This may be the weirdest and scariest year in the history of live music, but not everything that’s happening is weird and scary. And some of those weird happenings are actually reason for a lot of optimism. For example, what’s the likelihood that a fantastic hard honkytonk band – with a singer whose original axe is the concert harp – would be playing a cozy taco-and-beer joint at the northern edge of the South Street Seaport over the 4th of July weekend?
No joke – the Bourbon Express are making a return to the stage at the friendly, laid-back Cowgirl Seahorse at 259 Front St. this July 5 at 7 PM. There’s no cover, although tips for the band are always welcome.
The last time this blog was in the house at one of their shows, it was in the spring of 2018 at the old Hank’s, where they were playing the album release show for their most recent one Cry About It Later. What a fun evening that was – what’s better than a hot night with a cold pint in one hand and a pretty girl snuggled up next to you while a good country band is cooking onstage? It’s the kind of memory we used to take for granted – and maybe we need to remind ourselves that moments like that need to be more than just memories.
That the Bourbon Express kept the crowd on their feet after a sizzling, twang-rich set by the jangly, psychedelic Girls on Grass speaks volumes. Lead guitarist Brendan Curley is a master of twang himself, and fired off one incisive, tantalizingly short solo after another on his Telecaster. Meanwhile, frontwoman Katie Curley showed off her own chops on acoustic guitar in front of the band, singing with more power and edge than ever. And her songs were really funny.
The best one of the night was Five to Nine, an exasperated and spot-on gig economy-era narrative told from the point of view of a girl whose entitled boss seems to think he can pester her about work at nine at night after she’s been on the clock all day. This was two years before the lockdown, but Curley totally nailed the kind of dynamic you get when authority figures who don’t have the balls to confront you in person are at the other end of the Zoom connection.
Other songs were funny for different reasons. Curley celebrated the joys of daydrinking and cooking with a glass of wine in hand in Dilly Dally, and the oldschool, retro 50s flavored Blame It on the Hangover. The rhythm section swung hard and the crowd kept drinking: Hank’s was in Brooklyn, and the bandleader is from Seattle originally, so the band don’t exactly channel a deep south vibe. Instead, Curley’s aphoristic lyrics and soaring voice were closer to something coming out of Bakersfield around 1965. Considering how many bands have been scattered across the country, and the world, by the lockdown, it’s awfully cool to see this group still together and playing.