R.I.P. call themselves a “street doom” band. In the crowdedly monstrous world of heavy rock, they’re unique: thrashy, macabre and as influenced by punk and surf rock as Black Sabbath. They keep their songs short, they like minor keys and have an unusually nimble rhythm section for such a heavy band. Their latest album Dead End is streaming at Bandcamp.
They open with the synthy horror-film instrumental Streets of Death and then launch into Judgment Night, a headbanging mashup of horror surf, hardcore punk and an action movie theme. John Mullett’s slurry bass kicks off the album’s title cut, guitarist Angel Martinez supplying a muted fuzztone attack over drummer Willie D’s lithely sinewy groove: it’s the missing link between the UK Subs and Sabbath.
Nightmare has a heavy biker rock assault much like the band’s Riding Easy labelmates the Death Wheelers. Ominous doom metal chromatics take a backseat to a relentless series of punk rock chords as One Foot in the Grave stomps along, up to a tantalizingly venomous tremolo-picked solo.
Death Is Coming – the featured track on Riding Easy Records’ free Xmas playlist – looks back to Bon Scott-era AC/DC and Judas Priest.
The band move from a catchy cinematic riff to a haphazard, menacing gallop in Moment of Silence. They follow the ominously Doorsy instrumental Buried Alive with the hard-swinging, 70s-flavored riff-rock tune Out of Time. They slow down hard to close with Dead of the Night, the most doom metal-flavored track here, with a vampirish vocal cameo. Not a single weak track on this album.