A Cure For Wellness – More Apropos Than Ever

by delarue

It’s hard to imagine a more appropriate title for any work of art in the year 2020 than A Cure For Wellness. Gore Verbinski’s dark psychological thriller film was actually released in 2016. Benjamin Wallfisch’s orchestral score was also released as a stand-alone album and is streaming at Spotify. It’s a masterpiece of immersive, creepily and artfully arranged neoromanticism, comparable to Saint-Saens or Schubert. This somber theme and variations works just as well as a soundtrack for the year of the lockdown, where a system which was imperfect to begin with was engineered to divide, conquer and murder through a campaign of relentless terror.

The opening theme begins with disturbingly childlike vocalese joined by slow, somberly waltzing, piano and strings, which grow more oppressively creepy in the brief first variation. A circling, macabre, Philip Glass-like interlude and a brief, quasi-Renaissance chorale keening with overtones enhance the mystery.

Feuerwalzer, a twistedly Shostakovian parody of a genial Viennese waltz, is next. As the score moves along, Wallfisch employs bells for extra menacing ambience, brings back the orchestral bluster and then a still, moody suspense. Cynical, pseudo-motorik strings recede for gamelanesque phantasmagoria and then return after a gloomy lull.

Stygian atmospherics, cruelly warped chase scenes and sheer desolation follow in turn, with the waltz theme making a predictably melancholy return. Mirel Wagner and the composer himself end the album with a sarcastically opiated guitar-and-vocal version of I Wanna Be Sedated.