Beguiling New Sounds From Ancient Instruments
What’s the likelihood that a contemporary composer would write a partita for viola da gamba ensemble? Molly Herron – who plays bass viola da gamba on her new album Through Lines, streaming at Bandcamp – has done exactly that. Although it’s on the minimalist side, it’s very dynamic: sometimes bracing and sober, other times immersive, and unexpectedly funny in places.
Science Ficta’s Loren Ludwig and Zoe Weiss, on standard models, and Kivie Cahn-Lipman on bass viola da gamba, join the composer in this eleven-part suite. Each segment is on the short side, four minutes or sometimes considerably less. The introduction is spacious and on the austere side, rhythmically staggered plucking backed by simple long-tone lines. The dusky tones of gnawa occasionally come to mind.
The quartet follow a study in wafting drones, overtones and fluttering pedal notes with playful, conspiratorial eighth-note phrases, hypnotic flurries and enigmatic close harmonies. Segment four, After Picforth alludes to a stormy anthem, then recedes into atmospherics.
There’s also an overtone-spiced contrast between plucked acerbity and calm ambience; a wry rondo assembled from echo effects; somber, assertive variations on a simple minor chord; and a coy return to the opening theme at the end.