Ferocious Dreampop and Metal From Imha Tarikat

by delarue

Imha Tarikat play a venomously, envelopingly melodic, reverb-drenched blend of black metal, punk and dark dreampop. Frontman/guitarist Kerem Yilmaz bellows in German; he doesn’t go for the pigsnorting cliches so many other bands fall into. If immersive, full-throttle minor-key guitar is your thing, this is your jam. The group’s new album Sternenberster is streaming at Bandcamp.

The first track is titled Ende, appropriately enough. It sets the stage for the rest of the record: a wall of guitars, machete tremolo-picking, machinegunning rhythms and a dreampop influence that reflects the gritty, assaultive swirl of My Bloody Valentine instead of the icy delicacy of Lush.

The stampede, the punch of the bass and the tremolo-picking get even faster in Sturm der Erlösung. By saying they slow things down a little for the punk anthem Kreuzpunkt der Schicksale says a lot about how hard this crew usually hit – and they take it doublespeed at the end.

Wailing up and down on the guitar strings relentlessly – Yilmaz must melt a lot of picks – they segue into Brand am Firmament, a vortex of dreampop and black metal with a southwestern gothic theme buried in the mix. The New Order outro is a trip.

They shift between MVB maelstrom and pretty straight-ahead punk in Klimax Downpour, with a rare, wailing guitar solo. The wall of tremolo-picking gets denser and more hypnotic in Aufstieg, built around a catchy ascending riff. They go back to thrash-punk stomp and torrential atmosphere in the album’s title track and close the record with a brisk, arpeggio-fueled classical piano theme.