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The 50 Best Albums of 2015

Seven or eight years ago, everyone was predicting the demise of the album. That hasn’t happened, and as long as we have recording technology, it won’t. A few other predictions from the past decade, however, have come true. Albums these days tend to be shorter, and artists are releasing fewer of them. And as a result, they’re consistently better, since acts are no longer contractually obliged to record labels to churn out product regardless of whether or not they’ve got first-class material ready to go. A couple of artists on this list are on boutique labels, but everybody else is independent.

On this page you’ll find a link to stream each album in its entirety. Whenever possible, those links are to ad-free sites like Bandcamp or Soundcloud so you can multitask in comfort without having to ride the fader to mute the ads. Considering the vast number of albums released in any calendar year, you shouldn’t regard this list as gospel. It is, however, an informed survey based on careful triage followed by a sampling of several thousand releases, and then a locked-in, analytical listen to the best 500 or so, from this past January up to the present date. A LOT of time went into this. For purposes of keeping the list under control, none of the many thousands of excellent jazz, classical and avant garde releases are represented here. Realistically, there’s a limit on how much territory a single blog can cover.

The one collection that packed the most mighty wallop – a pretty quiet one, actually – and wins the title of best album of 2015 is Who’s Counting, by Rachelle Garniez. With gallows humor, terse piano, accordion and spare acoustic guitar, it’s the New York songwriter’s shortest, most intimate and darkest album, a masterpiece of existentialist rock, grim explorations of mortality and global carnage juxtaposed with jaunty, sultry, cabaret-flavored set pieces. This is the second time a release by Garniez has topped this list: her 2007 album Melusine Years ranked #1 that year at this blog’s predecessor. Stream it at Spotify

As far as the rest of this rich crop is concerned, there’s no ranking here, since there are so many styles to choose from. Seriously: what’s better? Carol Lipnik‘s otherworldly art-rock, Twin Guns’ savage garage-punk and horror surf, or Hungrytown‘s magnificently pensive folk noir? Apples and oranges, right? These albums are all so good that they can stand alongside anything here.

Les Sans Culottes- Les Dieux Ont Soif/The Gods Are Thirsty
The New York-based faux-French rockers deliver their most satirical, bitingly hilarious, spot-on critique yet…in French, of course, with a harder, more guitar-fueled edge than the retro 60s psychedelic pop they’re known for. Stream it at Soundcloud

Regular Einstein – Chimp Haven
Velvet-voiced, wickedly lyrical janglerock songwriter Paula Carino is another artist who topped the Best Albums of the Year list at this blog’s predecessor. In her case, that release was 2010’s Open on Sunday. This is her first new one – since the 90s, in fact -with her original New York band, packed with delicious double entendres, bittersweet narratives and tricky time signatures. Stream it at Bandcamp

The Bright Smoke – Terrible Towns
Haunting singer/guitarist Mia Wilson’s full-length debut with this atmospheric, blues-infused art-rock project ranks with Joy Division for angst-fueled, white-knuckle intensity. Stream it at Bandcamp

The Sideshow Tragedy Capital
Guitarist/frontman Nathan Singleton brings a ferocious, bitterly apocalyptic lyrical sensibility to his fiery gutter-blues band. Stream it at Bandcamp

Charming Disaster – Love, Crime & Other Trouble
Jeff Morris of the phantasmagorical Kotorino and Ellia Bisker of dark chamber pop band Sweet Soubrette join forces on their debut full-length release, a lyrically and historically rich mix of murder ballads and tales of relationships gone spectacularly wrong. Stream it at Bandcamp

Carol Lipnik – Almost Back to Normal
The best album by the best singer on this list, a launching pad for her spectacular four-octave vocal range, backed by luminous, hypnotic piano from Matt Kanelos and strings by Jacob Lawson. Allusive apocalyptic themes of natural and manmade disaster and post-9/11 terror linger in the distance. Stream it at Mermaidalley.com

