Irresistibly Fun Retro Cinematic Themes From Sven Wunder
Sven Wunder, like the soul/funk icon whose name he’s appropriated, is pretty much a one-man band. His specialty is balmy, cinematic instrumental themes with a psychedelic, late 60s/early 70s European feel. One good comparison is Manfred Hubler’s Vampyros Lesbos soundtrack in a particularly calm or pastoral moment. Among current bands, Tredici Bacci are another. This second Wunder’s playful, entertaining new album Natura Morta is streaming at Bandcamp.
Tinkly piano and fluttering flute breeze into the album’s opening track, En Plein Air before the strings go sweeping over a lithe, bouncy beat spiced with chiming keys. Is that an electric harpsichord? Is that real brass or the artificial kind?
More of those brassy patches alternate with brittle, trebly vintage clavinova, echoey Rhodes and sinuous hollowbody bass in Impasto. Prussian Blue begins with a cheery piano cascade and rustling flute but quickly becomes a strutting motorik surf rock theme. Surf popcorn? Popcorn surf?
The album’s title track is hardly the dirge the title implies: it comes across as a sort of orchestrated 70s soul take on Bob Marley’s Waiting in Vain. Wunder subtly edges the beat in Panorama into a 6/8 sway with 12-string acoustic guitar, wafting strings and winds, and vintage keyboard textures.
He goes back to vampy, lushly orchestrated early 70s soul with Alla Prima, those layers of 12-string guitar sparkling overhead. The sparkle continues in Umber, which has a somewhat more uneasy, pensive edge. Barocco, Ma Non Troppo is a funny little number: it’s a canon of sorts, but with shuffling syncopation and a funky Rhodes interlude
Wry low-register clavinova contrasts with the sweep of the strings in Memento Mori: the message seems to be, let’s party while we can. Pentimento is the album’s most hypnotic track, sheets of strings and winds shifting through the mix over growly, clustering bass. Wunder reprises the title track at the end with slip-key piano that’s just a hair out of tune. Somewhere there’s an arthouse movie director or two who need this guy.