Piroshka is Russian for “little dumpling.” But the sound of this British supergroup of 80s and 90s rock veterans has a lot more flavor than your average pot-sticker. Their new album Love Drips and Gathers is streaming at Spotify. Guitarists Miki Berenyi (founding member of dreampop and 90s Britrock visionaries Lush) and KJ “Moose” McKillop choose their spots to echo and clang as the ambience wafts behind them. It’s an interesting synthesis of everything Lush was, from the foundationally icy dreampop of their early career through the more straightforwardly anthemic sound they ended with.
The two guitars linger and mingle in the opening track, Hastings before bassist Mick Conroy and drummer Justin Welch raise the energy. But the hypnotic spacerock ambience remains the same, at least until Terry Edwards’ flugelhorn signals an undulating crescendo out, pure late 80s Britpop.
The Knife Thrower’s Daughter has a muted, drifting art-rock ambience and one of Berenyi’s classic, allusively menacing narratives over increasingly pulsing atmospherics. From there they segue into Scratching at the Lid, another dark Berenyi lyric and icy chorus-box guitars over a brisk new wave bassline.
Lovable is the missing link between immersively artsy early 90s Lush and a big early influence, Siouxsie & the Banshees, in nocturnal mode five years earlier. With its echoing, puffing string synth and brooding minor-key ambience, VO is also a throwback to that era and one of the strongest songs on the album.
Set to a steady backbeat with layered guitar textures and a big, stabbing keyboard crescendo, Wanderlust could be a recent, poppier song by the Church with a woman out front. The album’s high point is another backbeat tune, Echo Loco, turning an old pop formula on its head: catchy, biting verse, nebulous chorus.
The closest thing to an epic here is Familiar, a rippling spacescape. They close with We Told You, a cinematic, goth-tinged mostly instrumental theme.
One complaint about this album: the vocals are too low in the mix, and Berenyi’s vocals are oddly processed in places, a move that backfires more often than not. This blog’s owner saw Lush live more than once back in the 90s and insists that she was as strong a singer onstage, maybe even more so, than she was in the studio, and there’s no reason to think that’s changed.
Piroshka are touring Europe this year, but until the specter of medical “passports” has been put back in its coffin for good, it’s not “safe” to buy tickets to a venue where at the moment you may not be able to enter without taking a lethal injection.