Ember Schrag – The Folkadelphia Sessions
Hypnotically Beatlesque art-rock, smoldering Macbeth-inspired narratives and a killer Great Plains gothic anthem by the style’s most lyrical and distinctive practitioner. Stream and download it free from the Folkadelphia page

Twin Guns – The Last Picture Show
A mighty leap for the ferocious power trio, including but not limited to their Cramps-style stomp. This one’s a lot more psychedelic and noir surf-oriented. Stream it at Bandcamp

Lorraine Leckie & Pavel Cingl – The Raven Smiled
Spare and surreal yet majestically enveloping art-rock and Slavic folk noir sounds from the Canadian gothic songstress and Czech violin wizard. Stream it at Bandcamp

Rachel Mason – The Lives of Hamilton Fish
One of the darkest albums on this list, this lush, evocative mix of historically-inspired janglerock and folk noir traces the seeemingly unconnected lives of two early 20th century figures who shared the same name: a serial killer and the scion of a famous New York political legacy. Stream it at Bandcamp

King Raam – A Day & a Year
A majestic, brooding Iranian art-rock record by the pseudonymous expat baritone crooner and bandleader. Lyrics in Persian. Stream it at Soundcloud

Fernando Viciconte – Leave the Radio On
The noir rock bandleader originally hails from Argentina; this haunted, doomed concept album, with significant contributions from REM’s Peter Buck and others, could be the great lost Steve Wynn release. Stream it at Bandcamp

Litvakus– Raysn: The Music of Jewish Belarus
A rousing, exhilarating mix of rare Jewish dance numbers,lively originals and morose folk tunes from the badlands of Polesia, in the corner where Belarus, Poland, Latvia and the Ukraine meet. One of the best party albums on this list. Stream it at Bandcamp

Raya Brass Band – Raya
Another awesome party album, the third release by the New York Balkan group is their most original, stylistically and emotionally diverse one yet, incorporating Ethiopian and latin sounds into their rapidire chromatics. Stream it at Bandcamp

Tipsy Oxcart – Upside Down
A fat rock rhythm section anchors these deliriously edgy minor-key Balkan, Turkish and Jewish themes and originals. Stream it at Bandcamp

Marianne Dissard – Cologne Vier Takes
The southwestern gothic/art-rock chanteuse and bandleader at the top of her uneasy game, in a mix of richly atmospheric yet intimate versions from her darkly lyrical catalog. Lyrics in French. Stream it at Bandcamp

Tom Warnick & the World’s Fair – Side Effects
The well-loved noir rock cult figure turns in a characteristically diverse mix of ghoulabilly, noir swing, soul and blues, all with his signature black humor and a luridly smoky band behind him. Stream it at Spotify

Matt Keating – This Perfect Crime
Getting away with murder is the loosely interconnecting theme on this typically diverse blend of janglerock, Stonesy stomp, Americana and soul-infused sounds, all with Keating’s richly sardonic, literate lyricism. Stream it at Mattkeating.com

Tracy Island – War No More
The long-awaited full-length debut from captivating singer/multi-instrumentalist Liza Garelik Roure – former leader of deviously psychedelic popsters Liza & the WonderWheels – is her catchiest and most pensively colorful yet, fueled by husband Ian Roure’s sizzling lead guitar. Stream it at Lizasongs.com

Bliss Blood & Al Street – Unspun
The iconic noir torch song heroine builds lowlit, lurid, delectably lyrical ambience in an intimate duo recording with her longtime flamenco-inspired six-string guy. Stream it at Bandcamp

Orphan Jane – A Poke in the Eye
Deviously witty, creepy noir cabaret and circus rock from this irrepressibly theatrical, Brecht/Weill-inspired New York crew. Stream it at Bandcamp

The Universal Thump – Walking the Cat
Famously recorded at Abbey Road Studios, frontwoman/keyboardist Greta Gertler has never written with greater wit or purist pop chops than she does here with her lush chamber pop/art-rock project. Stream it at Bandcamp

Sarah Kirkland Snider – Unremembered
The most lavishly orchestrated album on this list features vocals from Padma Newsome and Shara Worden throughout a mix of brooding, sweeping art-rock reflections on harrowing childhood experiences and similar trauma. Stream it at Bandcamp

