Bump bump, bump-bump, bump. Hey!
A cynic would say that pretty much sums up what garage rock is all about. But year after year, a new generation of leather-jacketed kids discovers the indomitably energetic retro sounds the Schizophonics revisit on their new album People in the Sky, which is due shortly at their Bandcamp page (there are a handful of singles already up now) They’re playing Union Pool tonight, Oct 30 at 8 PM; cover is $10. You’ll probably want to take the G train home afterward because the L will be down by the time the show’s over.
Either you can’t resist the good energy this stuff gives off, or you find it irredeeemably cliched. If you’re in the former camp, here goes; frantic vocals, buzzy guitars and basic riffs one step removed from the early soul music that the first practitioners of the style – the Pretty Things, Kinks, Blues Magoos, and every one-single wonder from Lenny Kaye’s Nuggets anthologies – could muster up in cheap studios or garages from dirty water Boston to sonic Seattle.
What differentiates the Schizophonics from decades of other bump bump, bump-bump, bump, hey! bands is that guitarist Pat Beers uses distortion and somewhat less ancient amps which give their music more than a tinge of the stoner boogie that eventually morphed out of garage rock by the end of the 60s. And their songs often go on past the two minute thirty second mark. Imagine the Arctic Monkeys if they’d been raised on the Kinks instead of Led Zep.
The album’s opening track is an anomaly in the garage rock genre, an epic, five minute-plus take of pretty much everything you can do with a 1-5-7-1 progression. Steeley Eyed Lady is a fuzztone tune that sounds like the Mooney Suzuki – except with an acoustic guitar grafted on.
Nine Miles has some chromatics, a scampering soul bassline and an unhinged teenage Dave Davies style guitar solo. The title track sounds like the Brian Jonestown Massacre on coke; The One I Want could be Muck & the Mires. Battle Line is vaguely political. Not Gonna Change My Mind wouldn’t be out of place among the MC5’s poppiest songs.
Long Way to Go is the album’s big stomper, while Show Me Your Eyes is the fuzziest – and arguably catchiest, with all that slapback reverb. Like a Mummy is a Sonics shout-out with the album’s best guitar solo. Down and Out is their All of the Day and All of the Night. The album’s final cut is She’s Coming Back, with a series of goofy modulations. If all the retro rock references here resonate with you, you’ll love this crew.
If you’re looking for today’s Halloween installment, take a trip back just over a year ago and revisit Brooklyn’s best young band, Dark Beasts, captured at the peak of their power at a semi-secret show in July of 2018.