New York Music Daily

No New Abnormal

Tag: blues music

One of New York’s Most Riveting, Entertaining Guitarists Makes a Triumphant Return to the Stage in Bed-Stuy

What James Jamerson was to Motown, Binky Griptite was to the Dap-Tone stable of artists. Jamerson was a bass player, arguably the main architect of the groove that transformed pop music in the 60s. Griptite was lead guitarist to Sharon Jones and most of the rest of New York’s best retro soul acts of the zeros and teens. After that, he maintained a cult following through an endless series of small-venue gigs around town, which ended with the lockdown. This brilliant sideman is also a bandleader, and he’s bringing his Binky Griptite Orchestra – a rotating cast of similarly sharp oldschool soul, blues and funk talent – to Bar Lunatico on July 5 at 9 PM.

This blog has been in the house at many of his gigs, most recently a searing set with gonzo gospel-funk personality Rev. Vince Anderson’s band a few months before the lockdown. The last time anyone here caught him leading a band was over the course of a week in the winter of 2017, when he played a sizzling, frequently psychedelic show at Union Pool and then a much more low-key, slinky set at Threes Brewing in Greenpoint. Both shows featured the amazing, similarly soul-inspired Moist Paula Henderson on smoky, serpentine baritone sax.

Onstage, Griptite is a cool, suave force of nature. The most adrenalizing moments of the Union Pool show were when he slowed down for some eerily crescendoing Chicago blues, an expansive platform for him to show off both subtlety and speed. You could hear the influence of B.B. King, but ultimately Griptite is his own animal. From carbonated James Brown-style bounces to lengthier jams, he chose his spots to get wild.

The Greenpoint gig was 180 degrees the opposite. This one was all about sultry ambience to warm up a cold evening, heavier on the ballads and slower on the tempos, with a lot of input from Henderson. Whichever mood you catch this guy in, it’s always worth seeing. And this intimate venue is a good one for him. Open the door at Lunatico and the first thing you notice is how good it smells (they serve crostinis and such).

Live Music Calendar for New York City and Brooklyn for July and August 2021

Sure feels good to get this calendar back to a monthly schedule again! Who knew we’d ever be able to, without going to war. This is a work in progress, and errs on the side of freedom, as far as restrictions are concerned.

Every venue listed here has been vetted to the best of this blog’s ability, but this is a weird time. All of these shows appear to be unrestricted, but if in doubt, trust your intuition. Clubs that were laid-back and friendly in March of 2020 are still probably laid-back, and friendly, and life is probably back to normal there. If a venue was problematic before the lockdown, you can bet that if it’s still in business, it’s really problematic now.

If you go out a lot, you might want to bookmark this page and check back regularly. Rock shows are really lagging behind jazz and classical as far as getting back up and running again. Hopefully that will change. Additional shows will be added through the summer as they’re announced.

If you’re leaving your hood, don’t get stuck waiting for a train that never comes, make sure you check the MTA delays and out-of-service page for service cancellations and malfunctions, considering how unreliable the subway has become.

If you don’t recognize a venue where a particular act is playing, check with the artist, or check the recently updated list of over 200 New York City music venues at New York Music Daily’s sister blog Lucid Culture.

This is not a list of every show in town – it’s a carefully handpicked selection. If this calendar seems short on praise for bands and artists, it’s because every act here is recommended if you like their particular kind of music.

Showtimes listed here are set times, not the time doors open – if a listing says something like “9ish,” that means it’ll probably start later than advertised.

If you see a typo or an extra comma or something like that, remember that while you were out seeing that great free concert that you discovered here, somebody was up late after a long day of work editing and adding listings to this calendar ;)

Mondays starting at 9 PM sharp, Rev. Vince Anderson and his band play two sets at Union Pool. The Rev. is one of the great keyboardists around, equally thrilling on organ or electric piano, an expert at Billy Preston style funk, honkytonk, gospel and blues. He writes very funny, very politically award, sexy original songs and is one of the most charismatic, intense live performers of our time. It’s a crazy dance party. Paula Henderson from Burnt Sugar is the usual lead soloist on baritone sax, with frequent special guests. Sizzling guitarist Binky Griptite – Sharon Jones’ lead player – is also often there.

Fridays in July, 8ish torchy cumbia/swing singer and accordionist Erica Mancini at Sunny’s

7/1, 7:30 PM intense, rapturous Balkan/Middle Eastern ensemble the Secret Trio –Tamer Pinarbasi, Ismail Lumanovski & Ara Dinkjian – at Drom, $20. They’re back on 7/27 at 9:30.. After this show, at 9 moody, tuneful string-driven Americana and chamber pop with DM & the Expats play ($15 separate adm)

7/2, 7 PM Gordon Lockwood (blues guitar monster Jeremiah Lockwood and drummer Ricky Gordon) at Terra Blues. They’re back here on 7/9

7 /3, 7:30/9:30 PM cleverly lyrical, darkly klezmer-tinged pianist Uri Caine with Mark Helias on bass and Ben Perowsky on drums at Mezzrow, $25

7/5, 7 PM wryly retro, period-perfect classic 60s style female-fronted honkytonk band the Bourbon Express at Cowgirl Seahorse.. 7/10, 8 PM ish they’re at Schnitzel House, 7319 5th Ave in Bay Ridge, R to 77th St.

7/5, 9 PM the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Bar Lunatico

7/6, 7/8:30 PM postbop trumpeter Josh Evans leads a quintet at Smalls, $25

7/6, 7:30 PM chamber orchestra A Far Cry play works by Grieg, Part, Jessie Montgomery and others at the Naumburg Bandshell in Central Park

7/6, 8ish harmony-driven all-female Americana band the Maybelles at Sunny’s

7/6, 8 PM legendary, risque, politically spot-on calypso icon the Mighty Sparrow at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/6, 8:30 PM tuneful original delta blues and acoustic Americana from guitarist Jon LaDeau at Pete’s

7/6, 9 PM badass honkytonk/Americana songwriter Olivia Ellen Lloyd and band at Skinny Dennis

7/6, 9 PM Trio Catarina with hotshot Brazilian accordionist Felipe Hostins at Bar Lunatico

7/7, 6 PM new string quartet the Overlook with guest Tanya Birl-Torres play music by black composers: Leila Adu, Shelley Washington and Samuel Coleridge-Taylor at the Hispanic Society of America, 613 W 155th St. west of Broadway, 1 train to 157th St., free

7/7, 9 PM dark blues/folk noir/oldschool soul songwriter Kelley Swindall at Skinny Dennis

7/7, 6 PM horn player Cort Roberts leads an ensemble playing new classical repertoire tba at Madison Square Park. He’s back on 8/11

7/7, 8 PM ish edgy alto sax player Kate Mohanty plays her bday show followed by uneasy female-fronted psychedelic abstract rock band Gold Dime at Our Wicked Lady, $12

7/7, 7:30 PM the Chamber Music Society of Lincoln Center with Shai Wosner, piano; Chad Hoopes, violin; Kristin Lee, violin; Tien-Hsin Cindy Wu, viola; David Requiro, cello; Xavier Foley, bass play works by Beethoven and Dvořák at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/8, 6 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar

7/8, 8 PM painter Jim Watt completes his “1000 Watts” series of 1000 ink washes in the monochromatic Japanese Sumi style while an allstar jazz trio – trumpeter Antoine Drye, guitar icon Bill Frisell & drummer Kyle Benford – improvise behind him at Collab, 309 Starr St, Bushwick (St. Nicholas/Cypress Ave), L to Jefferson St, $20 sug don. Watt will donate $100,000 (a hundred grand, you read that right) to benefit jazz musicians imperiled by the lockdown through sales at his dealer Jim Kempner Fine Art.

7/8, 8 PM the NY Philharmonic play Carlos Simon: Fate Now Conquers; Stravinsky: Pulcinella Suite; Mozart: Symphony No. 40 at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/9, 7 PM perennially popular original feminist folksinger Toshi Reagon & Big Lovely at Bryant Park

7/9, 7/9:30 PM cutting-edge B3 organ grooves with the Jared Gold trio at Smallls, ,$25

7/9, 7:30 PM iconic Afro-Cuban percussionist/bandleader Pedrito Martinez at Drom, $15

7/9, 9 PM  fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel at Skinny Demis. . He’s back here on 7/31 at 4.