Goddess – Paradise
The latest release by the phantasmagorical New York art-rock band captures them in creepily enveloping psychedelic mode. Stream it at Bandcamp

Bobtown – A History of Ghosts
Eerie, sepulcural Appalachian folk tunes, creepy newgrass, retro soul, murder ballads, black humor galore and exquisite four-part harmonies from the band that might be the best folk noir act around. Stream it at Bobtownmusic.com

Mike RimbaudPut That Dream in Your Pipe and Smoke It
Yet another provocative, surrealistically lyrical, tight powerpop and retro new wave record from one of the most fearlessly funny, spot-on chroniclers of post-9/11 global society anywhere. Stream it at Spotify

Hungrytown – Further West
The most elegantly arranged and arguably best album by poignant Americana songstress Rebecca Hall and multi-instrumentalist Ken Anderson’s plaintive folk noir band Stream it at Spotify

The Sway Machinery – Purity & Danger
One of the great guitar albums on this list, this richly textured, intricately arraanged, soaring collection of anthems sees the band venturing further from desert rock toward cantorially-inspired psychedelia. Stream it at Spotify

The TarantinosNYC – Surfin’ the Silver Screen
Catchy, fun, vividly cinematic surf rock, spy themes and psychedelic soul from one of NYC’s most original instrumental units. Stream it at Spotify

Dalava – their debut album
Guitar polymath Aram Bajakian and his haunting singer wife Julia Ulehla combine to reinvent stark traditional Moravian themes with an electric edge. Stream it at Bandcamp  

Patricia Santos – Never Like You Think
The auspicious, intense, eclectic soul-infused debut by the charismatic cello rocker and Kotorino member. Stream it at Bandcamp

Eleni Mandell – Dark Lights Up
Los Angeles noir soul, bittersweet torch song and Americana by an icon of dark retro songcraft. Stream it at Spotify

The Whiskey Charmers – their debut album
Twin Peaks C&W, Appalachian gothic, dark blues and jangly rock from this shadowy, female-fronted Detroit dark Americana band. Stream it at Thewhiskeycharmers.com

Figli di Madre Ignota – Bellydancer
High-energy, Gogol Bordello-esque circus rock and Romany punk songs with hilarious, satirical lyrics in Italian and English. Stream their “spaghetti Balkan” sounds at Soundcloud

The Frank Flight Band – The Usual Curse
The British counterpart to Blue Oyster Cult reach back into the vaults for this haunted mix of Doorsy art-rock, shapeshifting psychedelia and unexpectedly macabre gothic sounds. Stream it at cdbaby

Dawn Oberg – Bring
The irrepressible parlor pop pianist/chanteuse at the top of her sardonic, lyrically rich game in this mix of personality portraits and psychopathological analysis. Stream it at Dawnoberg.com

Jennifer Hall – her debut ep
An intriguing, auspicious mashup of noir soul and art-rock from the powerfully nuanced Chicago song stylist and her excellent, eclectic band. Stream it at Spotify

The Grasping Straws – their debut album
Edgy songwriter/guitarist Mallory Feuer’s snarling, hard-hitting, scruffy, defiantly lyrical first full-length effort goes in a more straightforward, less jazz-inspired direction than the band’s initial ep. Stream it at Bandcamp

Ben Von Wildenhaus– II
Southwestern gothic, slinky bellydancer noir themes and Twin Peaks atmospherics from the loopmusic guitar master and esteemed noir soundscaper. Stream it at Soundcloud

Naked Roots Conducive – Sacred521
Cellist Valerie Kuehne and violinist Natalia Steinbach’s tormentedly cinematic, surrealistically intense art-rock dives menacingly and blackly amusingly into themes of alienation and ahwer despair. Stream it at Bandcamp

Lions – their debut ep
A slinky, trippy mix of Ethiopian grooves, Israeli stoner rock jams and cinematic themes. Stream it at Bandcamp

