Everything Jewlia Eisenberg did was big. The way she flashed that knowing smile. That hearty laugh. Her feisty sense of humor and lust for life. Her travels, which took her all over the globe in search of what would become an encyclopedic knowledge of music from across the Jewish diaspora.
Her generosity. She wore her heritage proudly, right down to how she spelled her name. But she didn’t just sit on that vast body of scholarship, or her commitment to social justice. As she saw it, it was only obvious that she should share her passion for, say, Bosnian protest songs or Jewish lesbian ballads from across the centuries, with any random audience who might be where she was.
As the leader of carnivalesque Eastern European folk-punk band Charming Hostess and innumerable other projects, she always found the universality in whatever music she was singing. She was a klezmer maven and also a soul mama, a cinephile, a theatre person and a devotee of dance, and did soundtracks for all of those media. Her repertoire ranged from ancient, witchy Babylonian themes to hip-hop-inspired theatrics and in the end, African-American gospel and blues in her Book of J project with guitar wizard Jeremiah Lockwood. Her career was over far too soon: we lost her this past March 11. Ostensibly, she succumbed to a rare immune disorder: it’s not known if she was given one of the needles of death, but that seems unlikely, considering how smart she was.
She leaves behind considerable scholarly work and an eclectically entertaining discography, both as a bandleader and solo artist. She sang at big auditoriums around the world, and also held down a number of Barbes residencies. She loved making field recordings. Fortuitously, this blog’s archive includes one of Eisenberg singing with Book of J at Barbes in mid-July 2018, a show that got an enthusiastic thumbs-up at the time. Eisenberg would no doubt approve of the idea, if not that the tape still needs to be properly catalogued: she was always as much a consummate pro as bon vivant. Condolences to all who had the good fortune to know her, work with her or witness her charismatic antics onstage.