Playful, Inventive, Outside-the-Box Romany-Inspired Jazz and Reinvented Classical Themes
Violinist Gabe Terracciano‘s album Three Part Invention – streaming at Bandcamp – is a lot of fun, with very inventive arrangements and ideas springboarding off a familiar three-piece Romany jazz setup: guitar, violin and bass. Guitarist Josh Dunn has his Django Reinhardt parts down cold but also gets to indulge in some nimble classical guitar and other styles while bassist Ian Hutchison holds the center, even when he’s in rapidfire mode.
Throughout the record, there are some welcome and unexpected interludes for solo bass, particularly in Dance for Jimmy a bluesy strut with less obvious Romany jazz influence and spare, surrealistically descending solos from guitar and violin
The most obvious Django Reinhardt/Stephane Grappelli influence is in the trio’s take of Crazy Rhythm. Violin and guitar double each other in the undulating but motoring Fleche D’Or, with some breathtakingly shivery violin work from Terracciano.
The piece de resistance here is the austerely airy, lingering, tantalizingly brief arrangement of Erik Satie’s iconically haunting Gymnopedie No. 3. They rename the famous baroque tune Invention No. 4 as “Beautiful Love,” moving from a rapid stroll to fugal exchanges between guitar and violin, Terracciano taking Bach to Belleville.
A lot of people have taken Beethoven’s Pathetique to new places; this one is a mashup of the baroque with distant Celtic tinges.
Terracciano switches to viola for a stark, spacious take of Alex North’s love theme from the 1960 movie Spartacus, leaving behind waltzing nostalgia for more incisive terrain and an all-too-brief, poignantly dancing bass-guitar interlude. And Sweet Chorus comes across as an emphatic, strolling take of Sweet Sue with biting violin and expansively chordal guitar.