“After this obligatory encore, I’ll be at the merch table where you can ask me anything about the Bangles and the Dream Syndicate,” Long Ryders founder and guitarist Sid Griffin told the packed house at WFMU’s Monty Hall in Jersey City last night.
He was joking, of course. But who ever imagined that the Long Ryders – or the Dream Syndicate – would be back in action, touring and still making great records, almost forty years after they started? The difference for this band is that the individual members seem to be more involved as songwriters this time around. “The world’s smallest Kickstarter,” as Griffin called it, crowdfunded the Long Ryders’ often astonishingly fresh, vital, relevant new album, Psychedelic Country Soul, which figured heavily in the set.
Griffin was celebrating his 64th birthday, and was regaled from the stage by his bandmates: guitarist Stephen McCarthy played the Beatles’ When I’m 64 into the PA from the tinny speaker on his phone, and the crowd revealed their music geekdom by not only knowing the words but also the instrumental break after the first chorus. Griffin held up his end: he still has his voice and his lead guitar chops, trading long, crackling honkytonk solos with McCarthy early in the set.
“I had a dream that Trump was dead,” McCarthy ad-libbed, updating the new wave-flavored I Had a Dream for the end of a new decade. The band had most recently played this particular venue the night of the fateful 2016 Presidential election, and had plenty of vitriol for the possibly soon-to-be-impeached tweeting twat in the Oval Office. That wasn’t limited to banter with the crowd: Griffin reminded how prophetic the broodingly jangling anti-Reaganite protest song Stitch in Time, from the band’s 1986 Two Fisted Tales album, had turned out to be. And bassist Tom Stevens switched to Telecaster for the plaintively jangling Bells of August, the song Griffin described as the best on the new album, a familiar story centered around a family’s beloved son finally returning home…in a body bag.
It’s been said many times that the Long Ryders invented Americana as we know it today, but despite their vast influence in that area, they were always a lot more eclectic. This time out, they broke out covers by the late Greg Trooper, Mel Tillis – the big crowd-pleaser Sweet Sweet Mental Revenge – and what sounded like the Flamin’ Groovies. Of the band’s classic 80s material, both Final Wild Son and the last song of the night, a delirious singalong of Looking for Lewis and Clark, came across as chicken-fried Highway 61 Dylan.
Stevens’ other standout among the new material was a garage-psych flavored tune, What the Eagle Sees. And Griffin put some muscle behind his punkish stage antics with a slashing, embittered new one, Molly Somebody, which for whatever reason sounded a lot like the Dream Syndicate. And that makes sense – if you know any of the baseball-hatted old guys who went to this show, or knew them when they were baseball-hatted young guys, everybody who liked the Dream Syndicate was also into the Long Ryders, and True West. And the other great 80s guitar bands, including the Del-Lords: their frontman and lead guitarist, Eric Ambel, had played the evening’s opening set.
The Long Ryders tour continues tonight, Sept 19 at 9 PM at the Lockx, 4417 Main St. in Philadelphia? Cover is $30