7/10, 2 PM afternoon improvisations: guitarist  Aron Namenwirth with Daniel Carter, Claire de Brunner, Tamio Shirashi plus poet No Land at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

710, 4 PM Sarah Durning & the Fun Sisters play twangy oldschool-style original honkytonk at Skinny Dennis

7/10, 5 PM  lustrous singer and badass cello-rock bandleader Serena Jost in a rare solo show  at Five Myles, 558 St. Johns Place (Classon/Franklin), Crown Heights, 2/3 to Eastern Pkwy/Brooklyn Museum

7/10, 7 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues. They’re back here on 7/24

7/10, 7:30 PM the Chamber Music Society of Lincoln Center play works by Haydn, Mendelssohn and Schumann at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/11, 3 PM dynamic front-porch Americana/blues songwriter Mary-Elaine Jenkins at Pete’s

7/11, 3:30 PM the Noga Band featuring amazing Middle Eastern oudist Avram Pengas at Wagner Park north and west of the Battery

7/11, 4 PM oldschool-style high plains C&W singer Hope Debates & North 40 at Skinny Dennis

7/12-16, half past noon sly, cinematic, tuneful Microscopic Septet pianist Joel Forrester at Bryant Park

7/12, 9 PM the perennially popular Western Caravan play western swing at Skinnny Dennis

7/13, 7 PM pensive, eclectic, tuneful jazz/art-rock songwriter Becca Stevens at the big room at the Rockwood, $15

7/15, 9:30 PM  ferociously dynamic, tuneful,female-fronted power trio Castle Black at Bar Freda, 801 Seneca Ave (Cornelia St/Putnam Ave) in Ridgewood, M to Seneca Ave

7/16, 7 PM  sizzling salsa dura band the Spanish Harlem Orchestra at Bryant Park

7/16, 7/8:30 PM drummer Sylvia Cuenca leads a quintet with Dave Kikoski on piano and Craig Handy on tenor sax at Smalls, $25

7/16, 8 PM  psychedelic supergroup the Elgin Marbles feat. members of Love Camp 7, Dervisi and Peter Stampfel’s jug band at the Parkside,$10

7/16, 9 PM the raucously oldtimey Buck and a Quarter Quartet at Pete’s

7/17, 5ish “a wonderful bunch” of sax players: Peter Apfelbaum, Claire Daly, Jonathan Haffner, Jeff Lederer, Jessica Lurie, Sam Newsome, Jay Rodriguez, and Stefan Zeniuk play a site-specific, echo-centric improvisation outdoors from the rooftops around 55 Waterbury St. in Bushwick

7/17, 9 PM Veronica Davila’s twangy, Bakersfield-flavored hard honkytonk band Low Roller at Skinny Dennis

7/18, 5 PM the all-femalle Lotus Chamber Music Ensemble play a program TBA at Culture Lab outdoors, 5-25 46th Ave in Long Island City, down the block toward the water from LIC Bar

7/18, 6 PM orchestrally epic alto valve trombonist Scott Reeves plays the album release show for his new lie one at 55 Bar

7/18, 7 PM brooding, intense lo-fi gutter blues songwriter/guitarist Breanna Barbara at Our Wicked Lady, free

7/18, 7:30/9 PM Falkner Evans solo on piano – sometimes inscrutable, sometimes darkly rapturous – at Mezzrow, $25

7/19, 7 PM the Orchestra of St. Luke‘s music for winds and brass by Ibert, Valerie Coleman, Stravinsky, Dukas, Scott Joplin, Leonard Bernstein and Matthew Arnold on the steps of the Brooklyn Central Library at Grand Army Plaza. 7/21, 3 PM they’re at the back of the northwest corner of the plaza at Lincoln Center and 7/22 at 7:30 PM they’re outdoors at the Queens Theatre in the Park in Corona

7/19, 9 PM darkly brilliant, psychedelic Klezmatics multi-reedman Matt Darriau‘s group plays a Yusef Lateef tribute at Bar Lunatico

7/20, noon classical ensemble the Sterling Strings play their hilarious string quartet versions of rap and pop hits at Metrotech Park in downtown Brooklyn

7/20, 7 PM vibraphonist Felipe Fournier‘s wild Tito Puente and Dave Brubeck cover band, Supermambo at Gantry Plaza State Park

7/20, 7:30 PM the Philharmonia Baroque Orchestra play works by Purcell, John Blow and others at the Naumburg Bandshell in Central Park

7/20, 7:30/9:30 PM  rapturously eclectic jazz chanteuse Marianne Solivan leads her trio at Mezzrow, $25

7/21, 6 PM noir-inspired honkytonk crooner Sean Kershaw at John Brown BBQ, 27-20 40th Avenue at 28th St., LIC/Astoria, any train to Queensboro Plaza

7/21, 7 PM adventurous indie classical ensemble Contemporaneous play edgy, often poignant new works by Alex Weiser, Zachary James Ritter, Yasmin Williams, toy pianist Lucy Yao and a world premiere by Yaz Lancaster at Pier 64, 24th St. and the Hudson, free, rsvp req  

7/21, 8 PM bhangra-klezmer mashups with Sharabi feat. trumpeter Frank London & Deep Singh with singer Sarah Gordon plus the psychedelic, Afrobeat and klezmer-influenced Zion 80 at Drom, $20

7/21, 9 PM deviously entertaining hot 20s swing chanteuse Sweet Megg Farrell and band at Skinny Dennis

7/22, half past noon mostly-female, kinetic klezmer/cumbia/cinematic jamband Isle of Klezbos at St. Marks Park, 2nd Ave/10th St.

7/22, 4:30 PM jazz singer Tahira Clayton’s Jazz Trio outdoors at the Brooklyn Conservatory of Music

7/22, 7/8:30 PM colorful,  eclectic, paradigm-shifting B3 jazz organist Brian Charette  leads his organ trio at Smalls, $25

7/22, 8 PM original blue-eyed soul chanteuse Miss Tess in a rare duo show at Sunny’s. 7/23 she’s under the Dumbo Archway at 5.

7/22, 9 PM smart, purposeful Americana guitarslingers Jason Loughlin and band at Skinny Dennis

7/23, 7:30/9:30 PM tenor saxophonist Tivon Pennicott with Louis Cato on bass and Joe Saylor on drums at the Jazz Gallery, $20

7/23, 8 PM poignantly lyrical, eclectic pianist Marta Sanchez leads her trio with a killer rhythm section of Michael Formanek and Gerald Cleaver at Bar Bayeux

7/24, 2 PM improvisational keyboardist Matt Mottel plays his bday show at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

7/24. 5 PM careening, microtonally-tinged electric blues band Jane Lee Hooker at Culture Lab outdoors, 5-25 46th Ave in Long Island City, down the block toward the water from LIC Bar

7/24, 7 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues

7/24, 7/8:30 PM Mike LeDonne takes a relatively rare turn on piano with a trio  at Smalls

7/24, 7:30ish the Sun Ra Arkestra at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

7/24, 8 PM sprawling large jazz/ambient ensemble/jamband Burnt Sugar at Damrosch Park

7/24, 10 PM fiery electric bluegrass and C&W with Demolition String Band at Skinny Dennis

7/24, 10 PM allstar percussion and sax duo Matthias Kunzli and Peter Apbelfaum’s Soup du Jour at Pete’s

7/26-30 half past noon big band pianist Russ Kasoff solo at Bryant Park

7/26, 7 PM Certain General guitarslinger Phil Gammage plays his dark Americana and blues at Cowgirl Seahorse

7/26, 7 PM newgrass band Damn Tall Buildings at Pier 1 on the upper west

7/27 1 PM not a music event but very important and enlightening: America’s Frontline Doctors livestream their White Coat Summit to stop the ongoing lethal injection campaigns. Hero doctors Simone Gold, Scott Jensen, Lee Merritt, Steve LaTulippe, Mark McDonald and other allstar freedom fighters strategize a way out of the trap that was set for us on March 16, 2020.

7/27, 7 PM the George Gee Big Band play vintage 30s swing at Gantry Plaza State Park

7/27. 8 PM ambitious saxophonist Michael Thoma and his quartet outdoors at Queens Theatre in Corona Park

7/27, 10 PM catchy, uneasily jangly female-fronted psych-pop rockers War Violet at Our Wicked Lady, $12. They’re also at Pete’s on 7/31 at 10 for the tip jar

7/28, 6 PM vibraphonist Sae Hashimoto leads an ensemble playing new classical repertoire tba at Madison Square Park. She’s back on 8/4

7/28, 10 PM guy/girl harmony vocals and a mix of Americana and lyrical Waits-ish songwriting with Loose Change at Pete’s

7/29, half past noon fearlessly relevant, toweringly intense latin jazz pianist Arturo O’Farrill leads a smaller band than usual at St. Marks Park, 2nd Ave/10th St

7/29, 4:30 PM original klezmer stylings with violinist Zoe Aqua, trumpeter Dan Blacksberg and accordionist Ira Temple outdoors at the Brooklyn Conservatory of Music

7/29, 7:30 PM the Mingus Big Band celebrate their new home at Drom, $30

7/29-31, 7/9:30 PM fiery, erudite pianist Orrin Evans leads his quartet featuring powerhouse sax player Immanuel Wilkins at Birdland, $30

7/29, 10ish sly blue-eyed soul pianist/crooner Nat Osborn at the big room at the Rockwood, ,$15

7/30, 8 PM Indian percussionist Ravish Momin’s Sunken Cages + Migiwa “Miggy” Miyajima‘s lavish large jazz ensemble at Damrosch Park, you can watch from across the street because there are draconian restrictions

7/30, 7:30 PM postbop saxophonist Greg Osby and his Quartet and clarinetist Oran Etkin’s Open Arms Project at Drom, $30

7/30, 11:30 PM expansive, expressive jazz pianist Miki Yamanaka leads her trio at Cellar Dog (the old Fat Cat)

