Just about every year, right around Labor Day, there’s a big Sunday evening party at Otto’s Shrunken Head. Last year, one of the bands playing happened to be the CarvelsNYC. Although it was strange to see these nocturnal creatures onstage so early in the evening, it didn’t matter. Frontwoman Lynne Von Pang has an unearthly roar that seems to rise out of the murky depths of the NYC infrastructure – or the bedrock below, What a rare treat it was to witness that kind of gale-force power in such an intimate space. Her guitar was loud, but she barely needed a mic.
It’s not likely that anybody in the CarvelsNYC was older than a toddler, at the most, when CBGB was in its glory days, but their music looks back to that era without imitating it. Punk rock may not have always been revolutionary, but at least it was about being unafraid to be your own person. In a social media-infested age, a band like the CarvelsNYC stands out even more.
Their music blends influences of late 70s New York punk and powerpop, but it’s also not a ripoff. The cover illustrations of their latest 7” ep Life Is Not a Waiting Room – streaming at Bandcamp -shows a jealous-looking blonde woman surrounded by a martini glass, pills, a phone and a wad of cash. Make of that what you will: satire, or daily struggle?
“Life is not a waiting room, til you find out you’re at the end of the line,” Lynne belts on the chorus of the title track. It’s like turbocharged earky Blondie, with biting riffs from lead guitarist Brian Morgan and sax player David Spinley. Scarcity has a delicious blend of countryish jangle and chime, hints of noir and a funny video that slags status-grubbing and desperate-housewife lifestyles. Drummer Steve Pang and bassist Mike Dee give it a solid four-on-the-floor stomp.
The ep also includes a Spanish-language version of the title cut: Lynne sings it as fluently as she does in English. .There’s also an amusingly punked-outcover of Antony & the Johnsons’ I Fell in Love with a Dead Boy
The band are also playing the best rock show of this weekend that you can actually get to tomorrow night, April 27 at 10 at Shilleleigh Tavern, 47-22 30th Ave. in Astoria. Cover is $10, take the R to Steinway St. Giftshop – the missing link between Blondie and the Distillers – open the night at 8, followed by sardonically catchy powerpop/janglerockers the Hell Yeah Babies