Pom Poko like big, simple riffs, noisy guitar and keyboard accents, a steady, danceable beat and 80s sonics. Sometimes that means new wave, sometimes the bracing, in-your-face side of the Pixies. Frontwoman Ragnhild Fangel sings in a chirpy high soprano over a generally bouncy, often rather spare mix anchored by Jonas Krøvel’s similarly terse bass and Ola Djupvik’s drums. Their new album Cheater is streaming at Bandcamp.
They open with the title track, a skittish, minimalist, skronky strut fueled by Martin Miguel Tonne’s jagged Gang of Four guitars. The group switch on a dime between buzzy and spare in LIke a Lady, like Goldfrapp with guitars instead of synths, a contrast they revisit a little later with Look.
The third track, Andrew, has blippy new wave keyboard and guitar accents and some rhythmic trickiness. The band shift between lo-fi sparseness, My Sharona octaves and a lickety-split punk stomp in My Candidacy.
Sparse, watery guitars give Danger an icy dreampop edge, with echoes of Siouxsie but also calypso. Andy Go to School comes across as math-y late 70s XTC with a woman out front, at least until the straight-ahead punk chorus kicks in. Baroque Denial is much the same with fuzz bass taking the place of the guitar roar.
Curly Romance is the closest thing here to classic powerpop, and the album’s most unselfconsciously catchy number. They close with Body Level, built around a catchy, circling bass riff. It’s hard to tell what these songs are about, other than dancing and having fun, two things that we need to be doing a lot more these days.