7/31, 5:30 PM blazing all-female street band the Brass Queens at 5th Ave and 3rd St. in Park Slope

7/31, 7 PM salsa romantica crooner Tito Nieves at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

7/31, 8 PM Raga Maqam with paradigm-shifting trumpeter/santoorist Amir ElSaffar and members of  Brooklyn Raga Massive mash up hypnotic, often haunting Arabic and Indian sounds at Damrosch Park. Their Lincoln Center show a couple of years ago was off the hook. Hang on the sidewalk across the street because there are restrictions

7/31, 8 PM legendary Brooklyn psychedelic funk band Groove Collective at Drom, $20

7/31, 9 PM Veronica Davila’s twangy, Bakersfield-flavored hard honkytonk band Low Roller at Skinny Dennis

8/1, 5 PM Los Cumpleanos – with Nestor Gomez – vox/percussion; Lautaro Burgos – drums; Eric Lane – keyboards; Alex Asher – trombone and others playing trippy, dubwise tropical psychedelia at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/1, 7 PM wild, sizzling guitar-and-brass-fueled Ethiopian jazz jamband Anbessa Orchestra at Pier 1 on the Hudson

8/1, 7 PM the Harlem Gospel Travelers and irrepressible 60s-style blue-eyed soul singer Eli “Paperboy” Reed at Our Wicked Lady, $15

8/1, 9 PM singer Richard Julian and pianist John Chin play Mose Allison songs at Bar Lunatico. Perfect pairing: Julian’s wry sense of humor and Chin’s erudite chops.

8/2-6, half past noon lyrical, dynamic original jazz pianist Victor Lin solo at Bryant Park

8/3, 7 PM fiery electric bluegrass and C&W with Demolition String Band at Shipyard Park, 13th St and McFeeley Drive in Hoboken,

8/3, 7:30 PM the East Coast Chamber Orchestra play works by Mozart, Golijov and others at the Naumburg Bandshell in Central Park

8/3, 8/10 PM postbop jazz supergroup the Cookers – Billy Harper, Cecil McBee, George Cables, Eddie Henderson, and Billy Hart – at the Blue Note, $30 bar seats avail

8/4, 6:30, PM guitarist Oren Fader and and pianist/salonniere Yelena Grinberg reprise their sold-out performance of rare duo works by Vivaldi, Beethoven, Hummel, Moscheles, Weber, Boccherini, Munier, Castelnuovo and Piazzolla at Grinberg’s popular monthly upper westside salon, email for deets here., a 3  minute walk from 1/2/3 train at 96th St.

8/4, 7:30/9 PM cult favorite gonzo pianist Dred Scott plays Chick Corea at Mezzrow, $25

8/4, 8ish cinematic noir soul instrumentalists the Ghost Funk Orchestra at Our Wicked Lady, $12

8/4, 9 PM the Jimi Hendrix of the cuatro, Jorge Glem with pianist Cesar Orozco at Bar Lunatico

8/5, 7 PM Veronica Davila’s twangy, Bakersfield-flavored hard honkytonk band Low Roller at Mama Tried, 147 27th St, Bay Ridge, R to 25th St

8/5, 7 PM what’s left of the hi-de-ho Cab Calloway Orchestra at Astoria Park, on the water, take the N to Astoria Blvd.

8/6, 7 PM trumpeter Terence Blanchard with the Turtle Island Quartet at Bryant Park

8/6, 10 PM haunting gothic Americana ballads with Flora Midwood at Pete’s. Brilliant storyteller, strong singer and tunesmith.

8/6, 11 PM clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Drom, $20

8/7, 2 PM an amazing improvisational jazz triplebill: baritone sax monster Josh Sinton with Daniel Carter and Sam Newsome, then brilliant, politically fearless visionary/tenor sax improviser Matana Roberts , and also flutist Laura Cocks solo at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

8/7, 7 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues. They’re also here on 7/21

8/7, 8 PM guitarist Nick Demopoulos’ twinkling, psychedelic spacescape project Smomid followed at 9 by enigmatic, cynical, lyrical rock band Golden Alphabet at Pete’s

8/7, 9:30 PM latin soul jams with the Brooklyn Boogaloo Blowout at 55 Bar

8/8, 7:30/9 PM  intense pianist Gerald Clayton solo at Mezzrow

8/9-13, half past noon lyrical, shapeshifting Brazilian pianist Luiz Simas solo at Bryant Park

8/10-12 Digable Planets at the Blue Note are sold out

8/10, 9:30 PM lickety-split punkgrass with the Eugene Tyler Band at Pete’s

8/11, 7 PM slinky, hypnotic percussive Moroccan trance band Innov Gnawa on the steps at the Grand Army Plaza branch of the Brooklyn Public Library

8/12-14, 7/9:30 PM the best singing pianist (and the best piano-playing singer) in jazz, the irrepressible Champian Fulton leads her quartet at Birdland, $30

8/12, 8 anthemic speedmetal band Cold Dice, 9 PM the debut of Certain Death (the house band from Pfizer or Moderna maybe?) 10 PM wild fuzzy stoner metal band Grave Bathers followed by the even more macabre Castle Rat at Our Wicked Lady, $12

8/13, 5 PM ageless, jangly, purist NY surf rock originals the Supertoness at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways There’s also a surf music festival, bands tba, there on 8/14-15

8/13, 8 PM   ferociously dynamic, tuneful,female-fronted power trio Castle Black at Culture Lab outdoors, 5-25 46th Ave in Long Island City, down the block toward the water from LIC Bar; 8/28 they’re outdoors at the Greenpoint Terminal Market at 3, Market St. past Kent Ave on the water, G to Nassau Ave

8/14, 4 PM B’Rhythm blend Indian music and classical dance moves at Garfield Place between Prospect Park West and 8th Ave. in Park Slope, music by Bala Skandan, choreography by Brinda Guha and Sonali Skandan and an A-list slate of dancers

8/14, 7/9:30 PM popular lyrical postbop trumpeter Jeremy Pelt leads his quartet at Smalls $25

8/14, 9:30 PM  this era’s most consistently interesting jazz pianist, Vijay Iyer at Prospect Park Bandshell. Listen from outside (try around the back) since the arena may still have restrictions

8/15, 8:30 PM catchy, pensive blue-eyed soul crooner/guitarist Noto at Pete’s

8/16, 9 PM boisterously funny oldschool 60s C&W and brooding southwestern gothic with the Jack Grace Band at Skinny Dennis..

8/17, 7 PM Dominican jazz guitarist Yasser Tejeda & Pelotre at Gantry Plaza State Park

8/17, 7/8:30 PM  charismatic, adventurous postbop/avant garde trombonist/crooner Frank Lacy‘ at Smalls, $25

8/17-19, 8/10 PM the Bernie Williams Collective at the Blue Note, $25 bar seats avail. Not a vanity project: the greatest centerfielder of his time is a solid latin jazz/funk guitarist.

8/18, 7/8:30 PM eclectic jazz pianist Art Hirahara and his trio at Smalls, $25

8/18, 5 PM the Harlem Quartet at Times Square. Where? Follow the sound, it seems

8/18, 8 PM Stoogoid stoner boogie band Sun Voyager, noisy early 80s style postpunk band Smock and fuzzy acid blues/doom band Grandpa Jack at Our Wicked Lady, $12

8/18-22, 8/10 PM postbop jazz trumpeter and sly crooner Nicholas Payton at the Blue Note, $25 bar seats avail

8/19, 7 PM double threat Camille Thurman – equally dazzling on the mic and the tenor sax – with the Darrell Green Trio, and trombonist Conrad Herwig with his Quintet at Drom, $30

8/19-21, 7/9:30 PM golden-age postbop tenor sax legend Donald Harrison leads his quartet at Birdland, $30

8/19, 7/9:30 PM edgy jazz oudist and bassist Omer Avital and his group where he got his start at Smalls, $25

8/19, 11 PM sardonic and punky Japanese girlband the Hard Nip at Our Wicked Lady, $12

8/20, 7 PM amazingly dynamic drummer  Johnathan Blake and his trio and wildfire Colombian harpist Edmar Castaneda with drummer Ari Hoenig at Drom, $30

8/20, 7 PM Gordon Lockwood (blues guitar monster Jeremiah Lockwood and drummer Ricky Gordon) at Terra Blues

8/20, 7/8:30 PM the Sun Ra Arkestra’s legendary nonagenarian EWI player Marshall Allen and group at Smalls, $25

8/21, 7 PM legendary second-wave Afrobeat band Antibalas at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

8/21, 7 PM edgy, incisive, terse jazz guitarist Russell Malone and his Quartet at Drom, $20

8/22, 7 PM paradigm-shifting Romany jazz/psychedelic rock guitar mastermind Stephane Wrembel at Drom $30

8/23, 7/8:30 PM erudite pianist Orrin Evans‘ richly tuneful, purist, stampeding Captain Black Big Band at Smalls,$25

8/24, 6 PM the Donald Harrison Quartet with the Harlem Orchestra play Charlie Parker’s Bird with Strings at Marcus Garvey Park, be prepared to hang on the fringes because there may be restrictions

