Edge of Paradise Welcome You to Dystopia
This being Halloween month, it’s the most likely time of the year to find a nebulously dystopic metal-flavored album here. Edge of Paradise‘s new release The Unknown – streaming at Soundcloud – is more for fans of anthemic, retro 80s new wave sounds than diehard metalheads. But it’s hardly lightweight.
The first song on the record is Digital Paradise – let’s say frontwoman/keyboardist Margarita Monet doesn’t exactly see this hall of avatars as heaven. It’s a steady backbeat tune, as Missing Persons might have done it (but didn’t) with a brief, muted finger-tapping solo from guitarist Dave Bates grafted on. Throughout the album, Monet sings through a maze of effects, further enhancing the bleak, techy, futuristic chill.
Layers of subtly but wickedly intertwined guitar roar rise to redline in Tidal Wave along with Monet’s righteously raging vocals. The album’s title track starts out as a strangely floating soundscape, then the band take it into aggressive action movie theme territory. The next cut, Believe is a defiant resistance anthem, Monet’s leaps into the stratosphere grounded by bassist Ricky Bonazza’s crunchy chords.
Bates’ muted machinegun riffs line up against Monet’s blustery synth in False Idols. From there the band segue into You Touch You Die, drummer Jamie Moreno hanging back suspensefully until the synthy skies break. “You were given a perfect world and you threw it away,” Monet accuses.
Darkness descends anxiously to match the metal crush in One Last Time – it’s the album’s best and heaviest track. Leaving Earth is the bounciest and poppiest number: “Who’s in control, machine or man?” Monet wants to know. The title of the anguished, drifting final cut, Bound to the Rhythm, telegraphs how this ugly story ends. There’s also a bonus track, an “industrial remix” of My Method Your Madness which is actually quite good since it’s more of a dub version.