewish music are noir. This is first and foremost a klezmer playlist, one that ranges across more of the Jewish diaspora than most, with a handful of tasty levantine numbers thrown in for good measure.
The weakest tracks are from French band Watcha Clan: a brief klezmer intro and a woozy reggae cover of an Ofra Haza hit. The track most instantly identifiable as klezmer is from Frank London’s Klezmer Brass All-Stars, Susan Sandler out in front of the band, giving the song a barely restrained longing. London also appears in a low-key, moody collaboration with Serbian brass virtuoso Boban Markovic, while another project he’s been involved with for decades, the Klezmatics, are represented by the understatedly ferocious, gospel-fueled I’m Not Afraid.
A couple of instrumentals are stripped down to the basics of slinky percussion and a single melody line: a flute-and-accordion jam from Nubian artist Mahmoud Fadl, and Ali’s Nay, credited to veteran Lebanese composer Ihsan Al-Mounzer. The most eye-opening stuff here is the Jewish music that pushes the boundaries of klezmer with influences from Africa – Moroccan cantor Emil Zrihan’s amusingly titled, flamenco-flavored Maka Shelishit, and Moroccan Sephardic crooner Maurice El Medioni ‘s long diptych Ya Maalem/Kelbi Razahi, a noir cabaret tango with Balkan horns!
Ruth Yaakov’s Las Esuergas de Angora – from her album Sephardic Songs of the Balkans – offers a tricky blend of flamenco and gypsy music with what sounds like creepy, swirly West African riti fiddle. And a track by popular Zanzibar taraab chanteuse Bi Kikude blends Bollywood-flavored, surfy rock with lushly suspenseful levantine orchestration.
Interestingly, on this klezmer-oriented playlist, the most outright haunting tracks are by the Arabs. Salwa Abou Greisha sings a sweeping, haunting multi-part Egyptian bellydance epic, and iconic Egyptian trumpeter Samy El Bably provides his hit Ana Bamasi El Haba Doll, an elegant vamp with richly nuanced solos from trumpet and accordion. The playlist ends the way you might end your own playlist, with something completely random and weird: in this case, The Garden, a cantorially-tinged 1979 song by short-lived German hippie-rock band Efendi’s Garden. If Hotel California-style twin guitars playing vaguely Middle Eastern riffs are your thing, you’ll love this one. Happy hunting, wink wink!