George Usher & Lisa Burns – The Last Day of Winter
Intense, autumnal purist powerpop, blue-eyed soul and psych-pop tunesmithing from two highly regarded, veteran songcrafters. Stream it at Spotify

Banda de los Muertos – their debut album
Epic, ornate, richly arranged, reinvented Mexican brass band ranchera themes and sweepingly majestic, blazing originals from trombonist Jacob Garchik’s imaginative big brass ensemble. Stream it at Spotify 

Spanglish Fly – New York Boogaloo
A hard-hitting, wickedly arranged, cleverly crafted update on classic 60s salsa soul from this irrepressible, danceable, psychedelic New York outfit. Stream it at Bandcamp

Curtis Eller & the New Town Drunks – Baudelaire in a Box: Songs of Anguish
Intriguing new translations of classic, surrealistically creepy Baudelaire poems set to starkly bluesy, phantasmagorical tunes by the charismatic circus rock bandleader and the Eastern Seaboard noir group. Stream it at Bandcamp

Elisa Flynn – My Henry Lee
The darkly eclectic songwriter and hauntingly luminous chanteuse’s most spare, terse album blends starkly funny individualist anthems with more pensive material and a classic murder ballad. Stream it at Bandcamp

Fireships – their debut album
Imaginatively arranged Americana rock and chamber pop with a fearlessly aware, Dylanesque, populist lyricism. Stream it at Bandcamp

The Amphibious Man – Witch Hips
Enigmatically lo-fi, twistedly Lynchian, surf-tinged reverb rock. Like nothing else on this list and yet in a way like an awful lot on this list, in terms of general darkness. Stream it at Bandcamp

The Honeycutters – Me Oh My
Oldschool female-fronted honkytonk with a newschool, sharply literate, defiantly populist lyrical edge. Stream it at Spotify

The Old Ceremony – Sprinter
Folk noir and serpentine, intricately arranged, Lynchian art-rock and chamber pop from Django Haskins’ darkly eclectic band. Stream it at youtube – but BE CAREFUL – a loud audio starts immediately when you click the link, mute the sound before you do

For more yummy clickbait, other 2015 lists here include the forthcoming playlist at the Best Songs of 2015 page and the Best New York Concerts of 2015 page.

Another Haunting Knockout From Marianne Dissard

Marianne Dissard is one of this era’s great cult artists. Known as a connoisseur of desert rock, she’s equally adept at new wave, but doesn’t limit herself to those two genres. Born in France, she relocated to Tucson in her teens and quickly laid the foundation for longstanding collaborations with Giant Sand and Sergio Mendoza, resulting not only in unimpeachable cred but also a deep and distinctive body of work. Perhaps ironically, for someone so tireless and endowed with so much joie de vivre, the pixieish, charismatic contralto singer’s best album to date is her most somber. Years of relentless touring eventually took their toll, and in 2013, Dissard basically crashed. The result was The Cat. Not Me, a majestically orchestrated art-rock masterpiece that, as a portrait of complete emotional depletion, ranks with anything Leonard Cohen or Ian Curtis ever wrote.

One considerably more upbeat constant throughout those years of touring has been that Dissard has always documented the various bands she’s played with. Not with live albums, but by taking whoever she had on the road with her into the studio in various cities throughout Europe, as the schedule would allow, to knock out a quick, tight snapshot of wherever her music happened to be at the moment. Her latest release in that series, available in a neat hybrid vinyl/cd format streaming at Bandcamp, is Cologne Vier Takes, an intimate, stripped-down trio set with Yan Péchin on guitars and Allyson Ezell on backing vocals, recorded in a single whirlwind afternoon between gigs earlier this year..

The opening track, Oiseau (Bird), is devastating – literally. Dissard intones her loaded images of the hapless creature hitting the window and then collapsing with a wounded understatement that permeates the quieter material from this session. Underneath, Péchin builds a richly textured web of electric and acoustic guitars, like the early Velvets if they’d been more elegant and raised on the Arizona/Mexico border. The gospel-fueled trip-hop original on The Cat. Not Me was good, but this is far more harrowing. Dissard and Péchin work the same dynamic, a little louder, on the defiant, sarcastically titled Mouton Bercail (Domestic Sheep).

