Japanese band Kikagaku Moyo distill some of the best psychedelic influences of the past half-century. Their songs are long, expansive and shift between eras and genres with a hypnotic elegance. Their latest album House in the Tall Grass is streaming at Spotify. They’re hitting New York this weekend for a couple of shows; tonight, Sept 30 they’ll be at Sunnyvale at 10:30 PM for $15. Tomorrow night, Oct 1 they’ll be at Berlin at 9ish for three bucks less.
The album’s opening cut, Green Sugar kicks off with a dramatic, savagely meticulous flurry of tremolo-picking, then hits a strutting groove, an echoey web of Tomo Katsurada and Daoud Popal’s guitars and Ryu Kurosawa’s sitar over bassist Kotsuguy’s catchy, upper-register bass hook, like a gentler Brian Jonestown Massacre. Spare, twinkling bells and chimes add to the surreallistic, nocturnal ambience until suddenly the guitars take the song down toward metal.
Drummer Go Kurosawa’s careful, precise rimshots propel the jangly Kogarashi, a mashup of electrified Indian folk and Malian duskcore. Spare icicle piano drips between the reverb-drenched acoustic guitar mesh of Old Snow, White Sun. The band builds a sparsely lingering, slow post-Velvets ultraviolet ambience in the one-chord instrumental jam Melted Crystal, then picks up the pace with Dune, a catchy, upbeat Japanese folk theme, resonant Pink Floyd grandeur over a jaunty surf-tinged groove.
Pastorally trippy echoes of the Church, Jenifer Jackson, Sergeant Pepper-era Beatles and late 60s Grateful Dead filter throughout the album’s most epic track, Silver Owl, up to a surprise doom-metal crescendo. The group follows that with the swirly spacerock interlude Fata Morgana.
The tricky rhythms and surfy guitar of Trad offer no hint that the band’s about to take its Japanese folk melody into majestic Pink Floyd territory, then rise to White Light/White Heat freakout. The album closes with the gentle, fingerpicked folk-rock Cardigan Song. If there’s any band out there who sound like they could pull off a double live album, it’s these guys.