All it takes is a brief exposure to the free world outside New York to realize the ugly truth that music is way better there. And not just because concerts that everybody can go to actually exist once you leave the five boroughs. Case in point: the five-band Metalween extravaganza in Sioux Falls, South Dakota on the 30th. It’s a stadium-worthy lineup in a comfortable, inexpensive club with cheap beer. The show is ten bucks and starts at 8 at Bigs Bar, at 3110 W. 12th St.
The opening act, slowcore Egyptian expats Grave Solace are cinematic, hypnotic and savagely gloomy: the hammer blows only hit every few seconds. Their dirges have organ and tolling-bell piano along with all of the slow, resonant guitar changes: in Egypt, people smoke a lot of hash.
At 9, the brilliant, politically sharp, antiauthoritarian Silence Is Madness unleash their wildly diverse blend of stoner boogie-influenced sounds, ornate art-rock, heavy psychedelia and conscious hip-hop metal. The next act are a trip to the parking lot. After that, there’s Agony of Defeat, who play a mix of 80s-style goth and industrial metal with hip-hop lyrics: ironically, like Insane Clown Posse with less of a Halloween vibe .
At midnight, Sioux Falls’ own Pray for Villains headline. Their debut ep is up at Bandcamp as a name-your-price download. Just when you think the first track, Ego, is going to be a funereal epic, they pick it up, thrash it and bring it home symphonically. Track two, The Lesson veers between distant 90s metalfunk influences, machinegunning thrash riffage, a bizarrely pastoral psychedelic interlude and a pagan feast of furious fret-tapping.
Sweet Vengeance, the final, apocalyptic freedom fighter anthem on the Bandcamp page, has trickier rhythms and doomier changes. With the download, you also get Saving Face, a more straight-ahead, catchy Priest-like track. Pray these villains make it to the east coast someday…or that this blog escapes New York for the Black Hills.