Martina Fiserova Brings Her Individualistic, Soulful Tunesmithing to the Lower East

by delarue

From the mid-teens until the 2020 lockdown, Czech-born songwriter Martina Fiserova was a familiar presence and a distinctive voice in the New York small club scene. Her tunesmithing is sophisticated, purposeful and defies categorization, with elements of oldschool soul, chamber pop, 90s trip-hop and jazz. She plays electric rather than acoustic guitar, likes short songs and sings in strong English in an unselfconsciously direct, uncluttered voice. Since the lifting of restrictions, she’s back on the live circuit, with an early show tonight, May 22 at 5 PM at the small room at the Rockwood.

Like so many artists whose career was put on ice by the grim events of March 2020 and afterward, Fiserova hasn’t put out an album in awhile. Her most recent release, Shift, came out in 2015 and is still up at Bandcamp: it gives you a good idea of the many angles she comes from. She’s got a great band behind her: Brian Charette on organ and piano, and her fellow Czechs Tomáš Baroš on bass and Dano Šoltis on drums. In addition to guitar, Fiserova plays tone lyre, slate xylophone, bronze metallophone and keys.

She opens with Silver Streams, a slow, catchy, minimalist ballad awash in water imagery, that picks up with an unexpectedly funky pulse fueled by a cheery, blues-infused Charette piano solo. Track two, Crater is a hypnotically clustering number in 12/8: “The sleep is broken, tears are stuck in my throat… unseen forces, the pain spreads like white sheets…”

Song For Brian, a swaying, pensive number contrasts Charette’s strikingly direct piano with Fiserova’s more enigmatic guitar lines. “The sound of a breaking heart is stronger than a storm,” she muses in the intro to Cold, then the band leaps into a brisk, bracing offbeat shuffle, Charette on soul organ

She follows Misunderstanding, a slinky, low-key organ swing tune with Invisible Blood, the band slowly edging their way into waltz time as Charette adds iciness behind Fiserova’s elegant fingerpicking and more of that loaded water imagery.

An unlikely flock of pigeons serve as inspiration for the next track, And Fly!, Fiserova offering plainspoken, inspiring encouragement to leave fear behind. Little did she know when she recorded it how relevant this song would become five years later!

She keeps the fearless theme going in My Wind, with its rhythmic twists and turns. from jazz into oldschool soul and back on the wings of Charette’s organ. He blends organ and blippy Rhodes piano in Chasm, a brisk, twinkling, motorik soul tune that could be the album’s catchiest track. Then Fiserova completely flips the script with Silver Moon, rising from an understatedly dark, squirrelly free jazz intro to a big, soaring anthem. The final cut is the pensive, airily wary Closer. Since the album came out, Fiserova has pursued a more straightforward, guitar-driven sound: she is likely to take the volume up a notch at the Rockwood gig.