Swedish band Lowrider do not play Los Angeleno funk. Hard-riffing stoner metal in a Kyuss/Sleep vein is more their thing. Their album Refractions is streaming at Bandcamp. Strong hum-along hooks and interesting psychedelic textures pervade this – they’re a rare metal band who don’t waste notes.
The first track, Red River has a fat fuzztone riffage from the band’s two guitarists – frontman Ola Hellquist on lead and Niclas Stalfors on rhythm – over drummer Andreas Eriksson’s ba-bump beat, tantalizingly brief wah-wah guitar and a weird, echoey bridge. They do the ba-bump thing a little more artfully in Ode to Ganymede – the funeral-parlor organ, atmospherics and a wry guitar solo that sounds like a talkbox but is probably just Hellquist fiddling with his wah are unexpected touches amid the crunch and sludge.
In the hypnotic, almost nine-minute Semanders Krog, the band shift in and out of a tricky beat, indulge in some minimalist atmospherics and finally rise to a long, sputtering trails of sparks from Hellquist’s wah-wah. Mule Pepe is just as trippy but a lot more straightforward, beatwise and riffwise; finally, three tracks in, we get a few seconds of solo bass and drums, and a classic devil’s-horns salute for an outro.
The instrumental Sun Devil is based around a simple, classic series of variations playing off a low E; Peder Bergstrand’s bass is tuned a whole octave lower. The closing epic, Pipe Rider, has growling guitars in tandem with the organ and unexpectely new wave-tinged synth over Eriksson’s shamanistic drums. On one hand, this sound has been done to death over the years – because every year, another generation of alienated kids discover Black Sabbath and the thousands of bands they influenced. Long may they play this stuff.