8/24, 7/8;30 PM hard-hitting  postbop saxophonist Mike DiRubbo’s quartet at Smalls, $25

8/25, 8 PM punk/rockabilly band the Screaming Rebel Angels, goth-punks the Wh0res, and fiery, deviously fun oldtimey swing guitarist/crooner Seth Kessel at Our Wicked Lady, $12

8/26, 6 PM smart, lyrical, politically-inspired pianist Zaccai Curtis leads a trio at Times Square, Bwy at 43rd St

8/27, 6 PM an oldschool salsa dance party with 70s style charanga Son Del Monte at Alexander Avenue at Bruckner Boulevard in the Bronx

8/28, 5 PM nimble bassist Dawn Drake & Zapote‘play latin-tinged hard funk at the Riis Park Beach Bazaar, Bay 9 East at Riis Park in the Rockaways

8/28, 6 PM jazz violinist Melanie Dyer w/ poet Bonita Penn and bassist Ken Filiano at the Clifton Pl. Community Garden (1031 Bedford Ave.–b/n Clifton & Greene)

8/29, a parade of dancers with music by guitarist/bagpiper David Watson make their way through the Rockaways starting at 1 PM on the sand at Beach 86 St and end at 7 at Beach 110 St, performers include Toni Carlson, Yve Laris Cohen, Maggie Cloud, Marc Crousillat, Brittany Engel-Adams, Moriah Evans, Daria Fain, Lizzie Feidelson, Melanie Greene, Kennis Hawkins, Iréne Hultman, Shayla-Vie Jenkins, Burr Johnson, Niall Jones, Sarah Beth Percival, Jess Pretty, Antonio Ramos, Alex Rodabaugh, Carlo Villanueva, Anh Vo, Kota Yamazaki

8/29, 4 PM drummer Willie Jones III leads an allstar Charlie Parker centennial celebration band with Sarah Hanahan, Godwin Louis, Justin Robinson, Erena Terakubo with Donald Vega on piano and Endea Owens on bass at Marcus Garvey Park

8/29, 5 PM, repeating 9/1 at 6:30 colorful, charismatic pianist/salonniere Yelena Grinberg, violinist Eric Silberger and cellist Madeline Fayette play Haydn’s “Gypsy” piano trio, Mozart’s warmly lyrical Piano Trio in C and Beethoven’s daunting “Ghost” piano trio at Grinberg’s popular monthly upper westside salon, email for deets here., a 3  minute walk from 1/2/3 train at 96th St.

8/29, 9:30 PM irrepressibly sardonic janglerock/folk-punk songwriter, New Yorker illustrator and White Hassle alum Marcellus Hall  at Pete’s

8/30-9/3 half past noon latin jazz pianist Isaac Bin Ayala solo at Bryant Park

9/1, 7:30ish noiserock legends Yo La Tengo at Rumsey Playfield in Central Park

9/8 7 PM the aptly named Firey String Sistas play their edgy chamber jazz at Pier 84, 44th st. and the Hudson just south of the Intrepid

9/11, 5 PM newschool gospel with Mary Mary singer Erica Campbell, the Walls Group, Lena Byrd Miles and Jason McGee and Choir at Rumsey Playfield in Central Park

9/12, 4 PM the Overlook String Quartet play music by black composers Eleanor Alberga, Florence Price, and Chevalier de Saint-Georges at the Morris-Jumel Mansion, 65 Jumel Terrace about a block south of 162nd St., Washington Heights, free, A/C to 163rd St.

9/12, 7 PM southern soul songwriter Valerie June at Rumsey Playfield in Central Park

9/18, 7:30 PM Trombone Shorty at Prospect Park Bandshell. We might have to listen from outside since the arena may still have restrictions

9/19, 7 PM Patti Smith at Rumsey Playfield in Central Park,

10/3, 1 PM  hard-hitting, brass-fueled newschool latin soul/boogaloo dance band Spanglish Fly at Playground 52,  Kelly St bet. Av St John and Leggett Ave in the Bronx, 6 to Longwood Ave

Commemorating a Feral Blues Legend on Limited Edition Vinyl

There’s incredible irony in that legendary Mississippi hill country bluesman T-Model Ford, who lived more than half his life before digital recording existed, would getting a release on vinyl now. The new retrospective I Was Born in a Swamp – which isn’t online yet – is out on limited edition, appropriately red-colored vinyl. Ford, who died in his nineties in 2013, would no doubt approve.

The opening track on each side is an interview. Ford was a bright guy, and a shady character who did nothing to dispel the many eyebrow-raising but likely apocryphal stories which were probably concocted to sell cds and fuel his legend as the great 1990s wildman of the Mississippi juke joint circuit. On the A-side, he addresses his date of birth. His driver’s license says one thing, his passport says another. Whichever the case, he is certain he was born on June 24: when, he probably took to the grave with him. The reminiscence on the B-side has more reliable historical information.

The first number is Someone’s Knocking At My Door, essentially a thinly disguised version of Howlin’ Wolf’s Smokestack Lightning. What’s unusual about this album is that Ford, who typically only recorded with guitar and drums, is either playing acoustic, or backed by a full band featuring  members of Gravel Road, Moreland & Arbuckle, the Soledad Brothers and Outrageous Cherry. who contribute organ, bass and sunbaked, psychedelic lead guitar. It’s a far cry from Ford’s usual unhinged, ramshackle style, but it’s also far from slick.

Another unusual feature is the length of the songs. Onstage, he would stretch out, but in the studio he typically kept things short. The eight-minute take of Big Legged Woman here has piano and squalling slide guitar – and chord changes, something Ford didn’t have much use for. An atypical, rather subdued take of Chicken Head Man sounds like a very late-career number, with an unexpected lineup of acoustic guitars, blues harp and drums.

Likewise, the epic, practically eleven-minute version of Hip Shaking Woman, where Ford nicks a whole verse from Muddy Waters. Ford knocks back a little whiskey before a brief take of Little Walter’s My Babe, then the band plug in again for the final cut, Same Old Train: second take, same as the first, more or less.

In the fall of 2000, the publisher of a now long-defunct New York music e-zine brought a couple of friends to see Ford at the Mercury Lounge. He wasn’t even headlining: the guy at the top of the bill was R.L. Burnside. Sitting in the back of the club before the show, Ford was gregarious and in good spirits, but when he hit the stage, he and his drummer channeled something shamanic, and otherworldly, and just as sinister. It was one of the most explosive bills the venue ever staged. New York Music Daily’s historical archive contains a surprisingly high-quality field recording of both artists’ sets.

A Couple of Crazed Vinyl Curios From the 80s

One of the 80s bands whose concerts were most widely chronicled by field recordings was the Gun Club. Which makes sense: when they were at the top of their game, they were one of the era’s most unpredictably explosive live acts. Frontman Jeffrey Lee Pierce went to the great whiskey bar in the sky in 1996, but the group remain a foundational influence on the scores of gutter blues bands who’ve followed in their wake.

What’s new is that there’s a Gun Club reissue, two choice tracks just out as a 45 RPM vinyl single ,from the band’s 1984 album Miami. With its with its layers of trebly Telecaster, the stomping Fire of Love – a Jody Reynolds cover – still sizzles. The flip side, Bad Indian is even treblier and closer to straight-up garage rock.

For Gun Club diehards, there’s also a new vinyl album, Soulsuckers on Parade which hasn’t hit the web yet. In this off-the-cuff, live-in-the-studio 1984 session, Pierce is backed by most of the Blasters – guitarist Dave Alvin, pianist Gene Taylor and drummer Bill Bateman, plus Green on Red bassist Jack Waterson. This stuff has been circulating in the cassette underground and then on the web for close to forty years.

Side A is the haphazard seventeen-minute jam Walking Down the Street Doing My Thing, which comes across as a Stooges ripoff, right down to Pierce’s X-rated trash-talking, the “take it down you-all” and the tinkling piano. It’s impossible to think that Pierce hadn’t heard the Metallic KO album and thought to himself, “I can do this too.” The Violent Femmes’ first album and the Doors are also obvious reference points.

The B-side has two blues tunes, the second being two takes of Willie Nelson’s Not Supposed to Be That Way. For someone who was as sloshed as Alvin has admitted to being here, he fires off some memorably unhinged Chicago blues riffage in each of them. It’s a tantalizing hint of the talent that could have made him one of the greatest lead guitarists of his era if he’d stuck with it instead of going the singer-songwriter route. Pierce, who sounds wall-hugging drunk, has the nerve to harsh on his bandmates for emulating a Detroit sound. There are also a couple of throwaway rock covers here as well.

Potently Aware, Darkly Bluesy French Caribbean Rock From Delgres

Delgres are the missing link between Caribbean kreyol music and the darker side of American blues, with occasional flickers of Saharan psychedelic rock. They have a ferociously populist, historically-inspired sensibility, a passion for vintage guitar sonics and a thing for tight, three-minute songs. They take their name from Louis Delgrès, a late 18th century Guadeloupian freedom fighter murdered by invading French imperialists. The trio’s latest album 4:00 AM is streaming at Spotify.

