Violinist Laura Masotto transforms into a one-woman orchestra on her new suite WE, streaming at Bandcamp. Much of this bright, riff-driven theme and variaitons is an action movie for the ears. A lot of this could be called loopmusic, although Masotto fleshes out her anthemic, stadium-worthy hooks with lush but terse harmonies and melodic shifts that transcend the usual vamping, circling limitations of playing against a backing track.
The album’s overture, Atoms, is a shimmery, shivery, minimalist tune seemingly based on a very famous raga (or maybe the first song on side two of Sergeant Pepper). Refugees, with Roger Goula on atmospheric keys, rises to a brisk motorik pulse: this sequence triumphantly reaches the shore rather than capsizing in the Mediterranean.
Blue Marble is awash in big sweeping broken chords, followed by Ithaki,. a muted, suspenseful variation on the refugee theme with Hior Chronik on twinkly keys. After that, 2020 starts out ambient but the energy returns: this is quite an optimistic record.
The title theme turns out to be an understatedly joyous, pulsing love ballad without words. Masotto returns to lavish variations on the central, arpeggiated melody. There’s a long descent through swirly, calming ambience as the music grows loopier and more baroque on the way out.