A Magical, Mystical, Profoundly Relevant New Hildegard Recording By Seraphic Fire
Seraphic Fire‘s new recording of Hildegard von Bingen’s Ordo Virtutum – streaming at Spotify– couldn’t have come out at a more appropriate time. It’s a parable of good versus evil. The Virtues and the Devil battle over a soul; eventually the Virtues win. At the most pivotal moment in world history, as the voices of reason struggle against a genocidal, needle-wielding cabal of tech oligarchs, this celestial, otherworldly, stark music offers considerable solace and inspiration.
The central riff in the introit is an aptly solemn, desolate, seven-note phrase in the blues scale. It occurs here and there in British folk music and has been appropriated by the occasional classical composer in the centuries since. The rich natural reverb in the space where this was recorded enhances the feeling of isolation – something the world has suffered in unprecedented proportions since March 16 of last year.
The choir take their time with the prologue, the syncopation livening its hypnotic melody. As Anima, the embattled soul, Luthien Brackett sings with understated drama and optimism. Clara Osowski portrays Humility, Queen of the Virtues with a calm tenacity. James K. Bass plays the role of the Devil, the lone male character in the narrative. Hildegard refuses to give him a melody, so all he can do is bluster and bellow: feminism, 12th century style.
The men and women of the choir sing the rest of the roles, conducted with masterful attention to detail by Patrick Dupre Quigley. After the devil makes his entrance, we get a tantalizing bit of close harmony from the women. Long, understatedly imploring solos interchange with a sneering, diabolical presence.
A whispery, sepulchral drone lingers beneath the women’s voices as the soul returns. The final two passages, where the devil gets tied up and then sent back to hell, are tidy and bright: if only salvation was this easy!