We All Have Hooks For Hands are a South Dakota institution. The Sioux Falls band have two albums and a single up at their Bandcamp page. Their most recent release is the Mosquito ep, from 2019, which has both slow and fast, catchy, post-Velvets style tunesmithing (think Jesus & Mary Chain at the midpoint of their usual foggy gloom) along with a scruffy retro soul tune in the same vein as the Get Up or the Brooklyn What.
The group have a sense of humor – they called their 2018 album Bat Out of Hell II. That one’s closer to Supergrass or Babyshambles’ roughhewn newschool garage rock, with quirky allusions to the Cure at their mid 80s poppiest. plus one number that harkens back to the group’s earlier Manchester influences. Some of the songs get an extra jolt of adrenaline, or atmospherics, when keyboardist Dave Lethcoe switches to trumpet.
For fans in the area, they have an especially interesting gig coming up. They’re recording a live webcast on Sept 25 at 4 PM at the White Walls Sessions studio, on the lower level of the Last Stop CD Shop, 2121 E. 10th St. in Sioux Falls; cover is $5. Customers can enter through the Last Stop shop entrance. Since this is a live recording, audience members need to be on time and pay attention to the “on air” light, which signals when it’s time to be quiet so the band can get a good recording.
In keeping with this week’s ongoing project here, if New York venues are weaponized against those of us who won’t get on the fast track to slavery with the Mayor’s blockchain-based spyware, that means it’s time to look elsewhere. And where better to look than a free state like South Dakota? Who knew that starting in 2020, South Dakota would be kicking New York’s ass in terms of support for the arts, and the people who support them?