They open with the title track, a bitter workingman’s lament motoring briskly along on a blues riff that sounds straight out of Mali. The second track, Aleas (Hazards) has an offbeat reggae groove, drummer Baptiste Brondy adding ominously industrial tinges as sousaphone player Rafgee turns into a one-man brass section, adding trumpet and trombone. Singing in kreyol and firing off reverbtoned bursts on his dobro, frontman/guitarist Pascal Danae relates the grimly allusive tale of a child left behind by a refugee parent.

The fourth track, Assez Assez (Enough Is Enough) is an aptly imploring, smoldering trip-hop anthem about the global refugee crisis. Se Mo La (These Words) has a brooding, funky pulse, Danae relating the hauntingly allusive story of a parent trying to come to comfort a child who’s been subjected to racist invective at school.

The band go back to a trip-hop beat for Lundi Mardi Mercredi, a gritty workday scenario spiced with woozy, keening Dr. Dre synthesizer (remember the 90s? These guys do). They take a stark detour into spiky, rustic acoustic fingerpicked blues in Ban Mwen On Chanson (Give Me a Song), a refugee narrative driven by Brondy’s sinister whiplash beats.

Danae switches to English, and a suspiciously carnivalesque cabaret bounce, in Just Vote For Me – this candidate seems to protest just a little too much. Ke Aw (Your Heart) has an unexpectedly lush, Britfolk-tinged web of minor-key twelve-string acoustic guitar textures, a stunned, reserved tale of a mom who’s lost a child.

After a brief, defiantly revolutionary singalong, the band launch into L’Ecole, a roughhewn stomp: it’s their Subterranean Homesick Blues. They stick with a scrambling, Mississippi hill country-style drive in the vindictive escape anthem Lese Mwen Ale (Let Me Go):

Yes, I’ve been working for 10 years now
But you know I never earn anything
Because they took my papers
And they erased my name

They close the album with the hauntingly drifting slave narrative La Penn (The Pain), the narrator cautioning his buddy to be careful how he gets revenge for the death of his wife, presumably aboard a slave ship. Morgane Quéré’s harp adds an extra layer of disquiet over Rafgee’s slinky sousaphone bassline.

In their liner notes, the band express considerable gratitude for the good fortune to record this in Brussels just a month “before everything changed.” What they don’t mention is that everything is going to change back – for good. We’re not there yet, but the lockdown is in its death throes. Back in 2018, Delgres played a blistering, politically fearless set at Lincoln Center, which at the moment is off-limits to anyone who’s unwilling to be subjected to their invasive New Abnormal ticketing spyware. Let’s look forward to the day Delgres can rock the house somewhere else.

Abigail Dowd Stares Down the Flood and Wins

From Johnny Cash, to Led Zeppelin, to Karla Rose, musicians have never stopped finding new uses for flood metaphors. Americana songwriter Abigail Dowd is the latest in that venerable line. For Dowd, it’s personal: her Colorado home was flooded six times in 2018, springboarding the songs on her hauntingly intense latest album Beautiful Day, streaming at Soundcloud. As a tale of resilience and triumph over adversity, it has special resonance in the year of the needle of death.

Dowd has a ruggedly individualistic persona and a thing for southern gothic; her previous album Not What I Seem got a rave review here last year. Not everything is as it seems in the allusive, wary title track, Dowd’s spiky fingerpicking leading to a doublespeed charge fueled by Alex McKinney’s dobro and Scott Sawyer’s spare electric guitar lines over the low-key shuffle rhythm of bassist Jason Duff and drummer Austin McCall. Here and there, Joe MacPhail’s Rhodes electric piano pops up, a subtle suspenseful enhancement.

Diamond is a strutting Lou Reed tune in Americana disguise, spiced with MacPhail’s smoky organ: “Sometimes I feel like a miner left behind in the dark” is the key line. Dowd’s delivery in general is more flinty on this album, especially in One Moment at a Time, a moody carpe-diem theme built around a briskly flurrying acoustic guitar riff.

The instrumental St. Vrain – the name of the creek that rose up and almost took Dowd’s home with it – has a gorgeously haunting, baroque-tinged web of guitars and is over way, way too soon: Dowd could have kept this going three times as long and it wouldn’t be boring.

Sawyer’s ominous washes of chords raise the intensity in River, a resolute Appalachian gothic anthem. Dowd stays with the brooding minor-key atmosphere in Apple Trees, a chillingly metaphorical tale of plans suddenly derailed.

The Underground Railroad escape anthem Judgment Day captures the exhaustion of life on the run and the perils at every turn. “I just want to be alone,” the haunted freedom fighter in Don’t Want to Talk About It asserts: sometimes you have to become a monster to defeat them.

Dowd’s defiant narrator throws off the shackles of original sin in the briskly stomping After the Fall, right up to a surprise ending. The she brings down the lights in the haunting, organ-fueled, enigmatic Rise Above: at what point do we have to walk through hell to get any further?

The flood metaphors reach fever pitch in Run, a global warming-era Appalachian gothic tale run amok. Dowd winds up the album with Grandmother Moon, a shamanic, oldtime blues-infused tableau. Dowd is on a creative tear right now: there must be something in that Rocky Mountain water.

Live Music Calendar For New York and Brooklyn For May and June 2021

We’re taking baby steps toward getting back to normal: new calendar for July and August coming 7/1 with probably hundreds more listings. In the meantime, more and more free outdoor shows popping up all over town, so this calendar is being updated more frequently. A lot of shows are being announced at the 11th hour, so you might want to bookmark this page and check back on a night, or an afternoon, when you feel like going out.

Please don’t patronize venues that continue to enforce  lockdown restrictions. Let’s all do our part to make sure New York doesn’t turn into an apartheid state!

5/8, 4 PM brilliant resonator guitarist/bluesmama Mamie Minch in front of the Wild Project, 3rd St between Aves A + B. She’s also at High Dive on 5th Ave and Carroll Street in Park Slope on 5/29th at 2

5/13, 5 PM  hard-hitting bassist Dawn Drake & Zapote‘play psychedelic Afrobeat and funk at the corner of Fulton and Bond in downtown Brooklyn

5/15, 3 PM ish powerhouse tenor saxophonist Mark Turner leads a chordless trio with Vicente Archer on bass and Johnathan Blake on drums in Central Park on the elevation about a block north of the 81st St. entrance on the west side

5/15, 4 PM composer-collective Oracle Hysterical premiere their new song cycle Terra Nova outdoors at the Brooklyn Public Library at Grand Army Plaza

5/15, time TBA avant garde chanteuse Jane LeCroy’s new punk cabaret duo project Shelter Puppy outdoors at City Reliquary, 370 Metropolitan Ave off Havemeyer, Williamsburg, free

5/16, 1 PM ish drummer Antonio Sanchez leads a trio with Donny McCaslin on alto sax and Matt Brewer on bass in Central Park on the elevation about a block north of the 81st St. entrance on the west side

5/16, 3 PM luminous, visionary vocalist/dancer Luisa Muhr, multi-reed legend Daniel Carter and a posse of many more improvise outside 166 N 12th St. in Williamsburg

5/16, 5 PM the SEM Ensemble play Petr Kotik’s Letters to Olga (1988) with text by Václav Havel for two narrators, winds and guitars at in the yard adjacent to the Willow Place Auditorium, 25 Columbia Place (Joralemon/State), downtown Brooklyn, closest train is the A/C to High St.

5/17, 5:30 PM the American Symphony Orchestra brass quartet play works by Tcherepnin, Carlos Chavez, Strauss and others at Bryant Park. The program repeats on 5/19.

5/18, 5:30 PM oboeist Alexandra Knoll leads a wind trio playing an all-French program with works by Poulenc, Francaix and others at Bryant Park

5/20, 5 PM dynamic, sometimes atmospheric jazz violinist Charlie Burnham and band at the corner of Fulton and Bond in downtown Brooklyn

5/21, 5 PM cellist Marika Hughes‘ New String Quartet with Charlie Burnham on violin, Marvin Sewell on guitar, and Rashaan Carter on bass in Central Park on the elevation about a block north of the 81st St. entrance on the west side. 5/27, 5 PM she’s at the corner of Fulton and Bond in downtown Brooklyn

5/22, 3 PM ish tsunami drummer Johnathan Blake leads a wild quartet with Mark Turner and Chris Potter on tenor sax and Dezron Douglas on bass, wow, in Central Park on the elevation about a block north of the 81st St. entrance on the west side

5/23 starting at half past noon an outdoor jazz festival starting at half past noon outside at 18 Whitwell Pl in Gowanus with saxophonist Ole Mathisen‘s Take Off Collective trio at 4:30 F/R to 4th Ave

5/23-24, 1 PM ish drummer Nasheet Waits leads a high-voltage quartet with Mark Turner and Steve Nelson on tenor sax, and Rashaan Carter on bass in Central Park on the elevation about a block north of the 81st St. entrance on the west side

