Revisiting a Relentlessly Bleak, Minimalist Film Score
The annual monthlong Halloween celebration here may be past the midpoint, but there’s still plenty of dark music left in the pipeline through the end of the month. Today we celebrate with the immersive score to the 2019 Rashid Johnson film Native Son, by Kyle Dixon and Michael Stein (of S U R V I V E), streaming at Spotify.
This is a very atmospheric, minimalist series of electronic soundscapes. A brief series of doppler-like phrases sets the stage. There’s more ominous texture and contrasts – rumbling lows, hypnotically shifting sheets of grey noise – than there is discernible melody. Which isn’t to say that there isn’t drama: those moments of agitation spring up in a split second, only to fade down into the murk.
Much of this evokes echoey industrial drainpipes, waves of heat over asphalt, and cold mechanical drones which build to turmoil. In contrast, there are interludes with simple, slowly rising and falling synthesized strings, and vintage 80s synth patches. Somewhere a Terminator is running low on juice.
The film itself is based on the iconic Richard Wright novel: if the score is any indication, the cinematic version of the story of Bigger Thomas is even more relentlessly bleak than the book.