Pure Escapism From Cuushe
Isn’t it really weird that there was so much happy, upbeat music released in 2020, the worst year in human history? That’s because it was all made in 2019…or at least before the lockdown. Case in point: Cuushe, AKA Mayuko Hitotsuyanagi and her twinkly, pillowy new album Waken, streaming at Bandcamp. Most of this one could have been made before 9/11, before Facebook, youtube, Myspace or even the Y2K scam. You want escapism, this is your jam.
The opening number comes across as late 90s Missy Elliott in a particularly lighthearted interlude, taking a stab at trip-hop electro from five years earlier. The second track, Magic looks back ten years before then to glossy new wave pop, synthesized strings gusting and shimmering over a techy bounce.
Cuushe’s airy voice sails over blippy dancefloor beats and icy, playfully layered layers of upper-register keyb multitracks in Emergence. Not to Blame is all melting-plastic neosoul, while Nobody sounds like somebody’s sampler went on the blink during the mixing process.
Drip is aptly titled: burying those autotuned vocals behind all the keys was a good idea. Cuushe winds up the album with Beautiful, a slow jam with what sounds like an out-of-tune koto riff popping up here and there, and then Spread, a glistening, rainswept summer evening trip-hop tune.