5/26, 1 PM lustrous singer and badass cello-rock bandleader Serena Jost in a rare solo show at Bogardus Plaza, Hudson Street between Chambers & Reade, Tribeca

5/26, 7 PM, tunefully scruffy pastoral jazz guitarist Tom Csatari leads his  noir-tinged Uncivilized band at the Flying Lobster, 144 Union St off Hicks, just over the BQE, outdoors, F to Smith/9th

5/31, 2 PM drummer Michael W. Davis leads his trio with Lucas Pino on tenor sax, Martin Nevin on bass; at 3 trumpeter Jason Palmer leads his Quartet with Mark Turner on tenor sax, Edward Perez on bass and Kendrick Scott on drums in Central Park about a block north of the 81st St. entrance on the west side; take the trail up, to the right of the bridge

6/1, 3 PM, tenor sax titan Mark Turner leads a quartet with Jason Palmer on trumpet, Joe Martin on bass, Marcus Gilmore on drums in Central Park about a block north of the 81st St. entrance on the west side; take the trail up, to the right of the bridge

6/2, 1 PM Celtic-inspired pianist Will Armstrong‘s Trio at Bogardus Plaza, Hudson Street between Chambers & Reade, Tribeca

6/2-4, 1 PM ish pyrotechnic tenor sax player Mark Turner records a live album with Jason Palmer on trumpet, Joe Martin on bass and Marcus Gilmore on drums in Central Park on the elevation about a block north of the 81st St. entrance on the west side

6/5. 4 PM  the world’s creepiest, slinkiest, most psychedelic crime jazz/film noir band, Big Lazy at a front-porch show at 182 Argyle Rd (Beverly/Albemarle). in Ditmas Park Brooklyn, Q to Beverly Rd.. 6/26 at 6:30 they’re at West Side Arts Concert series in Lincoln Park in Jersey City

6/6-8, 4 PM ish saxophonist Darius Jones records a live album with Dezron Douglas on bass and Gerald Cleaver next to the Catacombs in the middle of Green-Wood Cemetery in Brooklyn, R to 25th St.

6/6, 4 PM  amazing string quintet Sybarite5– who are also the world’s coolest Radiohead cover band – on the steps of the Grand Army Plaza branch of the Brooklyn Public Library

6/6 and 6/13, 2 PM a Scandinavian orchestral and chamber music festival with performers TBA on the Billings Lawn at Ft. Tryon Park. Artists associated with the late, great NY Scandia Symphony may be involved.

6/10, 7:30 PM bhangra-klezmer mashups with Sharabi with trumpeter Frank London & Deep Singh with singer Sarah Gordon at Wagner Park just north of the battery CANCELLED DUE TO THREAT OF RAIN

6/10, 7:30 PM perennially popular jazz bassist/singer Esperanza Spalding with drummer Teri Lyne Carrington and keyboardist Leo Genovese outdoors at the Clemente Soto VélezcCultural & Educational Center, 114 Norfolk St., LES

6/13, 2 PM carnivalesque Balkan punk monstrosity Funkrust Brass Band outdoors at 98 Dikeman St, (Richards/Conover) Red Hook

6/13 , 2 PM tenor sax player Danny Walsh leads a trio with bassist Yoshi Waki and dummer Richie Morales in Central Park about a block north of the 81st St. entrance on the west side, take the path up the hill to the left of the bridge

6/15, 7:30 PM orchestra the Knights with Gil Shaham, violin and Aoife O’Donovan, vocals play works by O’Donovan, George Walker and Beethoven at the Naumburg Bandshell in Central Park, there may be restrictions, be prepared to linger on the fringes

6/18, 9 ish  torchy cumbia/swing singer and accordionist Erica Mancini at Sunny’s. She’s back on 6/25.

6/19, 4:30 PM intense Balkan chanteuse Jenny Luna‘s haunting, traditional Turkish band Dolunay outdoors at Barbes

6/19, 4;30 PM wildfire electric blues guitarist Celisse Henderson at the block party at Astor Place east of Lafayette

6/19, 6 PM House of Time play works by JS Bach, CPE Bach & Telemann; Suzanne Lorge sings azz with John Di Martino (piano) and Sophia Reyes (flute); pianist Evelyne Luest plays Schubert outdoors at the B-C Courtyard at Hudson View Gardens, 116 Pinehurst Ave, Washington Heights, A to 181st St., free

6/19, 8 PM fearless, psychedelic jazz trumpeter Jaimie Branch and band at San Pedro Inn, 320 Van Brunt St, Red Hook

6/20, 1 PM ish an allday outdoor jazz extravaganza with trombonist Bryan Drye’s Zodiac Quintet, Steven Bernstein’s Millenial Territorial Orchestra, drummer Jeff Davis’ quintet and Brooklyn psychedelic funk legends Groove Collective in front of I-Beam

6/20, 2 PM join some of the prime movers of the NYC pro-freedom movement for a summer solstice celebration in the park on Roosevelt Island with a picnic and activities, dedicated to the late great activist Rosa Koire. Tour starts at 2 at the café at Cornell Tech, 2 West Loop Road, a 10-minute walk south from the Roosevelt Island subway station.

2:00 – “Transhumanist dream” by art-rock singer/investigative journalist Tessa Lena (at Cornell Tech)
2:30 – “The biomedical roots of the Covid plandemic” by psychiatrist Dr. Karin Burkhard (Smallpox hospital ruins)
3:00 – “The evisceration of our freedoms” by investigative journalist/healer Cat McGuire (FDR Four Freedoms Memorial)
3:30 – gong-bath storytelling performance by Mary Ann Schmidt and Michael Jay
4:00 – acceptance celebration and healing circle
4:00-7:00 – percussion improvisation by Africa Forestdance

6/20, 3 PM alto saxophonist Abraham Burton leads a trio with Dezron Douglas on bass and Eric McPherson on drums in Central Park about a block north of the 81st St. entrance on the west side; take the trail up, to the left of the bridge

6/20, 5 PM repeating 6/23 at 6:30 PM clarinetist Bixby Kennedy, cellist Madeline Fayette and pianist/salonniere Yelena Grinberg play works by Beethoven, Ries and Mendelssohn at Grinberg’s now-resusciated monthly upper westside salon, email for deets here., convenient to 1/2/3 trains, $35 includes wine, munchies and good conversation afterward

6/21-24, half past noon lyrical jazz pianist Deanna Witkowski plays solo at Bryant Park

6/21, 6 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine under the Manhattan Bridge archway in Dumbo, F to York St.

6/21, 6:30ish the NY Mandolin Orchestra at Needle Park at the triangle at Broadway and 65th St.

6/21, 7 PM Zach Layton and Nick Hallett lead a performance of Terry Riley’s “In C” at Brooklyn Bridge Park Harborview Lawn on Pier 1, south of the old roller rink, walk up and west and you’ll find it

6/24, 6:30 PM surreal, rustic, lyrical klezmer from the Beary Brothers featuring Psoy Korolenko, Zisl Slepovitch and Ilya Shneyveys at Wagner Park just north and west of the Battery

6/26, 4 PM cinematic, psychedelic quirk-pop keyboardist Michael Hearst and his Songs for Unusual (fill in the blank: creatures, vehicles, you name it) at the Old Stone House in Park Slope

6/26, 7 PM clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party  under the Manhattan Bridge archway in Dumbo, F to York St.

6/26, 8 PM tunefully scruffy pastoral jazz guitarist Tom Csatari leads his  noir-tinged Uncivilized band at San Pedro Inn, 320 Van Brunt St, Red Hook

6/27, 7 PM Charu Suri Raga Jazz w/ Sufi Maestro Umer Piracha at Drom, $15

6/29, 7:30 PM an oldtimey swing dance party with the Silver Arrow Band at Drom, free

6/29, 7:30 PM the Ulysses and Emerson String Quartets team up for music by Shostakovich, Mendelssohn, Richard Strauss and others at the Naumburg Bandshell in Central Park

6/30, 7 PM the Brooklyn Conservatory Community Orchestra play music by Haydn, Dvorak and the Bruch violin concerto with concertmaster Luis Casal outdoors at the Old Stone House in Park Slope

7/1, 7:30 PM intense, rapturous Balkan/Middle Eastern ensemble the Secret Trio –Tamer Pinarbasi, Ismail Lumanovski & Ara Dinkjian – at Drom, $20. They’re back on 7/27 at 9:30.. After this show, at 9 moody, tuneful string-driven Americana and chamber pop with DM & the Expats play ($15 separate adm)

7/2, 7 PM Gordon Lockwood (blues guitar monster Jeremiah Lockwood and drummer Ricky Gordon) at Terra Blues. They’re back here on 7/9

7 /3, 7:30/9:30 PM cleverly lyrical, darkly klezmer-tinged pianist Uri Caine with Mark Helias on bass and Ben Perowsky on drums at Mezzrow, $25

7/5, 7 PM wryly retro, period-perfect classic 60s style female-fronted honkytonk band the Bourbon Express at Cowgirl Seahorse.. 7/10, 8 PM ish they’re at Schnitzel House, 7319 5th Ave in Bay Ridge, R to 77th St.

