Drifting, Uneasy Atmospheric Vistas From Shida Shahabi
The central instrument in Shida Shahabi’s new score to Maria Eriksson-Hecht’s new short film Alvaret – streaming at Bandcamp – is Linnea Olsson’s cello. Minutely nuanced overtones flickering from her strings, it’s a well chosen vehicle for Shahabi’s slowly unfolding, minimalist vistas. Anna Thorvaldsdottir’s work comes strongly to mind.
This latest ep is consistent with Shahabi’s penchant for short, concise albums. It’s best appreciated as a single, drifting whole. The composer adds subtle synth washes and bowed bass in places. You have to wait til the fourth segment for the adrenaline from her slow, ominous glissandos to kick in. There are children in this cornfield, and they do not seem friendly!