Castle Black Take Their Dark Unpredictability to the Next Level

by delarue

Castle Black started out as a haphazardly noisy power trio and have grown into more of an art-rock band while never losing their punk edge. Frontwoman Leigh Celent has kept the group going after the 2020 lockdown with a rotating rhythm section, and managed to make a scorchingly eclectic new short album, Get Up Dancer, streaming at Bandcamp. Since this is a pretty dark record – aren’t they all, with this band – it fits the bill for today’s episode in the ongoing, October-long Halloween celebration here.

It’s great to hear these tracks all fleshed out in the studio after seeing the latest version of the trio roar and slink through them at their show in Long Island City a couple of months ago. The first cut – the title track, more or less – is Radio Queen, a sleeker, more trickily rhythmic take on careening early 80s punk, like the Vice Squad classic Last Rockers but way tighter.

Likewise, the metric shifts in Another Grand Delusion, a gorgeously serpentine, angst-fueled anthem awash in Celent’s signature reverb and roar. Her machete guitar riffage, Scott Brown’s tersely ascending bass and the tumbling drums blend to raise the heartbroken angst in Talking About Those Nights to redline.

Knife in My Heart is a revenge fantasy, part ba-bump cabaret, part echoey psychedelia, part searing powerpop, Celent on keys in addition to guitar. An icy high/low guitar/bass contrast gives way to a burning chorus in That Little War: it wouldn’t be out of place in the Thalia Zedek tunebook. Same applies to the last song, Sorry, the album’s most darkly enveloping number. It’s rewarding to see Celent refusing to stay in one place and find dark new avenues to explore. Count this as one of the most intriguing and best rock records of 2021.