7/5, 9 PM the Binky Griptite Orchestra (formerly Sharon Jones’ brilliant oldschool soul backing band) at Bar Lunatico

7/6, 7:30 PM chamber orchestra A Far Cry play works by Grieg, Part, Jessie Montgomery and others at the Naumburg Bandshell in Central Park

7/6, 7/8:30 PM postbop trumpeter Josh Evans leads a quintet at Smalls, $25

7/6, 8 PM legendary, risque, politically spot-on calypso icon the Mighty Sparrow at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/6, 8:30 PM tuneful original delta blues and acoustic Americana from guitarist Jon LaDeau at Pete’s

7/6, 9 PM Trio Catarina with hotshot Brazilian accordionist Felipe Hostins at Bar Lunatico

7/7, 6 PM new string quartet the Overlook with guest Tanya Birl-Torres play music by Leila Adu, Shelley Washington and Samuel Coleridge-Taylor at the Hispanic Society of America, 613 W 155th St. west of Broadway, 1 train to 157th St., free

7/7, 6 PM horn player Cort Roberts leads an ensemble playing new classical repertoire tba at Madison Square Park. He’s back on 8/11

7/7, 8 PM ish edgy alto sax player Kate Mohanty plays her bday show followed by uneasy female-fronted psychedelic abstract rock band Gold Dime at Our Wicked Lady, $12

7/7, 7:30 PM the Chamber Music Society of Lincoln Center with Shai Wosner, piano; Chad Hoopes, violin; Kristin Lee, violin; Tien-Hsin Cindy Wu, viola; David Requiro, cello; Xavier Foley, bass play works by Beethoven and Dvořák at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/8, 6 PM soaringly explosive jazz composer/torch singer Nicole Zuraitis at 55 Bar

7/8, 8 PM painter Jim Watt completes his “1000 Watts” series of 1000 ink washes in the monochromatic Japanese Sumi style while an allstar jazz trio – trumpeter Antoine Drye, guitar icon Bill Frisell & drummer Kyle Benford – improvise behind him at Collab, 309 Starr St, Bushwick (St. Nicholas/Cypress Ave), L to Jefferson St, $20 sug don. Watt will donate $100,000 (a hundred grand, you read that right) to benefit jazz musicians imperiled by the lockdown through sales at his dealer Jim Kempner Fine Art.

7/8, 8 PM the NY Philharmonic play Carlos Simon: Fate Now Conquers; Stravinsky: Pulcinella Suite; Mozart: Symphony No. 40 at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/9, 7 PM perennially popular original folksinger Toshi Reagon & Big Lovely at Bryant Park

7/9, 7/9:30 PM cutting-edge B3 organ grooves with the Jared Gold trio at Smallls, ,$25

7/9, 7:30 PM iconic Afro-Cuban percussionist/bandleader Pedrito Martinez at Drom, $15

7/10, 2 PM afternoon improvisations: guitarist  Aron Namenwirth with Daniel Carter, Claire de Brunner, Tamio Shirashi and otherworldly Turkish group No Land at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

7/10, 7 PM dark psychedelic acoustic blues/klezmer/reggae/soca jamband Hazmat Modine at Terra Blues. They’re back here on 7/24

7/10, 7:30 PM the Chamber Music Society of Lincoln Center play works by Haydn, Mendelssohn and Schumann at Damrosch Park. Maybe listen from across the street because there may be restrictions.

7/11, 3:30 PM the Noga Band featuring amazing Middle Eastern oudist Avram Pengas at Wagner Park north and west of the Battery

7/12-16, half past noon sly, cinematic, tuneful Microscopic Septet pianist Joel Forrester at Bryant Park

7/13, 7 PM pensive, eclectic, tuneful jazz/art-rock songwriter Becca Stevens at the big room at the Rockwood, $15

7/14, 6:30 PM repeating 7/18 at 5 PM guitarist Oren Fader and and pianist/salonniere Yelena Grinberg play rare duo works by Vivaldi, Beethoven, Hummel, Moscheles, Weber, Boccherini, Munier, Castelnuovo and Piazzolla at Grinberg’s now-resuscitated monthly upper westside salon, email for deets here., convenient to 1/2/3 trains, $35 includes wine, munchies and good conversation afterward

7/16, 7 PM  sizzling salsa dura band the Spanish Harlem Orchestra at Bryant Park

7/16, 7/8:30 PM drummer Sylvia Cuenca leads a quintet with Dave Kikoski on piano and Craig Handy on tenor sax at Smallls, $25

7/18, 7 PM slashing lo-fi guttar blues songwriter/guitarist Breanna Barbara at Our Wicked Lady, free

7/18, 7:30/9 PM Falkner Evans solo on piano – sometimes inscrutable, sometimes darkly rapturous – at Mezzrow, $25

7/19, 9 PM darkly brilliant, psychedelic Klezmatics multi-reedman Matt Darriau‘s group plays a Yusef Lateef tribute at Bar Lunatico

7/20, noon classical ensemble the Sterling Strings play their hilarious string quartet versions of rap and pp hits at Metrotech Park in downtown Brooklyn

7/20, 7 PM vibraphonist Felipe Fournier‘s wild Tito Puente and Dave Brubeck cover band, Supermambo at Gantry Plaza State Park

7/20, 7:30 PM the Philharmonia Baroque Orchestra play works by Purcell, John Blow and others at the Naumburg Bandshell in Central Park

7/20, 7:30/9:30 PM  rapturously eclectic jazz chanteuse Marianne Solivan leads her leads her trio at Mezzrow, $25

7/21, 7 PM adventurous indie classical ensemble Contemporaneous play edgy, often poignant new works by Alex Weiser, Zachary James Ritter, Yasmin Williams , toy pianist Lucy Yao and a world premiere by Yaz Lancaster at Pier 64, 24th St. and the Hudson, free, rsvp req  

7/21, 8 PM bhangra-klezmer mashups with Sharabi feat. trumpeter Frank London & Deep Singh with singer Sarah Gordon plus Israeli reggae-rockers Zion 80 at Drom, $20

7/22, half past noon mostly-female, kinetic klezmer/cumbia/cinematic jamband Isle of Klezbos at St. Marks Park, 2nd Ave/10th St.

7/22, 7/8:30 PM colorful,  eclectic, paradigm-shifting B3 jazz organist Brian Charette  leads his organ trio at Smalls, $25

7/23, 7 PM orchestra the Knights play music by Jessie Montgomery, Anna Clyne, and Christina Courtin, alongside Mozart’s Eine kleine Nachtmusik. at Bryant Park

7/24 2 PM improvisational keyboardist Matt Mottel plays his bday show at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

7/24, 7/8:30 PM Mike LeDonne takes a relatively rare turn on piano with a trio on piano at Smalls

7/24, 7:30ish the Sun Ra Arkestra at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

7/24, 8 PM sprawling large jazz/ambient ensemble/jamband Burnt Sugar at Damrosch Park

7/24, 10 PM fiery electric bluegrass and C&W with Demolition String Band at Skinny Dennis

7/26-30 half past noon big band pianist Russ Kasoff solo at Bryant Park

7/27, 7 PM the George Gee Big Band play vintage 30s swing at Gantry Plaza State Park

7/28, 6 PM vibraphonist Sae Hashimoto leads an ensemble playing new classical repertoire tba at Madison Square Park. She’s back on 8/4

7/29, half past noon fearlessly relevant, toweringly intense latin jazz pianist Arturo O’Farrill leads a smaller band than usual at St. Marks Park, 2nd Ave/10th St

7/29, 7:30 PM the Mingus Big Band celebrate their new home at Drom, $30

7/29, 10ish sly blue-eyed soul pianist/crooner Nat Osborn at the big room at the Rockwood, ,$15

7/30, 8 PM Indian percussionist Ravish Momin’s Sunken Cages + Migiwa “Miggy” Miyajima‘s lavish large jazz ensemble at Damrosch Park, be prepared to hang on the fringes because there may be restrictions

7/30, 7:30 PM postbop saxophonist Greg Osby and his Quartet and clarinetist Oran Etkin’s Open Arms Project at Drom, $30

7/31, 7 PM salsa romantica crooner Tito Nieves at Rumsey Playfield in Central Park, be prepared to hang on the fringes because there may be restrictions

7/31, 8 PM Raga Maqam with paradigm-shifting trumpeter/santoorist Amir ElSaffar and members of  Brooklyn Raga Massive at Damrosch Park. Their Lincoln Center show a couple of years ago was off the hook.

