A Heavy Psychedelic Afrobeat-Metal Suite From Here Lies Man
Here Lies Man are a spinoff of legendary second-wave Afrobeat band Antibalas. Their first couple of records basically metalized that Fela-inspired sound, with mixed results. Their new album Ritual Divination – streaming at Bandcamp – is where the rubber really hits the road.
They’re found themselves here: if you have to hang a name on what they’re doing, you could call it heavy psychedelia. Rhythms shift suddenly, dubwise touches filter through the mix occasionally, guitars roar and stab. Because much of this album is basically a suite – or a Fela-style sidelong jam separated into shorter tracks – it’s best enjoyed as a whole. And it’s a long album, sixteen songs, mostly instrumental: you could say that after awhile it all sounds like one long song, but it’s a good one.
They open the album with In These Dreams, a loping minor-key groove with gusts from Marcos Garcia’s distorted guitar and organ from Doug Organ (that’s the dude’s name) over a beat that’s practically reggae until the chorus kicks in. I Told You (You Shall Die), the second track, is a killer minor-key number that could be a heavier Budos Band with a mellotron.
They run the big, brisk riff from Underland over and over, then with What You See they shift up the tempos with it. Can’t Kill It has a circling stoner blues riff, a tricky rhythmic interlude from bassist JP Maramba and drummer Geoff Mann and a big, swirly stampede. Things get swirlier, then more suspensefully gritty in Run Away Children
If Sabbath had played Afrobeat – or if Fela had been a metalhead – you’d have I Wander. There’s a little stoner boogie in Night Comes, and postpunk stomp in Come Inside.
Collector of Vanities has the whole picture: funereal organ, punchy chords, allusive chromatics. Disappointed will not disappoint you with its weird mashup of garage rock, dark dub and a goofy Sabbath reference. Then the band shift between leaden riffage and fleet-footed, organ-spiced Afrobeat in You Would Not See From Heaven.
Strangely, The Fates Have Won is one of the album’s catchiest yet most hypnotic tracks. Out Goes the Night has weirdly undulating rhythms and the trippiest organ parts here. The group finally wind everything up with Cutting Through the Tether, another organ-infused tune and the most trance-inducing one on the album.