A Brand New Protest Song
by delarue
Why are so few people outside the jazz world writing protest songs these days?
Because we’re so overwhelmed? Because events have become so chaotic that a topical song is almost dated from the time it’s written?
Or because people are too afraid?
Here’s a brand new one this blog heard recently:
New Abnormal Blues
Computer salesman put on his boogieman suit
Said if anybody moves around here just shoot
People stand in line, six feet apart
You’re going back to the plantation for a brand new start
Go down, go down Moses
Go down, go down Moses
Go down, go down Moses
Crossroads is calling to you
Like Julian Assange, a rocket from the tombs
I’m hearing other voices from many other rooms
Fake news twenty four seven, three sixty five
Nonstop limousine liberal pledge drive
Go down, go down Moses
Go down, go down Moses
Go down, go down Moses
Crossroads is calling to you
Sheeple walking round in their muzzles and veils
Can’t see the express train coming down the rails
Mad doctor gonna get you before you pull the lever
Gonna vaccinate you from any further endeavor
Go down, go down Moses
Go down, go down Moses
Go down, go down Moses
Crossroads is calling to you
Every last little Hitler kissing up to the boss
Get a good job working for the Holocaust
Death camp duty, surely pay the bills
From the Javits Center to Forest Hills
Go down, go down Moses
Go down, go down Moses
Go down, go down Moses
Crossroads is calling to you
Teachers screaming at kids, they can’t hug their friends
Parents won’t tell ‘em how all this ends
Call the snitch hotline, tell ‘em everything you saw
You know divide and conquer, that’s the law
Go down, go down Moses
Go down, go down Moses
Go down, go down Moses
Crossroads is calling to you
You better catch that tablet flying past your head
Take it to the mountaintop, tell us what it said
Better read that writing bleeding through the wall
Hear that trumpet, that’s your wakeup call
Go down
Crossroads calling to you
Tunewise, this is a fast shuffle blues in G – but you can sing it in any key that works for you. The four lines of the verse follow a G-G-C-G progression. Likewise, the chorus is G-G-D-G. And watch the very end of the song, the chorus is just those two lines, starting with the D and then back to the G – or the fifth and back to the root if you do it in a different key.
Mess around with the chords and you’ll find a melody – try starting on the D with the first line of the verse and make your way down to the G. And the chorus is a gospel call-and-response – if you can start with a high G on the first “go down” and then hit the low one on the next “go down,” give that a try.
This blog sees this as more of a lowdown, chugging take on what Dylan did with Subterranean Homesick Blues, or the kind of shuffle Nick Lowe would do with Rockpile. If you’re going to play a solo, after the next-to-last chorus seems like the logical place. But like any other folk song, how you do it is really up to you
