Lingering Mystery and Lynchian Sonics From the Royal Arctic Institute

by delarue

If you have to hang a label on the Royal Arctic Institute, you could call them a cinematic surf band. They have a Lynchian side, a jazzy side and also a space-surf side. Their latest album Sodium Light is streaming at Bandcamp.

The opening number, the vampy Prince of Wisconsin has an easygoing sway, Gramercy Arms keyboardist Carl Bagaly’s bubbly Rhodes piano giving way to bandleader John Leon’s reverby twang and then grit. The distant wistfulness in Christmases At Sea is visceral, the jangly mingle of guitar over David Motamed’s tense bass pulse and Lyle Hysen’s muted drums.

We Begin on Familiar Ground is a real chiller: the big bite at the beginning is just a hint of what’s to come over spare, creepy, mutedly lingering ambience. The trick ending, and the searing guitar solo from And the Wiremen‘s Lynn Wright, are just plain awesome. Is this a lockdown parable? Who knows: the album was recorded clandestinely somewhere in the tri-state area last year.

The fourth track, Different in Sodium Light is a return to balmy Summer Place calm, Wright adding just a tinge of ominousness with his elegant solo. The final cut, Tomorrowmorrowland is the closest thing here to And the Wiremen’s ominous, Morricone-esque southwestern gothic, with a slashing organ break. On a very short list of rock albums released in 2021 so far, this is one of the best.. And it’s available on cassette!