Eliza and the Organix’s Psychedelic New Album Was Worth the Wait

by delarue

“You can dance to them, but they also have flashes of psychedelia and a vintage punk fearlessness. They’re funky, but their sound is uncluttered and gritty,” this blog enthused in 2017 about Eliza and the Organix’s debut ep Present Future Dreams. It’s taken them three years, but they’ve come up with a conclusion to that playlist, Present Future Dreams II, streaming at Bandcamp. It’s a lot more psychedelic, less dance-oriented and just as edgy. Frontwoman/guitarist Eliza Waldman’s instrumental chops and vast expanse of guitar textures are even more interesting this time out.

The first track is Road Home, an easygoing, cantering Afrobeat groove fueled by sax player Kristen Tivey and guest trumpeter Evan Lane that picks up with punk fury as the chorus kicks in. Waldman really cuts loose with her axe at the end, drummer John Gergely taking it out with a crash.

Jason Laney plays soulful organ in Sally Gave Me a Dollar, which shifts between loping psychedelia and straight-ahead backbeat rock, Waldman and bassist Will Carbery doubling each others’ riffs. They take a detour into a surreal early 80s-style mashup of reggae and no wave in The Perfect Fit: “I’ve been a wastrel on my knees,” seems to be the key line here.

There are two versions of Broken Sky here. The first clocks in at about seven minutes and is one of the best songs of 2020, a toweringly overcast, Pink Floyd-ish anthem, with Waldman’s most intense vocals, lyrics and a memorable duel between guitar and sax. The short version is a radio edit missing most of the fireworks.

The final number, Present makes a great segue, like the Doors with a woman out front and another tasty, trippy guitar/sax interlude. Good to see this band taking their individualistic sound to the next level.