Likewise, Les Confettis gets transformed from bouncy post-Blonde on Blonde Dylan into broodingly swaying, lushly echoey folk-rock, finally rising to a burning guitar crescendo after Dissard has chronicled every shard of torn paper: death by a thousand twisted little heartbreaks. The version of Les Draps Sourds (The Drunken Sheets) is Dissard at her surrealistic best, the deep-space menace of the guitar in contrast with her wry account of the kind of interruptions lovers sometimes have to deal with at the least opportune moment.

Tortured, distorted guitar underpins Dissard’s similarly tormented lyrics on the take of Election here. It has the presence of a full band, even with just the one instrument and Dissard’s typical vocal understatement – she’s as brilliant a singer as she is a lyricist, in this case in French, although she also writes fluently in English and German. The album ends with the whisperingly venomous kiss-off ballad Cayenne, another rapt blend of vocal and guitar nuance. There’s no other short album released this year that can compare with this.

Not to distract you from appreciating this album, but there’s also a free download of Dissard playing a similarly intimate trio show live on WFMU in 2009, up as a free download at the Free Music Archive, that you should grab immediately: as of today, over 3500 people have already beaten you to it. Dissard also promises a lavishly packaged best-of compilation in 2016, and hopefully a full-length memoir as well.

The 50 Best Albums of 2011

Randi Russo started hinting that she might go in a psychedelic direction ever since her 2001 noise-rock masterpiece, Solar Bipolar. With its swirling production, jaggedly assaultive guitars, sharply literate lyrics and rugged individualism, her latest one Fragile Animal tops the list in 2011. It’s got a roaring Middle Eastern epic, a long, hypnotic raga-rock interlude, jaunty Beatlesque psych-pop, all with the tunefulness and resolute defiance that have been her signature since her debut album in 2000. There’s literally not a single second-rate song on this album.

The #2 spot goes to another artist who first broke out right around that time. Jenifer Jackson’s new The Day Happiness Found Me is her most intimate, terse album so far, a blend of hypnotic tropical grooves, sultry oldschool soul and vintage country, and she’s never sung with more understated power. It’s a quiet knockout.

#3 doesn’t wait to get to the point: the Oxygen Ponies’ third album, Exit Wounds is a vitriolic, lyrical masterpiece of post-Velvets songwriting. Frontman/songwriter Paul Megna pillories a generation of self-absorbed, entitled brats in these bitter, hypnotically catchy, meticulously arranged art-rock songs.

The rest of the list is only the tip of the iceberg. For the sake of brevity – if you buy the suggestion that a list of fifty albums could possibly be brief – this one cuts off at that number. Because New York Music Daily is basically a rock blog, there’s no jazz or classical on this list to speak of (for an intriguing list of the year’s 25 best jazz albums, visit NYMD’s sister blog, Lucid Culture). And since there were probably over a million albums released worldwide this past year, you shouldn’t read anything into whether an album might be rated #1 or #50 – if it’s good enough to be anywhere on this list, it’s got to be pretty incredible.

4. Mary Lee Kortes – Songs from the Beulah Rowley Songbook ep. The Mary Lee’s Corvette frontwoman came up with a fictitious alter ego from the 1930s and 40s who wrote in as many diverse, harrowing, literate styles – this is her “long lost debut.”

5. Roulette Sisters – Introducing the Roulette Sisters. This is actually the charismatic oldtimey quartet’s second album: Mamie Minch, Meg Reichardt, Karen Waltuch and Megan Burleyson romp through a characteristically entertaining, innuendo-driven mix of oldtime blues, country and novelty songs.

6. Ansambl Mastika – Songs & Dances for Life Nonstop. The Brooklyn Balkan uproar may not be playing as many shows lately, with their frontman concentrating on Raya Brass Band, but this scorching mix of every style from the old Ottoman empire is as exhilarating as gypsy music can possibly get – Gogol Bordello, watch out.

