A Pensive, Evocative Album by Jessica Ackerley and Daniel Carter

by delarue

Guitarist Jessica Ackerley and multi-instrumentalist Daniel Carter‘s duo album Friendship: Lucid Shared Dreams and Time Travel is testament to fearlessness under duress. While music venues were shuttered in the 2020 totalitarian takeover, these two fixtures of the New York improvisational scene were keeping hope alive and playing outdoor shows. Convening in a Williamsburg studio late that summer, they recorded eight thoughtful rainy-day improvisations, streaming at Bandcamp.

Ackerley plays acoustic guitar here, with Carter on his usual mix of saxes, trumpet, flute, clarinet and occasional percussion. On the record, Ackerley is typically the acerbic one, stubbornly resisting any distinct major or minor resolutions while Carter generally serves as calm voice of reason.

To open, Ackerley plays opaquely lingering, trebly chords as Carter’s sax wafts gently overhead. Track two begins more spare and wintry, Carter maintaining a balmy presence punctuated by a few wary trills until Ackerley shifts into more emphatic territory.

The third track begins sparsely, Ackerley’s strumming rising with hints of flamenco. She backs away, then returns with a spikier, more precise attack in the aptly titled Dream State: Carter’s sax descends from the clouds to goose his bandmate’s phrasing and pull her toward more frenetic and then immersive territory

Lucid Dreamer features spaciously strolling guitar underpinning wafting flute, then grows with waves of energy and descends to lullaby ambience. Hidden Truths is another aptly titled number, Carter picking up with an occcasionaly microtone-fueled edge as Ackerley runs an insistent, mysterious percussive riff, then follows a squirrelly, somewhat furtive trail. A hazy thicket of sound ensues, as does the persistent comforting/disquieting dichotomy that permeates the album.

Carter develops a fond sax ballad as Ackerley scrambles to find her footing in Foreknowledge, He switches to clarinet for a woodsy intro to the final number, Awakening, Ackerley building quickly to a hypnotic, hammering pulse. It ends decidedly unresolved.

There’s no telling where Carter could be next – maybe several places on a single evening. Ackerley’s next gig is on May 31 at 6:30 PM at Downtown Music Gallery as part of an intriguing, potentially pyrotechnic trio with saxophonist Erin Rogers and drummer Henry Mermer, followed by the duo of trumpeter Darren Johnston and drummer Ches Smith.