In 2021, record labels are like video stores were twenty years ago. Riding Easy Records are the rare label who have managed to carve out a successful niche – in all things heavy. Stoner boogie, doom metal, psychedelia, biker rock, they’ve got you covered. Their Xmas 2020 mixtape – a free download at Bandcamp – is an obvious ploy to get you to stock up on their vinyl. And practically everything they put out is worth owning on vinyl, as this playlist confirms.
There’s an insane amount of music here, seventeen tracks. Some of these acts are well known, others less so, and many have received coverage here. Take the Goners, who mash up psychedelic garage rock with metal riffs and whose album Good Mourning recently got the thumbs-up. They’re represented by the album’s most bizarre track, Down and Out, a blend of Ventures and early Iron Maiden with a spacy interlude for horns. Go figure.
Here Lies Man, an Antibalas spinoff who metalize Afrobeat, open the mix with I Told You (You Shall Die), a killer minor-key number that could be a heavier Budos Band with a mellotron. Lake, by Spelljammer, has brisk fuzz-and-wah bookending the surprisingly slinky sludge in between. Warish‘s hammering Say to Please looks back to Queens of the Stone Age, while Deathchant‘s Holy Roller is a surreal mashup of heavy 70s boogie, screamo and hip-hop.
Alator’s Lost and Never Found has vintage Sabbath gloom and catchiness, plus a cool funeral organ solo. Biker rock band the Death Wheelers earned a good Halloween month review with their latest album, whose title track is the chugging faux-bikesploitation theme Divine Filth. Death Is Coming, by R.I.P., is a more 70s-oriented throwback to Bon Scott-era AC/DC and Judas Priest.
Hellfire‘s Victims moves forward in time about seven or eight years to the new wave of British heavy metal and Iron Maiden, whose catchiest, poppiest side they emulate. Headbang, by Rapid Tears, and the Mopptops’ Our lives are pretty standard-issue Nuggets garage nostalgia at slightly higher volume
The ersatz Hendrix of Randy Holden’s Blue My Mind appears on the reissue of the former Blue Cheer guitarist’s extremely rare 1970 vinyl debut, Population II. First State Bank’s lysergically multitracked Mr. Sun and Debb Johnson’s politically volatile heavy soul single Dancing in the Ruin are also 70s rarities digitized and resurrected on the latest volume in the popular Brown Acid compilation series – they’re up to eleven now, just like Spinal Tap. And Gypsy, by Indianapolis psychedelic band Ice, is the strangest rediscovery here, a bizarre riff-rock tune with hints of the Moody Blues and the Move. Riding Easy Records reissued their lone, similarly surreal 1970 album, The Ice Age, last June.
Thomas V. Jager, frontman of Monolord, contributes The Bitter End, a lo-fi gothic ballad evoking a well-known Animals hit. The album’s final cut seems to be a stoner joke: no spoilers. Download and enjoy.