7. Beninghove’s Hangmen – debut album. Noir soundtrack music from a bunch of guys with jazz chops, punk attitude and off-the-scale raw intensity: best debut album of 2011 by a longshot.

8. Steve Wynn – Northern Aggression. The legendary noir rocker adds a little swirly dreampop to his noisy guitar duels and haunting portaits of life among the down-and-out.

9. Spottiswoode – Wild Goosechase Expedition. The literate art-rocker’s critique of the perils of life during wartime is spot-on and amusing as well. This sprawling, psychedelic, Beatlesque effort is a career best, and the band is scorching.

10. Ward White – Done with the Talking Cure. The literate powerpop tunesmith keeps putting out snarky, wickedly catchy albums – in a year where Elvis Costello didn’t put out any, this makes a good substitute

11. Trio Tritticali – Issue #1.Violinist Helen Yee, violist Leanne Darling and cellist Loren Dempster’s original mix of Asian, Middle Eastern and tropical themes is as intense and intricately interwoven as it is ambitious.

12. Hazmat Modine – Cicada. The minor-key blues/reggae/klezmer psychedelic outfit’s third album might be their strongest and most eclectic to date, with input from Gangbe Brass Band and Natalie Merchant.

13. Karen Dahlstrom – Gem State. The Bobtown multi-instrumentalist and songwriter, an Idaho native, reached back for a haunting, intense late-1800s western Americana vibe on these evocative original songs.

14. The Threeds Oboe Trio – Unraveled. Three oboes (and sometimes French horn) playing tongue-in-cheek new arrangements of Michael Jackson, the Doors, Stevie Wonder, Piazzolla and Little Feat – this might be the funniest and most original album of the year.

15. Carol Lipnik -M.O.T.H. The queen of Coney Island phantasmagoria delivers her most lushly creepy album yet.

15. Dina Rudeen – The Common Splendor. The retro soul songwriter, backed by a first-class band, go deep into a late 60s vibe for these evocative three-minute portraits.

17. Evanescent – debut album. This is the Moonlighters’ Bliss Blood plus guitarist Al Street doing her torchiest, most noir songs ever. Free download.

18. Les Chauds Lapins – Amourettes. The charming, coy French chanson revivalists broaden their scope with this lushly orchestrated, unselfconsciously romantic collection.

19. Marianne Dissard – L’abandon. The French rocker (and documentary filmmaker) works every southwestern gothic angle she can find on this surprisingly diverse, snarling, intensely psychedelic new album.

20. Elisa Flynn – 19th Century Songs. Like Karen Dahlstrom (#13 above), Flynn has a great eye for images, an amazing voice and an ear for a great tune – this album is considerably more diverse, and just as dark.

21. Dollshot – debut album. Brother/sister Noah and Rosalie Kaplan (tenor sax and voice) lead this creepy, improvisational group, putting a sometimes devious, sometimes twisted new spin on classical art-songs.

22. The Universal Thump – Chapter Two. Keyboard goddess Greta Gertler’s lush art-rock band’s second ep in a year is as richly tuneful, playfully quirky and and anthemic as their first one.

23. Mark Sinnis – The Undertaker in My Rearview Mirror. The baritone crooner who fronts Ninth House offers his most morbid, rustic Nashville gothic release to date.

24. Edward Rogers – Porcelain. The British expat tunesmith has never been more eclectic, more acerbic or more relevant throughout this mix of retro glam, art-rock and new wave with his amazing band.

25. Hungrytown – Any Forgotten Thing. The duo of Rebecca Hall and Ken Anderson add a deliciously off-kilter psychedelic folk edge to Hall’s dark, brooding songs.

26. Frankenpine – The Crooked Mountain. The New York bluegrass band push the envelope with a mix of upbeat original numbers and creepy ballads as well as a detour into gypsy jazz.

27. Robin O’Brien – The Empty Bowl. Her first album of new songs since the 90s, the dark soul/folk/rock chanteuse is at the absolute peak of her unpredictable power.

