Funny how crowds at the same event vary from one night to the next, isn’t it? February’s installment of Murder Ballad Mondays at Branded Saloon in Fort Greene was a mobscene. Last month’s was basically limited to artists who’d played previous editions of the monthly celebration of twisted desire in song from throughout the ages. In a stroke of counterintuitivity, most murder ballads have traditionally been sung by men, yet most of the performers at Murder Ballad Mondays have been women. A necessary antidote? Karmic payback? Food for thought.
Ironically, despite the light turnout, this particular night was the best yet. Peg Simone opened, minimalist and inscrutable on piano, her back to the crowd. In a coolly enigmatic alto. she delivered a long, rainswept , eerily chiming noir blues. From there she segued into a hypnotically enveloping, quietly vengeful number, like Nico tackling Long Black Veil. Neville Elder of folk noir favorites Thee Shambels followed with a long, ghoulishly detailed Donner Party-inspired tale: Great Plains gothic as the Strawbs might have done it
Miwa Gemini reinvented the Nancy Sinatra hit Bang Bang from the point of view of a real femme fatale And after playing the surrealistically Gun Club-ish, slide guitar-fueled coda to her Grizzly Rose song cycle, she decided that her imaginary muse doesn’t die in the end: she ends up being the killer.
Cello rock duo the Whiskey Girls – Patricia Santos and Tara Hanish – made their first New York appearance since a sizzling set here late last year, opening with tensefly syspenseful, stark minor-key blues and then a luridly menacing ba-bump latin swing tune, Not Anymore: “The view from the stage ain’t like the view from the floor,” Santos intoned ominously. If memory serves right, they also did a stark chamber pop version of the jazz standard Wild Is the Wind. And creepy parlor pop duo Charming Disaster – who host the night – treated the crowd to a gorgeously harmony-driven number with intricate call-and-response vocals and also a deadpan cover of a Foster the People cheeseball pop ditty. Guitarist Jeff Morris was game, even though his conspirator Ellia Bisker had to twist his arm to get him to play it.
All this capsulizes something you might not expect from Murder Ballad Mondays: it’s not just about dark storytelling or the comfort of imagining someone dead, most likely an ex. It’s about the tunes! The music here is every bit as good as the stories. This month’s performance – rescheduled to SUNDAY, April 24 at 8 PM – includes cameos by the brilliant, historically-fixated Elisa Flynn, haunting folk noir bandleader Jessie Kilguss, shortwave radio operator/pianist Steve Espinola as well as the hosts, who’ve been on a serious creative roll lately.