Every year, in celebration of 4/20, the warped brain trust behind the Brown Acid vinyl compilations release a new volume in the series. The initial concept focused on resurrecting rare heavy psych and proto-metal singles from the late 60s and early 70s. As the years went on, the project grew into a quasi-solstice celebration, twice a year, and began to encompass heavy funk as well as the occasional thrashy, garagey R&B or protest song, which makes sense considering that a lot of this music dates from the Vietnam War era. The brand-new fourteenth volume – streaming at Bandcamp – is a characteristically wide-ranging and entertaining celebration of stoner excess. For whatever reason, this one is somewhat more pop-oriented: Nuggets on Thai stick.
The first track is Fever Games, by Harrisburg, Pennsylvania band the Legends. Stoner boogie gives way to heavy funk in this 1969 Hendrix homage with a devious Little Wing quote – not the one you think – and Iron Butterfly drums.
Detroit duo Mijal & White’s 1974 B-side is a throwback to early heavy British pop bands like the Herd: some excellent extrovert drum work here. The real rediscovered gem on this playlist is Texas band Liquid Blue’s 1969 obscurity Henry Can’t Drive (why can’t he get behind the wheel? Guess).. Lead guitarist Ted Hawley would go on to become an important figure in Texas blues: his slithery multitracks here are exquisite.
The San Francisco Trolley Company were actually a Michigan band, represented by their fierce 1970 original, Signs. With the group’s cheap amps spewing dust-bunny overtones, it stands up strongly alongside the heavier Detroit acts of the era like SRC.
The contribution from West Virginia garage rock project Blue Creed is pretty generic. One of the most obscure but tightest and catchiest tunes here is Play It Cool, Transfer’s slyly shuffling, slightly surfy 1974 shout-out to stoners on the DL. Even less is known about Appletree, whose cowbell-driven single You’re Not The Only Girl (I’m Out To Get) is built around some tightly scrambling lead guitar work.
There’s an interesting blend of Beatles and Hendrix in I’m Tired, by Chicago collar-county area band Cox’s Army. The last song is the Columbus, Ohio crate-digger favorite Raven’s 1975 mostly one-chord jam Raven Mad Blues, a prime example of the extreme hippie self-indulgence the Brown Acid records sometimes descend into. Punk rock was born as an antidote to monstrosities like this – although as a comedic coda to this latest installment, it’s pretty priceless. May there be many more.