28. Pinataland – Hymns for the Dreadful Night. The best album to date by the Brooklyn “historical orchestrette,” a lavishly orchestrated mix of Americana and rock with a biting and spot-on historical edge.

29. Aunt Ange – Olga Walks Away. A concept album about an acid trip, straight out of the 60s, with a creepy gypsy punk edge to match – one of the year’s most original releases.

30. Rahim AlHaj – Little Earth. A protege of legendary oud player Munir Bashir, AlHaj spans the globe with styles from Iraq, Egypt and the Appalachians, backed by a global supporting cast.

31. A Hawk & a Hacksaw – Cervantine. A Neutral Milk Hotel spinoff (how many of those are there, about fifty?), these folks do rustic, intense gypsy romps as well as anyone else. Their show last summer at the Bell House was killer.

32. On – Box of Costumes. Hard to believe that there are only two guys – a guitarist/singer and drummer/keyboardist – in this dark, artsy Israeli rock band.

33. The Jolly Boys – Great Expectations. The legendary Jamaican mento band went out on a high note with this clever mix of pop and punk covers, their first release since the 70s.

34. Trio Joubran – Asfar. The three Palestinian oud-playing brothers turn in a haunting, austere, elegaic suite of instrumentals with flamenco tinges.

35. Marissa Nadler – 5th album. The mistily captivating dark acoustic rock chanteuse goes into Americana further than ever before, with excellent results.

36. Shusmo – Mumtastic. Palestinian buzuq player Tareq Abboushi’s funky, psychedelic Middle Eastern/jazz/rock unit is catchy and politically spot-on throughout this diverse debut album.

37. Loga Ramin Torkian – Mehraab. The Iraqi/Canadian multi-instrumentalist takes a hauntingly successful trip into hypnotic dreampop/electronic territory.

38. American Modern Ensemble – Star Crossing: Music of Robert Paterson. All together, this suite of new instrumentals – mostly for flutes and percussion – is intensely cinematic and totally noir.

39. See-I – debut album. The Washington, DC roots reggae act mix tons of woozy dub and a little dancehall into their trippy rootsy grooves.

40. Pistolera – El Desierto y la Ciudad. Divided into a bustling city side and hypnotic, apprehensively dark desert side, the New York-based janglerockers explore the immigrant experience with typically hard-hitting intensity.

41. Terakaft – Ishumar. The Malian desert blues band deliver their hardest-rocking collection of grooves ever.

42. The Mast – Wild Poppies. Singer/guitarist Haale and virtuoso percussionist Matt Kilmer team up for a wary, psychedelic mix of indie rock with Middle Eastern tinges and an uncompromising lyrical intensity.

43. Aram Bajakian’s Kef – debut album. Lou Reed’s lead guitarist, when he’s not on the road, leads this intriguing electic band who play new verisons of classic Armenian themes.

44. Taj Weekes & Adowa – Waterlogged Soul Kitchen. The roots reggae star is his usual politically-charged self on this mix of warm grooves and ferociously insightful anthems.

45. The Rudie Crew – This Is Skragga. Always a great live band, these ska party monsters proved they can do it in the studio too with this one.

46. The Funk Ark – From the Rooftops. Afrobeat from Washington, DC: slinky latin vamps, ferocious Ethiopian themes and good-natured, oldschool funk.

47. CSC Funk Band – Things Are Getting Too Casual. The Brooklyn psychedelic funk band mix Afrobeat and Celtic sounds into their danceable blend. Free download.

48. Christopher O’Riley & Matt Haimovitz – Shuffle Listen Repeat. This is pianist O’Riley’s third album of classical-style piano versions of rock songs; this time, he found his noir muse in the music of Hitchcock film composer Bernard Herrmann.

49. Karikatura – Departures. Latin grooves, flamenco guitar, gypsy tunes, an amazing horn section and smart, socially conscious lyrics, just as good on record as onstage.

50. The Rough Guide to Bellydance, 2nd Edition. The second one is even better than the first: it’s a mix of who’s who in levantine instrumentals over the last 30 years.

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