One of New York’s Best Powerpop Bands Stands Up For the People of Ukraine
The only side this blog takes as far as the war in Ukraine is concerned is with the people against the governments. Zelensky is a World Economic Forum puppet and evil AF. Putin is just as horrible: he claims to have poisoned the entire Russian army with a domestic version of the lethal Astra Zeneca injection. As usual, it’s the people of Ukraine and Russia who are being screwed. For those who’d like to help civilians in Ukraine, there’s a benefit concert on Sept 30 at Otto’s with a very diverse lineup playing to benefit Razom For Ukraine. Artists on the bill include songwriter and visual artist Kassaye Selassie, Granite to Glass, Americana harmony duo Raising Daughters, the reliably ferocious Giftshop, edgy powerpop songwriter Abbie Roper, country-folk two-piece Plane Station, sardonic powerpopstress Carissa Johnson and others.
The night’s centerpiece is the smart, wickedly tuneful Giftshop, who have been featured on this page before and play a slashing mix of dark powerpop and punk at 8 PM. They’ve gotten a lot of press here, not just because they’re a good band, but because they were pioneers in making practically their entire discography available as free downloads. It’s the best possible advertising for their live show.
One album of theirs that hasn’t made it to the front page here til now is their Blue Monster record, from 2017. It captures the moment when they transitioned from the harder, original punk sound into the darker, sleeker, more lyrically rich territory they’ve been mining in more recent years.
The opening number is Despicable, a catchy riff-driven dis song that seems designed for audience participation. Track two is Cill the Choreographer, which with a luscious blend of Fender Twin guitar sonics could be a New York version of the Avengers. And it’s even more venomous.
The band hit a slashing minor key pulse in track three, Dangerous, frontwoman Meghan Taylor sending out a word of warning to everyone on the junkie tip. Then she and the band flip the script with Doncha Know, a detour into lingering Lynchian Julee Cruise pop.
Red Letter Day comes across as the UK Subs with a young Belinda Carlisle out front. Spooky Halloween Christmas is a ghoulishly good punkabilly tune to get you psyched for next month (and New York Music Daily’s upcoming, annual monthlong Halloween celebration!). They close the album with a brilliantly turbocharged cover of the Motels classic Only the Lonely. Grab this while it lasts.
Giftshop are also on a killer twinbill at the Parkside with the similarly fiery, female-fronted Castle Black on Oct 21 at 8 PM.