7/31, 8 PM legendary Brooklyn psychedelic funk band Groove Collective at Drom, $20

8/1, 7 PM the Harlem Gospel Travelers and irrepressible 60s-style blue-eyed soul singer Eli “Paperboy” Reed at Our Wicked Lady, free

8/3, 7:30 PM the East Coast Chamber Orchestra play works by Mozart, Golijov and others at the Naumburg Bandshell in Central Park

8/6, 7 PM trumpeter Terence Blanchard with the Turtle Island Quartet at Bryant Park

8/6, 11 PM clever, fiery, eclectic ten-piece Balkan/hip-hop/funk brass maniacs Slavic Soul Party at Drom, $20

8/7, 2 PM an amazing improvisational jazz triplebill: baritone sax monster Josh Sinton with Daniel Carter and Sam Newsome, then brilliant, politically fearless visionary/tenor sax improviser Matana Roberts , and flutist Laura Cocks solo at Oliver Coffee, 5 Oliver St (cor. St. James), Chinatown

8/11, 7 PM slinky, hypnotic percussive Moroccan trance band Innov Gnawa on the steps at the Grand Army Plaza branch of the Brooklyn Public Library

8/14, 9:30 PM  this era’s most consistently interesting jazz pianist, Vijay Iyer at Prospect Park Bandshell. Listen from outside (try around the back) since the arena may still have restrictions

8/17, 7 PM Dominican jazz guitarist Yasser Tejeda & Pelotre at Gantry Plaza State Park

8/18, 5 PM the Harlem Quartet at Times Square. Where? Follow the sound, it seems

8/18 alto sax powerhouse Ravi Coltrane and the sultry Juke Joint Jelis feat. badass singer Brianna Thomas at Drom, time/price tba

8/19, 7 PM double threat Camille Thurman – equally dazzling on the mic and the tenor sax – with the Darrell Green Trio, and trombonist Conrad Herwig with his Quintet at Drom, $30

8/20, 7 PM amazingly dynamic drummer  Johnathan Blake and his trio and wildfire Colombian harpist Edmar Castaneda with drummer Ari Hoenig at Drom, $30

8/21, 7 PM legendary second-wave Afrobeat band Antibalas at Rumsey Playfield in Central Park

8/21, 7 PM edgy, incisive, terse jazz guitarist Russell Malone and his Quartet at Drom, $20

8/22, 7 PM paradigm-shifting Romany jazz/psychedelic rock guitar mastermind Stephane Wrembell at Drom $30

8/24, 6 PM the Donald Harrison Quartet with the Harlem Orchestra play Charlie Parker’s Bird with Strings at Marcus Garvey Park, be prepared to hang on the fringes because there may be restrictions

9/12, 4 PM the Overlook String Quartet play music by Eleanor Alberga, Florence Price, and Chevalier de Saint-Georges at the Morris-Jumel Mansion, 65 Jumel Terrace about a block south of 162nd St., Washington Heights, free, A/C to 163rd St.

9/18, 7:30 PM Trombone Shorty at Prospect Park Bandshell. We might have to listen from outside since the arena may still have restrictions

9/19, 7 PM Patti Smith at Rumsey Playfield in Central Park, maybe listen from outside because there may still be restrictions involved

Twisted Things Come in Threes Today

Been a little while since there have been any singles on this page. But little by little, more and more artists are gearing up for a return to freedom. There’s optimism, apocalypse and fury in today’s trio of songs.

“I’m living in a ghost town, I’m doing things my way, I’m not dead yet, ” four-piece New York band Devora’s frontwoman asserts over skronky minimalist punk rock straight out of the late 80s in their latest single, Not Dead Yet.

Chicago guitar legend Dave Specter and blues harp player Billy Branch build a slow, venomously simmering groove in The Ballad of George Floyd: “Eight minutes of torture, begged for mercy, then he was killed.” Specter has been on a roll with good protest songs, ever since his venomous anti-Trump broadside, How Low Can One Man Go.

Marianne Dissard, who’s been putting out single after hauntingly eclectic single from a planned covers album, has just released the one of her disturbing picks so far, a ghastly remake of Adriano Celentano’s creepily dadaesque 1972 Prisencolinensinainciusol, with a pastiche of samples of lockdown posturing by Boris Johnson, two Trumps, Emmanuel Macron, Angela Merkel, Reccep Erdogan, and Xi Jinping. Together they give Dissard a long, long rope to hang them with.

Saluting Some Great Women Blues Pioneers

These days, the irrepressible playlisters who put together the Rough Guide compilations have turned to the public domain. With digital music having flatlined as a consumer product a long time ago, one way a record label can survive is to reissue hundred-year-old blues songs that don’t require licensing or royalties. And these Rough Guide oldtime blues playlists are good! Each has lots of music, the greats alongside lesser-known talents. One of the best is the Rough Guide to Blues Women, a twenty-five track mix of guitar, piano and larger-group recordings, mostly from the 1920s, released in 2016 and streaming at Spotify.

There isn’t a lot of obvious material on this one. Among the iconic figures here, Ma Rainey is represented by a proto-dixieland version of Stack O’Lee Blues. Likewise, Bessie Smith’s Careless Love has chattering brass and piano. The Memphis Minnie track here is the lesser-known, upbeat shuffle Frisco Town. Sippie Wallace has a big band behind her in the speakeasy tale Parlor Social DeLuxe, while Victoria Spivey – the sweet-voiced Madonna of the 1920s – closes the album over some tasty stride piano with Hoodoo Man Blues.

For those looking for instrumental flash, check out the neat two-guitar intertwine in Ruth Willis’ Man of My Own, Lottie Kimbrough’s gorgeously chiming Rolling Log Blues, and Mattie Delaney’s elegantly pouncing fretwork in Down the Big Road Blues.

The blues can get pretty grim. Leola Manning’s Arcade Building Moan gruesomely recalls a lethal fire, and Greshie Wiley and Elvie Thomas’ contribute the alllusively grisly Pick Poor Robin Clean.

There’s risque material here too, notably Lucille Bogan’s barrelhouse tune Shave ‘Em Dry. Ida Cox’s Moaning Groaning Blues is somewhat subtler. And Hattie Hart fronts the Memphis Jug Band throughout a jauntily shuffling take of Cocaine Habit Blues, a.k.a. Take a Whiff on Me.

Pearl Dickson’s Little Rock Blues is built around a fleet-fingered, cascading riff, Louisa Johnson channels a brittle unease over thumping piano in By the Moon and Stars, otherwise known as I Hate to See That Evening Sun Go Down. Hattie Hudson’s surreal, imagistic Black Hand Blues makes a good segue.

There are a handful of ringers on this album. Louis Armstrong is one, with Bertha “Chippie” Hill fronting a piano-trumpet-vocal trio on a steady version of Trouble in Mind. Likewise, Blind Willie McTell backs his wife Kate in what seems an impromptu homemade version of the Prohibition-era relic God Don’t Like It. The version of Ain’t Nobody’s Business If I Do here is by Fats Waller, with Sara Martin on the mic. And Irene Scruggs sings over Blind Blake’s sparkling picking on Itching Heel Blues.

A Smart, Defiant, Diverse Debut Album From Americana Tunesmith Cristina Vane

Cristina Vane shifts between a simmering intensity and a low-key, brooding vocal delivery. She’s a strong guitarist with command of a whole bunch of blues styles and writes sharply lyrical, darkly aphoristic songs. Her narratives are cached in allusive, grim rural imagery more than fire-and-brimstone gospel. Her brilliant debut album Nowhere Sounds Lovely – streaming at Bandcamp – covers a lot of ground, stylistically and otherwise.

She opens the record with Blueberry Hill – an original, not the Fats Domino classic, although the first verse of this intricately interwoven, Appalachian-flavored acoustic slide guitar blues is set in New Orleans. The devil tells her to get out, so she heads to New Mexico – and that isn’t any more welcoming:

We got spiders in the bathrooms and there’s snakes in the halls
We got our women in white dresses gonna walk through walls
And this house is haunted, not as much as me
But I could shake these demons, they’re good company

Travelin’ Blues has an easygoing Piedmont-style feel, Tommy Hannum’s dobro lingering over Vane’s nimble fingerpicking, bassist Dow Tomlin and drummer Cactus Moser giving it a, loping groove. By contrast, the stark banjo tune Prayer For the Blind has a midwest gothic fatalism, an endless cycle where “Time passes on old wounds as if they were brand new.”

Badlands is not the famous song by that 70s rock guy who became a hopeless lockdowner apologist, but a searing, allusively grim slide guitar-driven blues original. It could be a sinister account of antedeluvian rural hell…or a thinly disguised pro-freedom anthem. The big guitar payoff at the end is spot-on.

There’s redemptive solitude in the front-porch folk waltz Dreaming of Utah, Hannum’s pedal steel adding a touch of vintage Bob Wills western swing. Vane reaches for a matter-of-factly strutting Memphis soul feel in What Remains and goes back to blues with Heaven Bound Station, a steady stroll with some neat twin-guitar interplay.

She switches to banjo for Will I Ever Be Satisfied, a spare, lonesome-traveler type number. Vane imagines her ideal guy in Dreamboy, a stomping, insistent, similarly simmering blues: turns out she likes the strong silent type. Then she slows things down with the moody, slide guitar-driven Wishing Bone Blues, rising out of a hypnotic, summery resonance

The Driving Song captures a gloomy, desperate rural atmosphere where “The characters around me, border the absurd/It’s a comedy of horrors, and it just keeps getting worse.” Vane winds up the album the triumphant waltz Satisfied Soul, Nate Leath’s fiddle harmonizing with the keening pedal steel. If she hits the road in the free states this summer, she’s going to make a whole lot of fans.